EMMA STONE: "Cabaret" (Cabaret ~ Broadway, 2014)

[@peekaboo9464]

This is such a unique version because all the other Sally's online have been dressed in a state, makeup smeared and the song is sung like someone in the throws of a colossal mental breakdown. Emma's version is collected and prim and proper with a plastered fake smile of someone trying their best to keep it together and I enjoy the subtlety of her struggling to get through the song while trying to keep her composure. I enjoy the rabid, feral take on this song most do but I really appreciate the inner struggle Emma's version seems to be having with herself in her portrayal of Sally

[@jonathanbishopmusic]

I wonder if it's that she's a film actress and is accustomed to acting with subtlety and nuance, as opposed to stage acting where everything is typically done "big" so the audience can see it from a distance.

[@fuse4425]

GCSE Drama performance

[@diegovera1353]

I think this is just the way they portrayed sally at the time. It’s the same way it was done in 93

[@rhysspeight7142]

different productions, this is from the sam mendes revival, the other ones are from the new london production

[@maggiemcfly5267]

​@@jonathanbishopmusicno at all, this is standard for this production.

[@firstpresidentgeorgewashington]

the pause after “the day she died” and the raw delivery of “the neighbors came to snicker” is so heartbreaking and well-done 😭

[@EoinWalsh]

Fr😭😭😭

[@salomonrael8117]

the touch of her throwing the mic to the ground is so perfect. not only does it encapsulate the breakdown portrayed by this number, but also tributes Natasha Richardson

[@dmayor39]

Same directors. Basically the same production.

[@elphbwckd212]

It was literally in the direction from the original production... Every Sally did that because that was the direction... Don't laud this performance for something so basic. 😊

[@BlakeJAskew]

It's part of the blocking for this production. Every replacement performer has to follow it

[@salomonrael8117]

​@@elphbwckd212 and how about you dont be fucking rude for absolutely no reason at all.

[@Schwansonian_Townsonian]

Whatever. She’s still an amazing actress.

[@theL81Again]

I was fortunate to see her perform. At the end of Cabaret, she was gone and started yelling at us. It was so raw and disturbing. We collectively lost our bleep. Standing O! 👏👏👏👏

[@laurafanning6035]

I've seen so many versions of this show from the sublime to the ridiculous and this Sally is up among the greatest. Viva Emma!

[@capnandy462]

Jesus. That was legitimately terrifying by the end. Goes to show Stone’s amazing talent; she’s dolled up properly and smiling, and still makes it utterly clear that this is a woman in the throes of a complete breakdown.

[@kevinjones3416]

It was magical in person, she really got the essence of Sally Bowles

[@ZoeStoller]

I so agree!!!

[@Xerosch]

I love how many amazing spins on Sally you can find on KZbin. For me, Emma Stone's version is remarkable for making her vulnerable. The way she drifts off at 1:50 and is dragged back into her horrible life by the band at 3:30 is acted amazingly. Sally's moment of shock and irritation when the music picks up is stunning.

[@CynthiaMoon23]

I like that they made her look beautiful, yet you see inner turmoil via facial expressions, gestures, and body language. It shows the inner reality, but also that she’s choosing the outer fantasy which is what the original 1967 staging communicates at the end. What I didn’t notice until I saw this performance was how disjointed the music was within the song, as if the music is mimicking her downward spiral. Emma uses this disjointed-ness to brilliant effect. Each pause she takes as subtle gesture and body language cues that show what’s really going on. You get a range of emotions from anger to pain to confusion to sadness to ultimately, I believe, acceptance of her fate. In his stories, Isherwood always meant Sally’s abortion to be a moment of truth - a turning point, if you will - where she completely embraces the fantasy world and persona she creates for herself. It’s quite nihilistic if you think about it.

[@JordanVanRyn]

I didn’t know Emma Stone did Broadway! This is an incredible performance!! She really has come so far in doing so much acting work; both onscreen and on stage. 👏👏👏

[@sinead7509]

She really has shined this year and the previous too she’s absolutely excellent & versatile

[@WixkedLovy]

She prob won’t do it much in the future, she talked about how difficult it was for her and she doesn’t know how others can handle it. It’s a different type of work than film.

[@shopper6282]

@@WixkedLovyI could imagine playing Sally 8 shows a week is emotionally draining

[@kilimenjiro3753]

By sheer coincidence I caught this production with each of the main three Sally Bowles. Emma Stone was my personal favorite: There was a ferocity to her portrayal of Sally’s desperation in the second act. She also felt like she was having the most fun with the role (which makes sense considering she’s said in interviews it was a dream come true for her).

[@kimb884]

Wow! She’s amazing! And at least 2 Oscars awaiting her in her thirties. Love Emma.

[@redadamearth]

JFC, just when I think I've seen every bit of talent Stone has, something else shows up to blow me away. That woman is just incredible. And that is a BRILLIANT interpretation of that song in emotional stages. Good Lord.

[@LeeBusch]

Unhinged! Amazing. This is a Sally I never saw. Now I understand her better.

[@zeddeka]

Jane Horrocks' performance captures that element of the Sally Bowles character well. Sally is meant to be a fairly talentless, very unhappy and damaged character - in short, totally unlike how she was portrayed by Liza.

[@Ali-Bea]

Liza has to be the worst Sally ever.

[@yiqianwang3155]

On stage musical is different from movie in presentation. I love both Liza & Jane, esp the money part from Liza, so unbeatable!

[@KeepsYouUpAtNight]

​@@Ali-Bea stop ripping on Liza! Source material is allowed to be reimagined! Within the retelling of the film version - which was utterly genius in its own right by the way(!) - it completely made sense aswell! No need to put Liza down in order to praise Emma either, they both did Sally justice in their own, unique ways!☆☆

[@redadamearth]

@@Ali-Bea Speaking as someone who had ONLY known Minelli's Sally from the film, growing up and into most of my adulthood, I absolutely love what she does in the film. No, it's not the character as written by Isherwood or in the stage version, but I love it, as her pain, vulnerability and fear of loneliness comes through in a million ways in that performance. The only real difference is that in the film version, she has talent.

[@edm5378]

Not the traditional take, but Emma has proven the "ersatz happy clown" is a goldmine of versatile uses in her hands.

[@bridgeunwort61]

What do you mean ?

[@quinnaddison420]

This is a brilliant comment

[@idavo]

She has that nailed. Perfect.

[@AKoooooooo]

3:34 is stunning. i don't think i've seen a version of this song with this many layers to it. really wonderful all around...

[@bemiatto67]

Ikr it's like she got lost in her memories and the music snapped her back to reality

[@averygrant7426]

never knew she played this role but... damn she did good

[@01forest]

holy shit Alan is a vampire

[@thefilmwatcher1216]

She needs to be in more musicals.

[@potroastpig]

Agreed!

[@quinnaddison420]

Audrey in Little Shop

[@lisavandeman9359]

Saw her twice - she was just outstanding in this role! ❤️

[@ivy5387]

Before watching this I had only seen the clip at the end, which didn’t totally wow me on its own, but seeing the performance in its entirety makes me realize what an INCREDIBLE job she did. Chills.

[@rutha1464]

It's refreshing for us older folk her resemblance in appearance and sound to Jill Haworth, the original Sally.

[@lianaekamrak1609]

Emcee's state is so sad! He stumbles onto the stage, slurring his announcement, and scratching the injuries on his arm, then he stumbles back off.

[@fantasticalfin]

Poor guy.. :(

[@renierkruger9879]

That's the idea lol

[@lianaekamrak1609]

⁠@@renierkruger9879Well, yes of course but what I meant was Alan does something different and eye opening for each performance, and I had never seen him do that as Emcee. Very cool

[@rphillip1086]

This interpretation to me, seems the most realistic as per how it would have been handled in real life by the singer. The ones who do the angry yelling version to me, do not seem realistic but instead it's a reflection of how we feel long after the fact. And besides that, this actress gets all of that anger in there in the last 2 or 3 measures, so it's brilliant.

[@haydenanderson8804]

The way the piano dominated this is crazy I'm so happy to see it front and center!

[@lynnearden5935]

Good lord! I have never seen such an amazing performance. I am shaken to the core - would have loved to have seen this live. She is such an amazing talent.

[@Mahalox621]

I’m so looking forward to see the new revival (finally) but her take on Sally will forever be my favorite. Girl took the material and made it her own. Amazing ❤

[@nikolayzolotaryov9964]

Masterpiece of acting

[@TheAnnaPhilharmonic]

What a haunting performance!!!

[@Christknight1991]

And to think I was in a little play with Emma back in Phoenix!!

[@jackgoodenough4601]

What were you in with her?

[@zitaduskpaw]

So long as we get Mein Herr on here I'll be happy

[@pikkityparker]

oh my god she is phenomenal as sally bowles!

[@happybitter]

Whoa!! Powerful! I’ve only see the Liza Minnelli version by movie, and this was so much more striking! Not that I’d ever compare the two, but wow.

[@NadenkaTakayaNadenka]

She is so brilliant, what a performance 👏🏻👏🏻🔥🔥❤️❤️

[@philiphamer5959]

The most talented performer of her generation. Two Oscars snd blistering stage performances like this and nany more to come,I feel. Incredibly gifted.

[@DampAsACellar]

I love this performance. I saw her twice in this production. She killed both times.

[@G3r3s3ph]

Am I the only one old enough to remember Jill Haworths chill, bored, blase and sweetly cruel Sally?

[@alexswanberg7220]

OH MY GOOOOOD SHE ATE THAT UUUP

[@Twinklital]

Lovs her! She's the best

[@123malichi]

The current London production is phenomenal and transferring to Broadway.

[@williamgardiner2010]

Actually it's a botch by the grossly overated directed Rebecca Freknal who is clueless about Weimer Germany.

[@MasterTrizzle]

I just went (before clicking this) “she was on Broadway?”

[@beyiince]

She actually got her Oscar-winning role in "La La Land" thanks to her run on Cabaret! Apparently Damien Chazelle happened to see her on one of her performances.

[@MasterTrizzle]

@@beyiince oh wow! Connectionssss

[@CountryCowboy008]

@@beyiinceso Damien was that “someone in the crowd” 😏

[@JavertRA]

I must admit, I'd written Emma Stone off as a bit dime a dozen Hollywood actor, but she was a real revelation here.

[@randomobserver8168]

Interesting- somewhere between and encompassing both the high pitched whinge Natasha Richardson used, and the low, masculine tone of Jane Horrocks, both fine interpreters of this. And the combination works just as well as either to capture Sally's limited talents and personal desperation.

[@aliceorlik7737]

This is incredible wowwwwww

[@janacruz7378]

What good is sitting alone in your room? Come hear the music play Life is a cabaret, old chum Come to the cabaret Put down the knitting, the book and the broom It's time for a holiday Life is a cabaret, old chum Come to the cabaret Come taste the wine Come hear the band Come blow your horn, start celebrating Right this way, your table's waiting What good's permitting some prophet of doom To wipe every smile away? Life is a cabaret, old chum So come to the cabaret I used to have this girlfriend known as Elsie With whom I shared four sordid rooms in Chelsea She wasn't what you'd call a blushing flower As a matter of fact, she rented by the hour The day she died the neighbors came to snicker: "Well, that's what comes from too much pills and liquor" But when I saw her laid out like a queen She was the happiest corpse I'd ever seen I think of Elsie to this very day I remember how she'd turn to me and say: "What good is sitting all alone in your room? Come hear the music play Life is a cabaret, old chum Come to the cabaret!"And as for me, ha, and as for me I made my mind up back in Chelsea When I go I'm going like Elsie Start by admitting from cradle to tomb It isn't that long a stay Life is a cabaret, old chum It's only a cabaret, old chum And I love a cabaret

[@shadowpsykie]

What I love about sally, and this scene is there are so many ways to play it. Is she already breaking down? Or does she start during the performance? At which point? Or is she breaking down from the very beginning and by the end is she is a manic mess?

[@potroastpig]

She’s outstanding - so sad I missed seeing her in this!

[@betty_q]

01:21 onward, the fluidity/responsiveness of band and artist 😍

[@RebeccaTurner-kf8gx]

This and Natasha’s version of this is much better than the one on Broadway now oh I know she was on screen but Liza killed it

[@Ali-Bea]

I prefer this to Amy Lennox’s - more understated and yet more manic.

[@OOOGLY_BOOOGLYY]

They both demonstrate falling apart and losing your bleep, just in different aways.

[@nicoleliew859]

I didn't notice how the emcee kept scratching his arms, previous versions, he had cuts all over.

[@_fig.8]

this is beautiful! thanks for sharing

[@naomiweaver1855]

Wow. She’s brilliant.

[@pinkpolkadottedcat]

So good omg

[@barely.balthazarr]

That pause on 'the day she died' gutted me laugh

[@geraniumblue]

what can't she do omg

[@Mikapikapies]

I never thought Emma stone to suit sally but she’s so good wow

[@Decoy007]

Great performance. Only critique is that she said "sorted rooms" instead of "sordid rooms".

[@RayWinters437]

This is breathtaking

[@milknhoney3368]

To be quite honest, i have not seen Cabaret so i have no context going into this, but following a bit of lyrics and her performance, it made it much clearer the poor girl portrayed wanted to die in glory, something she can achieve and control by using and doing drugs. Gave me much more motivation to listen to the entire soundtrack 😂

[@markdaly1648]

The first Sally bowels on the West end and Broadway was dame Judy Dench.

[@milknhoney3368]

@@markdaly1648 Aww, thanks for the extra fact!

[@clarecooper6673]

Never knew Judi Dench played her! Amazing

[@esteraulrich-oltean2162]

@@markdaly1648Not on Broadway, just the West End - first on Broadway was Jill Haworth I believe

[@Two_But_Not_Two]

Bravo!

[@janehollander3843]

Jane Horrocks version is number one!

[@darktimesatrockymountainhi4046]

Well, she’s very good at this!

[@peterostash]

What a pretty smile.

[@raullugofierro7868]

Dios mío... Gracias al poster.

[@obobyuobobyu64]

Not a great vocalist. But then, Sally Bowles never was a great vocalist (according to the descriptions of the character from the novel). Good job, Emma!

[@ejmcguinness6875]

The true test of a "Sally Bowles" is the contrast between the "on-stage" numbers, and the "real life" songs of the play- the on-stage numbers should be infantile and overdone, and the "real" songs like "Perfectly Marvelous" and "Maybe This Time" should be beautifully sung.

[@oriel9347]

Mental. Love it. 🤗

[@castaway123100]

She reminds me of a young Joan Crawford.

[@AnaBui-kc7ui]

Does anyone know why the MC was scratching his arm at the beginning?

[@professorwright1428]

A lot of productions imply that the Emcee is taking heroin by the time of this number, which is why he seems so disorientated. I can't tell from this video but Alan has had bruises on his arms in some productions to drive home this point.

[@AnaBui-kc7ui]

@@professorwright1428 Oh that’s interesting. Thank you for the reply!

[@ejmcguinness6875]

@@professorwright1428 Correct, it's a metaphor- everything in Berlin by this time is falling apart, starting with the Emcee.

[@abc-qh5fc]

track marks

[@KeepsYouUpAtNight]

BRAVA!! 👏🏼👏🏼👏🏼👏🏼👏🏼 🌟 🎇✨🎆

[@beek.4860]

Just a bit off-topic, but would the uploader of this video happen to have the full 2013 Mystery of Edwin Drood recording? I have some videos I'm willing to trade if necessary! Thanks :)

[@karentarjan]

Christopher Isherwood describes Sally as a mediocre singer. She performs with her arms hanging limply by her side. Emma Stone takes this to heart, but she builds the story without going beyond what Sally Bowles would have been capable of vocally and performatively. I've seen many renditions and I continue to be amazed at how many ways this song can be compellingly interpreted.

[@kirstenlie1394]

do you know where I can see the full version of this?

[@Niqhtmusic]

Off topic I love your user. Edwin Drood is amazing

[@donturner7797]

They need to slow down the tempo just a hair.

[@jbuell311]

This was good. I still like Me First and the Gimme Gimmes version. Lol

[@marcusoterholm4969]

Who introduces her?

[@angelalopez5942]

Alan Cumming - my favourite emcee

[@karollee13]

The character is supposed to be a bad singer from England.

[@nigelbilsby3826]

As an American, she does a good job of the English language!

[@myMelodyj]

What does this even mean 💀

[@bemiatto67]

​@@myMelodyj maybe her accent?

[@royperez8965]

Is this better than Natasha?

[@Pv-es9gd]

Yall saying this is bad are nuTS

[@edm5378]

30s Berlin cabaret of libertines sold a lot of sexuality, sensuality, not as much the "grotesquely happy clown". Emma's toolkit has proven enormously versatile outside of Broadway workhorses.

[@finleyforevermore]

0:43

[@RoJoMacCready]

Wait, was he actually drunk ?

[@blahblahblahEMILY]

no, he was acting

[@peterostash]

BRAVO

[@agstinacueva1673]

She looks like she is being held at gunpoint is that the point of this version?😂 I get that Sally was supposed to be mediocre but not THIS mediocre.

[@darlenetaylor278]

Was that Alam Cumming at the beginning. If so, so sad.

[@emilysmith2779]

It is! Like another commenter mentioned, in this production, the Emcee is implied to be taking drugs, and you can see him get more addicted throughout the show. Since this number is towards the end, you can see it’s especially bad. He wasn’t actually sick or high :)

[@harrilloyd-williams9352]

if anyone is watching from UK - why is her accent Basically Holly willoughby

[@nashsolis3416]

Nop… 😢 not quite at all 😢

[@ChloeFletcher-gk1fo]

I’m sorry, she’s no Liza Minnelli

[@rickym242]

yeah she’s not because she’s emma stone… her own person… actors make the characters their own because it makes it more authentic. copying someone else’s interpretation of a role is just boring and unoriginal

[@ChloeFletcher-gk1fo]

@@rickym242 not as good in my opinion

[@friggsnowden5210]

Beautiful voice but not raw enough... Maybe Annie?

[@kevjz2569]

🥴🥴🥴😖😖😖😖

[@MegaPrincessbear]

Absolutely not

[@juanpablonicolasgiancola4042]

La prefiero en cines a ella ....nada masss

[@emilywebster1056]

Don’t get me wrong she can sing but I’m not really getting loved by this performance

[@sargon0141]

Because Sally Bowles is having nervous break down at this point. Hitler is coming into power, her life and lives of everyone in KitKat Klub is coming to the end, and she knows it.

[@nimeshsingh4943]

Too simplistic of a take imo. But I feel bad for any actors who have to fill Liza and Joel's shoes.

[@KsnsiskKsndis]

You should watch the new west end revival of cabaret

[@williamgardiner2010]

Yes the new version is toally unsubtle.@@KsnsiskKsndis

[@nimeshsingh4943]

@@KsnsiskKsndis I have tickets for June!! Hopefully the edgy costumes don't ruin it

[@KsnsiskKsndis]

@@nimeshsingh4943 the costumes are supposed to look like that

[@kitsygirl]

Sally Bowles is supposed to be American. She sounds British. Well, nevermind, she sounds like she's trying to do that weird mid-continet accent that entertainers used to do back in the '30s. She's not doing it well, i guess it fits for that character.

[@bemiatto67]

Sally was originally British in the original Broadway production. She was made American in the film

[@JeffD.A]

Sorta manic and erratic. All over the place. Straight for the crazy side of Sally. Really, Liza's witty, sharp but still truly sad Sally seem like better choices. Liza's was nuanced and understated (and delivered with um...better musical showmanship) compared to this! But, didn't see the whole show, so there's that. I have heard that it's fun to watch various renditions of the character, so maybe in the greater context of the entire production Emma's performance made more sense.

[@tishcarter3918]

Do you believe Liza's Sally had to stay because she wasn't a good enough musician to really make it elsewhere?

[@JeffD.A]

@@tishcarter3918 She was a cabaret singer, not so much a musician. And no I think Liza's Sally was up to the job. Ha ha. She didn't have the same pedigree that Liza the actress had however, and that was probably a big factor, I'll admit.

[@joycehogan5252]

Oh my! I would never attempt that number after Liza.

[@elphbwckd212]

For a two time Oscar winner that was the worst performance I ever seen of this song. She was so focused on sounding good and stying on pitch (which she failed at) over actually acting. Susan Egan was in the role before her and her performance is how this role should be done. Stick to movies emma

[@morganaverysispoidis]

her character is not supposed to be a good singer, so I think she did a fantastic job. She's only supposed to sing well when she's not "performing at the cabaret."