Perfect Periphery Guitar Tone without an AXE FX

[@KeyanHoushmandLive]

If you guys have any questions, leave a comment below!

[@prognosis77]

Keyan Houshmand Live you have the wrong DI box, you need an active DI box for passive pickups and a passive DI box for a guitar with active pickups.

[@RonaldKools]

Could you list all the used plugins in the description? Thanx! ;-)

[@DroneCorpse]

@@prognosis77 what? He's using the DI to pad the signal down. He's not looking for a pre-amp as the pickups are already hot.

[@prognosis77]

@@DroneCorpse let me look up the article, in the periphery video you see the active Radial DI box, you have a passive one .

[@prognosis77]

@@DroneCorpse www.musiciansfriend.com/thehub/how-to-choose-the-right-direct-box

[@flufo]

holy shit dude it's really impressive how similar they sound

[@KeyanHoushmandLive]

Been trying to figure it out for a while

[@danieldeutschen]

Dude, they sound indistinguishable in the mix. Stunning work :D

[@KeyanHoushmandLive]

Thanks Daniel! Cheers for tuning in

[@andrepalomaro353]

Agreed 100%

[@KeyanHoushmandLive]

17:25 comparison test

[@JohnnySideburnsX]

As a Guitarist, who also uses FL Studio, I must say DAMN GOOD!

[@KeyanHoushmandLive]

Thanks dude

[@mlsoundlab]

Good job buddy and I'm very glad that this once again shows how powerful IR's are. Same IR... get's pretty damn close. Would love to collab on some videos - hit me up!

[@KeyanHoushmandLive]

Thanks Mikko! You're absolutely right, cabs arguably have more of an effect on the tone than the amp head! I'll definitely send you a message on Facebook, would love to collab too!

[@remmile]

i hope they find you and give you the opportunity to play with them live or give recognition in any way. I don't think anyone has paid so much attention to details like you, thats a mad level of respect you show them , so props for that man ! Excellent breakdown of the tone, wish more people would explain why they would dial in certain settings instead of saying they just like that setting

[@Kideem]

This comment aged beautifully

[@AnthonyPeralesTO]

This really deserves more of a following. I'm always looking for a full explanation cavity search and you gave it to me. Cheers sir.

[@ANTHONYFERNANDO]

Basically identical in the mix, solo'd I actually preferred yours. Yours retained a little more transient punch which I was a fan of. Well done brother!

[@VictorBorbaMusic]

Wow the attention to detail is absolutely incredible. I don't even play guitar but I could appreciate the logic at every step since you kinda do similar sorts of things with eq and other effects when touching up vocals in post production but way less complicated lmao

[@KeyanHoushmandLive]

Thanks man! I watch your Peirphery covers all the time, literally watched Satellites yesterday ahahaha

[@VictorBorbaMusic]

Keyan Houshmand Live ayyyy that’s awesome to hear! If you ever wanna do a guitar / vocal cover let me know!

[@KeyanHoushmandLive]

Will do!

[@TheMeJustMe75]

I am a huge Periphery fan but I come from the 80's/90's metal scene. How they write is intriguing to me especially how they use arpeggios within chord changes. Also how they do scale runs out of the box is refreshing. I wish they would do a how to write like Periphery video or someone would. Atropos and It's Only Smiles has awesome guitar work on each song.

[@terran236]

agreed, they write like jazz/classical players which is awesome. I got bored of all the 90/80s power chord stuff.

[@adamcogan211]

I was at a gig in Manchester in November and I caught Misha’s pick which was actually a Jazz 3 XL. Same mm as yours though.

[@KeyanHoushmandLive]

Thats awesome bro, lucky you

[@finnancahill2644]

Misha says that he uses a standard tortes .6 now

[@letter2steve]

Holy crap dude. You have an impressive set of ears. I seriously hope you consider becoming an audio Engineer and or Producer. I honestly could not hear the difference. Massive thumbs up.

[@Stat1cS]

Your tone has always been dope bro! Thanks for sharing and awesome content as always!

[@KeyanHoushmandLive]

Thanks man, it was fun to make

[@softlikesilk]

Finally, someone who understands the awesomeness that is periphery haha. I took 3 weeks doing a cover of "satellites". It was hard, and it isnt perfect, but it was a great project as a homage to periphery. Great work my man. Keep it up.

[@KeyanHoushmandLive]

Thanks for watching dude, glad you enjoyed it

[@softlikesilk]

@@KeyanHoushmandLive No problem dude. Have yourself a sub. 🤘

[@Maxischupp93]

how to sound like periphery? get the bass tone right, and literally the guitar tone wont even matter ^^

[@KeyanHoushmandLive]

Their bass tone is legendary

[@federz666]

Agreed!!

[@loomer3473]

Maxi Schupp The power of Nolly!

[@ELECTRICSCARS]

Drums ;)

[@alecv8249]

The magic is in Darkglass hardware and in Nolly himself

[@KeithShelley1]

Re: picks, Jake uses a 1.0 mm Jazz III Tortex (got one of his in my pocket right now) whereas Misha and Mark have been using thinner Flow picks (.88, I think?) at Nolly's suggestion. His reasoning is that if you pick aggressively but use a thinner pick, the pick will "give" before the string does, causing it to not fluctuate in and out of tune as much. Thinner picks kind of "flow through" the strings instead of needing to be forced through. That being said, I still primarily play the 1.14 Tortex Jazz IIIs; they just feel the best! Great video! Thanks for doing this!

[@KeyanHoushmandLive]

I might need to have a look at those flow picks, i use 2mm so maybe it's time for a change up

[@GlennWDavisII]

@@KeyanHoushmandLive once I discovered tortex flow picks I never looked back. They. Are. PERFECT 👌

[@cameronburnett9679]

It depends how you play also. I've adopted more of a Takayoshi Ohmura style these days which uses mostly movement from the thumb and index finger when playing individual notes, so the sharpness actually really matters since you're picking more towards perpendicular to the string rather than parallel. I still use the Jazz 3 XL but I'm tempted to sharpen it up or find something else. Might grab some Dava jazz grips but they're really expensive.

[@TheXaskrew]

Dude, thank you so much for this! 🙏 My Les Paul has vintage style unpotted SDs in her and I have a stock TVL Jazzmaster. I didn't think these tones would be achievable... after watching this, I'm able to dial in tones all across Periphery's discography and it works! 🤩Keep up the fantastic work! 🤜🤛

[@androidechuz]

I came in with no idea of how mindblow would I get, holy fuck! This is truly the most technical video I have ever saw. Sub o f course

[@KeyanHoushmandLive]

Thanks so much!

[@jeffconner8281]

Hey Brother, I don't even know your name yet, but I can truly appreciate your outlook & disposition. From what I can see, your well on your way to exceeding those that have inspired you. There is no doubt in my mind that you will make your dreams come true. I know I didn't even care what your name was & felt compelled to just send my best to you on your journey to your dreams. Thanks, jc

[@KeyanHoushmandLive]

Thanks for the kind words Jeff

[@Liquifireguitargeek]

Pretty spot on You might wanna try the same thing with the archetype Plini, since it’s rumored in the forums the gain amp is based on a Friedman BE and HBE

[@KeyanHoushmandLive]

My trial ended on that so I'm not able to do it anymore :(

[@flagmuffin1221]

From memory, it’s just a 5150. The GUI even looks like a 5150, not a Friedman.

[@nickclark5577]

Congrats, you really observed a lot and it paid off. Sounds absolutely killer, p3 is probably my favorite album from them and you killed that tone

[@KeyanHoushmandLive]

Its my favourite too!

[@adamcone6856]

Really close to the original man! Great job. That Fortin Nameless is really amazing. I tried all their sim amps and liked the Nameless the most. Thank you for the hard work and posting this.

[@KeyanHoushmandLive]

Nameless is great, thanks for watching

[@terran236]

Been listening to periphery since 2012, supercharged my guitar inspiration after being bored with the typical 4/4 power chord metal. Definitely my favorite band as well. I always measure my mixes against theirs. They are perfect in every way. \m/

[@KaiDown]

Man you must be Misha's biggest fan. You nailed this video btw, really well done. Did you get a chance to pick up ML Sound Lab's XMAS pack? That had an IR of the cab used on P3 and I've been using it for everything atm

[@KeyanHoushmandLive]

Even though I have two misha sigs, I feel like Mark has influenced me more as a player. Misha is always the face of gear talks though so its not a coincidence that a lot of this was taken from him. I havent had a change to look at that no, which cab was it?

[@l.a.v.2590]

This is the coolest dude lesson! You always make good content! Thank you for that! Cool lesson!

[@KeyanHoushmandLive]

Glad you enjoyed it dude!

[@l.a.v.2590]

@@KeyanHoushmandLive You make me get NEURAL DSP

[@fvneral666]

What?! Another metalhead that uses FL Studio? that is AWESOME! I'm not alone in the universe xD Great tone!

[@ThorsShadow]

HOLY SHIT! You've got yourself a new subscriber. Wow. Those YT recommendations lately, man. Awesome.

[@KeyanHoushmandLive]

Glad to know the algorithms sent you here dude, thanks for stopping by!

[@MyriadDubstep]

I started out with that Radial passive DI as well and found out that the guys actually use the radial J48 and after some research it seems that the active DI box actually pairs best with the passive pickups such as the bare knuckles. I picked up the J48 and it gave me a much more even and clean tone going in. Would recommend getting it but I’m sure it’s not really a deal breaker. I was able to use the passive DI with my synths so it wasn’t a huge deal. Great video dude!

[@KeyanHoushmandLive]

Thanks for the insight man, might need to look into it

[@beatboxbill]

YOU DID WHAT

[@KeyanHoushmandLive]

I did

[@apoplexiamusic]

excellent work replicating the tone! The good news a few months later is that ML Sound Lab released pretty the P3 cab with the Mega Djent IR pack! :D

[@itspravus]

Wow that's pretty close to the original tone, if it was a blind test i wouldn't be able to indentify which one is the original. Good job man!

[@KeyanHoushmandLive]

Thanks dude!

[@phil_helix1191]

Insane, really well played and amazing tones. This sounds exactly like Periphery's tone!

[@rhitosparsha]

I'm glad KZbin recommended me this video! Thanks for sharing what might have taken you years to learn. BTW could you share Misha's Axe FX patch you were looking at? The Line 6 Helix Native has the Friedman model, so it'd be interesting to see how that sounds and use the Axe FX patch for reference.

[@KeyanHoushmandLive]

Thanks man, link is in the description for the pdf

[@johannlothe]

Exactly what I was looking for. And FL as well! Great stuff!

[@RocklyGuitarChannel]

You have a very good ears dude

[@KeyanHoushmandLive]

Thanks dude

[@rustyrobot72229]

Keep making videos my guy. I've learnt so much from you. Thank you and godspeed!

[@HavokStrifeX]

Honestly, I put a Juggernaut in the bridge of my Jackson, and that was officially when I sounded the least like Periphery, but improved my own tone leaps and bounds. I'm an amp guy, it's how I did for 18 years, playing in front of a computer screen longer it takes to look at tabs isn't inspirational to me. But I'll definitely say, awesome job there!

[@KeyanHoushmandLive]

Id love to get into the world of amps, thanks for watching man

[@jayseb]

Finally somebody goes deep down. Thanks for that. I've found my little recipe, but you bring up some great tips. Cheers.

[@MyriadDubstep]

Beautiful Jackson btw, one of my dream guitars lol

[@KeyanHoushmandLive]

Thanks, they're great

[@rajeshsunchildmadhav9740]

Buddy, I’m a big big Periphery :. fan too. I totally love your contents. You are a great guitar player my brother, Keep up the good spirit mate. Hugs from Canada 🍁

[@n3dnarbofficial95]

The thing about periphery is, they make their tone with any company that sponsors them. So no matter the gear they use they can create their sound.

[@KeyanHoushmandLive]

The cabs help a lot

[@n3dnarbofficial95]

@@KeyanHoushmandLive yeah for sure. I mostly just use amp an amp modeler and my studio monitors now when I play at home or record. I'm actually extremely suprised at how fat line 6 has come. I bought the amplifi tt for 60 dollars and matched a few different periphery tones I've like alot.

[@TobyKBTY]

Also glad to see you're also using an accessible, quite affordable pair of monitors as well which a LOT of us will have. That paints a very clear picture as well. Whole video was on point, how long did it take to get this down?

[@KeyanHoushmandLive]

It took a couple years of getting everthing gear wise, tone took me a mornings work

[@Zeig7190]

Amazing work man! That is an incredible tone match.

[@dvnmle]

can't believe you're on the same bill as them at Monolith this year!!!! Congrats brother

[@KeyanHoushmandLive]

Thanks dude!

[@kilianruvalcaba6904]

amazing, the sound it's almost 100% similar, really impressive, thanks for sharing

[@KeyanHoushmandLive]

Thanks for watching!

[@Jesperadoo]

Great work! I'm just getting into mixing, so I have absolutely no idea what you're talking about most of the time.

[@ganyu6303]

Aarrggghhh thanks dude😍 your tone is amazing

[@KeyanHoushmandLive]

Thank you!

[@Liquifireguitargeek]

BTW the cab in the nameless is also based on a mesa oversized but with the older original spec UK speakers which I prefer over the newer spec Chinese speakers

[@KeyanHoushmandLive]

A similar tone is definitely achievable with stock cabs but since Misha said that those were the exact ones he used, it would make to use the external cabs instead for this video. Love nameless cab though!

[@WavyMacofficial]

your the only guy who does fl tutorials. please do a structure tutorial for modern metal

[@andrewalarcon818]

Nice vid man, could you do a video explaining how you go about cutting frequencies you don’t like and how to actually find them? That would be super informative. I subbed btw

[@KeyanHoushmandLive]

Hey man, honestly its mostly up to your ears and just training them to hear whistley frequencies. When you cut them make sure its extremely narrow and don't overdo it. Most of the time they live beteeen the 3.5-4.5k region. Hope that helps.

[@heroic6863]

Just started the video and my jaw has already hit the floor

[@KeyanHoushmandLive]

Thank yoy dude!

[@joefalchetto94]

Perfect man, great work!

[@noice7381]

way in-depth and informative, man! i've also gone crazy over this in the past few years, testing all manner of Marshall JCM models. For the cab, I actually chased the Juggernaut tone by EQ-matching the best cab I could find to the processed tone from a Jugg stem using ozone, and creating an impulse response from that EQ. The result was pretty spot-on

[@KeyanHoushmandLive]

Damn that sounds way more in depth than this ahahahah, great work dude

[@noice7381]

@@KeyanHoushmandLive honestly I never thought of half the shit here! But definitely agree on the nameless plugin

[@scarfacebug3663]

I like to play periphery on a 7 string so i can tune it to drop c and drop a at the same time. Makes learning some songs confusing, but it works.

[@iurigrang]

A NAM model of all this could be really sweet.

[@marcpeiron_studio]

Wow, amazing job here. Congratulations!

[@KeyanHoushmandLive]

Thanks Marc! Appreciate it

[@ivandemchenko2889]

Man, this tone sounds the same as the original one, sounds so sick! Can you please do the vid how to PROPERLY record DI tracks? Would be awesome

[@red240red2]

Hell yeah! Great job man. I have a axe fx and like the nueral dsp tones more, and they are more inspiring.

[@KeyanHoushmandLive]

Thanks dude!

[@GinkhansiamGuite]

Sell me your axe fx

[@red240red2]

@@GinkhansiamGuite honestly currently debating about selling it. If I do I'll let you know.

[@judahatkins6069]

One correction, it's only Jake that uses jazz picks. Also pretty sure the string gauge thing varies between all 3 of the guys.

[@KeyanHoushmandLive]

Might fluctuate slightly but it's all NYXL, thanks for watching

[@ArshLX12]

For some reason the way he said D'addario sounded like diarrhoea 😂😂

[@KeyanHoushmandLive]

The accent

[@ayeapprove]

Awesome work, last step could have been a MatchEQ to really get it to 100%

[@KeyanHoushmandLive]

I tried to do it without getting ti that stage, thank you!

[@RonaldKools]

Very cool!!! You nailed it!

[@KeyanHoushmandLive]

Thanks Ronald!

[@williamdistasio9358]

Bro......just.......bro!! Lmfao..... this is so so good! Wish I could afford an official Misha Jackson! This is a great video, well edited, very concise, to the point and from what I can tell, sounds official dude. I've been struggling with my own computer for several months now trying to get new plugins loaded, but I can't extract or unzip em ever since I fucked up and watched porno on this brand new, $3000 pc. My bad. My girl was pissed when I told her lol Think I'm going to have to factory reset it. But I'll lose a bunch, but that's okay. Once again though, brilliant job. Tone is dope bro...I think you've just about nailed it.

[@KeyanHoushmandLive]

Thanks dude! And sounds like you got yourself into a bit of a dilemma there hahaha hope it works out. Thanks

[@williamdistasio9358]

@@KeyanHoushmandLive 😂😂 It's all good. My boy is coming to my house tomorrow, he's an I.T. guy, so I should be good. So for all you dudes reading this, only watch that shit ON YOUR PHONE!!! Haaahaaaa

[@Danieljevans92]

Great video dude . Misha uses the 0.73 Dunlop flow picks .. I was able to get 2 picks that he threw at me from their show in Las Vegas . I agree with you on how influential they are because ,I also have his USA juggernaut HT 6 in Laguna Lol

[@KeyanHoushmandLive]

Need to get some of those picks, thanks man!

[@Danieljevans92]

Keyan Houshmand Live I sent you a photo of the pics on your I.G

[@therealjackfisher]

I have BOSS GT-100. It have amazing effects, but when playing hi gain it adds allot of noise to the sound. So the simple fix I could do was to make the sound i like on the GT-100 record it along with the DI out in to the DAW, and replicate the GT-100 sound using plugins or change it entierly.

[@KeyanHoushmandLive]

Check out my video on a free guitar tone using plugins! They could be a good option

[@darkides]

killin it

[@KeyanHoushmandLive]

Thanks dude!

[@LucaLazzari]

Good job man, well done! This tone slaps. I have a question but I know it's hard for you to answer, but anyways, I know that the steinberg interface has a problem with high output guitars, I tried one with a guitar with bareknuckles in it and it was clipping AF hahah so I would understand that it's hard for you to compare the signal with the one coming from the radial since you never had a clean signal with the normal interface in the first place, but I would like to know if you noticed big improvements with the radial apart from the headroom. I imagine that it would be less harsh and sizzly and with a more defined low end cause it takes away all the floor noise, grounding issues and all sort of problems that a standard interface would not take care about

[@KeyanHoushmandLive]

Its definitely more "high definition" sounding, thats the best way i can describe it.

[@LucaLazzari]

@@KeyanHoushmandLive ok got it, thanks :)

[@kingnothing2161]

Honestly its their mid/low gain and clean tones that I can't get close to touching

[@oshikiri999]

Your the only other guy besides myself that i know of who mixes in FL lol

[@KeyanHoushmandLive]

First one I was shown and first one I learnt to use

[@Ignore14]

Never let someone shame you for your choice of DAW lol, camellia makes crazy edm with reaper and that's amazing

[@dylan.606]

I think Mark and Misha are using jazz iii XL .88 and Jake uses traditional jazz iii

[@KeyanHoushmandLive]

Might need to try them!

[@HugoPaulo]

amazing video bro! cheers!

[@KeyanHoushmandLive]

Thanks man!

[@demondrive147]

Dude, Plugin Alliance has very good modeling of Friedman BE-100! You can get even closer to Periphery tone

[@KeyanHoushmandLive]

Tried it, not getting the results I want out of it at the moment. I’ll need to see into it more

[@demondrive147]

@@KeyanHoushmandLive try with your own IRs and bass in the preamp section at 0. Sounds great!

[@demondrive147]

Oops, I thought about Herbert. Friedman is another animal

[@jonathancali3109]

Great tone man. what do you mean that your input was too high for the UR22? do you mean that a clean signal distorts easily? How would you know if it too high?

[@KeyanHoushmandLive]

I was clipping even was the gain was all the way down, it has a little peak light that flashes whenever you exceed the limit if you start to clip

[@LucasLeCompteMusic]

For Periphery 3 they used the HBE amp on the axe fx, so the Fotin Nameless is a great amp to use to match the tone. Good job man! I gave you a sub!

[@KeyanHoushmandLive]

Thank you 🅱️ucas

[@MarkToast99]

Important thing to remember: The Axe FX is designed to replicate real amps. This means that you can use other devices or software to achieve that same result if you aim at replicating the same amps they're replicating. there might be some differences based on how the device you use actually goes about replicating that amp, but it should be pretty similar overall. Think of it like two people drawing a circle - they're gonna be a bit different based on how each person draws that circle, but they'll both be circles. If you use a modeling software or another modeling amp like the Kemper, you can definitely achieve a similar tone to many of your favorite artists by modeling the same amps they use, or in Periphery's case, modeling the same amps they model!

[@PaulKingMetal]

Great video man!

[@KeyanHoushmandLive]

Thanks again Paul! Glad you always find these enjoyable

[@19Stride]

thank you man great video!!!!

[@KeyanHoushmandLive]

You're welcome

[@metalhead4282]

really well made video and tone on spot, well done mate!

[@KeyanHoushmandLive]

Thanks man!

[@awgk6623]

many thanks for the great explanation! great video! do you mean you can get the sound with the gojira plugin?

[@taylorlambert5752]

I have the same interface as you. Can you talk a little more about why it doesn't work properly for DI's? And what does the DI box do? Thanks, great video!

[@KeyanHoushmandLive]

The input thst wss coming from my guitar was too hot for the interface, so much so that when I had the gain turned all the way off it was still clipping. A DI box brought down the level of my input so I wouldn't clip

[@wesleytrott6397]

Outstanding!

[@KeyanHoushmandLive]

Thanks Wes!

[@izzate7]

Pretty cool man!

[@KeyanHoushmandLive]

Thanks dude

[@tommyfalconey]

Playing live is my end goal. Are plugins the way to go or am i wasting time and money gathering gear like pedals, ampheads, cabinets ect.

[@KeyanHoushmandLive]

Playing local shows with gear is fine, but I feel as though as soon as planes are involved it gets expensive to haul gear around.

[@tommyfalconey]

@@KeyanHoushmandLive im new to the computer generated sound thing. Are plugins usable for live performance? If so, is there a specific pedal board to use when switching channels.(Maybe a video idea for demonstration) Thanks in advance for the advice

[@ivansuner2120]

I've played a live show with a daw and plugins. It wasn't optimal because it could fail pretty easily if windows update wants to run. I prefer to run pedals for reliability, and I also use a Helix for amp simulation and pedal simulation because I play a bunch of genres and it's cheaper than collecting that many amps and pedals. If you know the sound you are chasing, pedals are fun and relatively reliable. If you want flexibility for live shows and in the studio, an axe fx or Helix or other unit is hard to beat. If you just want to make songs in a home studio, or want to try playing with a bunch of tones for cheap, plugins like Neural or Bias or Helix Native are cheaper then the hardware units, and can see used to tweak your tone without playing again or re-amping. Pretty much everything has its niche and it's usefulness. For playing live, I recommend the real thing if you already know what setup you want, and are okay moving amps and pedalboards. Otherwise, I love my Helix for it's portability and low-maintenance reliability. Neural DSP is releasing their own Helix competitor this year which should be interesting to check out.

[@BaSs4cE11]

Pretty damn spot on. I know it defeats the purpose of your vid, but if you were interested in an axe-fx 2 I'm looking to sell. I'm also in Adelaide. Either way keep up the solid work. I've spent the last 6 years kinda like you, chasing tone, but with me it has been Lee Malia's tone from BMTH. Periphery are up there with my faves though. I remember when periphery 2 came out and it blew my mind. Have a good one, cheers. Dean.

[@KeyanHoushmandLive]

I don't have a use for an AXEFX right now unfortunately, thanks though.

[@BaSs4cE11]

@@KeyanHoushmandLive All good, keep up the good content

[@motoxjosh29]

i love those picks too, ive been trying the ernie ball picks, but the dunlops are my go to. even though i suck at playing... lol thanks keyan

[@KeyanHoushmandLive]

They're great picks

[@TobyKBTY]

Same. Dunlop XL picks = XL attack and toan. Love em to bits.

[@lankysnowchimp730]

Nailed it.... took a snapshot of the Nameless settings too 😂🤘

[@KeyanHoushmandLive]

I encourage you to! Just know that it would need other elements to work

[@liviofraschetti4713]

the guitar are panned left and right? If I play with this set up ,have the same sound ? Great tone 👍

[@KeyanHoushmandLive]

Two guitar tracks, one ledt one right

[@tuerkwurscht]

I'd love to be able to reproduce the Oceans Ate Alaska guitar tone *_* great video!

[@KeyanHoushmandLive]

I dont know them well enough but thank you!

[@Craigs_mums_bush]

Have you had issues at all with how much fizz/fuzz the Nameless gives off? Particularly after letting a palm mute ring out. I'm wondering whether I need to upgrade to a better di box or if there are other ways around the issue.

[@barsaran2059]

Hey there, amazing video man! May I ask where did you get this "Axe-Fx Reporter" from (The misha's axe-fx preset pdf at 8:55 ). I was wondering if I can follow similar steps that you took to create tones of other artists' presets as well :)

[@SergeyPupkoMusic]

Literally couldn't tell when you were A-Bing it at the end of the video. 🤯

[@osamaalhaj-khaled6534]

Hi Keyan, i would love to know what program are you using for the plugins. i really like your videos they are awesome

[@SuperMikeroche]

I do too. Bought the precision drive to help her their time though my 6505

[@qNick100]

Awesome work. What stock Nameless plugin mics would you recommend to use to be close AXEFX IR?

[@mikeduby7255]

How crucial is the tape machine and how do you get it? Also, Is that fab filter bundle worth it? I'm also an FL user and was wondering if i might be able to get by with Fruity Parametric 2?

[@gabrielfrison]

That's a great video title, I laughed a bit :) well thought!

[@KeyanHoushmandLive]

Thanks glad you enjoyed it

[@TheActionCobblestone]

It would be rad to see how to get Norma Jean’s heavy tones.

[@stephenmosher641]

That's awesome, great work! Where did you get the original stems?

[@KeyanHoushmandLive]

You can get them from periphery.net

[@prodbykarzon6208]

great video man how do you make polyphia or tim henson tone?

[@KeyanHoushmandLive]

Ive been trying to make it but its so complex with so many effects and analog pedals I dont think I could do it