Lead Guitar CREATIVITY & Versatility With TRIADS (Hundreds Of Possibilities)

[@MusicTheoryForGuitar]

Be advised: at 3:30 the notation is wrong. (my mistake!), but the tablature is correct. Thanks for your patience! :)

[@jasonhill5801]

Also at 2:41, bar #4 notation is wrong, the G is notated an octave below the tab and audio :> Great video though, as always!!!

[@MusicTheoryForGuitar]

@@jasonhill5801 You're right!

[@ChelloBertora]

No entiendo nada!! Subtitulos al español por favor!!!!!!! 🙏🏼

[@fabiocognome453]

Where are you from?

[@chucktate448]

Great lesson for those stuck in pentatonic 5 pattern brain lock, me included. Even modal scale patterns do not open this TRIAD WORLD. Great Great Great!!!

[@EclecticEssentric]

More of that "oblivious to obvious" training. I can't thank you enough for pointing these lovely little tidbits out. Every time that there's a lull in my knowledge, you give me plenty to do. Thank you, thank you, thank you. You never disappoint.

[@mikeportjogger1]

Bugle calls use only the 1, 3 and 5 of whatever major scale the bugle is tuned for. They can be quite fun to play on guitar.

[@Bronze_Age_Sea_Person]

Every time you upload a new video, another frontier opens in my mind, and it makes me rush to start composing again!

[@wandering128]

I dont even play guitar, I play mandolin and these videos are definitely helpful pertaining to the mando! Thank you!

[@13GManhan]

Really mind blowing! I think it will help with my rock lines, especially jazz lines, which I must spend more time with!

[@ProffessorMusic]

AKA "how to get into Steely Dan" lol. I love it!

[@davidpetersonharvey]

Very nice. I'm going to start getting my students into doing this. Thanks for the great suggestion.

[@siegfriedstark]

This stuff is pure gold! People tend to think that musical theory and patterns are a kind of erudition item to be displayed by "connoisseurs", but they are really the CORE of the matter when we talk about music making!!!! There are very interesting research stuff in internet about XVIII century musical training for composition and what we learn is that they were EXTENSIVE and INTENSIVELY trained in music theory for the sake of IMPROVISATION: the likes of Bach, Händel, Scarlatti, Mozart, Beethoven and many other names were EXTENSIVE and INTENSIVELY trained in improvisation skills, which made them capable of elaborating many possible musical solutions (based on all those patterns and harmonic relations) for very simple phrases and sequences!

[@MusicTheoryForGuitar]

Yes! And you're going to love this video - just go beyond the first few minutes: kzbin.info/www/bejne/ap7MimyQrd12Zrs

[@lorneturner5318]

Thank you for presenting this.

[@hernandoferrera1573]

Tommaso, this is really great stuff. Thanx!

[@ghfdt368]

This was a great lesson! also when you really break down triads there is really only 3 shapes of the guitar if you consider the width of the width of the board! what I mean is if you focused on the High E, B ,G string you have only 3 shapes you need to focus on and for the GDA only 3 and then again for DAE its only 3(PLEASE NOTE THIS IS HOW I SEE IT AND HOW IT CLICKED IN MY MIND FOR ME),of course if you put them all together or connected them all you would make an arpeggio and scales, but if you really break it down like this its pretty mindblowing and just how much you can do with just 3 shapes. Also this is just for one type of chord right? like a major triad, so if you add dominant, minor and diminished just off of 3 shapes alone you must have millions of possibilities!

[@guitarvibes1828]

Please do a video on Legato Finger combinations Permutations ?

[@sebastiankreck]

Haha, you have very good mood. Great suggestion and cool video.

[@jamessamontinamusic9388]

Wow! Thanks for this ❤️

[@prathmeshchandwale1506]

Love your videos brother Everytime you come with an interesting one When you said that girl doesn't play 😂😂😂

[@jomamma1750]

Simple suggestion would be to produce a complete chord mastery system for Bass. It would cerertainly be a challenging excercise since the bass performs a generally different role within music than that of a guitar. Anyway, food for thought.

[@ganazby]

Excellent. Thank you.

[@christopherheckman7957]

(1) Schillinger's System of Musical Composition has all sorts of mathematical tables in it, like all the permutations (orderings) of n numbers. I think Schillinger was overawed by the large number of possibilities. (2) Another combinatorial fact: If you have three patterns A, B, and C, you can play them one at a time in such a way that you never immediately repeat some sequence of patterns. It's not possible with 2: First, you start with A. You can't play A again, because you'd be repeating yourself, so you play B (the other one), and have thus played AB. Now you can't play B, because that's repetition. So that means you play A, and you've played ABA now. Now you have a problem; if you play A again, you're immediately repeating that last A, but if you play B, you're repeating the sequence AB. Once you have a third pattern C, you can continue forever: ABACBABCBAC...

[@MrDontworrybehappy10]

4 pattern 1290 5 pattern 7770 6 pattern 46650 if you are wondering the other combination (excluding the first one of each, in where you repeat same pattern for x time) but to lazy to type on Google: there you go

[@leegosling]

Very A-Pealing lesson. The campanologist would fully approve. Anyone for a 30yr practice session.???? Extract from wiki article on bell ringing: “For some people, the ultimate goal of this system is to ring all the permutations, to ring a tower's bells in every possible order without repeating - what is called an extent (or sometimes, formerly, a full peal). The feasibility of this depends on how many bells are involved: if a tower has n bells, they have n! (read factorial) possible permutations, a number that becomes quite large as n grows. For example, while six bells have 720 permutations, eight bells have 40,320; furthermore, 10! = 3,628,800, and 12! = 479,001,600. Estimating two seconds for each change (a reasonable pace), one finds that while an extent on six bells can be accomplished in half an hour, an extent on eight bells should take nearly twenty-two and a half hours. (When in 1963 ringers in Loughborough became the only band in history to achieve this feat on tower bells, it took them just under 18 hours.) An extent on 12 bells would take over thirty years.” That’ll keep us all out of mischief, Sensi. ;-)

[@ozarkrenew1019]

Appreciating your post

[@Bandicutie]

We had that sick christmas train come through our town

[@saschaz1]

I feel like something is missing. You should have read all the possible combinations. Thanks again for sharing your knowledge with us.

[@marcaitech7360]

Great concept....arpeggiator-inator!

[@jamesmaxwell5415]

exceptional lesson!!!

[@MusicTheoryForGuitar]

Thanks!

[@0000song0000]

i just wanna say thank you. there are too many channels for newbies. after only 17 years playing i start to find too many people preaching the wrong stuff (consumism, mislabelling keys/modes/techniques, etc) and act like the holy grail. The simple fact you can acknowledge you miswrote something tells a lot

[@mulqueen82]

I was hoping for more dry erase board. turns out my girlfriend had some small one in the closet. and have been using it thanks to watching you. lol

[@depshallburn]

Save the scalar lines for specific phrases and feels.

[@joaquin3768]

Que buen contenido!

[@saxfish]

< ! F A N T Á S T I C O ¡!¡>

[@elninojustino]

Why no book?

[@IvanArdillo]

Has this to do with triad pairs?

[@MusicTheoryForGuitar]

Yes

[@allmendoubt4784]

Can't use paypal - why restrict your customer base so drastically?

[@MusicTheoryForGuitar]

The website accepts also credit card, not only Paypal. If you need help or for any questions, write me at [e-mail]

[@listopadoff]

I am starting now to combine. I will call you in five years time to get the COMPLETE. Please don't bother me before 2025

[@MusicTheoryForGuitar]

Hehehe :)

[@edigabrieli7864]

Aggiungendo sbalzi sonori sulle ottave si puo ri-raddoppiare tutto.

[@MusicTheoryForGuitar]

Yes :)

[@rosarioandolina1556]

Are you an engineer?

[@GreenManalichi]

Can you say "I vant to drink your blood" in your creepiest voice? Haha thank you

[@ipsurvivor]

Strange + The Familiar

[@jerftecimer9690]

I laughed hard when I saw girl's face

[@baschdiro8565]

If I calculate correctly, three patterns should be 6*5*4=120 possible combinations.

[@MusicTheoryForGuitar]

"Allowing single repetitions". For instance 1+1+2, 1+2+1, and 2+1+1 are a valid combination.

[@baschdiro8565]

Ah, thanks!

[@christopherheckman7957]

@@MusicTheoryForGuitar The calculation for allowing single repetitions is 6*5*3 = 90 (6 choices for the permutation to repeat, 5 for the other one, 3 locations for the non-repeating permutation).

[@MusicTheoryForGuitar]

@@christopherheckman7957 It's simpler than that. Calculate all combinations allowing repetitions: 6*6*6 = 216, then subtract the number of triple repetition (6), for a total of 210. End result is the same.

[@christopherheckman7957]

@@MusicTheoryForGuitar True, but when you move to sequences of 4, 5, etc. (like antonio_desanto did), you have to do a calculation like the one I did.

[@rswatzl3]

“Time for training” (pun intended 😅).

[@zacky8080]

Stop teaching me math. I’m waiting the whole time for you to play a little example. What a waste of time.

[@MGCaverly]

Drop the fake accent, please