Originally uploaded by Kimolerik. Franz Liszt (1811-1886). Totentanz: Paraphrase über Dies Irae S.126 Orchestre de Paris. Daniel Barenboim, conductor. Martha Argerich, piano. Live February 7, 1986. Salle Pleyel, Paris.
Пікірлер: 119
@solonka12312 жыл бұрын
I was at the concert. Argerich is unique!
@karinevahofbauer59602 жыл бұрын
So ein Glück ! Fantastico!
@connie_41548 жыл бұрын
It's not about the speed... she gives each note such distinct character while pulling such a long extended mood through out, which is absolutely mind blowing. Argerich never fails me, she is a genius!!
@francescoelia.marino Жыл бұрын
In fact, when people think that Argerich is speed only, they are totally wrong. Argerich is not only speed but also precision; she is the mastery and ability to play each piece in a totally unique way!!! She is the best, and the piano world will not be the same when we lose here. Some pianists practice 23 hours per day, and yet they can't reach her level.......
@remsan0310 жыл бұрын
All those years of playing Scarlatti K141 d minor has lend itself well for the 08:04 part. The clarity like a machine gun
@sheytanovamalena5 жыл бұрын
@thibomeurkens22968 ай бұрын
Exactly my thoughts, thank you for providing the time mark :)!
@ricardodick32037 жыл бұрын
This version, played by Martha, is one of the most beutiful musics that I heard in my life. Liszt was a genius. Arnaldo Cohen and Lisitsa plays as like Martha. God blessed all with an incredible capability to traduce all the emotions. Liszt would be proud.
@pianotreasures11 жыл бұрын
I was there too. I remember she also played Falla's Nights in the gardens of Spain at the same concert.
@Hussain_Eidani4 ай бұрын
Wow, great work, amazing performance ❤
@k4ir0s7 жыл бұрын
Possibly the most impressive performance by Argerich that I heard so far
@789armstrong3 жыл бұрын
the definitive version.
@Pogouldangeliwitz2 ай бұрын
Definitely not
@larinha12073 жыл бұрын
its so great to have the opportunity to hear it 😭 martha is such a great pianist, a really big inspiration, i love her ❤️
@Sathrandur8 жыл бұрын
13:47 - I have never heard anyone play that bit so fast - but it's perfectly brilliant at that moment.
@tannerjordan20107 жыл бұрын
You should check out Cziffra's recording. He plays it faster, and inhumanly clean. It's really hard to believe what you're hearing.
@hayoung_kim016 жыл бұрын
T. Jordan I think Argerich could make speed as fast as Cziffra's. But she wanted to emphasize that passage so took time like that.
@punchaloo5 жыл бұрын
Enrico Pace plays it uniform and faster
@stephenwagner37172 жыл бұрын
What a terrific audience. They participated wonderfully in this delicate, live, performance.
@chp7637 жыл бұрын
My beloved Martha
@zebeauv2 жыл бұрын
Les glissandi à la fin sont incroyables… Comme tout le reste, certes… Quel dommage que Martha n’ait plus joué cette œuvre…
@Pamela-dv7gb8 ай бұрын
D’ailleurs malheureusement je crois qu’elle be joue plus en concert à cause de sa santé alors même pour tout simplement l’écoute en personne c’est désormais impossible
@Pogouldangeliwitz2 ай бұрын
Vous parlez d'Yvonne Lefébure, sans doute, Pamela chérie ? En effet du jour où elle a trépassé on ne l'a plus entendu jouer. Comme Marguerite Long, maintenant que j'y pense !
@123must9 жыл бұрын
Grandissimi, Argerichc and Barenboim ! Thanks
@solonka12312 жыл бұрын
@Facconti She did play it a few times in the late 80s. I also heard her performing it in Germany.
@JanBrianeAstom11 жыл бұрын
Liszt: "Martha, I am your father." Martha: "Mmkay."
@AtomizedSound5 ай бұрын
More like “no sh*t?”
@sirshitsalot00711 жыл бұрын
wow truly masterful triangle playing!
@annah.19273 жыл бұрын
💐💐💐 Merci beaucoup.
@annah.19272 жыл бұрын
Beautiful ! 💐💐💐 Thank you.
@123must12 жыл бұрын
What a rendition ! A lot of thanks
@shantihealer12 жыл бұрын
This work - both awesome and seldom played - has the unique quality of making ANY pianist who plays it sound like a legend.
@spark_67104 жыл бұрын
Wow !!! Pretty awesome ! Fantastic !!!👍
@123must11 жыл бұрын
Wonderful rendition by Argerich ! Thanks
@val2557 жыл бұрын
there is no female pianist that can compare to her. She is one of a kind and the best female pianist of the century. simple as that...it is a joy just to listen and watch her. She is performing in USA for only 1 show in LA....have to go see her once live in my lifetime, and only hope she stays healthy.
@savonliquide76777 жыл бұрын
why this female distinction??? it has no sens at all
@savonliquide76777 жыл бұрын
certain poeple cannot breath without classify (rudely) and comparing (where there is simply no comparason to make!) it s not sport, it is music!
@tommarvoloriddle29656 жыл бұрын
val255 You're not doing her a favor by saying she's the best ever. Quite the opposite. You're making fans of other pianists dislike her for absolutely no reason. These "best something" comments need to stop. Music should never be a competition
@karinevahofbauer59602 жыл бұрын
Ich hatte einen Podiumsplatz 1984 Mozarteum Salzburg Grosser Saal Martha Argerich & Nelson Freire...fenomenal. Naturgewaltig auf 2 Klavieren...leider weiß ich nicht mehr was das Program war.
@Pogouldangeliwitz2 ай бұрын
@@karinevahofbauer5960Immerhin wissen Sie ja noch, dass Sie auf dem Podium sassen. So ist das Wichtigste hängengeblieben. Töne verhallen, aber Podien bleiben für immer.
@MrInterestingthings3 жыл бұрын
As frightening as Michelangeli ! This needs to get more attention .Zimerman really gets Liszt qualities . Argerich is a force of nature what she does comes after the technique it is her personality !
@Pogouldangeliwitz2 ай бұрын
I love her, but she's not even close to ABM
@Jasoconth12 жыл бұрын
ive always wished she played this piece...turns out she did !!!
@hectorguilermowierna77057 жыл бұрын
Wikipedia dice de Martha Argerich lo siguiente: " Martha Argerich (Buenos Aires, 5 de junio de 1941) es una pianista argentina de música académica , considerada una de las mayores exponentes de su generación y la posguerra. Especialmente célebre por sus interpretaciones de F. Chopin, Franz Liszt, Johann Sebastian Bach, Robert Schumann, Maurice Ravel, Serguéi Prokófiev, y Serguéi Rajmáninov.
@CalamityInAction4 жыл бұрын
hector guilermo Wierna Tiene sentido
@pianista-mediocreАй бұрын
(she literally only played Rach 3)
@thomasmartin409110 жыл бұрын
shantihealer I'm not sure I agree with you but, nevertheless Argerich IS a legend in her own time and there is a reason for that - she's fantastic!
@irenenaselli24296 жыл бұрын
GENIAL !!
@user-lf8lf3ft3x Жыл бұрын
Bravissimo.¨!!!!!!!!!!!
@lanonyme10 жыл бұрын
La Totentanz est connu comme l'une des partitions les plus difficiles de tout le répertoire pianistique. Martha est ici encore plus fulgurante que jamais. Dommage qu'à l'instar de France Clidat, elle n'est pas enregistré l'intégrale pianistique de Franz Liszt.
@lampadairevisqueux52472 жыл бұрын
elle n'ait*
@Pogouldangeliwitz2 ай бұрын
@@ldece627Commence déjà par régler ton problème d'agressivité.
@giorgosmalefas17011 жыл бұрын
12:07 Thank you Ferenc!
@annakavan18694 ай бұрын
Wow.
@hayoung_kim014 жыл бұрын
She is genius
@nicolasgut65342 ай бұрын
woww
@cbostrom61408 жыл бұрын
Danny Elfman took alot of "inspiration" from this piece for the making of the music to The nightmare before christmas
@hb7123 жыл бұрын
Old comment I know, sorry. This piece is actually based on a thematic motif “Dies Irae” based on a longer Gregorian chant. It’s one of the most quotes pieces of musical literature, from Berlioz to Liszt to Williams, Elfman, etc. The motif is essentially synonymous with death.
@libelle1764 жыл бұрын
Martha,the greatest ever,and ever!!!!!!!!!
@mattmidi58434 жыл бұрын
Volodos, Cziffra and Hamelin???
@nolitetebastardescarborund97616 ай бұрын
@@mattmidi5843 Horowitz?
@hectorguilermowierna77057 жыл бұрын
Dice Wikipedia de ésta obra lo siguiente: "Totentanz (Liszt) (inglés: Dance of the Dead): paráfrasis en Dies Irae, S 126, es el nombre de una sinfónica pieza para solista de piano y orquesta de F. Liszt, que se caracteriza por estar basado en el canto gregoriano llano melodía Dies Irae, así como para las innovaciones estilísticas atrevidas. La pieza fue planteada originalmente en 1838 y terminada en 1849; se revisó dos veces, sin embargo, en 1853 y 1859. Innovaciones estilísticas. La apertura se acerca sorprendentemente a la introducción en la Sonata para dos pianos y percusión de Bartók, obra compuesta casi 100 años después. Esto no puede ser coincidencia ya que Bartók frecuentemente interpretó el Totentanz de Liszt. Otras características modernistas son las secciones de toccata, donde las repetidas notas del pianista golpean con intensidad diabólica y efectos sonoros especiales en la Orquesta".
@cosmosescath6216 жыл бұрын
En 1986, Martha était une splendeur à la chevelure noire ébène ! Mais sûr que pour la mettre en regard du Liszt aux cheveux blancs, cette personne qu'elle aime tant, le plus parmi les compositeurs, une image plus tardive est plus parlante. Interprétation fulgurante...
@vladibaby797 жыл бұрын
Man kann vielleicht über diese Interpretation streiten, da einiges nicht so ist, wie man das gewohnt ist. Aber ich finde, man kann sicher nicht darüber streiten, da hier Argerich mit einer unfassbaren Ur-Energie am Werk ist. Diese Energie validiert alles was sie macht und es klingt sowieso richtig.
@nuitNo.611 ай бұрын
13:54 I don't think I ever noticed it played like that before now.
@averoc3 жыл бұрын
Dies iræ, dies illa...
@DaleksInc Жыл бұрын
Solvet sæclum in favílla...
@solonka12312 жыл бұрын
@solonka123 Martha is my friend.
@timward42273 жыл бұрын
I love Martha and have been enjoying her work, career for many years, also with Daniel Barenboim and the West Eastern Divan Orchestra, but I have to say think it was 86' with Krystian Zimmerman was the absolute best I have heard..
@lyghdha12 жыл бұрын
@solonka123 Please provide us with dates and location.
@annakavan18694 ай бұрын
How insane one could be?
@ruthsalgado67752 жыл бұрын
13:43 best part!!
@babygirl41692 жыл бұрын
2:51
@misspeckpeck12 жыл бұрын
the one on the right.
@classicalmusic40273 жыл бұрын
Shining intro??
@KC-wn4hi3 жыл бұрын
7:49
@geuros11 жыл бұрын
:D :D :D
@hectorguilermowierna77057 жыл бұрын
Son dos pianistas con estilos distintos. Ni Cziffra es mejor que Argerich, ni Argerich es mejor que Cziffra.
@remsan0311 жыл бұрын
Martha is a bad ass
@hectorguilermowierna77057 жыл бұрын
Moron
@remsan036 жыл бұрын
Imbecile. Pathetic excuse of a man who watches too much Barbie videos.
@Fritz_Maisenbacher11 жыл бұрын
Argerich is left , but something elder than Liszt .
@anangryjuicebox27996 ай бұрын
1:23 1:53
@kevfr505 ай бұрын
When you want to play like Cziffra, but you realize in the middle that you'"re NOT Cziffra ! That's an OK version, not even close to be the best one.
@archy975210 жыл бұрын
Reminds me of Lord of the Rings, very nice.
@arnolphhipler98867 жыл бұрын
no.
@xoppa0910 жыл бұрын
odd photo juxtaposition
@guillermocorvalan37258 жыл бұрын
scary!!!!
@MrStrav8110 жыл бұрын
RichB - you need to listen to Krystian Zimerman's. Another surprising good one is Arnaldo Cohen's. Also critically acclaimed is the Andre Watts recording, although I don't have it. Not sure which ones are on KZbin. Zimerman's is for sure.
@Tenormind6 жыл бұрын
MrStrav81 I’m a Zimerman fan but I couldn’t find any recording of Totentanz by him. Can you paste a link here please? I’m so curious about his rendition!
@tadeuandrade91346 жыл бұрын
Listen Lisitsa solo performance of this composition...!!!
@Pogouldangeliwitz2 ай бұрын
To me this sounds like Martha with a piece she hasn't played much, isn't comfortable with and hence (even) more nervous than usually. It's both stunning and perfectible, technically. And explosive, exciting, but also more often than not a tad sketchy, musically. Not her greatest achievement. But what a fun ride, what a thrill!
@poechopin9 жыл бұрын
Where did she get those opening chords? NOT the way Liszt wrote it!
@connie_41548 жыл бұрын
+Francis Cummings ?? the real opening was cut off it seems. was the orchestra part written by Liszt too?
@taputapuu94878 жыл бұрын
+connie _ yes, this is original. Later he transcribed it himself for solo piano.
@Feniso8 жыл бұрын
What are you talking about? It sounds normal to me. What chords? What score are you working with?
@connie_41548 жыл бұрын
@papageno, -- sorry -- I wasn't looking at the piano score, :eek: messed up :shy:
@erykszadkowski16873 жыл бұрын
Considering that Liszt used to add whole improvised parts and cadenzas to pieces he played, he certainly wouldn't mind these few chords being changed.
@richdisilvio4591 Жыл бұрын
Decent performance but No comparison to Valentina Lisitsa & John Axelrod - the ultimate performance.
@rigel489 ай бұрын
Decent performance? joker! And ultimate performance doesn't mean much. Instead say that it is your favorite interpretation.
@richdisilvio45919 ай бұрын
@@rigel48 No, it’s jokers who tell others how they should access music and speak. I said what I said and meant it. End of story.
@rigel489 ай бұрын
@@richdisilvio4591 Don't worry. It doesn't matter what you say or think.
@danieledirubbo38133 жыл бұрын
Perchè non lo andate ad ascoltare da Michelangeli? Non mi piace che dite che l'allievo è meglio del maestro. È come dire che un neonato pesa di più di un mammut
@francescoelia.marino Жыл бұрын
Martha non è mai stata allieva di Michelangeli - ha fatto solo due o tre lezioni con lui e da qui a dire che sia una sua allieva c’è ne vuole. Gulda è stato il suo maestro ma non Michelangeli
@drrabner479 ай бұрын
@@francescoelia.marinoYou are right. And Martha has repeatedly said this. He only gave her several lessons. Gulda was her inspiration.
@geuros11 жыл бұрын
no man! Cziffra was reincarnated Liszt. I am sorry to say that, but whatever Argerich plays, it is great, but when Cziffra played Liszt, it was awesome, or directly the very best. Furthermore people really believed that Cziffra was reincarnated Liszt.
@bloodgrss10 жыл бұрын
Now we're getting again that confused musical typing that you were famous for before termination frederic/dumKid/Stan/et.al.! And the true level of your 'critical' insights-and an 'ass at the piano'...;-)
@joperez98923 жыл бұрын
This doesn't really sound like Martha. Those rubato's in thge first 5 minutes and every where are not typical of her...
@hailzgeoff3 жыл бұрын
I rather agree with you. I'm not convinced that this really is Martha. As you say, the rubatos are unusually extreme for her, and i found the pianism is rather splashy by her normal high standards ( eg 11.18, and other places). She never recorded it officially, so maybe we will never know. I'm a huge fan, but if it is real, this recording does not do her justice.
@JoseAPerez-nq9vu2 жыл бұрын
This definitely is not Martha: she doesn't play like that !
@bw20829 ай бұрын
The repeated notes at 8:03 confirm it is Argerich.
@SELMER19474 жыл бұрын
Great performance but Cziffra's version is by far above...
@rigel489 ай бұрын
I think they are both great.
@josephlaredo52729 жыл бұрын
I'm an Argerich fan but this is not one of her best performances. The slow variation in the middle is delicious, but otherwise she just plays fast and loose, to little musical purpose. Listen to Janis and Ginzburg for two very different but equally valid (and musical) takes on this odd piece.