LUTs and Color Spaces

[@renodigitalservice]

You got yourself a sure mic!

[@kodikodi9948]

fantastic video. thank you

[@CrashUp]

very informative. thanks a lot.

[@Oliver-OBM]

Thanks! 👍

[@adfamindia]

This is a great fantastic video... finally, I understood the concept of LUTS & COLOR SPACE.

[@rickclise6883]

Thank you Mark! Excellent explanation and tutorial.

[@travelssafarisinafrica7700]

Welcome back, so miss my weekly learning curve from Steve and yourself.

[@cogmovies]

Masterfully demonstrated, as always. Thank you Mark! ⭐👍

[@axlcinema]

Who's looking forward to the next iteration: super luts? Seriously though, what a break down! I'll be buying this course soon.

[@timothydeleon5481]

Basics are awsome. thank for this.

[@RafalGendarz]

Intro 😍

[@Deep-Travel]

Wow this was great. On my way to get the rest.

[@boutthere3374]

Crikey! Have been abusing my camera for years and in 8 mins you gave me a better understanding of it all. Thanks

[@rippleguys]

Glad you enjoyed it.

[@plasmalabtv]

All of your videos are truly a masterpiece! Greetings and congratulations!

[@putarmstrong9736]

This is very helpful. While I’m beginning to understand the use of LUTs with FCP, I’m still unsure of how to capture video using LUTs with a Ninja Atomos monitor and either a Panasonic G9 or Sony A7 IV. Can you point me to either your tutorial (free or paid) on capturing video with LUTs or other KZbinrs that can help me. Thanks

[@rippleguys]

We cover here: kzbin.info/www/bejne/nXK9nKePqrd3ack

[@womenandwheels]

Great video, very informative and clearly delivered. As ever, in fact! Thanks…

[@michaelch5060]

Thanks Mark!

[@videotipsandtricks]

Дякую за відео!

[@markspencer3104]

Ласкаво просимо

[@skymakai]

Great explanation!

[@inyoureyes9197]

Very good I have a digital media degree I appreciate ripple training

[@anuraj5295]

tnks👍

[@WarriorsPhoto]

These are all very good Mark. Any suggestions on how to set up light with different color ranges?

[@markspencer1203]

Can you explain more about your question

[@TravelwithLei]

Hi, do you have any video explaining how to produce HDR video in FCP from S-Cinetone picture profile (both in Gamma and Color Mode) video clips? Thanks.

[@markspencer1203]

Our advanced color correction tutorial covers how to set up and grade HDR projects.

[@wayneread1534]

GREAT VID THANK YOU SIR

[@metamech7383]

I have a really important question I'd like to ask you. On a camera channel, someone told me that it's better that I don't use LUT's unless I have a 10bit camera. Most camera's I think are 8 bit...but you didn't mention the 8/10bit thing, so now I'm lost. To put this in context, here's what they said: "Generally, to use LUTs well, it is better to have 10 bit, although I know many do use LUTs at 8 bit. Adjusting the picture yourself instead of using a preset which is what a LUT is, is more subtle so adjustments can be done in smaller amounts which means less pulling around of the picture = less picture noise, especially in low lights. Zoom in and you might start to see the blocks appearing. That is the low bitrate. LUTs can be too aggressive and when the picture recompresses, it starts to break up into blocks. If you’re not specifically looking for it, you might miss it." Do you find this to be accurate? I've been scrambling around trying to find a 10bit camera thinking this is what I have to do. You guys could do me a big favor by answering this. Thank you!

[@markspencer3104]

I generally agree with this statement. Camera LUTs are designed to be applied to LOG footage, and LOG footage really should be 10-bit. Creative LUTs on the other hand can be designed for Rec. 709 footage and it really depends on the LUT. But yes 10-bit is always better when it comes to being able to push a grade.

[@metamech7383]

@@markspencer3104 This is an excellent explanation and the first that I can understand and agree with. Thanks Mark 👍

[@davidsamuels4246]

Thank you! I'm in for continuing and purchasing now. New Canon R5C owner and current DJI Inspire 2 operator. Love to see any tips you have for working/matching DJI's ProRes 4444XQ and ProRes Raw footage workflow. Thanks for all the help and knowledge you guys pass along.

[@HenriT]

Mark, whats the dongle between mic and xlr cable? I need one because I has blue boom too and can’t pan the mic

[@seecraig]

How to Find Blackmagic Camera LUTs? FCP has a couple of apparently very old camera LUTs for BMD cameras. Yet BMD has had periodic changes. Currently, shooting ProRes "Film" on BMD cameras uses their "Gen 5" color science but I can't seem to find any posted camera LUTs on their site. Do you know of a way to get the BMD Gen 5 (or Gen 4 for older recordings) Luts to import into FCP?

[@rippleguys]

I can't recommend Joel Famula's luts enough, and he's built them for the BMD's cinema cameras as well (not just Sony) - www.joelfamularo.com/colour

[@rippleguys]

One way to do this, is to locate the luts folder in DaVinci Resolve and copy the LUTs into a new folder on your Mac, then import that folder as a set of BMD Luts

[@seecraig]

@@rippleguys Good tip. Thanks. I wonder if that's worth a quick tip tutorial.

[@julijangrajfoner1730]

i donwloaded some luts from internet and I am trying to use them, but I don't know what colour space to feed them.

[@rippleguys]

Most of the LUTS are created for Rec.709 - the places you downloaded them from should also have to you this. Easy way to find out. If you apply them tor Rec2020 and they look wrong. then they were created for Rec.709

[@ChrisPalmerAviator]

Here I was thinking you were going to tell us about LUTs without using a LUT... drives me nuts seeing non-corrected footage.

[@michaelocunningham]

Great video! I’m having issues saving transition presets? Is there no option?

[@rippleguys]

what do you mean transition presets?

[@michaelocunningham]

@@rippleguys In the same way that one can create an effects preset, I thought it would be possible to save the settings of a transition as well rather than having to alt + left click or copy + paste to keep the same parameters.

[@rippleguys]

@@michaelocunningham Not possible with transitions. What you could do is open the transition in Motion, modify it your liking, save it, then you have a custom transition.

[@michaelocunningham]

@@rippleguys Gotya…I figured as much. Thanks! 🙏

[@meyerdigitalfilm]

Can someone explain me why i get different colors and brightness values if i am working with original media and export in h264, if i export in prores its pretty much accuratr like the colors while i am editing in fcpx. Reminds me on premiere pro with the mandatory export luts

[@markspencer4557]

www.provideocoalition.com/understanding-color-management/

[@eduard.cinema]

hi where can i find good lut for Vlog L from lumix

[@markspencer4557]

It’s one of the built in Camera LUTs

[@markspencer3104]

Please ignore the spammer who has replied to every post asking you to text them.