I was in the children choir, so glad I have been a part of this even if my contribution was small
@barney6888 Жыл бұрын
That's what makes us all God's children, our small contribution is glorious praise to God.
@grahamwilliams8926 Жыл бұрын
Its never small! Its all part of what makes the 8th what it is. Life changing. No doubt you will remember that performance for the rest of your life.
@TheLastOfTheFinest80 Жыл бұрын
A day without Mahler is like a day wasted.
@johnmyers466Ай бұрын
Many years ago I saw Eschenbach do this with the mighty Chicago symphony. It remains forever in my memory as the greatest concert experience of my life.
@BenEmberley3 жыл бұрын
Some of the most glorious music Mankind has ever constructed
@saidtheactress Жыл бұрын
Thank you KZbin for not dropping the usual advertising cow patties all over this magnificent concert video.
@trevorjones32732 жыл бұрын
So tragic that Erin Wall has been taken by Cancer. May she rest in peace.
@PinkCrocodile Жыл бұрын
I think this is my most favorite interpretation of Mahler Symphony no 8
@sanman423 жыл бұрын
Unforgettable Erin
@dukestravels18619 ай бұрын
I can't imagine being in the midst of this performance. Beyond words.
@scottmiller649510 ай бұрын
Incredible and unbelievably good! Mahler and Eschenbach perfect together Bravo !!!!!
@hugoaragor9673 жыл бұрын
Extraordinary soloists, great conduction, Essenbach as usual, very inspired and correct.
@semrabahcivan86273 жыл бұрын
Breathtaking performance thank you so much to all of you
@areyounatz12 күн бұрын
Everything is just perfection
@matteor.74393 жыл бұрын
One of the most inspired, expressive Mahler 8 of all time. Eschenbach have undertsand totally this piece. i can listen, now, only this interpetation.
@johnvaughan70963 жыл бұрын
I'm also listening to Marc Albrecht but, yes, Christoph has a very deep human touch.
@stevechevis31583 жыл бұрын
I sang in this and in Marc Albrecht’s performance. Albrecht any day, this one just didn’t measure up.
@colinwrubleski7627 Жыл бұрын
Quite the range of opinions on the merits of this one...
@richardwilliams4733 жыл бұрын
The 2 female singers at the end are SUPERB!!!!
@GRANITEDAME Жыл бұрын
What a trouper Erin Wall was - she sang T Robinson's top C for her at the end.
@jimholder66563 жыл бұрын
Nothing short of AWESOME!
@richardwilliams473 Жыл бұрын
Mahler s music was Heavenly!!!
@marshallartz3953 жыл бұрын
✨✨Gustav Mahler (1860-1911)✨✨ ✨ Symphony No. 8 *(1906)* ✨ 00:01 *Introduction* Part 1️⃣ Hymnus: Veni, Creator Spiritus 02:06 _Veni, creator spiritus!_ 03:31 _Imple superna gratia [7]_ 07:41 _Infirma nostri sensibus [19]_ 09:29 *Tempo I (Allegro, etwas hastig) [23]* 10:59 _Infirma nostri corporis [30]_ 13:49 _Accende lumen sensibus [37]_ 14:55 _Hostem repellas longius [42]_ 18:27 _Spiritus, veni, creator spiritus [63]_ 19:21 _Qui Paraclitus diceris [69]_ 22:45 *Wieder frisch [81]* 23:03 _Gloria Patri Domino [83]_ 25:19 _End of Part I (applause)_ Part 2️⃣ Final Scene from Goethe’s “Faust” _A wilderness of forest and rock, with holy_ _anchorites living in clefts up and down_ _the mountainside._ 0:25:40 *Poco adagio [1]* 0:32:12 *Più mosso (Allegro Moderato) [14]* 0:36:18 _Waldung, sie schwankt heran [24]_ 0:40:33 _Ewiger Wonnebrand [32]_ 0:42:26 _Wie Felsenabgrund mir_ _zu Füßen [38]_ 0:47:25 _Geretet ist das edle Glied [55]_ 0:48:25 _Jene Rosen, aus den Händen [63]_ 0:50:28 _Uns bleibt die Erdenrest [76]_ 0:51:13 _Kein Engel trennte [78]_ 0:52:08 _Ich spur’ soeben [81]_ 0:52:45 _Hier ist die Aussicht frei [84]_ 0:53:31 _Höchste Herrscherin der Welt [89]_ 0:58:22 *Äußert langsam. [106]* 0:59:23 _Dir, der Unberührbaren [109]_ 1:02:04 _Bei der Liebe, die den Füßen [117]_ 1:03:16 _Bei dem Bronn, zu dem_ _schon weiland [121]_ 1:05:05 _Bei dem hoch geweihten Orten_ _[128]_ 1:06:19 _Die du großen Sünderinnen [136]_ 1:07:49 _Neige, neige du Ohnegleiche [149]_ 1:08:49 _Er überwächst uns schon [154]_ 1:10:08 _Vom edlen Geisterchor_ _umgeben [164]_ 1:12:06 _Komm! Komm! Hebe dich zu_ _hören Sphären [172]_ 1:13:48 _Blicket auf [176]_ 1:19:33 *Langsam [199]* 1:20:46 _Alles Vergängliche [202]_ 1:27:44 *Applause and Credits* *Soloists:* *Erin Wall, Twyla Robinson, Marisol Montalvo,* *Annette Jahns, Nikolai Schulhoff, Franco Pomponi, Denis Sedov* *Chorus: Credits for the various choirs are listed in the video beginning at:* 1:28:33 Orchestre de Paris Christoph Eschenbach, conductor *Palais Omnisports de Paris • Bercy* *Paris, France 🇫🇷 March 2008*
@RenamPablo3 жыл бұрын
I loved every fermata he did on the coda.
@rphcomposer2 жыл бұрын
absolutely nailed the high C
@Porn05Mouth2 жыл бұрын
Which one? There are like 900 of them.
@mcaito3 жыл бұрын
53:48 When the players are feeling it.
@Porn05Mouth2 жыл бұрын
I liked it - especially the second part. Some interesting musical choices. The first soprano and the baritone were especially good.
@parkthoven2 ай бұрын
What a majestic finale~~!
@matheuslino16512 жыл бұрын
Bravo, bravo. Viva, Mahler.
@laurentbidault79928 ай бұрын
Best version 😢
@princesslirio46843 жыл бұрын
Di ako nandito para makipag away, andito ako para sa module
@spicieststroberi3 жыл бұрын
😂
@peterwimsey13 жыл бұрын
huge performing space. The back of the chorus looks half a mile away
@peterfan71213 ай бұрын
I don't know how many video cameras there to switch to capture the details.I was a camera man in the church. The recording team( video compose and sound) did great job besides the great music . Bravo! A master piece I ever seen.
@sheldonsheldon44128 ай бұрын
Sublime
@1968KWT2 жыл бұрын
Premiered exactly 111 years ago! 💐💐💐
@1968KWT2 жыл бұрын
RIP Erin Wall 💔
@thomask1424 Жыл бұрын
Nicely done, very crisp with lovely singing from the soloists. A bit too drawn out at the very end but otherwise a great performance. Great sound, too.
@RaZorasiangamer Жыл бұрын
I actually like the drawn out ending, but it did seem a bit out of sync
@2009Guillaume2 жыл бұрын
ce n'est pas la salle Pleyel, c'est le stade de Bercy, ce n'est pas en 2006 mais en 2008
@alessandroberchielli8472 Жыл бұрын
R.I.P. Mrs Wall...
@kevincalderon68072 жыл бұрын
i can't believen that im know to Erin Wall after of her died :c
@MewsikMaker3 жыл бұрын
A good tune.
@marshallartz3952 жыл бұрын
Quite an understatement, that. 😎🎹
@anatahan22 жыл бұрын
1:25:56 (score m.1505) is strange. chorus is too long. they should end with orchestra. which version?
@hillcresthiker3 ай бұрын
Absolutely- this sounds ridiculously out of synch!
@ianislios3 жыл бұрын
At last a nice interpretation in HiFi sound on KZbin. For example, I consider nice Sinopoli 's as well. It lacks sound quality though.
@mariorossi96552 жыл бұрын
1:24:31
@lj2912612 жыл бұрын
Schukoff is a very good tenor. Eschenbach let's it play a bit too slow.
@renzo64905 ай бұрын
I put the playback speed up to 1.25...tighter, more forceful.
@1968KWT3 жыл бұрын
23:59-24:06
@ricarleite3 жыл бұрын
Odd choices by the conductor but I like it. Good Mahler 8th.
@oldsnwbrdr2 жыл бұрын
This conductor is getting paid by the hour.
@Dylonely42 Жыл бұрын
I. 2:06 II. 25:40
@rphcomposer2 жыл бұрын
Wait ,what the heck happened at 1:24:57. Can someone explain this
@lucas__machado2 жыл бұрын
Strange...don't know if the orchestra stopped too early or If the choir continued for too long but there's definitely something wrong
@Porn05Mouth2 жыл бұрын
That IS weird! He clearly cut them off. It sounded like a choir patch on a keyboard got stuck. I wonder if it was sweetened... or maybe it was just an odd musical choice to have the soprani hold over the pause.
@kevincalderon68072 жыл бұрын
it was just a fermata, or a cauldron that they placed between those two phrases to give more emphasis and drama to the high point of the coda of this same work, since that is where it is most exciting, I loved it
@oldsnwbrdr2 жыл бұрын
It IS strange… but I kinda liked it!
@jakesmith37247 ай бұрын
Nothing strange what-so-ever. How he views this moment is simply a tension point which he prolongs to add for a more dramatic and emotional effect. It is absolutely outstanding as it opens our eye (and ears) to a moment we have all heard 1000 times, as if it were the first time we heard it. Your confusion is you preparing yourself for the ‘same old’ approach where one could say that this moment is a ‘nuanced/fresh’ approach.
@lowelynbaes15663 жыл бұрын
My MAPEH subject brought me here
@matteor.74393 жыл бұрын
Where i can find the cd of this?
@benjaminfalcone20743 жыл бұрын
1:11:54
@faithquenniemodanza18963 жыл бұрын
Pano to iexpress through drawing?😭 #module
@ianislios3 жыл бұрын
I have the feeling that it's a 2008 concert. Not 2006.
@michaelwall82342 жыл бұрын
Actually, I believe the concert was in 2007, sometime during the summer. Erin and Twyla recorded it with Boulez in Berlin in April, 2007. This concert took place shortly after that recording. When Erin showed up to the first rehearsal, whoever was scheduled for soprano I had cancelled due to illness. The other soloists were asked for recommendations for someone who could fill in on very short notice. Since Erin had just worked with Twyla on the recording, Erin picked up her cell phone and called Twyla right on the spot. Twyla was free, so Eschenbach had the company engage her and she was in Paris the next day for the remaining rehearsals and concert. These things do happen and usually it works out well.
@lorenzoborgognoni2 жыл бұрын
The end is extremely slow, the brass is extremely difficult in a heavy symphony like this. The best remains Abbado.
@alessandroberchielli8472 Жыл бұрын
peccato perché una bella direzione così avrebbe avuto bisogno di un Dr Marianus di livello....cast ottimo, coro e orchestra pure...poteva essere davvero un'edizione di livello assoluto se avesse avuto un tenore migliore, tra l'altro in questo capolavoro proprio per il tenore sono state composte alcune delle frasi più belle della storia della musica...un'invocazione come lo jungfrau così stiracchiata non si può proprio sentire
@Emilien-hy3sy3 жыл бұрын
the ending is so so slow
@kevincalderon68072 жыл бұрын
that is sooo gooood really
@jakesmith37247 ай бұрын
All a matter of taste
@blueeyedbehr2 жыл бұрын
very bad recording. quite blah. the harps, piano, & celesta were almost absent at 1:18:50, among many other omissions. and the swooping camera angles are ridiculous. we are here for the music, not trying to over-impress already impressive music with silly pseudo-dramatic camera swoops. the music speaks for itself. mahler's amazing lily doesnt need any gilding.
@ediccartman72523 жыл бұрын
Very good performance, you really can see how people are devoted to what they're doing on the stage..BUT from the very beginning of the 2nd part, you feel the conductor is just running out of ideas. Zero tension and awkwardness of orchestral solo, and after, when the singers' solos come , Eschenbach just doesn't let them express themselves. You can't conduct this music in such a geometrical style. And the final is so insanely slow, you feel like at the funerals, instead of ascension, like it must be. Very fundamental and disappointing performance at the same time.
@porcinet1968 Жыл бұрын
a rather incoherent, faulty, poorly sung and shouty performance and what was that weird holding of the soprano and alto notes just before 1'29'55" there's no "hold these notes after a long ritard as if there were an extra bar there before the last big statement of "alles vergangliche" in the score (rehearsal number 213 if you have the score handy) - Chailly in Leipzig or Lucerne, Solti, Bernstein, Abbado and Rattle are all better than this. The Chailly Lucerne Mahler 8 has unfortunate singing from the 2 solo sopranos but has the stunning Peter Mattei owning the concert with his "Ewige wonnebrand" solo which is impeccably sung and characterised.
@porcinet1968 Жыл бұрын
and Chailly gets better orchestral ensemble and expression than this fairly clumsy lumpy performance
@jakesmith37247 ай бұрын
Disagree
@seanangelobenavente8877 Жыл бұрын
Bland
@stevechevis31583 жыл бұрын
I was in the adult choir for this. It was seriously underwhelming. Far better performances under Colin Davis, Rattle, Abbado, MTT, Marc Albrecht.
@hillcresthiker3 ай бұрын
Rattle and abbado yes!
@shanemckenna94162 жыл бұрын
This is one of the worst performances of this work I’ve ever heard. Have you heard Simon Rattle and the NYO? Far better.