Mahler Symphony No.9 | Seiji Ozawa & Boston Symphony Orchestra | マーラー：交響曲第9番 小澤征爾 & ボストン交響楽団

[@tttube2020]

Thank you Maestro Ozawa. R.I.P.

[@ryujik6499]

マーラーの九番は五番とともに最もな好きな曲で何十回も聞いているけど、この演奏は素晴らしかった。小澤征爾さんがこの曲をBSOとの最後の曲に選ばれたのは今日初めて知ったけど、まるで彼の別れの気持ちを聴いているようで強く心にしみるものを感じました。Thanks very much for wonderful music!! Rest in Peace Maestro Ozawa.

[@YangXu-y8c]

Really touching to see people coming to Mahler 9 in memory of Maestro Ozawa today.

[@ionutzamfir5794]

mahler🤮

[@shui-takeu.chi0417]

小澤征爾さん、長い間本当にご苦労さまでした!　心から御冥福をお祈り致します！🎊 💐 🙏

[@josevanderleigutierrezcond5861]

We'll miss you Maestro...go upwards and conduct the orchestras of heaven ❤

[@akikoyanagisawa3916]

昨年、BBCプロムスでのサイモン・ラトルもLSOの音楽監督としての最後の演奏に　マーラーNo9を選んで、それはぶっ飛ぶ演奏でしたが、この小澤さんの演奏は鳥肌が立ち涙が出ます。小澤さんはこの世にもういないけど、音楽を通じて人間とは何か、その意味や価値や可能性を教えてくれたと思います。ご冥福をお祈りします。

[@461mountainboulevard]

1:02:20 ホルンソロで涙腺崩壊。ボストンさよならコンサートのマラ9本当に素晴らしかったです。小澤征爾さんありがとうございました😢

[@takuoakai9326]

He is silently and peacefully gone to heaven like this 4th movement sounds

[@doromamire]

Upon reflection, it occurs to me that I have never experienced the auditory spectacle of Mahler's symphonies under the baton of Seiji Ozawa in a live setting. While it is conceivable that I may have encountered these performances through recordings or visual media, the immediacy and vibrancy of experiencing such orchestral renditions in person remains an unexplored domain for me.

[@egami4040]

小澤征爾さんの振るマーラー、一度でいいから生で聞きたかった。 このボストンさよなら演奏会も、魂に訴えてくる演奏、 本当にありがとうございました。 1:09:52〜の高みへと向かうその音楽、涙なしではいられません。

[@SC-e5g]

CDにもなっているオザワ・サイトウキネンの演奏でこの曲を聴きました。 一音たりとも緩まぬ素晴らしさでした。 マエストロのご冥福をお祈りします。

[@rosernabona9364]

Mahler , S Ozawa , wonderful and marvellous ❤

[@YM-yx3nz]

ご冥福をお祈りいたします。 素晴らしい演奏を聴かせていただき、ありがとうございます。

[@aaheavenly4934]

この演奏の価値は聴衆がとてもよく理解しているようです。

[@jun1956]

Great words !

[@shibainushibainu-x9e]

ただただ懐かしい。もう彼らのような指揮者がもういないなのが残念。

[@jean-claudecalise7470]

Yes he was GREAT !

[@patriciabridoux2192]

Merci Monsieur Seiji Ozawa. J'ai de la peine profonde admiration respect✨

[@rosernabona9364]

Is the best Conductor S Ozawa ❤

[@williamstadel6113]

We have lost someone who truly loved music 😢. 🎶 Rest in Peace 🙏

[@k.t.7561]

素晴らしいタクト、オケとの友情を醸します。

[@ワンワン-e8o]

これは素晴らしい演奏ですね😊 特に弦の音が鬼気迫る感じです❤ 冒頭のハープは完璧です。 ティンパニーも素晴らしい。 何故？もっとボストン響と、日本に来なかったのだろう？

[@ЛюдмилаГорячкина-о8к]

Недавно познакомилась с творчеством Сейдзи Одзава. Но каково обаяние, ум, профессионализм этого Человека. Он Чудо!🌹🌹🌹🌹🌹❤

[@I2A52]

I am so happy to see the precious images in such high quality! Thank you from Japan!

[@korean.neri927]

감사합니다.

[@Harriet-Jesamine]

Greetings to Japan from Britain. Wonderful that we have this recording forever.☮️

[@佐藤公幸-k2t]

Maestro Ozawa has passed away like the last of Symphony Nr.9.

[@27brigitte]

Seiji has astrong feeling for the sounds in beteween and i love his wsy interprating music

[@MarcosMValcarcelGregorio]

🙏🙏🙏 to Maestro Ozawa.

[@rosernabona9364]

Spasiba. Da svidania. ❤

[@Chares800]

ガチで泣ける

[@doug29661]

beyond words

[@marshallartz395]

✨✨Gustav Mahler (1860-1911)✨✨ ✨ Symphony No. 9 *(1908-09)* ✨ 0:00:00 *Credits* 0:00:11 *Remarks by Seiji Ozawa* 🔱 0:02:20 I. Andante comodo 0:04:37 _m 29_ 0:08:00 *Etwas frischer* _m 80_ 0:09:12 *Tempo I. Subito* _(aber nicht_ _schleppend) m 108_ 0:12:48 *Mit Wut. Allegro* *risoluto [9]* _m 174_ 0:15:35 *Plötzlich langsamer* _(Das_ _Tempo so weit mäßigen,_ _als nötig) m 234_ 0:17:11 *Schattenhaft* _m 254_ 0:22:06 *Wie von Anfang* _m 347_ 0:23:49 *Plötzlich bedeutend* *langsamer* _(Lento)_ *und leise* _Misterioso m 376_ 0:25:54 *Schon ganz langsam* _m 406_ 🔱🔱 0:29:47 II. Im tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb _[In the tempo of a comfortable_ _ländler. Somewhat clumsy_ _and very coarse.]_ 0:32:31 *Poco più mosso subito* _(Tempo II.) m 90_ 0:34:58 *Tempo III.* _(Ländler, ganz_ _langsam) m 218_ 0:39:46 *Tempo I.* _(wie zu Anfang)_ _m 369_ 0:41:13 *Tempo II.* _m 423_ 0:42:44 *Tempo I. subito* _(Ländler wie zu Anfang) m 523_ 🔱🔱🔱 0:46:00 III. Rondo - Burleske *Allegro assai. Sehr trotzig.* 0:47:49 *L’istesso tempo* _m 108_ 0:49:01 *Sempre l’istesso tempo* _m 180_ 0:50:24 *L’istesso tempo* _m 262_ 0:51:50 _m 347_ 0:55:11 *Nicht eilen* _m 457_ 0:56:51 *Tempo I. subito* _m 522_ 0:58:47 *Presto* _m 641_ 🔱🔱🔱🔱 0:59:33 IV. Adagio *Sehr langsam und noch* *züruckhaltend* 1:04:07 *Plötzlich wieder sehr* *langsam* _(wie zu Anfang)_ *und etwas zögernd* _m 28_ 1:06:52 *Molto adagio subito* _m 49_ 1:10:41 *Wieder altes Tempo* _m 73_ 1:13:09 *Stets sehr gehalten* _m 88_ 1:15:08 *Fließender, doch durchaus* *nicht eilend* _m 107_ 1:16:13 *Sehr fließend* _m 118_ 1:17:02 *Tempo I. Molto adagio* _(Noch_ _breiter als zu Anfang) m 126_ 1:23:03 *Adagissimo* _m 159_ 1:27:00 *Silence* 1:27:33 *Applause* Boston Symphony Orchestra Seiji Ozawa, conductor *Symphony Hall* *Boston, Massachusetts, USA 🇺🇸* *April 20, 2002* _Note: This performance of Mahler’s 9th Symphony was Seiji Ozawa’s farewell concert at Symphony Hall as Music Director of the Boston Symphony._

[@detectivehome3318]

This comment deserves more likes

[@remomazzetti8757]

Your time stamps are incorrect for the Finale beginning with the third one listed as 1:03:57. And all the remaining time stamps are incorrect until the end of the Finale. For instance, you have the final page (Adagissimo) lasting a mere 14 seconds when in fact, it lasts nearly 4 minutes.

[@marshallartz395]

@@remomazzetti8757: I’m not finished yet… Please notice that I enclose the parts that are still a ‘work in progress’ with 🚧👷🏻‍♂️ *Under Construction* 👷🏻‍♂️🚧 signs.

[@jacekcel36]

@@detectivehome3318 Yes, I had to check, to be sure, Mahler himself would be surprised how good this performance is.

[@marshallartz395]

I’m so happy this video is back. From first note to last, I believe this to be one of the greatest performances of the greatest symphony ever written: Mahler’s 9th. 😎🎹

[@borinacalzetta1394]

God Bless Maestro Ozawa 🌹

[@alfonsodominguezvaldes8833]

Its incredible to see a director so involved in his character, as Maestro Ozawa did.A wonderful performance! The drop falling from his head and wig say it all. Rest in peace Maestro.

[@user-uh4fq5bb5i]

How amazing that maestro’s score is closed!

[@Harriet-Jesamine]

Stumbled across this.. got sucked in amd stuck here for the WHOLE thing😅 What a beautiful soul this Conductor seems.

[@スズキマサヒロ-q4l]

ありがとう👍️🎶 人間 『小澤征爾』感謝 感謝 感謝

[@vivianacerda2895]

Ahora escucha la música de las esferas celestes... Descansa en paz venerable maestro Ozawa. 🙏🌿🌻

[@MarshallArtz007]

I will always treasure this performance.

[@高山佳朗]

Wonderful!!!! I like these kinds super-premium masterpiece.

[@ebolahanta7672]

Mastero ! be healthy and happy !!

[@benoh7187]

Overwhelming performance

[@김형준-e6u]

오자와 세이지 말러 처음 듣지만 기대하며 듣습니다. 저는 54세인데 10대 때부터 오자와 세이지 선생 보스턴 필 연주좋아했어요. 20대때 여름 보스턴에 어학연수 갔었는데 연주회 스케쥴이 없어서 슬펐던 기억이 나네요.

[@Harriet-Jesamine]

Stumbled across this and got sucked in to the whole thing😊 What a beautiful soul this Conductor seems.

[@akita1934]

Maestro Ozawaの名前はボストンシンフォニーホールの一番後ろの席に刻まれています

[@charvakaelysium2414]

Absolutely fantastic!

[@muststayathome]

29:47 2mov. 45:59 3mov. 59:33 4mov.

[@superbear2002]

ボストンの離任演奏会ですね。 先日NHKで放送された松本の映像を見ていたら、只管痛々しかった。 この映像も20年前だし、時の流れを感じるのは当然か。

[@eerttree5340]

偉大な　指揮者でした。ご冥福をお祈りします。

[@cadesertdude]

WOW!!!

[@pavelopsitos3949]

ČLOVĚK, 🌹🌹🏵jak najednou si sám sobě chybí

[@ebolahanta7672]

Maestro

[@sirook-joonlee2352]

오자와 선생의 보스턴 고별 연주회로 알고 있는데... 정말 멋진 연주 영상이죠. 감사합니다.

[@johnvaughan7096]

Lovely to hear this from a Korean. Your man Muhn Wuhn Chung is also pretty good.

[@Richard-b5r9v]

Vic Firth playing timpani

[@yamato-yosoroku-klausketeer]

ありがとうございます もしやと思ったのですが小澤征爾のボストン交響楽団音楽監督としてのラストコンサートですね VHSに録画したので見れなくなってしまったので懐かしいです

[@edwards2010getzen]

4楽章の最後の拍手の間は、やはり、この位は必要ですね❤(確かアバド/ルツェルンの場合は、5分位あった気がしますが...)

[@momosuki8372]

ずっと彼の魅力が理解できなかったが、亡くなってから何故か？其の素晴らしさに触れることができた？　一度なまで成城学園前駅南口で拝見したことがある、怪物のような迫力だった、此処迄いかないと　世界一流の指揮者にはなれないのか？と感じた　長髪でとてもデカく見えた、

[@34w10]

amazing!!!!!

[@みあぐ]

サムネの笑顔かわよ

[@gaborsuppan8759]

poignant, wonderful confession.

[@DiederikAms]

Gosh. I would have liked to be there. But this is the next best thing. 😃

[@ootamanabu]

이건 압도적이네요... 보스톤이 항상 보여준 사운드가 아니네요........

[@andreaguarino8207]

1h17 oh my God

[@yl4521]

2:34. 32:31. 59:35. 1:16:30

[@rosernabona9364]

Jo soc del grup , melomans de la opera del Teatre del Liceu , i , repetim les operes amb diferents cantants , tots ho cantant diferent ......ara el Liceu nomes hi ha opera amb cantants contemporanis , per aixo , ara anem al Teatre de la Farandula de Sabadell , es molt millor ❤❤

[@pavelopsitos3949]

Stará dobrá evropská... hudba, která - zastřešuje ? cosi jako věčná touha - Seiji Ozawa ? v Bostonu, z českého rodiště Mahlera - jsme si Duše : někdy jsme si tam spíš než tu. Děkuji, za znamenité provedení vrcholné symfonie 20.stolet

[@jocelynemiloradovic2767]

Wahou !!! Quel maître !!! Merci !!!

[@jacquescardoso5075]

Biscuis fines ❤😂

[@detectivehome3318]

9:48 Vic Firth😇 20:00 58:08 1:16:06

[@hiobaname]

R.I.P. Gande Mastro 😪 from Italy

[@richardwilliams473]

The late great Vic Firth playing timpani

[@jackhousman6637]

Using the mallets he designed.

[@gerbs139]

He also retired after these concerts.

[@MrKlemps]

Odd that Charles Schlueter, who was still principal trumpet, did not play this concert. Although SO hired Schlueter under very unusual circumstances that just about guaranteed Schlueter the chair, O came to have something like buyer's remorse and tried, unsuccessfully, to fire him. All that may have accounted for an agreement that CS would sit out O's final BSO concert. By the way, Schlueter remains the only BSO principal trumpet in nearly a century who did not come up from the ranks.

[@narushimamitsuo816]

The last no sound after the finish is the end of the total music.

[@ekmke96]

1:12:00

[@carp0019]

RIP

[@sirook-joonlee2352]

부고 기사 읽고 다시 왔습니다. 마에스트로, 안녕히!

[@vincesjm]

What date was this?

[@geralddeluca4322]

Two concerts: April 19-20, 2002. Ozawa's farewell season with the BSO. Taped for later broadcast by NHK, Japan.

[@stefanufer608]

Superb - a bit of artistic restraint - not the vulgar excesses of some readings and the legendary Bud Firth on timpani

[@petton_]

🐈‍⬛ 1:03:09

[@りの-u6f]

23:49

[@patrizialauraf]

:( fly high Maestro

[@johnnapier4375]

Putting ads in the middle of movements is utterly pathetic!!!

[@yeehsianglee]

Can you please ask if you have more films about Seiji Ozawa, I really like him so much, thank you!

[@ionutzamfir5794]

there s one coming out in.a couple of months called "the tellow toe". real conductor

[@이성호-t3q]

삼가 고인의 명복과 극락왕생을 빕니다.

[@liedersanger1]

What year please?

[@korean.neri927]

2002년 4월 20일

[@西子浩之]

このビデオを見ると、やはり小沢には、ウィーンに行かずに最後までボストンにいてほしかったと思います。ちょうど、ドルトムントを離れてマンチェスターに移ったものの、あまりぱっとしなかった香川真司と同じような感じかな。

[@SC-e5g]

ボストンよりウィーンではなく、歌劇場の仕事をしたかったんだから仕方がないでしょうね。

[@多田桂司]

言わないほうが良かったも知れませんが、ボストンでの最後の方は当地の評論家に叩かれぱなしだったとある日本の評論家が本で書かれてました。国際的な指揮者の人事は英国のある一つのマネジメント会社社長が決めていると、同方が書かれてました。人気商売だから仕方ないことかも知れませんね。

[@西子浩之]

@@多田桂司 さん、「英国のマネジメント会社」とは、米国のCAMIのことでは？

[@バカボンのパパ-q6f]

もう少し再生品質が欲しい。 動画再生にリソース割り当てすぎ泣きがします。 出だしから音質が雑すぎる。 映像は素晴らしいです。

[@nishi-tjohns6792]

Ewig… ewig…

[@ionutzamfir5794]

What a confused and deeply.disturbed human.being Mahler was! Celibidache was totally right about this composer

[@wolfgangoker1865]

Celi was not right at all

[@catineanadelin105]

ce bine ca au fost altii care l-au inteles pe mahler si azi ascultam o muzica cosmica 😇 celibidache a gresit profund in directia asta (precum si in altele) si asta ne arata faptul ca orice om oricat de genial ar fi este limitat

[@ionutzamfir5794]

the cosmic dimension.you're talking about ....is Anton.Bruckner

[@catineanadelin105]

bruckner e doar unul dintre ei! mahler e altul si cel mai complex. mai sunt si altii dar mai trebuie sa cresti muzical ionutule ca sa pricepi 😇 enjoy the music 🤗

[@ionutzamfir5794]

@@catineanadelin105 Mahler looked for God his entire life (throughout his conpositions). Bruckner found God. look bro, there s no point in.having a conversation w ya. i am.a Bruckner fan . you are a Mahler fan. they are total opposites. just like Celibidache and the rest of the so called conductors. good luck with your life. and good luck.with your Mahler. much love. take care

[@ab-eh8mb]

Reklama???really?

[@timw2498]

Ozawa was technically proficient , but lacking in interpretation.

[@andreaguarino8207]

Here I think you are wrong, maybe in other performances.

[@aa-jc5fx]

小澤は姿、形、オーケストラは一流かと思わせるのだが、演奏がちょい二流なのが残念なのだ。

[@偏見じじい]

どこを直せば一流になれますか？