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Mike Skinner - The Story of The Streets: "I'm not a very good rapper" | www.randomhouse.co.uk/editions...
To me, the exciting thing about garage was that it was essentially a new kind of British rap. The only problem was that the actual rapping, at least at first, wasn't up to much. This was strange, because to my knowledge pretty much every garage MC thought of themselves as being a rapper. In their own minds, they were all really into Mobb Deep, but the only way they got paid was to chat about going to the bar for a sambuca. It was the same with drum and bass guys like Dynamite MC and MC Conrad (who used to work with LTJ Bukem). I remember someone telling me he'd heard one of these guys -- and he shall remain nameless, so as not to defame his character -- saying he couldn't actually stand drum and bass, but doing it was the only way he could make a living.
Rap music was not seen as accessible because it was inherently American. It was what everyone really wanted to be doing, but there was no hope of breaking through and getting any attention once you'd admitted that. There was hope with garage, though, because people were having hit singles from really early on. The paradox was that if you were a garage MC, you had all of the career possibilities but none of the status.
Garage MCing was not generally regarded as being very good. If you're a rapper, it's cool -- you're a wordsmith, a rhyme-artist, a yarn-spinner. But if you're a garage MC, you're more like a holiday rep -- at least that was the way it started, until the momentous Dizzee Rascal came along and actually was a rapper.
- Mike Skinner, The Streets
Mike Skinner - The Story of The Streets: "I'm not a very good rapper" | • Video