Chromatic Approach Notes

[@seattlevegas66]

It continues to amaze me that triads are so beautiful in themselves. And with every little tweak, they become spectacular. Great lesson!!

[@garyhall2100]

As always, very informative and creative. Please raise the guitar volume to that of your voice. Thank you!

[@frankvaleron]

Always a worthwhile topic

[@Mikkokosmos]

Indeed

[@LorenzoTosetti]

Hi Mikko, thanks for sharing! It’s an interesting lesson. I particularly like the 'classical' sound in the last lines from the second book. I think modern musicians often share a certain classical influence, perhaps because they aim to create a sound that stands apart from earlier jazz players. For example, Peter Bernstein often plays lines that remind me of classical music-very different from bebop lines, more concise and essential. That said, bebop itself borrowed a few tricks from classical music, but perhaps today there’s a tendency to avoid the usual enclosures or certain clichés... It’s a long discussion, though-maybe for another lesson! 😄

[@CRP2426]

Thank you for the lesson. Always intrigued by those books. Line Games & The Cellular approach.

[@faisletoismeme]

A very interresting topic very well presented. Thanks.

[@sleddy12345]

Thanks!

[@Mikkokosmos]

Thank you

[@ili626]

It’s really weird how I’ll discover something on my own that i really like, then a few months later, i come across a video like this showing that thing i thought i invented.. it’s happened so much, I’ve lost track of each instance. It feels like i’m living in a simulation sometimes.. and my ideas just become part of it I’m referring here to what Mikko credits Benson with. i never really listened to Benson.. but there’s more related things i worked out that Mikko doesn’t get to here

[@michaeljaramillo6263]

Outstanding! Thanks

[@thepartimemusician65]

Great channel

[@Tony-ph8vh]

Wow! Thank you

[@taliassa383]

Great content, tnx ❤

[@Mikkokosmos]

glad you like it

[@ValirAmaril]

yees