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This video shows 7 different patches in my 48 HP modular pod (from 4MS). Sounds will be coming from Mutable Instruments Plaits, TipTop Audio ONE, Make Noise ST0, and Akemie's Taiko from ALM. Control coming from the Noise Engineering Horologic Solum, Lifeforms Micro Sequence from Pittsburgh Modular, the Korg SQ-1, the EG envelope from 2HP, Make Noise Pressure Points, and also from the ONE itself. I rely heavily on the Intellijel uVCF for filtering; one of those modules that I can't think of anything I'd change about it. I'm using several of the Erica Synths Pico modules, which are great for this case size. I start with the Hologram Microcosm as the main effect, but then switch over to the Walrus Audio Slo reverb. For each patch there is: overview, detailed setup, and a demo. Some of the demos are better than others, and that's one of the points I'm trying to make in the video - you just keep putting one foot in front of the other, learn and experiment. Thanks for watching!
NOTE: I think I might have swapped the L/R plugs coming out of the fx/mixer - sorry if some of the demos are flipped from what's expected.
TIMELINE
00:00 STARTER
Plaits running in Harmonic Oscillator synthesis mode.
00:43 INTRO
An overall discussion about getting into modular synthesis and the merits of a smaller format.
06:25 PATCH 1
Plaits playing along with a sample of Plaits, playing on the ONE, a sample-playing module. Going out through the Microcosm set to Mosaic mode.
11:48 PATCH 2
Plaits with a different sample and setup (sample is from Video 1 on this channel). This one is in stereo.
15:10 PATCH 3
Same as Patch 2 except the output is mono going into the Microcosm. Makes quite a big difference.
16:54 PATCH 4
One of my favorites. The ONE is using a sine wave .wav, being looped, and serving as a low-frequency oscillator of the Plaits synthesis model type. It sounds pretty complex, and I love the visual of the model light moving! At the beginning I put a single loop from the Plaits sequence into the Microcosm's looper buffer. The Microcosm is a super pedal - I'm not saying much about it because I need to learn it better (and it needs a video of its own).
19:43 PATCH 5
Leaving out Horologic Solum and Branches (but I think they're both great) in favor of the Make Noise ST0. Also, with the Microcosm it can be hard to tell what the modular itself is doing: so, opting to use the Slo for a couple of these. This is probably my favorite setup (even though it doesn't even use the Lifeforms Micro Sequence or the ONE) - I really like switching sequencing modes on the fly with the Korg SQ-1, getting a musical effect from that. This clip/demo sounds sort of New Age to me (a genre that I've listened to a ton, btw).
26:42 PATCH 6
This is the longest demo but it was also the most tempting to just leave out. Not happy with a lot of what I'm doing with the high-hat settings (but it's certainly my fault, not Plaits). Yet, to me, the concept of taking an issue (that the SQ-1 gate out doesn't seem to trigger the Lifeforms clock, so syncing is problematic), solving it with what I already had in the pod (the EG envelope does get triggered by the SQ-1, and then its envelope out can trigger the Lifeforms), and then figuring out a musical application of the setup (increase the EG release time to get rid of the triggering edge and it freezes the Lifeforms sequence, holding a note and changing the relative phase of the two sequences) - this was more important than worrying about the end result too much.
35:06 OUTRO
I discuss the setup for Patch 7 here.
37:03 PATCH 7
This is the pod, standalone with no external support. I'm using the Erica Synths Pico DSP for the effect (reverb). I'm using the amazing Akemie's Taiko from ALM Busy Circuits for the only voice. I'm using Pressure Points from Make Noise as an on-board controller - a very basic foray into "instrument design" of sorts.