Prepare for Execution - DYNAMO DREAM - Ep1 Pt2

[@roramdin]

that taxi sequence is unbelievable. insane what you're able to accomplish with the scope you work at.

[@Gome.o]

Sheesh you were NOT joking, that sequence got it's hooks into me 🤠

[@Vi_Renders]

Oh wow, wasnt expecting to see Ro Ramdin here

[@WangleLine]

god YEAH

[@Drakith90]

This ride will be free. "Because I'm being abducted?' I dunno!

[@mixikpixi6123]

Duuuuude same thoughts

[@Crozzer86]

This is brilliant, and Tom Cruise said there was no CGI used, amazing!

[@rick-deckard]

😂😂😂😂😂

[@jusk2ru]

I don't understand why this isn't huge. The monumental amount of work that was put into this is ...monumental.

[@luv2charlie]

You could use phenomenal in place of one of those monumentals...

[@jusk2ru]

@@luv2charlie I could've also used: exceptional, extraordinary, outstanding, bindblowing, fenomenal, astounding; but that would not express my lack of words now would it?

[@Kenneth_James]

because it's incredible artistry, but terribly boring

[@jusk2ru]

​@@Kenneth_James I don't see it.

[@marce290280]

I started watching the first minute on my phone, then I went to watch it on the PC, and I said to myself, no, boy, we have to watch this at night on the big TV in the living room, lights off and popcorn. I am fascinated with the art that Ian handles, the dedication and love in each shot.

[@FlyingBanana78]

Same thing I thought. Started on phone then went straight to big tv so I could take it all in. Oh and also with my headphones so it was ported straight to my brain.

[@WinterForgeFilms]

Same! 😂

[@phillipkalaveras1725]

I did the same.

[@marcfuchs6938]

That is the right spirit. Good content needs to be consumed the proper way. If your TV is an OLED, there would be nothing more to improve. I like to do the same with horror games, playing them at night with all lights out on the big screen with head phones. Alien Isolation is a blast that way. And I agree fully, Ian's art style and world construction is incredible. Everything seems lived in, very worn and old, basically very believable. I love this style.

[@PosyMusic]

I’m going to watch this again. About ten times. Today.

[@Atman94]

12:00 "They're attempting to weaponize tiny salads" ...Ok that caught me off guard, good one. Carry on.

[@JamesGurney]

I knew the VFX and worldbuilding would be awesome because it's IAN fuggin HUBERT. But what got me were the little poetic touches-the music, the artistic closeups, and the layers and layers of fascinating detail..

[@alxiice]

Funny enough it's another blender genius, Dedouze that authored the music

[@mixikpixi6123]

those close ups.... the taxi sequence... wtf. How they are doing this with a small team?

[@AleksandrMotsjonov]

Was not expected to see James here, but now I have I am so much happier! =)

[@MioDoxi]

​@@alxiice Is there dev logs?

[@douglaswatson9131]

They need to give this guy ALL the moneys for these stories! Completely original. The scope of the 'verse is tremendous! Fresh ideas. Not rehashing crap from everybody's childhood(looking at you Disney, Paramount, almost EVERY movie production company in the last 15 years). Please keep doing what you're doing Ian Hubert. You are a visionary! CAN'T WAIT UNTIL PART 2 DROPS!

[@Coffeepanda294]

I too love how different this feels.

[@danielawesome36]

We already have episode 2. It's Episode 3 that we need next

[@wack1305]

ep 1 part 2 part 2

[@ZekeFaust]

Showing a stagnant and bloated Hollywood what you can do with a lean production and a strong vision! The creativity and energy here is top tier. Ian you've slam-dunked it again.

[@tright6]

@@mattg-q3zOkay but this also has taken MANY years to produce.

[@tright6]

@@mattg-q3z This is a disingenuous argument. It’s a passion project, not a hollywood production. You think it only takes VFX artists to make a film? And do you think they should do that work for free? VFX artists are ALREADY underpaid and you’re saying they should be paid even less?

[@tright6]

Okay, the VFX are amazing, especially for someone doing it by himself, but things like writing are NOTICEABLY lacking and I don’t think Ian would deny that. It’s good for an indie films, but he also worked for a decade to make this 20 minute episode, and it works because it’s a passion project but in a professional context there’s a lot to be desired.

[@tright6]

@@mattg-q3z ‘geez I said none of that’. Your comment showed incredible ignorance as to how these big budget productions work. I agree that sometimes budgets are bloated but you’re completely ignoring everything that is required to make a production like this.

[@Luka1180]

There really isn’t anything lacking in the writings department. It’s just that Ian and co. has always favored unconventional storytelling, especially the kind that isn’t necessarily fully sequential and in order, clear and concise right away, so you gotta follow along and work things out yourself too. I think the writing is brilliant.

[@timsoretpublic]

This is incredible Ian. It's so visually fertile, layered, inhabited, immersive. It evokes a profound feeling of presence in this world, something that is too often missing in large productions.

[@dedouze]

What an episode !! Thanks for letting me work on this with your team !

[@djwhitepeople]

You killed it! The score is beautiful.

[@Alerazius-ty2vp]

Oh damn, you're on it too ! Love your work :)

[@miko.garden2]

I loved the music on this one! Really makes it shine. Amazing job!

[@rick-deckard]

Great work

[@mornarion3dart389]

If being an artist with one of the most beautiful and unique styles wasn’t enough, you also made such an incredible soundtrack. Tons of love and respect.

[@GeminiKLY]

The attention to detail, the lighting, the music - superb. It feels so real and grounded.

[@gimmibox]

The world building on display is incredible. Can’t believe this is a KZbin series free to watch.

[@a1zdjpj06gdog9]

Bonkers! Watching a lot of this being created on Patreon and then seeing it in its final form is amazing and overwhelming. Thank you so much for your Patreon! I have learned so much! And you have set a very high bar! Love it completely!

[@HideyoshiR]

Always MINDBLOWING! Especially the taxi scene. And gotta say, I really loved that last musical piece! This episode also feels the most mature in terms of overall filmmaking

[@Felice_Enellen]

It does. I suppose growth should be inevitable, but it's always lovely to see. 🙂

[@xard64]

It's rare these days to see scifi which is both unpredictable and wild but still managing to keep things believable in the given context of the story. This series has the same kind of vibe of wonder and curiosity like scifi media usually used to have back when I was younger.

[@marcfuchs6938]

Nicely spoken, I have the same feeling about this. An old and lived in world, full of the chaos that such a world would have in reality.

[@kieranmills9765]

Captain Disillusion's voice at 10:00 caught me off guard! haha

[@Luka1180]

He plays the same character in Dynamo Dream ep1 pt2: Salad Mug!

[@steprockmedia]

He's the best!

[@Felice_Enellen]

@@Luka1180 psst pt1

[@CaseFace5]

omg I did not realize that was him!

[@johntnguyen1976]

It's not Captain Disillusion playing that role...it's his intern Alan

[@leus]

“You’re OBSESSED with the killer robots!” - that’s a great line! 😂

[@dedouze]

The amount of work in these scenes is so sick, so beautiful

[@elk45]

'Sprawling' is definitely the word that comes to mind when I step into this world. Where large scale and diversity of locations should be the enemy of smaller productions like this, *somehow* Dynamo Dream overcomes it! So what you get is scale PLUS a consistent, detailed, incredibly artistic vision. That's so rare!

[@stache_obj]

so cool to see the final versions of so many of these shots that actually started from scratch on the patreon! also the music was sooooo beautiful! dedouze is so talented man!

[@Regoliste]

9:40 This first person POV blew my mind. This world has so much life and love put into it!

[@divyajnana]

Great sequel Ian. We get to be in Jackie's shoes, clueless to what is happening. TERD is true to form, great comic relief. His concern for Jo in EP 1 is justified. It all hangs together well. And of course the animation is nuts perfect. Thank you.

[@thinkamake2948]

Was 22 minutes late to work today

[@HazelNicolaQuantock]

"It's called Blahtown?" "Yeah. It's a funny story." ........ "Cool!" - made me laugh so much I had to pause the video.

[@adventureskulldraws]

Ian Hubert’s patreon is the greatest blender filmmaking resource I’ve ever found. It’s so fun seeing scenes in this that Ian has been working on for ages. Astonishing what can be done with free software

[@marcfuchs6938]

That is what I keep saying too. I also use this free software to build up an animation career of my own with a show soon to be published. It can't compare to this visual spectacle, but anything animated is a breath of fresh air in the increasingly large ocean of random strangers holding their faces into a camera.

[@shubhuwithkotaropfp]

Peak is back, our ian hubert

[@ErikStitt]

Holy CRAP!! I could watch this a hundred times and still not see everything and then you add fine acting, plot development and world immersion to it all and I've never seen the like. Thanks, Mr. Hubert!

[@deephorizon1365]

Yet again, another banger. The small details, the thoughtful worldbuilding, the stellar cinematography, and the countless hundreds of hours spent making this happen. Every scene I am shocked at the level of detail and I cannot imagine how long each scene took.

[@reezlaw]

Are you on the Patreon? He builds entire scenes there, hours of work for stuff that is on screen for 10 frames with motion blur. It's insane

[@MichaelJosephGFX]

Can we talk about how incredible this was and how incredible Dedouze’s soundtrack is?

[@EscapeCondition]

I watch these as much for audio as everything else, lots of space given to the soundtrack in every episode. Kinda feels like it works as an old school radio play.

[@Luzgar]

"You are in the fortunate position of wanting the same thing we want." That's an ominous line.

[@RaffoVFX]

In the era of the low span attention and quick videos for lazy audiences, watching your dedication is a breath of fresh air! Keep inspiring ❤ P.s. I absolutly loved the car sequence:) 🔥

[@SirLithen]

Wow, there are so many scenes that I can't even wrap my head around how you pulled it off so well. That taxi sequence is insane!

[@lucianwilliams1250]

This series is sacred to me. Ian if you are seeing this, know your work is cherished.

[@eugeneyoder5213]

Jaw on the floor! The production value, sound design, acting, humor. It's all on point. Why has the BBC, Netflix, HBO not been blowing up your phone... Bravo

[@stirrcrazy2704]

well i remember hearing he did one of Ed Sheeran's music videos, and was invited to do an episode of Love, Death & Robots on netflix but turned them down. if you had an original series being paid for by patreon like this, would you stop for any studio asking you to work on something else?

[@jonathankey6444]

All that except the acting. The acting was quite bad

[@stirrcrazy2704]

@@jonathankey6444 clearly you have never met someone from the pacific northwest, this is how we all talk in real life 100% of the time

[@jonathankey6444]

@@stirrcrazy2704 acting isn’t merely how one talks. There’s a whole host of features, such as body language, facial expressions, action, etc. No, the acting has never been very good in these. That’s okay, we don’t have to pretend it’s a work of perfection

[@stirrcrazy2704]

@@jonathankey6444 I was making a joke, I am well aware that Ian’s wife and friends who film things in his church compound in the woods are not actually professional actors. That being said, I don’t think the quality of their performance was anything close to the weakest link in the production. What is so obviously bad about it to you? Like I work as a visual effects artist, I can pick out some things in this that are clearly lower quality than you’d expect from Hollywood, but not so bad that I felt the need to mention it in responding to this comment. Hell, if we’re comparing these actors to Hollywood I would say they’re on par with half of the stuff that comes out these days. Whoever voiced the taxi can take an academy award for all I care

[@frahohen]

The passion that went into this made me cry. I lost this kind of passion and really struggle to find it again. Thank you. It gives me hope that everything can be possible even if it sounds crazy and no one believes in you.

[@StudioGoldsmith]

Airport named after guy named "John Airport" lmao

[@Tehrasha]

Wait till you learn about Mr. Frontage, and why so many roads are named after him.

[@chris-hayes]

lol! 6:47 for anyone who missed it

[@iamrovai]

had to pause, i was laughing so hard xD

[@danl4720]

The subtle goofy comedy sells this entire world for me and makes everything come to life

[@davebrainvfx]

Gorgeous and wonderful as ever ❤ And great shout getting Luka Hrgović on board!

[@IanHubert2]

He makes the entire character he's so good!!!

[@brewskiproductionslasvegas]

Isn't he from Slice of Life?

[@davebrainvfx]

@@brewskiproductionslasvegas Yes!

[@brewskiproductionslasvegas]

@@davebrainvfx Thanks, I thought his voice sounded familiar. I love seeing collaborations like this.

[@TomUpjohn]

That was awesome! The two best SciFi world builders on KZbin coming together!

[@JoshuaRibot]

This is going to be looked back on as the thing that changed everything holy shit dude. I LOVE not knowing everything and having to lean in and really use context clues and pick up the pieces. and was that owl faced stick thing at the end just straight up mysticism/supernatural? didn't seem sci fi at all. completely blew my mind. Gonna rewatch again and tell everyone humanly possible to watch this.

[@vamsterr]

Duuuuude!!! This is freaking insane man! The Details everywhere are just so damn good! The whole way through it all just looks so dang real. Cant wait to share this to all my friends and I cant wait to see the Corridor Digital crew take a look at this masterpiece of a part 2! Keep up the amazing work man, Love everything you do!

[@jonnyj.]

OHH FUCK YESSS!!! I absolutely LOVE this type of world design and environment from the first ep. So fucking happy you get to show off more of the city here. Everything is so damn unique. Man, the effort that went into every little detail... unreal that this is free

[@emanuelfabian6967]

Can’t believe you keep creating this elaborate mesmerizing story and world just to destroy us every time with a cliffhanger more confusing then the last one, I love your works so much but I fill like a masochist when I finish watching. Why oh why r u doing this to meeeee, and on that note plzzzzz keep going and never stop I neeed more it’s so inspiring and intresting, I have no words.

[@jamesm3268]

Incredible. The 10 dislikes is Hollywood hating how original and interesting your work is. Thank you for this.

[@naps1saps]

Ok the plastic strips on the tram thing sucking in and out as it enters and exits the tunnels is spot on. Brilliant work. Love the taxi sequence too.

[@greenley77]

Tiny in the moment but HUGE in the world building: As Jackie goes up departure ramp into Shade the sign: "Sub umbratatum". This is master level story telling and unmatched visuals. Mindblowing work Ian, truly outstanding.

[@NightShiftArchive]

That runtime! The taxi sequence! Incredible. It's really cool to see all the little moments from Patreon trainings come together for the whole episode.

[@khtrammell]

Your world keeps getting deeper and richer with each episode. Like a visual 9 course meal. Stellar work 👏

[@reddimus11]

This has such a unique sense of humor, I love it

[@thegatewaytoprestige]

Jesus man. I don’t even know what to say. This is the single greatest piece of content one person has ever made. I know there was a team behind you, but 98% of this is all you and my mind is simply blown. Just incredible work bro. Congrats🎉🥳🔥

[@rklein]

God damnit Ian, YOU'RE going to be the reason I'm angry all the time if I ever go blind. Thanks for all the hard work and passion you put into these projects.

[@MankejYuice]

The landing of the carrier at 5:29 is soooo smooth! I just keep rewatching it❤

[@chris-hayes]

Yeah, the animation and the way the vehicle "feels" heavy. The audio just works so well with it too.

[@harriehausenman8623]

It's now my new favourite sci-fi carrier landing! 🤗

[@jinchoung]

amazing. as always. and even more amazing somehow when we find out how he did it! just the quality and... taste... in how the shots are conceived and composed and executed is next level shit that the big boys can learn a shit ton from. there is a kind of authenticity in the cg that somehow most modern movies lack.

[@xunk16]

Have you ever watched something so good that, each time it fades to black, you're afraid it's over and reflexively come closer to your screen in order to catch the curtain when it falls? I just did. Thank you Ian Hubert, each of your release dates have been high points of my life since Salad Mug. It has a few others, but I really wish the series continues until you said ans shown all you have to say and show with it. Damn did I wanted Pete to show up randomly in the tunnels... Oh well.

[@ActionVFXofficial]

Was not prepared for that!!

[@spydergs07]

Another Ian Hubert masterpiece. This was fantastic!! Seeing Ian's movies/videos keeps me motivated to continue to film and complete my movie.

[@sampleconsumer]

these episodes are getting better and better, this is defenetly my favorite seiries ever now

[@3dpprofessor]

This video is much easier to follow that previous Dynamo Dreams. It feels like Ian's skills really turned a corner here. Love it.

[@hunterm9]

I was just looking up your channel to see if anything new had come out! Glad you're back, I can't wait to finish this video. Edit: Finished, holy crap the visuals in this one are so good, especially the taxi sequence. The audio effects are also highly improved since the last episode!

[@grus]

Absolutely amazing! The amount of love for the craft that went in to making this is inspiring to say the least.

[@cas_sim]

Wow man, insane quality. This is inspirational. So much incredible detail. I thought the TERD sounded like Captain Disillusion, and it is! Haha, awesome.

[@jfraserm]

This is just amazing. Feels exactly like the vision of Mega City One in the Judge Dredd comics back in the 80's. Would be a dream for you to build that world Ian. Congratulations on such stunning work.

[@HarnaiDigital]

Honey wake up. Ian Just dropped another episode.

[@ZArtifiziert]

Literally me lmao

[@johndoe-is2fw]

are you guys vampires or what? xD

[@0UTL13R]

Hahaha he said the thing! Guise! He said the meme! Hahaha thumbs up! Hahaha! Whooaaa hahaha!

[@ferminramirez7046]

This. Is. Nuts. You are literally on the same level, and I'd argue higher, as the multi-million dollar studios with near limitless budgets. Cheers mate, this is a masterpiece.

[@NimoClancy]

Hell yeah, FinalFinalFinalFinalFinalUghhhFinal came out! Awesome

[@3dVisualist]

Thank you! Of all the filmmakers, you’re the one that always makes me question what’s actually real, and what’s not in your films. I mean, I know that spaceships and future cities aren’t real but, visually, I can’t tell the difference. The way you perfectly integrate CGI and reality is an art you’ve perfected that others just don’t seem to grasp. More (big budget) filmmakers need to understand how you do this.

[@ThePaulGraham]

A surprise 3am release. This is great. Like finding a gold nugget in my bran flakes.

[@jucks]

years in, and this never seizes to be mind-blowing. amazing job as always, like, I cannot fathom how this is better than most big budget productions. The worldbuilding, the immaculate designs, attention to detail, craftsmanship, the ingenious tricks and techniques to make this happen with scarce resources, the wit and humor; mmmmmmh everything is just chefs kiss, thank you man!

[@Rugras.]

This is incredible. Getting Blender to look this good is a huge achievement.

[@mornarion3dart389]

Hollywood productions boasting (fake) no-cgi movies. Ian Hubert goes and proves once more that cgi is a form of art in itself. AMAZING production, everything seemed perfect to me.

[@shubhuwithkotaropfp]

Peak series, ian did cook

[@elversusfilm]

Incredible work by everyone involved! Love the eerie atmosphere you create in the mazy complex.

[@nailujon8959]

Never thought I would live to see this day.

[@brysonalley140]

This is the most inspiring thing I've seen in a while. Really motivates me to sit down and work on the project I've been putting off. Thank you Ian and team! So incredible.

[@handelogbata]

This is God level CGI

[@MrSpartacus575]

Absolutely stunning work Ian. The level of polish in the rendering is immaculate but what really gets me is the insane level of intricacy with all of your robots, vehicles, and mechanisms! I was so excited when I got to chat with you at Open Sauce and you said this was coming soon! Absolutely worth the wait and I look forward to what comes next!

[@PlamenUzunov1]

06:40 - Haha, i recognize the Luka's voice from Slice of Life! Great movie!

[@riuphane]

I need so much more of this series in my life, it's just incredible. Can't wait to see some of the breakdowns either, cuz this is just next level.

[@raoulmarks1336]

You’re getting very good at this Ian.

[@IanHubert2]

Thank you Raoul!!

[@turtleflightstudios]

It felt like I had more time to linger on the details and get a sense of the atmosphere in this episode, which I really appreciate. Incredible work, as always.

[@ಥ_ಥ]

Fun fact: Leading climate scientists recently reported that 12% of global warming can be attributed to Ian Hubert's graphics card 📈🤯 ⁣ ⁣ Edit: Love the effect of the faux SSS on the public payphone boxes in the taxi station.

[@nate3D.artist]

What? I want more. The music was intense- really cool, and I really liked the costume design. I also liked the slight shaking of the camera every so often- reminded me of clover field. Please bring more. I like these things. So much content. You made it seem like this next one was going to be forever before it dropped- it was a nice surprise. So much content. I loved it. I want more.

[@ansavik]

This would be incredible work even if it weren't a low-budget one person project! Hope the movie industry is paying attention! Btw: Two-eyes can seem to decide which of his eyes is blind at the 15:45 mark ...

[@afjer]

Mostly, but a lot of people were involved in one way or another.

[@Thefreakyfreek]

Thats why he has 2 eyes

[@notahotshot]

"One person project" Did you watch the credits roll?

[@afjer]

@@notahotshot Probably not. Ian couldn't have done much without the actors he filmed, the composer, those who financed it etc... He did do most of the VFX work and editing after that though so I don't want to take away from the grueling work Ian put into this project.

[@wabteytv]

The first episode was a blast when I first watched it. I was amazed to see that there were more episodes, but now the continue to the first?? Oh myy I loved the detail, the neon lights, the way you've imagined this kind of world with all sorts of new architecture, objects, lifts, etc. the staging, music and atmosphere, for sure, left me wondering. thank you, I loved it and will watch it over and over again.

[@cg.man_aka_kevin]

Bro, that taxi scene just outstanding!!!

[@jugglenautics]

Incredible as always. I have enjoyed supporting this through Patreon, and it is really cool to see the assets and shots you've been giving us peeks at in all their glory. No doubt you are changing the way movies can be made. Which is great because the big studio system is teetering and ready to collapse under it's own insane bloat.

[@danielmountford]

You flimed on a boat! Cool!

[@IanHubert2]

WE FILMED ON A BOAT!!!!

[@deephorizon1365]

​@@IanHubert2 HE FILMED ON A BOAT!!!!

[@harriehausenman8623]

BOAT FILMING CONFIRMED!!!1!!2!

[@mktviking5339]

What a wonderful and unexpected treat this was, you all are terrific. Thank you!

[@Psyda]

I'm happy to be up late for this.

[@am3sdigital]

Man, your lazy tutorials are what got me started on my visual effects journey four years ago, and I remember being so hyped when the episode 1 came out. Great work as always, and thanks for continuing to provide sparks of inspiration.

[@tigermachine9229]

I was watching lazy tutorials, missing this. What a blessing.

[@marcfuchs6938]

As with the first episode, I have no idea what is going on, but I love this gorgeous, old and worn and slightely mysterious Sci-Fi world. I may not grasp the story yet, but I would easily watch this as a move in the cinemas. And in some way, it's nice to not understand what is going on. It is so entiring in the movie industry, how you are usually treated like a kid, every little details needs to be pointed at your face with a close-up. In real life, you also don't always know what is going on. It's good enough to be on for the ride, and eventually it will come together.

[@lulurenouard]

“Are you a stripper?” “Not since the war” I laughed out loud

[@mixikpixi6123]

This is absolutely incredible work, i wasnt for a one milisecond thrown away by the efects, you totaly fooled me. I havent been so fucking excited by a film for so long!!! I need breakdowns, you blew my mind! I am again excited to work in the vfx after everything that happend in the last year. Thank you so much for what you have done with this movie. Much love

[@peezy888]

Imagine, what if 4 Ian Huberts work together. Hollywood would be doomed!

[@quadcom]

OK, now I can't wait for the Boat Episode! While I was hooked on the previous episodes, the polish on this one is phenomenal! I'm clearly a kindergartner when it comes to my skill level in Blender and what it is capable of!

[@WowCoolHorse]

That was incredible, entirely worth the wait. I *adore* your work. Also, something that I really really loved about your writing, you didn't linger on him thinking Jo abandoned him at the airport, or have this drive some kind of wedge into their relationship. You filled him in almost immediately and I just adore that. You've basically subverted the 'ride never shows up' trope.

[@gearzanimation]

Literally, NEVER expect to see these pop up in my feed but every time it turns into the BEST DAY EVER! Amazing and inspirational work. This and a watch through of all the episodes available will keep me grinding on my animation journey for another year.

[@Felo_FX]

Incredibly good episode. A breakdown video of the burning house scene for patreon would be interesting 19:11

[@SwitchMaxFX]

HES BACK!!! LETS GO!!!