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I didn't know how to tackle this chapter at first. I could come at it from any number of angles. But I can tell you that its author wanted to create a work of art. Forrest Fenn worked on this story for years. And of course the incidents herein and the meditations on the significance of events was decades in the making. He speaks from the heart. He bares his soul. For this reason, I decided not to let the part of my brain devoted to critical thinking be in the driver's seat the entire time. I wanted to experience this creative achievement, to feel it. There's analysis here; but I'm more concerned with stepping back and taking in the whole of it, in all its unique, spiritual, unbelievable grandeur. And I decided to begin in the middle, with the most cinematic and marvelous story in the memoir--and to tell it like a movie, doing the best I could with the tools available to me. The remainder of the video is more in line with what I've done elsewhere. However, again, I tried to remember that an artist was at work here, raw and vulnerable, sharing the most profound experiences of his life, and trying to tie all the strands together to create something more than just another rule to live by. I think he wanted to create ONE rule, a personal "theory of everything." And lo and behold he somehow did it.
I wish I could have incorporated these photos into the section of my video where I briefly describe Forrest's failed stint as a college student: / some_photos_of_ff_from...