New BLACKMAGIC CINEMA CAMERA 6K FULL FRAME | OPEN GATE 3:2 Footage | BMCC6k

[@gregrebuck3585]

Big points for not making a "slo-mo pro-mo" like so many others do. I wasn't even interested in 6k+ cameras until this thing came out. The 6K, L-mount, open gate (and why not a nice anamorphic lens?) will elevate this camera to levels that even snooty Netflix will have to bow to.

[@DirectorAndyPalmer]

Stunning! I think 3:2 maybe the future of making movies for the small screen. It creates a wonderful scope on the smallest of monitors! Congrats!

[@lascosascomosean]

Yeah, 3:2 and 2:1 are the way to go!

[@andyz_w3584]

I was wondering what about the trendy anamorphic style? Thank you.

[@lascosascomosean]

@@andyz_w3584 I think you can still use anamorphic lenses for flares and oval bokeh, + I think it would work great even with 2:1 cropping. I still love the classic ultrawide (+/- 21:9) aspect ratio, and I don't think it will stop being used. But 2:1 (smartphones and cinematic tv shows) and 3:2 (full frame, closer to a square) both make a lot of sense nowadays

[@bigsnap5]

You get to make visuals like this for $2,500 and some people still want to talk about Auto Focus and whatever else this camera doesn’t have. Just a reminder of how caught up people get with things that really aren’t that important. This camera gives you exactly what you need to make awesome stuff. The rest is up to you (us).

[@MichaPalikot]

I agree in 100%

[@jorgesgovia]

The camera doesn’t have auto focus?? It’s a problem for someone who always shots with AF? All the black magic cinema cameras doesn’t have it?

[@jw0w757]

Those kind of people have never been on a real set . In the real world we have 1st AC’s for that

[@nuvisualz]

@@jorgesgoviano they don’t have AF. I would say Take the Time to learn manual focusing, I prefer no AF

[@jeffreyjeter9089]

You can have the best camera in the world but if your storyline is garbage it won't matter

[@OfTwoLands]

Beautiful footage mate!

[@MichaPalikot]

Thank you :)

[@gogologo9708]

its like imax camera ... color . quality . its just amazing

[@Lensgnome]

Very Beautiful! Just picked up this lens because of this footage! Thank you!

[@sitebstudios]

This camera is unbeatable. Can't wait to get mine!

[@MichaPalikot]

I love this camera

[@Manfromlens]

Amazing shots with beautiful color grading. Loved it. Going to get mine after watching this.

[@mediarocker]

image quality is sick.

[@katwidzenia]

Mega miło się to ogląda! Z pozoru "prosty" materiał, a bardzo inspirujący i owiany spokojem, good job :)

[@FotodioxInc]

Beautiful work! Love the looks you captured here

[@huntrrams]

This was amazing!!

[@colewithacam97]

Just came over from Facebook. Well done👍🏼 I really like what you did with the footage. And then you brought it all together very well in the edit- colors, sound mixing, music choice. Loved the vibe. Thanks for creating!

[@MichaPalikot]

Thx, i'm glad you like my film :)

[@smcqueen3099]

Wow, the footage is beautiful.

[@JasonLeto]

Beautiful colors and framing!

[@MichaPalikot]

Thank you :)

[@garotienrico1825]

Thank you Michal! always love your work! I want a full frame blackmagic now! The new sensor is just beautiful!

[@sebastianspychala]

Obraz petarda, film superowy !!! Pozdro

[@MichaPalikot]

Mega jest zajawka z pełnego sensora

[@sebastianspychala]

@@MichaPalikot ciezko jest z ostrzeniem w tej kamerze ?

[@MichaPalikot]

Narazie pracuje na ogniskowej 17-35 wiec póki co bardzo proste, ale zobacze jak bedzie z Laową 28-75mm :)@@sebastianspychala

[@sebastianspychala]

@@MichaPalikot no to elegancko , czekam na efekty :) poki co zastanawiam sie czy zakupic bm czy znowu jakies Sony , troche sie “cykam” ze bm mnie przerosnie , ale widząc obraz z bm jestem zachwycony

[@KodyBricen]

Ive always been curious about mounting this on a gopro style chest mount for pov stuff, you think it would work?

[@foggymossstudio]

Beautiful work!

[@bonzology322]

I appreciate the fact there is NO slow motion on this, excellent work👍

[@gregrebuck3585]

That's funny, I just commented on that before seeing your comment. Slo-mo vomited everywhere = extreme lack of creativity and skill.

[@OsirisDiamonds]

Great footage. From your expierence from the 6k pro to this. Any Improvement in image?

[@MichaPalikot]

The quality is the same, but the vividness of the image and the blur are a different dimension

[@birthright94]

@@MichaPalikot Dynamic range is the same you think? Matteo keeps saying that this camera has more "DETAILS" but how is it possible with the same 6K resolution - I don't get

[@Renecide]

Absolutely stunning! Thanks for sharing this with us! :D P.S. Appreciate you putting the details in the description like the lens and ISO etc!

[@auxander]

Wow! Gorgeous color tone! Are you planning to make video tutorials on color correction?

[@NewVineMusicOfficial]

Beautiful! Do you mind sharing your color process? Do you use a specific Lut? thx!

[@jean-david-ouellette]

Awesome footage

[@NKBPICTURES]

Brother this camera footage looks like video camera. I think bmpcc micro third camera's footage are much better cine look then this new one. Btw I'm your subscriber from long away 🙌🙏🏽😊 keep it up LOVE FROM INDIA🇮🇳

[@sergio_grez]

Man, such a beautiful film. I was so tired of those thin horizontal strips ratio every youtuber is doing to the extreme of not knowing if the page loaded the entire video or not lol. This 3:2 ratio is so pleasant to watch.

[@diegojt5623]

Amazing! Bro did you use any ND filter?

[@maurice-vincent-komischke]

Hello Michal, I have two questions! At @0:55 is the ghosting at the back of the head? Same at @1:19? This is caused by the OLPF? Greetings from Berlin :)

[@armangurcell]

That image quality is stunning….

[@munckmb]

Lovely footage. At what bitrate do you upload to YT? I noticed some banding in the sky at 1:04

[@DeanHarringtonimages]

That's what you get in a KZbin version.

[@munckmb]

Such a shame, stupid compression@@DeanHarringtonimages

[@chrisniswonger]

1:00 I wonder if thats a double reflection from the OLPF!?

[@moritzpeterfoerster]

Beautiful shots! The frame of the yellow rollercoaster against the blue sky looks like a painting :) Did you use a diffusion filter?

[@lmackreath78]

lovely stuff, cant find this lens anywhere? - can you send me a link?

[@kuleszatom]

Trafiłem do Ciebie jakoś przypadkiem z instagrama i jesteś mega gościem i mega kotem w tym co robisz. Zaraz obejrzę już wszystkie filmy... inspirujesz! Dzięki! Btw. Te ujęcia są z ręki? Mega stabilnie.

[@XKLOSANGELES]

Great composition 🔥

[@jeremy_woods]

At :42... 🥺 Just nailed music and tone.

[@ethicsandzoos]

What happened to the shadows? I was expecting to see more details. Did you bring them all down or did the camera just not pick anything up in that range?

[@brandonrude]

Beautiful stuff. I want this camera so bad! I picked up the 6K G2 recently but I think I’m going to trade it in.

[@DomBloch]

It looks stunning!

[@bardoomguy]

looks fantastic. Good job

[@SuperFilm2011]

Hi. May I ask which storage card you use? Does it drop frames? Thanks

[@birthright94]

hey man what do you think about this camera so far? I have OG pocket 6k and don't see any difference that would justify the "upgrade" and I don't want to lose prores, high frame rate, much better form factor and lighter weight

[@MichaPalikot]

I think this is the beginning of a new BM and full frame series, I guess that subsequent versions will have higher frames and built-in ND filters, but this one is a breakthrough now and it's nice to work with BM graphics on full frame

[@birthright94]

@@MichaPalikot do you notice any difference with your p6k? In terms of dynamic range, overall quality?

[@nigerian-nightmare]

It's surprising that people shoot ProRes with Black Magic cameras. I still don't get it.

[@birthright94]

@@nigerian-nightmare you don‘t need braw all the time, for example I record a lot of the videos for bloggers etc, where prores is much better as it saves space and less taxing on the computer in editing.

[@gildiafilmusurrealistycznego]

Pięknie, jest moc w Twoich filmach. Czekam na więcej materiałów z tą camerą, szczególnie ze szkłami anamorficznymi!

[@MichaPalikot]

Właśnie dzisiaj działam z anamorfikami :)

[@Michaelzurek]

Absolutely beautiful

[@CrossCory]

This is very stylish!

[@swisslakestudio7466]

Super materiał, dobrze sie to ogląda i dwa spostrzeżenia, tak jak wyżej ktoś napisał, dziwny artefakt wyszedł na twoim synie jak mniemam 😀 i druga, to ujecie z środka z wpadającym słońcem o ciepłek barwie, obejrzałem chyba z 3 razy tak podobały mi się przejścia tonalne w światłach i cieniach. Super robota. 👍

[@MichaPalikot]

Ten arterafkt to halacja wpadjaca do obiektywu przez filtr ND, bo niestety kamera jest pozbawiona tych wbudowanych :(

[@kreafoxstudio]

Kolorki miazga, brawo 👍👍👍

[@mmlewis1030]

Beautiful imagery

[@AnthonyRodriguezz]

How did you already receive yours??

[@VenturyMusic]

Im in a 3000x2000 Surface book and was amazing!

[@Meatyowlleg]

Beautiful images, great camera for low light and anamorphic, still not so great to fit on a gimbal.

[@bbrunorocha]

amazing images !!

[@lmackreath78]

How did you export and lose the black bars either side?

[@GunNDoberman]

Piękny film, wspaniały montaż :)

[@RyanJosephPerez]

How did you get the sigma MC21 to fit? Mine is very loose

[@stanleyquarre1941]

Did you use a black promist filter

[@brenzipagan]

amazing footages. nice angles and compositions.

[@Mikey_Perth]

Stunning

[@aclaro]

Fantastic...

[@Cruankkman]

Im wondering what record settings would you use for slow mo shots if you shoot majority in open gate but want to have 2-3 shots in slo motion? I was hesitating between the 6k pro due to the higher frame rates it provides

[@charliedango2664]

I knew with the popularity of cell phones that media would eventually trend back to 4:3. Now if only CRTs would make a comeback!

[@j.t.woodfinishingcorp2065]

What lense do you use for this?

[@TeddyLeppard]

How does it look with fast moving subjects? Handheld?

[@ggriv5594]

do you think is worth to switch from bmpcc6kpro?

[@jesseyules]

Q: Does it have an all-intra setting?

[@LiveMyJourneyTom]

Only compressed raw

[@diamondlabelfilms]

Hey what lens are you using?

[@shanepeters]

May I ask what lens was used?

[@Flomain]

quelles sont les optiques utilisés?

[@brentongardner8954]

What lens are you using? Looks amazing!!!

[@MichaPalikot]

Hi! I used Tokina 17-35mm :)

[@brentongardner8954]

@@MichaPalikot thank you!

[@MrWazzin]

Dreamy!

[@stasz.lepszewideo]

Ładne kadry. Skąd tyle poświaty? Miałeś jakiegoś pro mista założonego, czy to ten obiektyw tak ma? Czy w post dodałeś?

[@edembeytullaeiv4995]

Amzing

[@bandwagonbull]

Looooovvveeeellllyyyyyy!!

[@SebastienSaint-Martin]

Sjajno, koji filtar koristite? Žao mi je što sam koristio Google prijevod

[@jaywbus]

vs komodo x?

[@konradkmedia]

W 0:55 jest mocny ghosting na chłopcu. Mam dokładnie ten sam problem z canonem c70 w połączeniu z adapterem rf-ef i mistem. Przy kontrastowym obrazku z kontrowym światłem niemal zawsze wywala ghosting i materiał jest nie do użycia. Przy natywnych szkłach nie ma problemu, tak samo przy zdjęciu mista nagrywając z adapterem problem znika. Odsunięcie mista od szkła też nie pomaga, jedyna opcja to pochylenie w jakąś stronę filtra, tak żeby odbić ten zdublowany obraz poza kadr. To jest moim zdaniem gruby problem o którym nikt nie mówi :/

[@filiptokarczyk]

U mnie nie mam takiego problemu, a posiadam taki zestaw: C70 + Sigma 18-35 i 50-100 + Tilta Mirage + Vaxis Filter.

[@konradkmedia]

@@filiptokarczykto się pojawia w określonych warunkach, przy rozproszonym świetle nie ma problemu, więc może nie miałeś okazji się z tym spotkać. Jak robiłem testy, to najlepiej było to widać nagrywając w dobrze wyciemnionym pomieszczeniu małe okno przez które wpada światło dziennie, wtedy się to okno dublowało i gdzieś w kadrze zawsze było jego odbicie.

[@piratzhonolulu]

Szeroko😁, ale filmik 🔥🔥

[@MichaPalikot]

Jest megas szeroko, aż sie nie mogę przyzyczaić tak przy tego rodzaju kamerze :D

[@Gustavoadolfovisuals]

i really want this camera then i think but how do i do with the autofocus then i see fotage of the blackmagic 6 k and i am like fuck me this is so beautifull uffffffffffffff i need this camera so bad

[@turpakiinnisaatana3361]

Amazing 🤌

[@clairfilms4696]

this guy is amazing at rule of thirds

[@MichaPalikot]

good eye ;)

[@udbuniversitadellabellezza8099]

bellissimo...........................................................................................................................

[@DeanAlioto]

Very curious who's making the full frame sensor for this camera? Thought I heard it's the same sensor as one of the sony's, but most high-end pro-sumer sony's have 15stops of dynamic range.

[@MrMittens1974]

Sony exaggerate their dynamic range claims BTW. A7siii, fx3 have been tested and it's more like 12 stops useable.

[@DeanAlioto]

Thanks Exorcist fan. Do you know if Blackmagic is making their full frame sensors? No, right? And if not, who is?

[@tomaszbejnarowicz]

Piękny film! Jaki statyw ze sobą zabierasz w podróże?

[@futuu_video]

good music good movie

[@MichaPalikot]

Thanks 🤘🏼

[@Naturalblondy]

insane

[@MichalKuzminski]

Pod anamorfiki rewelacja

[@MichaPalikot]

Będę testował :)

[@mariohazard821]

Szkoda że pozbawili tę kamerę wbudowanych fitrów ND no ale coś za coś :P Z ciekakowści 3:2 to jaka rozdzielczość w przypadku 4k?

[@MichaPalikot]

3:2 to jakoś 6k open gate :)

[@shukra333]

Man I thought u had taken footage from modern IMAX camera.... Killing image quality

[@MichaPalikot]

i love it too

[@HubertMultana]

Kurde, jak w IMAX u Nolana :)

[@MichaPalikot]

Nooo... prawie xd

[@Shuttterbugg]

Man it's like a movie straight up whoops my 4k to shame

[@walex19]

wow

[@EnalsastudiosEnalsaofficielpro]

😍😍😍😍😍😍😍😍🤩🤩

[@MrDavidemar]

something strange in the highlights while playing the video...

[@seanlefloch]

Gangster

[@aalleejjoo]

GYRO STABILIZATION eliminates the ROLLING SHUTTER problem!

[@SeguraCine]

ah ah ah ah ah ah aaaaaaaaaaaaaaaaaaaaaa ah

[@filiptokarczyk]

Kupujesz?

[@MichaPalikot]

Już mam :)

[@diamondlabelfilms]

​@@MichaPalikothow did you get it so soon?

[@piotrborucki2565]

IF YOU ARE A GREAT VIDEOGRAPHER then BLACKMAGIC is giving it to you for free : ) @@diamondlabelfilms

[@piotrborucki2565]

Wspaniale! good work! @@MichaPalikot

[@MichaPalikot]

@@diamondlabelfilms I got it from Blackmagic as a tester

[@Nemastic]

An S1H with Pro Res Raw looks much better. Which means the S5II can look better... Why would you choose an awkward camera with poor battery and no ibis that can't take photos over a Panasonic? I would honestly like a reason.

[@csound55]

lol you've got to be kidding

[@Nemastic]

@@csound55 I'm not. You are aware the S1H is nearly twice the price? of course it looks better. 12 Bit Pro Res Raw from the S1 platform is superior on paper and in practice in most situations. More dynamic range, and dual iso for low light situations. Most people just process it poorly while Resolve does the heavy lifting for black magic users. You are going to see when the side by side tests start coming out, or don't and continue to use a terrible black magic rig and deal with horrible ergonomics, shaky footage and poor battery life for no real advantage...

[@csound55]

@@Nemastic Ergonomics? The expense and hassle of requiring an external recorder for a raw format with limited NLE options - for me cancels out that argument. What looks better comes down to personal preference - I prefer the image from the BM FF 6K camera to anything I've seen from the S1H.

[@AbdonPhirathon]

@Nemastic Braw shot internally is miles better than recording externally regardless of the codec or flavor of raw. Sure, you can technically get a “superior image” if you want to shoot in ProRes RAW, but that in and of itself doesn’t make the image more cinematic. Your fanboyism is just dumb. Get over yourself.

[@Nemastic]

@@csound55 most people don't process raw S1H footage correctly. Soon I will will be releasing proper PRR DNG comparisons using Resolve, which has only been possible for a few months thanks to Blackmagic purposefully refusing to support Pro res raw. The difference is undeniable, and even if you claim its subjective a half stop extra of dynamic range begs to differ. Besides that with an external monitor a Panasonic set up still has leagues better flexibility in every situation. Not to mention the battery issue which requires a "Terrible black magic rig" which we have entire facebook groups dedicated to making fun of. So many beginner film makers get duped into believing a weird rectangle with poor mobility is the best option and their work suffers greatly because of it. There was a time when these cameras made sense but as of now that ship has sailed. 1. Worse image 2. Worse Ergonomics 3. Worse battery. Where is the advantage? I just don't see it.

[@idkanymore3382]

Too warm on color bud