Nick Cartell - You'll Be Back - Hamilton - Lin Manuel Miranda

Bringing It Home - Feinstein's/54 Below - March 13, 2019
Nick Cartell can currently be seen across the country as Jean Valjean in the National Tour of Les Misérables, delivering a performance that reviews have called “nothing short of consummate” (Louis Hobson, Calgary Herald) and “outstanding in the pivotal role of Jean Valjean” (Amy Stempfl, The Tennessean). Now Nick is finally Bringing It Home to Broadway’s Living Room at Feinstein’s/54 Below. Mixing Broadway hits old and new, rock, pop, and even a little rat pack, it’s a feel-good evening of his favorites, and yours too. Having performed and produced on the Feinstein’s/54 Below stage, it’s Nick’s turn to step out in his very first solo show and bring his story to life. You won’t want to miss it.
Special Guests:
Christine Cartell (“Billions,” “God Friended Me,” “The Blacklist,” Broadway Fights Ovarian Cancer)
Josh Davis (Les Misérables, Beautiful)
Anastasia Talley (Broadway Inspiration Voices, Dreamgirls)
Brian Eads - Piano/MD
John Miller - Bass Guitar
Eric Borghi - Drums
Kevin Ramessar - Electric/Acoustic Guitar
Danielle Giulini - Violin
Tom Murray - saxophone
Jeremy Miloszewicz - trumpet
Sara Jacovino - trombone
Currently portraying prisoner 24601, Jean Valjean, on the National Tour of Les Misérables, Nick’s other credits include Broadway: Cirque Du Soleil’s Paramour (standby AJ/Joey/Robbie), Scandalous: The Musical, Jesus Christ Superstar (2012 revival, u/s Jesus, Judas, Annas). National Tour: The Phantom of the Opera. Off-Broadway: Frankenstein. Regional: The Light in the Piazza (AriZoni Award-Best Actor in a Musical), My Fair Lady, Les Misérables, and many more! Concerts: South Coast Symphony, Phoenix Symphony, and The Broadway Boys.
Video Capture and Editing: Famous in NY

[@charlyhrs]

I just saw Nick out here in L.A. at Les Mis and he nearly got standing ovations after each song. It was the most amazing cast and night at the Pantages. Thank you Nick for a memorable performance...in fact so good I bought tickets to see it again!!!

[@thesingingtown]

I need a cast recording with Nick yesterday. No one else compares

[@lyricals7272]

That “push” was *SPOT ON*

[@lauren542]

Wilbursoot mmmm

[@abigailserrano7971]

"Awesome! Wow!" (Sorry couldn't resist lol)

[@liljackypaper]

He killed this 💪

[@extendedlimits]

Best version of this song I've seen so far! xD

[@vishwanathnair2091]

Ryan Reynolds can really sing

[@ada_cass]

Oh my gosh you're amazing

[@sxgaston]

Yes! This is one of my favorite songs from the show and this is the first I’ve seen on par with the original. Spectacular!

[@JB-lm5xt]

Love

[@alexanderirby3338]

I love this arrangement for this size band. How can I find this arrangement?

[@davidfinger4055]

Great cover!

[@perunyanov2142]

He was singing a little to fast I think Edit: if anyone things I am saying this to be mean I am not

[@XtopherMartin]

If you look at the pacing, it's surprisingly not too far off in pace. It's the accompaniment that makes it feel that way.

[@yourdoctor1012]

Thinking the same thing...

[@rubysrandomlair1522]

Well, the character was supposed to be insane, so you wouldn't really expect somebody who was insane to be able to keep a very good tempo. So I think he did good on that.

[@IchStrickeGerne]

So I know you’re playing JVJ through the current tour but is there any chance you can take a week off and cameo as King George for the week they’re in Seattle in February? 😂

[@aaronf.186]

Drummer was way too loud

[@annmariegayz2973]

Sass level = Perfect

[@CJEdmunds]

Yas!

[@rosel7198]

It's my first time watching a performance of this song and actually enjoy it more than the original. Love Jonathan Groff's version, I thought nothing could top that, but this performance is so good!

[@mclarissa371]

Perfect amount of menace.

[@travisburgjr]

Well done

[@ChrisLove2010]

Amazing!! Wish i could buy this version

[@wilexly]

After Breaking Bad, Jonathan Banks went to play bass at 54 Below.

[@danieldelanoche2015]

Wow that was awesome!

[@claudiadibene211]

What , did Lin see this ?

[@yourdoctor1012]

Not that you can't sing but please keep a tempo 😑

[@kayo5291]

I think it's called dramatic license. Or I may have just made that up, but it seems like on stage, you can play with a song to make it work.

[@marywenzel3199]

He’s got decent pipes but I feel like he’s just doing Groffsauce Light. This was a concert, not the full experience, but I’m underwhelmed. It’s a mashup of Jonathan Groff and Michael Jibson. Derivative of both. I’ve come to the conclusion that unlike most musical numbers, the King’s songs really need the whole costume to make them work.