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"TWELVE HOURS TO LIVE" -- SEASON (1) EPISODE (5). February 17 1959.
COMMENTARY (spoilers alert): "Twelve Hours to Live" commences with series host John Newland standing under an umbrella during a downpour as he ask the question that will inform the episode: "How many ways are there for humans to communicate (?)" "Our Guide to the World of the Unknown" then offers several possibilities: including a kiss, a glance, and a stare . . . before finally wandering purposefully into the realm of the paranormal: specifically telepathy or ESP: "the acquisition of information without the use of any human sense organs."'
Along with its dramatization of telepathy: "Twelve Hours to Live" is a prime example of what this author terms "The Cassandra Complex:" a recurring character arc in the world of "One Step Beyond". In Homeric legend, Cassandra was the daughter of Troy's King Priam; but, more importantly, she was a seer (cursed by the God Apollo) who knew the course of the future yet was cursed never to be believed or heeded. Many, many characters (usually women) fulfill that same role in "One Step Beyond". They are inevitably aware of approaching tragedy (such as the sinking of the Titanic in "Night of April 14"), facts (that a distant husband has been injured), psychic communications (sometimes from the future, as in "Call from Tomorrow") and such, but are perpetually dismissed as drunk, silly, foolish, pregnant, or neurotic.
Here, patronizing police officers ignore, question, and even mock Carol Janson's belief that her husband is in danger and that she is hearing his desperate thoughts, despite the fact that she is armed with specific psychic Information (such as the very markings on a restaurant sign near the site of her husband's accident). Earlier in the show, Allison's husband also refuses to believe that this Cassandra could have psychic powers (even though she has accurately predicted that a prospective client will call soon for her lawyer husband's services).
The Cassandra Complex accomplishes several purposes on "One Step Beyond". First, it stacks the odds against the protagonist with psychic powers, rallying viewers to the underdog's side even though they may not really believe in psychic phenomena themselves. By aligning viewer identification with the persecuted, unheeded person, the producers, writers, and Newland are assuring that the final victory is one not just for the Cassandra (and audience) but for their ongoing argument about the validation of psychic powers. It all comes in one package-you feel for Carol and you align yourself with her sensibilities.
Secondly, the Cassandra Complex mirrors a sense of reality. Disbelief, skepticism and even ridicule are common characteristics of people, even family members, confronted With another human's claim of psychic insight. It is easier to dismiss (especially those whose faults are known to us in intimate detail) than believe in something that IS not easily quantified or legitimized by science.
Thirdly: the Cassandra Complex fosters a feeling of fate, of inevitability, in the audience . Even though there is "psychic" knowledge of a future event, characters are frequently too skeptical to accept it and so go rushing towards their (usually) unpleasant fate. "One Step Beyond" thrives on the feeling of inevitability that is often the primary conflict of an episode : a Cassandra must strain against the forces of time and fate itself if a happy outcome is to be accomplished. Audiences pick up on this feeling of inevitability and further tension is wrought. It's a clever set-up.
It is also worth mentioning that "psychic" phenomena help to repair yet another damaged marital relationship in "Twelve Hours to Live". Before the events which lead Carol to save her husband's life in a driving accident, their marriage is near the end of another dangerous road. He was jealous of her, she was trying to pay the bills, and together they were mired in domestic agony. Mostly, these two people are unable to communicate with each other about their feelings, fears and desires. After Carol saves Will 's life with the ultimate form of communication, telepathy, there is time, and hope for a new start. Marriage saved, optimism restored . . .
From John Kenneth Muir's definitive book "An Analytical Guide to Television's One Step Beyond": • ▶ "One Step Beyond" Ba...