Brahms: Serenade Nr. 2 A-Dur op. 16 | Kent Nagano, Philharmonisches Staatsorchester Hamburg

[@poisonoushater11]

Bookmarking 15:00 for Luke! I love you so much, my Sherlock.

[@Somniatica]

Thank you from every other Themis fan here IYKYK

[@poisonoushater11]

@@Somniatica You're welcome

[@shinyhibiscus.]

Thanks a lot! Was looking for that piece too. 🥰 Loved that card.

[@glitchy11037]

So glad people appreciate luke

[@nadiasompie4646]

THANK YOU SO MUCH I'VE BEEN LOOKINF ALL OVER

[@darth_hansel4466]

The Scherzo is so incredibly nice :)

[@MrVincent537]

From the very first notes of this Brahms music conducted by Kent Nagano, I knew that Kent Nagano is one of the the greatest Brahms interpreters of all time. I just wonder how he managed to get the musicians to play the Brahms music with such poetic singing phrasing. This interpretation of the Brahms Serenade proves how all other conductors simply do not have enough talent for Brahms. The pure, crystalline and airy sound, the musical phrasing of each instrument and the balance between the different instruments demonstrate Kent Nagano's ability to mesmerize an orchestra to play a heavenly music that so played can only be heard in heaven. The entire orchestra is a group of individual, first-class musicians who play together in musical purity and technical perfection like no one has heard before Last, but not least the sound engineer on this recording also made a significant contribution to the sound of this recording. Schon bei den ersten Tönen dieser Brahms-Musik unter der Leitung von Kent Nagano wusste ich, dass Kent Nagano einer der größten Brahms-Interpret aller Zeiten ist. Ich frage mich nur, wie er es geschafft hat, die Musiker dazu zu bringen, die Brahms-Musik mit einer solch poetischen Gesangsphrasierung zu spielen. Diese Interpretation der Brahms-Serenade beweist, dass alle anderen Dirigenten musikalisch einfach nicht genug Talent für Brahms haben. Der reine, kristalline und luftige Klang, die musikalische Phrasierung jedes Instruments und die Balance zwischen den verschiedenen Instrumenten demonstrieren Kent Naganos Fähigkeit, ein Orchester zu hypnotisieren, um eine himmlische Musik zu spielen, die, so gespielt, nur im Himmel zu hören ist. Das gesamte Orchester ist eine Gruppe erstklassiger Einzelmusiker, die in musikalischer Reinheit und technischer Perfektion zusammenspielen, wie sie noch niemand zuvor gehört hat Auch der Tonmeister dieser Aufnahme hat maßgeblich zum Klang dieser Aufnahme beigetragen.

[@SingingStovepipe]

Nagano is a great conductor, but I think you should give a little credit to the musicians. If they didn't go into this with the intention of playing it so well, there's no amount of conductor talent that would have made it sound good. Everyone here is bringing 100% of their ability and it really shows. What an outstanding performance!

[@WiskyDuck]

Experiencing this weekend in Milwaukee ❤️

[@KBMars]

What a delight. Bravo.

[@dianadaher9870]

Como eu amo essa obra. Não canso de ouvir!🌹

[@mariasaleteferreiramagalha3626]

Sublime!

[@63Anul]

Delicioso. Gracias

[@tianweiyuan2517]

beautiful

[@nonosquare1066]

toll

[@yusukeundisolde]

《セレナード》は本来、思いを寄せる人の部屋の窓際で 「こっちにきて、おしゃべりしようよ」って話しかける歌。 それを"小"オーケストラで演奏する。演奏時間は長くかかる。 ・・・おもしろいな。

[@Rodeo1202]

Wow Kenny G on oboe!.Who knew?

[@zhiwen740]

where's the piccolo???????

[@gyorgydorogman6974]

In the 5th movement. (30:28)

[@gyorgydorogman6974]

... and 28:00-28:05

[@Athoseye]

Why does the first bassoonist have a tag on his bocal ? Great overall performance, but unnerving how far behind the conductor‘s beat the ensemble plays …

[@sannawihinen1145]

Looks like he is trying on a new one. That is the label of the factory, usually removed once the bocal is bought.

[@Athoseye]

@@sannawihinen1145 Thank you for the explanation !

[@B.l.i.s.s.f.u.l]

I heard this on my grandfather's radio