I am having difficulty thinking of an appropriate compliment for her wonderful Bach playing. I love how she reveals the genius of Bach's unparalleled genius so straightforwardly.
@mvrick1 Жыл бұрын
This Sarabande is to me one of the most profound and sublime pieces of music ever created. And she plays it with great dignity and gives it the breath it needs to reach the elevated levels of profoundness this piece reaches. I'm an atheist and this piece almost makes me believe in a god. Utterly beautiful!
@jamesa901 Жыл бұрын
I agree, her interpretation of the Sarabande (and Gavotte) are remarkable and my favorites. Not a fan of her interpretation of the Gigue. Just my taste.
@petroukiostz.1889 Жыл бұрын
Such an elegant flow... but when Gigue started playing, I was transported to another world, full of joy, energy and light... What a timeless and beautiful interpretation...
Very, very special thank you. Now I understand why Richter rated her so highly. Grate thanks to On The Top of Damavand for ever. And more Nikolayeva, please.
@marinellabarigazzi55202 жыл бұрын
Pianista immensa
@scuunjieng3 жыл бұрын
I can see why Shostakovich and the jury were impressed. thank you for this very deeply appreciated post.
@lestableauxquiparlent-by-fr Жыл бұрын
Unforgetable !
@alexoidbushuyevich88187 жыл бұрын
Татьяна Николаева: как всегда блистательно!!!
@francoispallud12154 жыл бұрын
je ne m'en lasse pas ,merci
@skohiyama3 жыл бұрын
Amazing. I love her playing.
@FlexingClassicalMusic10 ай бұрын
These soothing melodies are truly the best way to end a busy day. I feel lighter and more at ease every time I listen to them.
@松田博和-m3l9 ай бұрын
I agree with You🎶🎹 from Far East 🗾🇯🇵JAPAN
@g.kech.109 ай бұрын
Tottaly agree, I usually start my day with Bach!
@marthalehner65894 жыл бұрын
Very impressive interpretation of Bach's French Suite
@gfweis Жыл бұрын
Makes me drop anything I'm doing and just listen. Thanks very much for this superb post.
@gerardbegni28066 жыл бұрын
Very delicate and transparent rendition..
@thesceptic1018 Жыл бұрын
Lovely, really rings at this pace
@metteholm48335 жыл бұрын
The rendition, I definitely like best of all.
@leonoramarchisiomedina66223 жыл бұрын
Preciosa interpretación!! My Godness!😍
@MaChiHofmann6 жыл бұрын
Eine wunderbare und beglückende Interpretation!
@saltburner26 жыл бұрын
I have listened to dozens of versions, and this and Joanna McGregor are my favourites. Both get the tempo just right.
@jamesa901 Жыл бұрын
Since Bach never specified a tempo, especially for a piano, you really can't say that at all. I, for one, disagree. All you can really say is they get the tempo just right FOR YOUR TASTES.
@singtatsucgc32472 жыл бұрын
Beautifully played!
@innasatunovsky9538 Жыл бұрын
Thank you so much for the gift of this magnificent performance, as the amazing voice from the eternity.
@tsaihengmao71975 жыл бұрын
The Glory of God
@olgakviatkovskaia45876 жыл бұрын
¡ Brillante, admirable e impecable, bravo !!!!
@colincampbell9825 Жыл бұрын
Magical
@davidrehak35395 жыл бұрын
Johann Sebastian Bach:5.G-dúr Francia Szvit BWV 816 1.Allemande 00:00 2.Courante 03:13 3.Sarabande 04:53 4.Gavotte 10:13 5.Bourrée 11:33 6.Loure 13:00 7.Gigue 15:21 Tatjana Nyikolajeva-zongora
Despite the fact that everything here is controlled by a genius brain, every note is completely spontaneous and at the same time "comes from the heart". It's not just absolutely perfect, it's perfectly absolute.
@wuillymay881511 ай бұрын
Beautiful and passionate
@tsaihengmao71975 жыл бұрын
Sing and Praise with joy.
@petrvareka7 ай бұрын
Beautifully and culturedly played
@fjhaydn60474 жыл бұрын
Love this! Is there a better quality upload though?
@jiyujizai4 жыл бұрын
🎶🌿🌱🥀🙂
@hansdekorver73654 жыл бұрын
The Gigue in her 1951 recording - when 26 years old - is one minute faster !
@ferenctimar3 жыл бұрын
Maybe that was a bit too fast, but I think the Gigue in this presentation is too slow!
@mackiceicukice2 жыл бұрын
@@ferenctimar Here we go...a bit too fast...a bit too slow....an indepth review of anybody's interpretation! Can we go beyond that please !
@ferenctimar2 жыл бұрын
@@mackiceicukice Why go beyond the pace? The YT comment section is not about an in-depth review of interpretations. At the same time, I think that the choice of tempo is very important when performing a piece of music, the quality of the performance is determined by this, among many other things. In performing Bach’s works, the performer has some freedom in terms of tempo, as Bach did not prescribe it in most cases, so it is a matter of individual taste to decide who likes what tempo. In the music of later ages, such as the performance of Bartók's works, this freedom no longer exists, he specified in the score exactly how long the given piece should last. My comment on the tempo did not touch on Tatyana Nikolaeva's performing skills, which I hold in high esteem, but only on the fact that, when performed at different tempos, the same piece has a different effect.
@mackiceicukice2 жыл бұрын
@@ferenctimar I agree with almost everything you say- but the choice of tempo is just soooo personal and there is no right or wrong.It also depends so much on your age/ experience/ moment etc...I just get so fed up with people saying "too fast" and "too slow".I can see you are a professional musician.Maybe I was to harsh in my first reply for which I apoligise.Have a lovely day.
@ferenctimar2 жыл бұрын
@@mackiceicukice OK. Have a lovely day too!
@johnhertenstein57782 жыл бұрын
Is she using sustain pedal ?
@galanis38 Жыл бұрын
Of course she is using it. It must be used in Bach, judiciously and carefully.
@johnhertenstein5778 Жыл бұрын
I am sure you are wrong about "must" be used in Bach". @@galanis38
@galanis38 Жыл бұрын
@@johnhertenstein5778 There is a certain long-held school of thinking and piano teaching that pedal should not be used in transferring Bach works composed for the harpsichord (and to a degree the clavichord) to the piano, on the grounds that the original instruments didn't have pedals. Such thinking ignores the differences between the modern piano and the original instruments, both in terms of sonority and mechanism.