RODE's New Wireless System - How 'Pro' is the Wireless PRO?

In this episode we have a look at and a listen to RODE’s new Wireless Pro microphone system! This new addition to the RODE wireless ecosystem includes a dual-channel receiver and two transmitters with both inbuilt mics and RODE Lavalier II microphones. Major features include 32-bit float recording, an onboard timecode system, GainAssist technology, and the ability to record directly to the transmitters. In this video we walk through the Wireless Pro’s feature set, listen to some sound quality samples, and test out its 32-bit recording capability. Let’s take a closer look!
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini, an Intro to Izotope RX, and the basics of lighting for video. school.learnlightandsound.com
Support my work creating videos by donating at Ko-Fi.com ko-fi.com/curtisjudd
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:
- RODE Wireless PRO 2-Person Wireless Microphone System/Recorder - RODE, B&H geni.us/wkPse
- Wireless GO II Dual Channel Compact Digital Wireless Microphone System - B&H, Sweetwater, Amazon geni.us/SQ5fT5Y
- DJI Mic Wireless Portable Microphone System for Smartphones, Cameras, and Laptops - B&H, Sweetwater, Amazon geni.us/EFCdOD
- Impact Turtle-Base C-Stands - B&H, Amazon geni.us/8a8tt
- Amaran 200x S LED light - B&H, Amazon, Aputure geni.us/y6ym5V
- Aputure Light Dome II soft box - Aputure, B&H, Amazon geni.us/AuMKRr
- Aputure Spotlight Mount - Aputure, B&H, DVE Store, Amazon geni.us/kfAj
- Rosco Prismatic Glass Gobo in Cool Lavender - B&H geni.us/GWKt
- Canon C70 Cinema Camera - B&H geni.us/ABYB
- Canon RF 24-70 f/2.8 lens - B&H, Amazon geni.us/qwsEs
- Panasonic GH5 camera - B&H, Amazon geni.us/InspOl
- Panasonic 12-35mm f/2.8 II lens - B&H, Amazon geni.us/gr47
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: geni.us/G7by
Copyright 2023, Curtis Judd
#RODE #WirelessPRO
Index
00:00 Summary
00:10 Intro
00:19 Sound samples
00:38 Signal chain
00:53 What makes this system special?
03:08 Onboard TX recording
03:38 32-bit float recording
04:27 Timecode
07:05 Onboard menus
07:43 Headphone monitoring
07:58 Safety track
08:14 Is it ‘Pro’?
08:57 Distance tests
11:06 Practical noise floor sample
12:22 RCPII integration!
12:52 Latency
13:34 What’s included?
13:51 Inbuilt batteries
14:08 Mic clip issue
14:36 Clunky menus
15:16 No external timecode
16:06 Vs Wireless GO II
17:01 Vs DJI Mic
17:38 Nice screen!
17:52 My take
21:08 Please buy my courses

[@michalwalks]

I love how you do everything right for what a viewer wants to know instead of what the algorithms wants you to do to get views... I love every video how you give a summary at the start. Thank you again.

[@curtisjudd]

👍

[@LudwickMa]

Thanks for the great work @curtisjudd Did you happen to test how long the case takes to charge a receiver/transmitter back to full after it dies?

[@curtisjudd]

@@LudwickMa Sorry, no, I didn't specifically time it. 😔

[@whatnow5598]

Finally, someone who knows what they are talking about and not just another commercial. Thanks!

[@curtisjudd]

🙏

[@HouseofRen]

Timecode pro tipp: you can’t jam from another timecode device into the rode. But you can jam from the rode to tentacle sync and then using the tentacle sync app you can sync other tentacle sync suits including the track e. Most reviewers are missing this part when talking about timecode. A multicam with timecode workflow needs multiple cameras with an actual timecode generators attached. So rode jamming into a tentacle sync will be the solution. My work is weddings

[@curtisjudd]

👍

[@luissinsin]

This is true and a great way to do it for a shoot that only needs 2 mics. Would be great to have the Rode units accept time code in so you can do more microphones. Alternatively, if they can use the app to sync multiple receivers together (similar to how tentacle can sync their devices via the app). This would allow 4 or even 6 mics with sync. Another thing that people don't talk about is that the timecode on the internal recordings is in the Metadata of the files. With the Sony cameras that accept timecode, that is also in the Metadata which make it incredibly easy to sync. When you record the timecode via audio it goes into an audio channel and then it gets handled differently. Getting the audio timecode into Metadata timecode involves more steps.

[@MechaUsagi]

Would love it if multiple sets of rodes could at least sync to each other via the app

[@AaronAbernethy]

@@MechaUsagiA recent Rode video hinted that this is probably coming in a firmware update.

[@theearwyrm6105]

New to the channel. I really like that you review and talk about so many different types of equipment and price ranges. I also like that you keep your opinions professional and courteous and place emphasis on using what you have access to and going out and recording sound. Thanks for taking the time to share with us!

[@curtisjudd]

Thanks! 👍

[@KarlRock]

I’m gonna pick it up, 32bit will help with save my vlog audio when it clips. I often record in noisy environments, so I have to raise my voice a lot. I did have to return my Wireless GO II twice because of bad battery, and then buttons not working on the next unit. Hope this one is a bit better made. Thanks for the great review.

[@curtisjudd]

👍

[@Richard_Bumblebee]

I had a bad battery on the original Wireless Go and they repaired it for me free of charge even though I already had the device for several years and was out of warranty. At least they have good customer service.

[@DandoPorsaco-ho1zs]

The ultimate review! I've been waiting for this since this wireless system came out.

[@curtisjudd]

👍

[@justinuriahphoto]

I was waiting on your impressions before buying. Just placed my order. Thank you for putting in the time to test the new system. Looks great.

[@curtisjudd]

👍 Happy recording!

[@monolithpoem]

I've come across your channel in the past and always had a great experience. Today you earned a sub (or rather, I was bothered to click it!). Fantastic review. you have a wonderful tone and very relaxing disposition. Thank you for this review. Extremely professional. Surgical precision with your edits. A true pro.

[@curtisjudd]

🙏

[@Glen.Danielsen]

Out. Standing! As usual Curtis. Thank you for an extremely helpful, thorough review.

[@curtisjudd]

👍

[@stephanes.]

I put like instantly because you don’t care about watch time and you just put all the informations the viewer needs at the beggining. You’re the best

[@curtisjudd]

🙏

[@MichaelGAubrey]

Thanks for the review, Curtis. I've been holding out on an order until your (anticipated) review came out.

[@curtisjudd]

👍

[@TPaz-gy8oo]

What a comprehensive and detailed and "real life" review. Thank you for this type of content. You really give solutions to real world problems, really appreciate that.

[@curtisjudd]

👍

[@AT-js6py]

Another great and honest review, calm collected, to the point. Always look forward to your review with regards to sound devices and sound related. Like a benchmark for sound review. Thanks Curtis. Keep up the great work. Really appreciate it. Btw been watching your reviews for years now !

[@curtisjudd]

Thanks so much!

[@AT-js6py]

@@curtisjudd how do you manage to get such great sound for your video ? Do you have a video on that ? Tq

[@curtisjudd]

@@AT-js6py We have a bunch of videos covering that on the channel and several courses over at school.learnlightandsound.com

[@AT-js6py]

@@curtisjuddtq noted

[@GwynCole]

Another fantastic and useful product review! Thank You!

[@curtisjudd]

👍

[@davidarnott9740]

Excellent review - as always. Thank you.

[@curtisjudd]

Glad you enjoyed it👍

[@jayakarthi]

Wonderful indepth review!! This is why I watch your videos! Keep going!

[@curtisjudd]

👍

[@DuncanDimanche-sreview]

awesome review as usual! I just got mine today and I'm excited to be able to test them out

[@curtisjudd]

👍

[@MaineMountainMedia]

Great video and an awesome value for dollar with this system. Just got mine in last week and already loving the upgrade from the Go II system.

[@curtisjudd]

Happy recording!

[@Buzzer9000]

Thank you Curtis for this profound review!

[@curtisjudd]

👍

[@nicksince9487]

Curtis, you're the man. Appreciate your efforts on these videos!

[@curtisjudd]

🙏

[@eddyo2414]

This is what I have been waiting for. Well done

[@curtisjudd]

Thanks!

[@mattgray9297]

These things are wonderful. It’s so nice having 32-bit on the TX. I’ve been using them like crazy this week and I’m about to get another set. Although twice already I have had to have talent clip the TX to the outside of their pockets for better line of sight connection when outside. But still better than the original GO unit. Excellent value for a versatile system. Thanks for covering it, Curtis!

[@curtisjudd]

👍🙏

[@GatesRick]

Great job as always Curtis. Thank you.

[@curtisjudd]

Thanks!

[@AskJoe]

Great review, as always. I pre-ordered mine a few weeks ago and just got it yesterday. What amazes me most is what you get for the price. I paid over $230 for a single 32-bit float lav mic recorder (a Zoom F2 with Bluetooth), and it wasn't even wireless. But this includes TWO 32-bit recorders and TWO high end mics, for less than half the price. Everything else is a major bonus.

[@curtisjudd]

👍 happy recording!

[@mondotv4216]

$399 is not "less than half" $230. I'm not arguing the value proposition just your maths?

[@rAustinBall]

@@mondotv4216half of 400 is 200 which is, less than $230 😂

[@AskJoe]

​@@rAustinBall Let's do the math. Yes, I paid $230 for ONE Zoom F2. You get TWO 32-Bit recorders with this, so that's worth $460. A RODE Lavalier II costs $99 each. They give you TWO of those in this kit. That's another $200 of value in the box. So far, we're at $660 of value. They magnetic mounts which cost about $30 or so each, not to mention the two cases, etc.. Remember, I only mentioned comparing the TWO 32-bit recorders to another 32-bit recorder. My Zoom F2 isn't wireless. So, as you may guess, I won't be using my Zoom as a body pack any longer.

[@rAustinBall]

@@AskJoe I know dude. I was defending you.

[@KGFIQ]

BEEN WAITING FOR YOUR REVIEW!!

[@curtisjudd]

👍 We got you.

[@kurokid2441]

just sold my two sets of wireless go II...and finally got the first-round wireless go pro...thanks for the testing and now that's my turn to try them out.

[@curtisjudd]

Happy recording!

[@psysword]

How is it? Do you recommend them over the DJI mic2?

[@kurokid2441]

hi there. well, I actually have no idea how could DJI mic2 perform since I dont have them. But when it comes to Rode Wireless Go Pro..yeah, I can be sure that they just work well with my projects mostly used by teachers. Besides, I think that DJI mic2 might fix those lag problems to work better than the previous version. You know what, the biggest reason for me to give up DJI mic is that the receiver can not be mounted well on cold shoes...no matter what kind of shoes...they just dont work...always slip away...never happen with rode...so...@@psysword

[@discographetti]

Literally instant subscription because of the "BOTTOM LINE" summary at the start. holy smokes. I dont even care if your videos are good past that point- you won me over on that level of trust alone.

[@curtisjudd]

👍🙏

[@maxresdefault8330]

Outstanding job as usual. I cannot imagine laying down hard earned money on audio gear without seeing your review first. I don't know why I'm even watching this one tho, I'm happy enough with my Hollyland Lark 150 and I can't afford these.

[@curtisjudd]

👍

[@gamedesign1]

Thanks for the video. Been thinking of getting this system and I’m convinced now that it’s right for me. 👍😊

[@curtisjudd]

👍

[@gamedesign1]

@@curtisjudd bought it 👍😊 Great so far, thanks again 👍

[@akram.ibrahim]

Great review, as usual!

[@curtisjudd]

👍

[@michaelunderhill5007]

Thank you for the helpful review!

[@curtisjudd]

Glad it was helpful!

[@grooveecard]

Man, I've been waiting for you to review this! I didn't want to purchase until I heard what the G.O.A.T. had to say about it! Thanks, Curtis!

[@curtisjudd]

👍

[@DrRussell]

Was not going to buy until you reviewed; looking forward to this review, thank you for all your work Sir!

[@curtisjudd]

👍

[@JoaquimGonsalves]

Finally! The only Rode Wireless Pro review we've all been waiting for.

[@curtisjudd]

🙏

[@Nickporter17]

You're the best as always. Thanks for the review.

[@curtisjudd]

🙏

[@codyclarke]

Didn't know about the non-replaceable battery aspect, that's a deal breaker for me. Thanks for your thorough review! You saved me a lot of money.

[@curtisjudd]

👍

[@ericchang966]

Forgot to mention the clip system? Great review. Always appreciate your even keel perspectives!

[@curtisjudd]

Lots to cover, skipped that to keep the length reasonable, but yes, the magnetic clip system is useful.

[@cyberdefenseddi]

Thanks for the review Curtis😎

[@curtisjudd]

Of course!

[@kylelowe]

Just got my set and love it!

[@curtisjudd]

👍

[@patrickwebb1987]

Thank you, Curtis. I second that with the battery situation. I work a lot outdoors and in Norway in winter … I’ve gone through 2 sets already in the last 2 years and it annoys me a lot that I don’t have an alternative, bar from plugging in small travel banks or direct on the camera ext pwr. I was also confused , and excited, when I saw that the wireless 2 could export float … when my sound guy told me it wasn’t … I was confused. Also the buttons Menu system is also all over the place. I would like to see a wireless or Bluetooth connection to adjust on an app on the go when out on the field. Having to pull out the laptop isn’t convenient to adjust settings. So I would agree to have a more streamlined adjustment process would be better. However, this is nit picking when you get decent value for money here. Love you rode. Cheers, Curtis! 🎉

[@curtisjudd]

👍

[@derekh989]

Thank you Curtis. I've learned so much from your videos through the years-and continue to. I wonder if the definition of "Pro" is changing/evolving. When I started in video production 13ish years ago, Pro meant something that feels very different from what it means today. Today i think of Pro gear as being something that will give me an extra competitive edge in terms of being able to make money from video production. As someone who owns the Wireless Go, Wireless Go II, and now the Wireless Pro, I do feel it offers a feature set and level of quality that the other two didn’t-even though I liked them as well. But I never felt confident with either of those first two iterations as my only audio on a shoot, whereas I would with the Pro (not that I would prefer it, but I would feel confident enough).

[@curtisjudd]

Yes, if it fits what you need, it’s a great kit 👍

[@mlatief5865]

Exellent review. Very helpful. Thanks

[@curtisjudd]

👍

[@A1Bokeh]

The fact that these record a backup makes these the best

[@curtisjudd]

Yes, nice feature.

[@TerenceKearns]

Nice product. Great review as always.

[@curtisjudd]

👍

[@cyberdefenseddi]

Excellent run down Curtis 😎

[@curtisjudd]

👍

[@MK-Tech]

Thank you so much for another fantastic video🎉

[@curtisjudd]

Thanks!

[@Mike0193Azul]

Fantastic review as always! 💚 Wondering, since I have not been able to tell from the spec sheet, does this pro model support port pro lavalier mics that require more voltage? Such as the DPA 4060 which needs a plug-in operating voltage of 5v to 10v 🤔🎙️

[@curtisjudd]

Not sure.

[@Editor905]

Great review, as always👍👍👍 I understood very well one thing after two wireless go 2 sets died on me (3,5 mm. jack on receiver after 1 year of medium use, 1 transmitter after 1 year and two months and transmitter from another pair - after 6 months during software update): these things are just useful toys. Some my colleagues have the same problems.

[@curtisjudd]

🙏

[@UncleJimsBand]

Same brick-during-update issue happened to me. The good news is that Rode has upgraded the warranty to two years.

[@Andreas-ov2fv]

Wonderful review, as always! Shoutout to Rode for putting locking connectors for their lavs on the Wireless Pro, I didn't catch if that was mentioned. Pretty sure the Wireless GO 2 doesn't have them. For what they are, they seem pretty great. I think the biggest design shortcoming is not having any kind way of bringing in multiple sets to the same timecode. I'd love to use these for very casual round-tables without even breaking out a Rodecaster, but without being able to jam them to a common timecode, that would be a bit of a pain to sync. Granted, with the accurate clock I'd probably just have to sync the recordings once and not have to correct for drift. Maybe. But it just feels like _so close_ to ideal, it's a pity. Edit: Yeah, I know I could probably run Time of Day. But even if you sync it to the same PC with the app, you're probably not going to get frame-accurate syncs for several sets.

[@curtisjudd]

Yes, we showed the locking plugs and mentioned them. And also correct, Wireless GO II did not have those. 👍

[@JoshuaBelanger]

Great video break down. For indoor talking head videos, would you stick with Sennheiser AVX-MKE2 or make a move to RODE Wireless Pros?

[@curtisjudd]

I’d stick with AVX if it’s working for you.

[@YogaLaboratorium]

Hey Chris ! Thanks a ton for the review ! Any idea whether it works with pro mics that require a bit of phantom power ? I was particularly thinking of DPA 4088 (as well as their other mics). I love the idea of "everything in a little box" but I find it hard to switch mics from DPA sound (for my voice).

[@curtisjudd]

It does provide plugin power, yes, so should be able to power most lavaliers. It does not supply 48V phantom power so will not power XLR mics.

[@lorenz_paulus]

Thanks for this great review! I quite like the sound from the lav mics that are included. But given how bulky they are, I can’t imagine how I’d hide them on speakers?

[@curtisjudd]

They're not terribly bulky. We've had pretty good luck hiding them so far, though all the regular lav hiding challenges still exist.

[@jgurtz]

Definitely seems like a great value in this space. I'm wondering if it provides plug-in power and can be used with a COS-11D or Countryman B6 or similar with the right adapter?

[@curtisjudd]

Probably works for those that don’t need more than 5V, but I’d need to test.

[@tyleradams3490]

Whoa just realized I wasn't subscribed. Been enjoying your videos for a long time :)

[@curtisjudd]

👍

[@DrRussell]

Inability to receive time code, transmission distance, lav quality, lack of battery replacement, I’ve decided: tentacle syncs it is. Thank you kindly for all the detailed information Curtis.

[@curtisjudd]

👍

[@kencccgs]

Great job as always on the review and you definitely answer allot of question i have for wireless go pro, hopefully you will get to test delity theos, that's something on my list, definitely waiting for your review on that. :)

[@curtisjudd]

👍

[@firstlastfilm]

Great as always

[@curtisjudd]

🙏

[@chrisvandermeulen4579]

Hi Curtis, I've recently picked up a rode wireless pro and tried to use my Sennheiser MKE2 with it. For some reason the MKE2 requires an enormous amount of gain from the camera and\or TX to function at a reasonable level and is therefore suffering from having a lot more signal noise. Not sure if the output voltage from the TX is enough to get the best out of the mic. Even when pulling the 32 bit float audio using the Sennheiser MKE2 I can still notice a lot of hiss. Your videos are the best, Keep it up! I always come to you first for audio advice and product reviews.

[@curtisjudd]

Good to know, thanks!

[@sputnickers]

MKE2 likely requires more than 5 volts of phantom power. The RODE doesn't go higher than 5.

[@space_1073]

Needs to be mentioned that this is the best lav system out there for indie filmmakers on a budget that I'm aware of. The flexibility that the 32 bit float gives lets you spend your time on other areas of production without having to worry if you are recording good audio. Highly recommend.

[@curtisjudd]

I appreciate your perspective. I'm hesitant to say best, but it is a useful tool for sure.

[@LycanVisuals]

Oh man ive been waiting for this.

[@curtisjudd]

👍

[@fransv1398]

Thank you Curtis for the very good review. When I look at the graph at 4:20 and 16:48 I think that despite 32 bit, the audio is still clipped. Was the maximum SPL of the microphone exceeded or was there some other reason?

[@DrRussell]

I’m sure there were a very small portion of some clipped waveforms but still would be far better than 24bit. Given the massive dynamic range of 32 bit float (I’m sure I recall seeing 700+dB) the mic is inevitably the limiting factor.

[@curtisjudd]

That was a mistake - wrong clip shown. That clip had been heavily compressed in post. The 32-bit float is fine for spoken word audio.

[@fransv1398]

@@curtisjudd Thanks Curtis. Nice that the cause is clear and that it is not in the wireless pro system.

[@waughcast]

Already own a Zoom F3 (w/BT module) and two Shure MX185 lavs, which I use for an outdoor podcast recorded while walking. Since used F3s are going for about 250 these days, was wondering if you think I might be better off just picking up a second F3, having each podcast participant wear one (w/separate wired lav), and syncing the tracks in post, vs investing 400 bucks in the Rode Wireless Pro. Wondering which setup might be more reliable and produce better overall sound. Also wondering if the preamps on the RWP system are as good/quiet as the F3's. Thoughts? Thanks much for all the time you invest in your vids. Super helpful. Easily some of the best and most reliable info on the Web. Blessings.

[@jasonknight1281]

Terrific review Curtis - thank you for doing it. They seem like a solid product. I'm curious about using them with better lavalier mics - COS-11D and Countryman B6? Do you think the audio quality would improve? Is that something you're planning to test out? Many thanks again.

[@curtisjudd]

I actually found the included RODE Lavalier mic to sound better on my voice than the Sanken COS-11D.

[@jasonknight1281]

Wow@@curtisjudd that is remarkable. I would never have guessed that.

[@sputnickers]

@@curtisjudd Oh my! Just the comment I was looking for. A video on this sound quality comparison would get a lot of attention. Add in another couple lavs and wo! I mean it surprises me that the only sound comparisons you ever see of the Rode Wireless Pro are with other things like the DJI. And everyone is so obsessed with transmission range, when for most of us, that is such a minor (if ever used) feature. We shoot in bars or large rooms with a number of people and booming is impossible in wide cuts etc. So sound quality is a very very big deal.

[@saulmarquez242]

Great detailed review! You're a pro

[@curtisjudd]

🙏

[@TuhonHarold]

Thanks for sharing!!!

[@curtisjudd]

👍

[@UndergroundRailoadTVshowinChic]

Thanks from Chicago. I used the ( Hollyland wireless mic ). It was great, and it was easy to use. They do not have a screen display, but it works at a great price; again, it is easy to use. I love it, and the price and it is easy to use

[@curtisjudd]

👍

[@hpvalverde]

Hi Curtis, great video, as usual. Is this kind of mic ever worth plugging into a recorder, like a Zoom F4? I usually work with a shotgun boom in addition to lavs, but apart from getting a consolidated output, would a recorder improve the lavs' preamps in any way?

[@curtisjudd]

Only if your camera has particularly noisy preamps.

[@leochow6477]

Hey Curtis thanks for this amazing review. Speaking of 32-bit float, did it work with external input? I use my wireless go ii TX with videomic NTG frequently and I'd like to know if I connect my NTG to wirelss pro TX, will I get the unclip audio as well?

[@curtisjudd]

Yes.

[@JasonYadlovski]

Great video Curtis, thanks for sharing. I was excited to see you using DaVinci Resolve, nice choice. 😜. While all of the smaller microphone systems are pretty nice, I do run into interference issues at very random times with the systems I’ve tried. For me, I feel like it makes them a little unreliable If I really need to make sure I capture the audio. It’s nice that this device will capture the audio on the device itself just in case the signal drops. Thanks again for a great video! 👍

[@curtisjudd]

👍

[@JustinPulitzerTrades]

Has the Firmware update adding in Low Cut made any significant difference?

[@ShawnPark]

Curtis, great video. Where did you have your lav mounted for this video? Was it on the front of your shirt (lower and out of frame), or did you have it under your shirt?

[@curtisjudd]

Yes, front of my shirt just below the frame.

[@IndiaDelgado]

I also had issues with the clip for the lac mic and it was frustrating because I was conducting an interview for a client. Have you found any clips that work better. Or are we stuck with this for now?

[@curtisjudd]

I haven’t found a better option.

[@richardweddle3408]

Curtis, thanks for this review. Are Sennheiser ME-2 lavalier's compatible with the Rode Wireless Pro?

[@curtisjudd]

I don’t try that but in theory it should work.

[@FramingReality]

Great review, as always. You are my to go sound reviewer :) I'm curious, what's the app you're using at 16:22?

[@curtisjudd]

KZbin app playing back one of my lighting videos.

[@jefflor5979]

Thanks for your video! I just picked up this wireless system. Hoping you can help me with something. Is it possible to adjust the input gain within the transmitter itself, or can the gain only be adjusted within the receiver unit? When I record files on the transmitters, the levels seem to be very low.

[@curtisjudd]

Correction, yes. See the user guide section on setting input gain: rode.com/en-us/user-guides/wireless-pro

[@focuspulling]

Great review; I'm also asking RODE to allow configuration via the software for a "God mode" ability to disable the buttons on the transmitters from stopping recordings, which would function like the lock switch (that by now, can't be added as hardware) on other 32-bit float lav recorders. Agree completely about the mirror finish, though at least the logo receded a bit from stark white into subtlety.

[@kanaloaproductions]

Hi, this is possible on the Rode Wireless 2 system (just route no function to the buttons) - hope/quiet sure that it is the same here

[@curtisjudd]

They should be able to make that assignable to the RX RODE logo button, I'd think.

[@zufarmul]

useful and informative as ever

[@curtisjudd]

👍

[@Khormologia]

I know the video has been uploaded since 3 months but I hope there will be an answer, Today I use the lav mic sennheiser me2 + rode wireless go ME I am thinking about upgrading all this system to Rode wireless PRO, my main question is: is the the rode wireless lav mic pro better or equivalent to senneheiser me2? The main reason of my change is : - My voice is not rich on the wireless go + a lot of time I had issues with the transmitter (shutting down without any notice) etc … Have a good day

[@curtisjudd]

I didn’t specifically compare the ME2 and Wireless PRO mics. But my sense is that I prefer the Wireless PRO’s mic. HOWEVER, neither of them sound great without some EQ in post to my ear.

[@Khormologia]

Hello, Thanks for the answer. I have made the switch and the Wireless Pro Lav mic sounds awesome (with EQ in post) and the 32 bit is heaven @@curtisjudd

[@LearnLightAndSoundSessions]

@@Khormologia That's great news! Happy recording!

[@mikemikha]

Thanks for the review. What wireless systems do they use on professional sets? This is geared more towards videographers and content creators

[@curtisjudd]

Lectrosonics, Zaxcom, Sound Devices, Wisycom, and a few others.

[@JanSur]

Hi, thank you for review, is internal recording only mono or it it stereo if I use stereo mic?

[@curtisjudd]

Mono or dual mono.

[@davidp158]

Thanks for the video Curtis! Always solid and complete information. Q: I have a Panasonic S1H which has a timecode port. Is there a way to send time code to this camera's timecode port via USB-C while still recording two discrete audio tracks to the camera? It appears that audio from the two transmitters would normally be merged to one track on the camera, while the other track records time code.

[@curtisjudd]

I don’t believe so unless RODE added that feature after I made this review.

[@mrdonsmith]

Great review, as usual, but I wanted to learn about the two folders (both named 'Wireless Pro') that show up in the Finder sidebar on my Mac when the case containing all three devices is plugged in. These folders show up regardless of whether Rode Central is running or not. I know they appear so to be able to rescue files but I'm unclear whether they're 32-bit Float files or not. How best to use these files?

[@unithom]

Those are the two transmitters being mounted on your computer like drives. Yes, those are the 32-bit versions from the on-board recording. Besides timecode, a lot of editing programs are smart enough to automatically line up multiple audio tracks for you, especially if you’re able to do a ‘clapper’ on all mics / cameras (but not 100% needed, just helpful.)

[@curtisjudd]

@unithom beat me to it. Thanks!

[@YoungBlaze]

Question does the lav mics rustle if you try to hide them and tape them under clothes by the mic capsule being on the front?

[@curtisjudd]

Yes, just like any other lavalier mic. You have to experiment and find the best spot/tape/material.

[@corkeuro]

Hello Curtis, your review is excellent. I'm curious to know your opinion on whether the audio quality would match that of a Sony UHF URX radio microphone paired with a Sony ECM-77 microphone if I were to use a high-quality lav microphone like the Sanken COS-11D instead.?

[@curtisjudd]

Roughly, yes.

[@jallantan]

Hi thanks for the review. I was planning to get the Hollyland Lark Max but now hesitating. Does the Rode have noise cancelling? This is the feature I wanted as I often record outside a quiet room so I am subject to external noise of people, machines, etc.

[@curtisjudd]

The RØDE does NOT have noise cancellation. We’ll have a review of the Lark Max in the next few weeks.

[@jallantan]

@@curtisjudd Thank you.

[@vjcayman8311]

I really appreciate the opinion of an industry insider letting us know what is professional and what is just adequate for a content creator. Have you heard of Instamic Pro Plus? I'm a little disturbed that they're not sold on B&H nor Amazon, I would love to hear your opinion on this wireless microphone. Would it be good enough for a solo operator shooting run and gun feature films. Anyway, thanks for the insightful reviews!

[@curtisjudd]

Thanks. I have heard of the Instamic, but haven't tried it. 99% sure that it is also a 2.4GHz which can make it tricky for outdoor recording.

[@wayneknetter]

Does the distance change when you sync with the Rodecaster. Is it better or worse?

[@loganwelch3561]

Loved this video. Im struggling to find more information in regards to the latest firmware update that includes High Pass Filter. Is there any information you could provide with that?! Thank you!

[@curtisjudd]

I have version 1.2.8 installed. What are you looking to learn?

[@lj.pasion]

Hi Curtis. Is it also possible to monitor the audio by using a USB-C to 3.5mm adapter on the receiver’s USB-C port?

[@curtisjudd]

No, I don't believe so.

[@J0ss717]

Hi Curtis. I really like your eye-level reviews. Good work. just one quick Q. Did you succeed in jamsyncing a Tentacle from the Røde receiver? Because then you could get just one Tentacle for the B-cam, and get Tentacle's excellent timecode app as a bonus.

[@curtisjudd]

Yes.

[@claudesadik]

Hi Curtis, I used my kit for the first time the other day and ran into the same issue with the mic clip being super flimsy. The rubbery clamp ended up breaking (like yours) and it's not holding the mic anymore. Do you know of an alternative clip that could work instead ? I have some old rode mic clips laying around where you have to pinch a round metal bar (if that makes sense) but the round design doesn't work unfortunately. Thanks !

[@curtisjudd]

I have not found an alternative. I would suggest you let RODE Support know. The more of us who do…

[@rolandd4291]

This is a GREAT review. I love Rode stuff but their kit often has major flaws over quite simple issues. The original Rode Lavalier had a clip that simply fell apart. The Rode Lavalier II has a clip that can not be replaced! Rode does not list spare clips for the LavII and I have yet to find a satisfactory 3rd party replacement (and clips do get lost and broken). Not being able to change batteries means for a long days shoot you need a second set as back-up. I have the Rode Wireless GOII and although it is great in many ways (particularly on board record) I keep coming back to my Sennheiser G3 with a Tram TR50 (old school, I know, but it's never let me down). Yes it's issues like this - not the audio quality - that keeps Rode out of the pro category. (And if anyone has found a replacement for the LavII clip, please let me know!).

[@curtisjudd]

The little things matter.

[@dmitryy2199]

Thanks Curtis!

[@curtisjudd]

You bet!

[@ScoobieDee]

Thanks for this Curtis, I think I am gonna upgrade and sell my wireless go 2 for these. The wireless go 2 have not been perfect but they have been super useful in many jobs that I have done, where I just need a light weight ready to go radio mic and I can re run a take if a problem occurs. I also use the go 2 system professionally into my sound bag, but only as channel 5/6 ambient mics that I am not really monitoring but are useful for foley, that said I have been caught out in the past as the wireless go 2 has only 100 db max SPL and this is not enough especially when recording ambient sound peaks from machiney or a car. I have heard that the Pro's now has 130 db which is much better for me and something many reviewers have not mentioned .. I don't know about these lav mic's that come with the set, but glad to hear you think they are ok , would heave been good to hear your thoughts on how the mic isolate the sound source , by this I mean are they like the Cos 11's of more like the DPA's with a wider field and if so how well they define a vocal source.

[@curtisjudd]

Thanks. I didn't realize that the Sanken and DPA omni-directional lavaliers responded differently in terms of polar pattern.

[@rezamirj]

Thanks for the review Curtis! I have a question and would appreciate your advice. If we use the same good quality mic like Sanken cos11 on Rode wireless pro and Sennheiser G4, is the sound quality gonna be a really noticeable difference? I’ve been thinking about buying a wireless system and I’m just wondering if the price difference between these two worth it and should I buy G4 instead?

[@curtisjudd]

I don’t have a G4 on hand to test that, but my general experience has been that mics make a bigger impact on sound quality than pre-amps (unless using really cheap preamps/wireless systems)

[@rezamirj]

@@curtisjudd Thanks so much!

[@DanielAx]

I love my GO ii but I get a lot of interference when using it with my Sennheiser MKE2s. The closer the microphone is to the transmitter, the louder the buzzing (also on the internal recording). As soon as I turn off the receiver, the buzzing is gone. So I can record internally fine, I just have to hope everything works because I won't be able to monitor it lol. When I'm using Smartlav+ Mics with the SC-4(?) Adapter, there is no buzzing. So my question is: Have you tried either system (GO ii and Pro) with various lavalier microphones? If the Pro got rid of that buzzing issue, it would be a reason for me to upgrade.

[@curtisjudd]

I suspect RODE and Sennheiser use slightly different wiring schemes.

[@rorysagstad]

Curtis... if hypothetically you were working with 2 sets of these Pros, how might you get the timecodes of the two RX units to sync? since they can't receive, I guess there isn't a way to do it. I'm trying to run 2x wirelesspro and 3x gopro12 together. In theory they all can 'do' timecode, but I can't for the life of my bend my mind around getting them all on the same clock. any tips on how you would configure that setup?

[@curtisjudd]

I don’t think the Wireless PRO have a way to do this but contact RODE support to confirm.

[@M0LLER75]

Hi great review! If you put gaffer tape over the receiver don’t you think it will reduce the WiFi signal and the distance so it will destroy the sound quality?

[@curtisjudd]

I'm not worried about the logo on the receiver. On the transmitter, gaffer's tape doesn't seem to create any degradation in transmission that I've been able to detect.

[@robertoananda5967]

Can i connect a line level input such as an AUX from a mixing desk into the transmitter instead of a lav mic? I do it often with G4´s but am afraid wont work here.

[@curtisjudd]

No, it is a mic level input only.

[@matthewparker2910]

Hello Curtis, thank you very much for such a detailed review!! How does the Pro perform in a busy environment, say at a conference centre? Does the kit cut out frequently? I'd really like to get this kit but am concerned that interference would make this kit a no-go for me (or no-pro... 😅). I like the backup recording feature of the Pro, which is why I am not all that interested in say a Sennheiser G4 system.

[@curtisjudd]

Haven’t used this on a conference floor, but when I used previous gen RODE wireless at NAB, it worked better than expected. But totally depends on what’s nearby.

[@matthewparker2910]

@@curtisjudd brill thank you for the reply! I'll probably give the Pro a shot then, thanks 🙌🏻