Those seconds in the first movement. Ugh, heart wrenching.
@MarcJohan20093 жыл бұрын
Very deep and immersive music. Especially the second movement. Kudos to the pianist who can read this music and then also make it come alive!
@erikeinarlarsen9061 Жыл бұрын
Right. The pianist is a maniac.
@kyokusei2 жыл бұрын
it could just be me, but @ 7:22 I hear themes from feinberg's previous sonatas. In particular, this part reminds me of both the theme in the Inquieto section of his 4th sonata and the theme in the Patetico, grave e sostenuto section in his 6th sonata. also for just a split second @ 10:03 I hear the main theme from his 2nd sonata, but maybe I'm reaching at this point 🙃
@DynastieArtistiqueАй бұрын
You definitely weren’t reaching with the second sonata theme, I heard it too
@verslaflamme81854 жыл бұрын
awesome
@scriabinismydog24394 жыл бұрын
Harmonically this piece is extremely advanced and forward looking. For example, the chords at 17:04 remind me of Rautavaara
@GUILLOM3 жыл бұрын
Too FFF to be Rautavaara
@jackminto70623 жыл бұрын
I use chords like that. That's what in famous for in class >_
@segmentsAndCurves3 жыл бұрын
@@jackminto7062 What class?
@Whatismusic1238 ай бұрын
"forward looking" yeah, he was incompetent before anyone else!111!!11!!
@stoppelhopser18488 ай бұрын
your music sucks lil guy@@Whatismusic123
@ciararespect4296 Жыл бұрын
Really enjoy playing this 6:55 he copies ideas he had previously in 2nd sonata
@segmentsAndCurves2 жыл бұрын
With all of this madness, I don't understand why he came back to the "safer" writing in his late works. Can anyone explain? Or point out if I'm wrong. (My guess is it's related to the Soviet, but I'm certain there are more to that,)
@Bruceykeys2 жыл бұрын
I think naturally people want conclusions and peace so maybe he did it for political and personal reasons . There are moments of beauty here but there is much doubt
@braedonkirkpatrick21432 жыл бұрын
There certainly is more to it. I'd say the best explanation comes from looking at Feinberg the pianist and what he came to do in his later years. He played a lot of Beethoven and Bach (the last of particular note) , so it would make sense they would influence his writing. He spent time with composers like Prokofiev, who's influence is also quite detectable in his later works. Combine those things with political pressures and it seems to explain fair enough his stylistic changes. I should say though, just because he was less abrasively chromatic in his later works doesn't mean he wasn't still dangerously individual; even in his relatively calm 12th sonata, you can hear part of the musical language that makes his earlier works stand out (this is especially noticeable in the 3rd movement).
@GUILLOM2 жыл бұрын
Stalinism
@segmentsAndCurves2 жыл бұрын
@@GUILLOM Tell me something I don't know :v
@GUILLOM2 жыл бұрын
@@segmentsAndCurves You asked for explanations, I gave you a very concise one 🥴
@user-gr9vs5hq6y3 жыл бұрын
Луда музика, али врло занимљива!
@erikeinarlarsen90614 жыл бұрын
I am too little Jew and Russian to understand this music. But always interesting.
@scriabinismydog24394 жыл бұрын
Well Feinberg was a russian jew...
@brucedavies81543 жыл бұрын
@@scriabinismydog2439 Haha
@brucedavies81543 жыл бұрын
You're just not Russian or Jewish enough perhaps? I'm a Welsh lad and this music goes down like Stolichnaya for me
@Nepenthean583 жыл бұрын
Anti-semitic asshole. What an ignorant thing to say. Are you too little African-American to appreciate jazz too?
@brucedavies81543 жыл бұрын
@@Nepenthean58 Common I don't he means it like that...