Slog2 vs Slog3 vs HLG3 Extremely High Dynamic Range Test | Which Sony Picture Profile is better?

Hi guys, I decided to a Slog2 vs Slog3 vs HLG3 Extremely High Dynamic Range test to see which one of these sony picture profiles do better in terms of dynamic range and noise performance in such a extreme condition (You will barely face this extreme situation when shooting outside). I used my Sony A7III for this test and as far as I know this should be applicable to most sony alpha cameras because the gamma curve of Slog2, Slog3 and HLG3 picture profiles are the same in sony cameras. I would be really glad to hear your opinions too about this test and any further information would be highly appreciated!
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[@MehranHadad]

So by doing this interesting test, I'm changing my mind to use Slog3 in my future cinematic videos 😅 I should definitely test it with what I saw in this test! 😂

[@MMMRK1111]

I came from nowhere and saw your explained videos and they are exaclty what i wanted to see. Thank you so much.

[@TheDIYFilmmaker]

Great work mate! I've always listened that Slog2 was better than Slog3 in 8 bits, but in your comparison I see also Slog3 great. Thanks for sharing!

[@TihomRecords]

beautifully explained really loving your tutorial

[@rawarchives5374]

Most helpful video I’ve seen so far.

[@RDNYSANCHEZ]

I've just found your channel and you have great content! I'm on my way to learning more about picture profiles and color grading and this video and the one on how to convert HLG to Rec709 had helped me a lot!!

[@rahuls4863]

Brilliant analysis. Thanks for sharing this. I agree slog3 was better initially. But after fill light was introduced slog2 is better. So I guess - use Slog2 when you need details on shadowsn and use slog3 when you need details on bright and mid tones.

[@VeganLinked]

Thanks for doing this! Unfortunately I'm not using a full frame camera. And my a6600's are 8 bit. So, this probably wouldn't work with my current gear unless I have plenty of light I suppose. But, I ordered the fx30 and will have it in a couple of days. So, I'm excited to experiment with it. Again, not FF but at least 10 bit 422. Most of my work is in a controlled environment anyways where I can give it plenty of light, usually. My question is about DR though. I have been using PPRO for too long. I wonder, do you think it would be worth getting DR and color grading and denoising there before I go to premiere? Is that possible? Or would it degrade along the way when rendering out of DR to edit in PPRO and render a second time? I would hate that workflow but until I can get use to DR and separate myself from PPRO I probably need to stay in PPRO.

[@Shyamgfilms]

Great comparison Mehran. This is something a lot of people are looking out for in KZbin but no one really cared to make a video like this before.. so big thanks to you man..

[@FlyEnri]

You accidentaly convinced me to buy the Studio version of Da Vinci to have the noise reduction :) I'm using Slog 2 but I'm finding sometimes that when I don't expose perfectly, later on it's a nightmare to grade. HLG has less range, but it's more forgiving and easy to use it seems... Slog 3 I never managed to get something right, but on yours I think was the best also :D

[@nithishprabhuvlogs1191]

very nice video 😍😍

[@joshigrv]

Thank you so much! When you use ITU709 with slog2 - what Color Space Transform settings do you use in Davinci?

[@basebrandstudio]

Thank you so much, Mehran! 🙏

[@hersh_yt]

Great comparison

[@rakadey6681]

what was your lens, apeture, and iso? if you remember i know this was a year ago. Looks like im upgrading to davinci resolve studio now

[@pavanteja1975]

thank you for making video about this

[@thediegomgarcia]

I believe theres scenarios where each PP should be use instead of others. Correct? What would you use in the outside, compare to indoor shoots with controlled lightning?

[@DevAcharya]

Quick question!!

[@arashhashemi8108]

Hi Mehran jan, very good good video man. what is your experience with ISO when you have it on SLOG3?

[@khaledsamra2500]

Thanks