Mixing Masterclass with Bob Power [MixCon 2017]

[@kristianandreasen3230]

1:55 - start 2:15 - mixing is gain & tonal balancing 3:32 - creating a vibe 3:48 - seeing the producer & artist vision 4:34 - can you hear everything? 5:35 - reflections on all of the below topics 6:29 - dimensions of a mix 10:03 - careful of reference tracks 10:36 - thoughts on mixing for clients 11:45 - trusting your monitors 13:36 - all audio tools can be split into two categories: gain control & ambience 14:44 - what do we do with these two type of tools? 16:38 - genre 17:55 - making room for instruments/resonant peaks 19:40 - do you need to boost? 20:48 - High Pass & Low Pass 22:25 - gain control / compressors 24:23 - tuning (not your job but the producer's) 26:23 - organization 30:05 - presentation of artist Ester Rada 31:43 - figuring out what the mix needs 32:52 - playing the track 35:21 - done playing track

[@trollingisasport]

Go on...

[@Youtubeusee365]

Kristian Andreasen thank you!!

[@ccmickytv7441]

Thx!

[@Etcher]

Wow thank you!!

[@jeffparker469]

Major kudos Kristian Andreasen! thx

[@tyronrossouw44]

I cannot believe what high quality content is here for free.

[@EDMTips]

Totally!

[@trollingisasport]

KZbin shill

[@sjd1446]

Dirk Diggler haha!!

[@beatsbykobra]

shhhh dont expose they gonna charge us soon

[@Processor609]

>For real. I definitely subscribed

[@SleepyEyezCarter]

The first part before he went into the song was 100% good information.

[@MrMurrizi]

it was absolutely golden eh ! Almost prophet like

[@liondread777]

The Timbre info in respect to depth was mind opening!Bob is dope!!!

[@dangus5459]

but...?

[@666hobart]

Best rogue presenter ever!

[@timothywanjohi5248]

No buts

[@jewfinigan863]

This is one of the best mix videos I've ever seen. No bullshit, no egos, just a straight up talented dude doing what he loves. Shares his philosophy, then demonstrates it with a mix. Cheers mate.

[@MrLawrence0071]

Hear hear man. Thinking the exact same thing. I truly learnt a lot of stuff from this. What a great down-to-earth guy!

[@maaaquemeseyo]

+1

[@FrostyRRT]

Paul Anstey t

[@AmagrasMUSIC]

+2

[@the-LeoKnightus]

right. I seen him talk before, but didn't waste a word with this presentation.

[@willhelliwell]

Best bit of advice I got from this video: "Carve up the frequency spectrum to hear things in a mix". Most instruments have a resonant peak. It often changes with the pitch of the instrument. Raise up an EQ with a medium width and start sweeping it through the frequencies until you find the weird bit that really sticks out. That's the resonant peak. Pull back the EQ a little bit on those resonant peaks for every track in your session before starting to mix and you'll find there's so much more room for everything else because those resonant peaks won't be masking the other instruments.

[@andres.giacomini]

Especially in the range of 100 to 500 hz

[@gt3shredz510]

This is huge, but not as simple. When I first learned about filtering and subtractive EQ, I thought the more I filtered the better. Turns out that will result in a thin weak mix. Only filter if it’s necessary. If there’s a resonant peak, but there are no tracks competing with it, I’d try to preserve that information if I have no issues with it tonally.

[@jorgepeterbarton]

Its a good idea. But sometimes you can go overboard with about 8 notches for EVERY resonance. And it might even take away character. If you mute and unmute you can tell what is masking what and remove the one thats masking. Maybe its where you felt you needed to boost the masked instrument? You can also use a dynamic EQ if you really want I. I remove the resonance ONLY when its actually there. And high Q of course. Its also one area where eyes rather than ears are useful with a good graphic analyser. You immediately see peaks and get them exactly.

[@gt3shredz510]

@@MrGeekymusic Always start with the levels, try to optimize the frequency spectrum with them first, and then use EQ if you still don't like what you're hearing.

[@MrGeekymusic]

@@gt3shredz510 Thanks I agree with you - it's the removing of resonant peaks before starting a mix that I didn't.

[@pennstateyo]

" My career is a result of my clients knowing that I will work much harder than they will" My hats off to you my friend

[@JERJES58]

1:55 What mixing really is? 6:28 The dimensions of the mix 10:04 About using reference tracks 11:10 The quality of the recordings 11:45 Trust your monitors! 13:35 Building blocks in mixing 14:38 How to use them 16:38 The importance of genre 17:53 Making room: the resonant frequencies 19:39 About the boost 20:48 High pass and low pass 22:27 About gain control: compression and more... 24:25 Tuning and Autotune 26:26 Organization Issues 30:08 About the singer Ester Rada 32:39 BOB'S MIX LISTENING 35:20 General comments about this mix 35:54 About grouping instruments 38:26 DRUMS 41:33 Tips about compression 46:29 Tip about boost 49:00 Tip about how you can listen better what you are doing 50:00 Percussion wich is driving the song (bongos, etc): tape compression and more... 52:18 About ambience reverbs 53:00 ''Snare'' 55:41 About harshness and high frequency equilibrium 56:30 Snare delay effects and more... 57:11 Work in touch!! 1:01:14 Hi Hats: Devil-loc plugin and more... 1:05:06 Claps: why use pitch with them? 1:08:16 Shaker 1:08:55 Name your buses!!! 1:09:41 Toms 1:10:27 Be careful with the panning!!! 1:12:01 Be careful enhancing the attack 1:12:51 About using well known tools 1:14:34 Background vocals: eq tips and more...

[@SonicScoop]

🙌

[@jakobole]

My sound-quality went way up, when I discovered removing those resonant peaks. Game changer for me

[@kingrobwinslow5807]

same same

[@jakobole]

@@redlikewater2453 Get them eradicated BEFORE they hit any other plugin such as comps. dist, reverbs etc - everything will become easier hereafter.

[@jakobole]

I mixed this using that principle together with parallel comp on anything BUT percussive stuff - the rest bussed and sharing a comp. A more natural sound emerges from this. It's the "Andrew Scheps way" It's a demo og a Korg Mono/Poly kzbin.info/www/bejne/oHWZeZSYipqHm7M

[@jakobole]

And far fewer comps/cpu-horsepower needed

[@jakobole]

@@redlikewater2453 no. First high-pass, then de-resonate. :)

[@michaelmichael1450]

Hats off to the "rogue presenter", who preferred to share brilliant advice with everyone, so we could understand why he does what in the mix later! And thanks to the guys in the background for not cutting him off :)

[@nathansoundz883]

This is a basic education in fundamental mixing. Three years and hundreds of videos and VST"s. Ill add 1000's of Recording Sessions to that as well. I 15 minutes in and If this was the first thing I ever watched, Id been where I am today 2 and 1/2 years ago. Putting this on repeat. Thanks a ton for this video.

[@10HW]

same here man

[@uhoh252]

True the rest was mainly less is more and do what sounds good

[@philsideorchestra]

Awesome

[@maxreaper25]

Wow glad I clicked this

[@goldiamondmusic]

That's how you know you're being taught by a master. Masters help 'compress' (no pun intended) the learning time.

[@JamesonTabor]

Unlimited gems in here. Basically watch this thing 1000 times and you never have to go to school again. Bob Power is a boss!

[@clintonubiquity7437]

Pleaaaaase get Bob Power on again… Such a LEGEND

[@Exitof99]

This was awesome, my major takeaways: 1. Always use high pass and low pass for a clean uncluttered sound. 2. On drums, dip just above the boost to make it snap better. 3. Add some pitch shift down to handclaps to make them meatier. I actually was struggling with handclaps before, glad to get that tip.

[@BaldPerspective]

Similarly, to beef up finger snaps, do tongue clacks at the same time. I got that one from Charlie Puth on Songland.

[@MrZapperific]

49:00 the blind compressor A/B test... GOTTA LOVE IT! Mr Power is truly aware of the psychology that goes on in this work. You have to fool yourself sometimes to stay humble enough to actually IMPROVE what you are doing!!!

[@prospectnyc]

"Do this because of xyz, don't do this other thing because abc" - this is the best kind of masterclass! So much better than other lectures that focus on "me me me my my my, I'm famous because of me me me."

[@alias-_unknown9999]

😂😂😂

[@MitchellRoad]

This is randomly one of the most cinematic, well shot seminar type videos I've ever seen, (that wasn't for an actual movie). Usually these videos looks terrible. kudos to the camera crew.

[@gabrielrf1]

Watched this to appease the KZbin algorithm. Was not disappointed

[@SonicScoop]

Few are! It's a good one. Thanks for stopping by! :-)

[@janminor1172]

Not only a skilled mixer but also an excellent and very engaging speaker/presenter/teacher! 👏

[@RogerBarraud]

Absolutely! Gonna have to go grab *everything* I can find from Bob now :-)

[@johnmathews2022]

I can not believe the thumbs down on this. They must not like the fact that he knows more than they do.

[@artsmadeit]

I could watch this guy for hours. Lots of knowledge delivered in casual way.

[@davidleeroth357]

Bob Power is a LEGEND. ATCQ used to shout him out all the time in their music. I was amazed to find out he had mixed an produced so much classic R&B. I learned a ton from this video. Thanks Sonicscoop

[@davidbarnardmusic355]

as someone with 0 mixing experience, this has been so much more than helpful. I look foreword to watching this over and over again.

[@MrGuitarist9891]

I was there, it was a truly great presentation. So glad I can watch it again. Thank you SonicScoop for posting this. Can't wait for other videos from MixCon.

[@SonicScoop]

Great to have you there! More coming soon.

[@natejessee]

"Cause that sucks when that happens" talking about reverb and delay to discrete instrument groups. Not sure why, but that quote just came off so realistic and genuine.

[@mfesusbeats1087]

this man is a LEGEND...a mix god! "Bob Power, you there?(Yeah) Adjust the bass and treble make my shit sound clear(echo)" --Q-Tip, A Tribe Called Quest btw 332 clowns disliked this video because he wasn't using Fruity Loops smh

[@RoyMaya]

I truly enjoyed this. I feel like the first 30 minutes was the most important part. Great video!

[@garrykingmusic]

100% agree mate

[@mindflux1445]

Yeah loved that to :)

[@keithrichards4296]

As well, we can see an api 2500 while he says "guys thank you..." - probably they cut the part when talks about the mix bus.

[@zekelocke]

DEFININTELY!! That first 30 mins set the entire context up for the rest...this was so awesome!

[@johnchase3920]

Have to give props to Bob Powers. Such a great teacher, who explains with a style easily understood. Thanks, folks!

[@jamestucker457]

"Allowed the fast release on the compressor so it would recover quickly for this song". Excellent! Bob's ability to express good habits, mix dynamics, and importance of client relationships shows how much this guy knows how to not only achieve great results, but teaches the student such essentials. Hearing you Bob, and "Thank you" brother. Fellow New Yorker from the Apple.

[@projectseventyone]

this was by far the best audio mixing video I've ever seen

[@edgenovese]

Really smart, to the point and Humble! You could have talked down to everyone, but instead, it was more like a good friend stopped by to help you at home. You make learning clear without the listener feeling embarrassed for not knowing this material. Amazing job !! Thank you for sharing your talent and skills that took so many years to Hone. I need to find more of you on the Web. All the best Ed Genovese Composer

[@TheSIGNSFICTION]

I come back every year to this video to watch and learn from this legend

[@adamhenderson4349]

The second he said about being in service to the song and the artist, I slapped that like button. Wisdom straight off the bat.

[@budgetguitarist]

I've done a ton of recording over the the past 30 years and this is one of the best talks I've ever heard. Very very good stuff! Time Machine should be turned OFF when recording because it'll steal CPU cycles and hard drive/SSD speed. Turn it back on when done. I agree with manually backing up all music projects to multiple drives - I have four.

[@masteroutlaw100]

Don't make the mistake I did and put your hard drives too close together. They have internal magnets that can damage and corrupt other hard drives if placed too close to one another.

[@budgetguitarist]

@@masteroutlaw100 That's good advice!

[@zachary963]

22:10 i had a track once, where I couldn’t get anything to sit right. Then I lowpassed the bass guitar at around 2k, on this advise by Bob, and suddenly EVERYTHING opened up. Everybody talks about don’t high/lowpass too much, and I always think about what Bob is saying here at around 20 minutes. I live by it. The first thing I do, after gain staging, is take out any frequencies I don’t like, including high and low pass. And it makes my life so fantastic

[@bovictorious2380]

I literally had to pause this masterclass and drop to the floor on my knees pumping my fist, hollering, "Bosssssss!" Because this was just what I needed in language I can understand! Big ups to MixCon, SonicScoop, and Bob Powers. This masterclass lifted me up and gave me the wisdom I needed to move forward with my mixing in confidence.

[@hmanfilms]

5 and a half minutes in and I'm blown away by how captivating he is in the way he describes music and sound. Such an articulate and prestige way of viewing what other people just think of as "sound." It's a beautifully rich and complex arrangement of sounds. "Can I hear everything? Of course, the right arrangement and proper perspective... but can I hear everything?" is now one of my golden rules of mixing. Thank you, Bob and SonicScoop!

[@gomesdiogo]

49:04 - best tip of this video, and there is a lot of them

[@ronaldgordon982]

If you really listen, and listen again until you get everything he's sharing, this one video can take you to another level!

[@aristocratmusic]

I really enjoyed this and appreciate this being posted. A lot of great tips have either been reinforced, or introduced to me! I took notes and thought I'd share, if anyone is interested. (: - A great arrangement makes a great mix. - Tonal Balance: "A complementary, and pleasant distribution of the frequency content between the different instruments so the listening experience becomes pleasurable from a sonic point of view". - Mixing isn't about the engineer, but making sure the artist is satisfied with the sound, and helping them achieve their vision. You are in service of the music. - Make sure all elements are heard in the proper perspective. - Think of the dimensions of a mix in three ways: Top to bottom (Frequency), side to side (Panorama), and front to back (Dimension). - Learn to trust your monitors, and make sure you learn their sound. - Genre matters, and not every method of mixing translates to different styles of music. You wouldn't place the kick in a jazz song at the same level as one in a hip-hop song. - Cut out resonant peaks by filter sweeping with a medium sized Q, until you hear that resonant tone, and cut a few dB out with a narrow Q. - Attempt to cut more than boost for a smoother mix. - Hi-Pass at the start of the mix to declutter instruments. Don't cut all instruments at same frequency. Instead, slowly turn up the high pass right up until it begins to negatively affect tone, then bring it down a bit. - Even though vocal tuning is the job of the producer, make sure to tune within the artist's comfort level, and not to the point of sounding unnatural. Additionally, render autotune to audio to save on DSP. - ALWAYS Backup. Use two drives. Work on one, and backup to the other. ChronoSync is recommended. Also, save version numbers at 1.0, 1.1, 1.2, etc. This allows you to go back to earlier mixes, if necessary. - Use mix busses to have quick control of level and processing to entire groups at a time. This makes mixing quicker, glues instruments together, and saves on computer processing. - When boosting low frequencies, cut a little just above the boost to make it snap better and prevent from accentuating resonant frequencies. "...Benefit of 100Hz without the woof that's just above it" - With plug-ins, if you have a setting that you think is working but you want to mess with it, save it as a custom preset first so you can go back to it, as well as easily A/B them - With any plug-in, and especially compressors, close your eyes and toggle the bypass button the hear from an objective perspective whether or not what's being done is desirable - With compression on percussive elements, use a slow attack and a fast release. Fast attacks will squash signal too much and suck life out of performance, and slow releases will take too long to "recover back to zero before the next hit comes". This also allows attack of hit to naturally pass through while bringing the tail down, which we perceive as a louder attack by bringing down the sustain level. - Remove unnecessary high-mids on instruments that don't require it, even if it doesn't sound bad on its own. This clears up the high-mid space for other instruments, preventing frequency clashing. - When automating plugins, work in touch rather than using drawn in lines. This gives a more human, musical feel, and is actually quicker as any automation that doesn't work can simply be undone and attempted again. "Fuck those lines". lol - Delay with an increasing feedback just before the chorus can create excitement. Adds kinetic energy. - Reverbs and delays do not require high frequency content, and should be filtered (high-cut) to allow for focus to be on direct sound. - Throw: When a signal is sent to an ambience generator just for a moment. - "Psychoacoustically, if one thing is even a little bit louder than the other, and you play both of them, you will think that the louder one sounds better". - With claps, adding a pitched down duplicate will make them sound more powerful by adding mid-range boost. - Even with vocals, cutting the mid-range can sound a little more clear and remove some harshness.

[@bastion_music]

My old teacher

[@GrandpaTheobald]

After watching this and taking a lot of notes, I went back to a mix I started a couple of weeks before and started redoing all the EQing from scratch. I decided to dive back into mixing 3 months ago, since it's always been my weak point in music production. I keep coming back to this video, even just a couple of sentences of his are like a mantra which will let me focus in my next session.

[@TheUnkus]

Bob was one of the first engineers that I worked with when I entered the arena. Not only did what I was hearing come out of his speakers blow me away, but he was a gentleman. There are few engineers in the industry willing to teach you. Not only did Bob teach me a great deal, but he was truly interested in his assistants input. That is NOT heard of from engineers.

[@ginaschexnayder245]

I very much enjoyed the class. It was a game changer for me as well. It's very nice to know that someone has made a way for artistic expression that can no longer come from a common well. I cannot explain but, sometimes for me DJ-ING is a way for me to release anguish that I have felt from the ridicule of being born female in Louisiana. It's much better than it was in the 70's , but if you were a female in the 70's there were people that would never let you forget it. I was freedom and body shamed for being born female. DJ-ING has allowed me to reintroduce myself as something that society here knows benefits and reminds society that the culture that makes the heartbeat of the planet is its love of dance. I am DJ digitaljade. Thank You for your cool class.

[@JoshPeterson]

His section on monitors really put me at ease, and it makes perfect sense. Understanding what your monitors are revealing to you is more important than having "perfect" monitors.

[@dustamanjazz]

THANK YOU SOUNDTOYS!!! THAT'S WHY I PURCHASED SOUNDTOYS 5!!

[@BrandonRaehl]

I love how he explains everything instead of just jumping into plugins. This is real wisdom here. Much appreciated

[@OrangutanTradeSalesmen]

This must be the most recommended mixing vid on youtube. Definitely mine. The info here is unreal. Worth learning and re-learning. Watched this several times now and its always a lesson. Thanks fellas

[@h.n.r_funi3324]

Every single word he says makes perfect sense. I needed to hear them

[@justjakki]

I can't even handle how much gratitude I have in my soul for this absolutely incredible master class!!! Im self-taught and it's been very frustrating to not be able to explain or discuss music with people when I've never been properly trained and educated. Again, thank you so much for this.

[@That1Guy]

“Don’t make little dots and move the lines!” Always work in touch. He’s so right, I’ve been mapping to knobs and tweaking, endlessly more musical, never pushing dots again...

[@brunosorgus8031]

audio/video quality is unusually good for these kind of things

[@ChrisPhoenixBMR]

I swear i just pulled out my notebook and wrote tons and tons of notes.. I'm 28 mins in... and he's still talking about mixing... and i LOOOOVEE IT

[@rockabluesy60]

this is richer than a mixing mastering class that I paid back in 2019, thank you

[@NormanBird]

An actual free Masterclass, in every sense of the word. I loved this! Thank you for sharing.

[@IM-vj9tb]

This man is a legend. He mixed a lot of JDilla’s work with Tribe Called Quest which is why I fell in love with beats.

[@JimmyFlame]

Resonant peak… THAT’S what it’s called. And… taking away frequency competition. Brilliant stuff. Oh, and, now I’m gonna find a Devil-Loc. Thanks for sharing all this stuff!

[@goldiamondmusic]

This was incredible. I know I'm being taught by a master here. Straight to the point. Simple, graceful mastery and effective teaching.

[@patrikfloding7985]

Thanks so much for mentioning Ester Rada! Amazing! (Never heard of her before)

[@minorcek]

I started my mixing adventure after having played instruments for 17 years. I started with a simple multi track, a 5 band eq and reverb. I only had a few things to focus on and really developed my ability to space sounds out, relying on the most basic tools (which ive since learned are the most vital). I did that for awhile and looking back in hindsight, it taught me how to cut instead of boost naturally. Ive since progressed into working with full daws and practically everything ive taught myself has turned out to be an actual strategy within the music industry. Im really glad I had an ear for the basic sound profile before moving on any further. it seems one thing that has really limits growth for some people is having jumped the gun and jumping into the deep before they knew how to swim

[@doons8914]

WHAT THIS VIDEO IS, a perfect simplification of music mixing. Nowadays, we literally overdose in useless information that in the end confuses the fk outta us making us think we know so little about making our music sound professional. The moment he broke down that the only things we have at our disposal is gain control vs ambience generators the more everything made sense about what I've learned in the last few years... ik its an hour but JUST WATCH IT

[@maxreaper25]

Watched this maybe a year ago and I knew how valuable it was but I grew a lot since then and my appetite has expanded. I understand more and still recognize how valuable this video is. The difference is this time I’m gonna finish the video before I run to apply the new knowledge. 🙏🏽

[@10HW]

"ultimately, a great recording is a compelling performance of a great song" enough said

[@mv1692]

EDIT: I've forgot the most important thing! A very very big THANK YOU to SOUNDTOYS to make this possible and available. But the BIGGEST THANK YOU go to Mr. Non Power. You are a great teacher, because some technique that she used in this cons, I've never used, even knowing them. Now I will use it because she help understand the "mechanics". Now I can see the brilliant and the punch of mix. VERY VERY THANK YOU!!! 50:25 I apologise for my ignorance, but instead a tape emulator, I use an old ('90s ) technics'hifi cassette recorder).. Is the only mix/mastering outboard I use. All other things there's only UNIVERSAL AUDIO

[@aparimitus11]

Simply, the best session ever on sound production!

[@cozmovox]

I finally learned to mix properly, thanks to this video and the generousity of Bob Power. My work is more succesfull and fun now. Thank you.

[@danielkisel5661]

Thank you SonicScoop, Bob and Soundtoys ! I applaused in front of the screen... lol ;)

[@robertgentry9436]

Words of wisdom. He’s delivered more great, real world info in the first part of this than almost any other video I’ve seen. Far more valuable than the endless tricks and toys that cause new engineers to get lost in the options and miss the big picture.

[@tsquire87]

"...and an...auto...release. I don't know. I just got the piece and was messing around with it." what a legend

[@markwalker5295]

What a fine fellow, and too everyone in the background having done and are doing their part in providing Bob's wisdom to me. Thank you

[@peter_erdei_music]

What I really like about this is that Bob doesn't try to sell you plus-ins instead he gives you technical hints.

[@milkywaymusic]

This guy is Master Yoda of mixing and mastering. He said atcq came along at a time when he was doing a lot of experimental stuff and all those songs were done like nothing I have ever heard before. Q-tip was so lucky to have had Bob powers mix and master his beats, top notch work from all ends!

[@bayboymusic1]

Good Tips and Reminders! Good pace, not too fast and not too slow.

[@matt8127]

I had to pause this 15 minutes in yesterday and have been looking forward to watching the rest today. This man explains this all so well. Bravo!

[@IntercomFPV]

This guy is AWESOME! Thank you Bob Power!

[@aghostina7111]

very good masterclass here. some things I didn’t catch bc they were advanced for me as a beginner in mixing but even for those like me I recommend watching the whole class, took so many notes! it’s not just overload of info, he actually shows his techniques and you can go on and practice them right away. I have a clearer panorama of an overall mix now but also lots of tips on mixing individual elements but always in relation with each other. I mean that sounds like a basic definition of mixing, but the class was much more, well explained, put simply, and comprised in just one class instead of gathering fragments of many tutorials etc. I also understand EQ much better now. really appreciated !

[@samukeloi.s.s.c2945]

been a while since i enjoyed a session this much especially the first 30 minutes and the rest was a big big bonus

[@peterbigblock]

Wow wow wow, great pearls of wisdom from a true master. What stands out as much as anything is the light touch he applies to most everything.

[@P.Gillett]

watched this a year or so ago, it changed my mixing, for the better! soooo much better, thanks man

[@tuxxie2]

Nothing I've heard so far (on the subject) is even close to how informative this is.

[@birocratic_]

I had the pleasure of learning from Bob at NYU, and he is one of the realest, humblest people I have ever met. Just an infinite source of goodwill and wisdom. Love you Bob

[@Anthony-dw3jb]

Honestly can't believe this is free, thank you.

[@charlesbeyer7041]

Backing off on the resonant peaks, brilliant! Thanks.

[@rtjnetwork2758]

Agreed.

[@theleague383]

Charles Beyer this is crazy! I’ve always noticed the resonant peaks, I never knew it had a name though. When he said this I was mind blown lol

[@tazcerogers2947]

I love this man

[@DatAnydex]

Watched this a year ago, and now again in 2019. What a great video. Bob communicates so generously. Thanks again 🙏

[@chrisjordan8789]

"Bongos Bathroom? That wasn't very helpful, so I didn't use it" - made my day! You the man, Bob! Thanks for a great maaterclass

[@MCEEZR]

This is a ‘watch it every year’ kind of video

[@myrecordcorner]

Great Content for all DJs out there!!! Thank you for this Video!!! :-)

[@williamjacobsen551]

I want to hang out with this guy. That was a pure pleasure to watch and learn from. To have him actually go through one of his very own mixes with, to be honest, quite a few mid level tracks... What a master session! Seriously I can't believe I am just finding out about you guys.

[@Mike_Benz_]

Soundtoys are legends for sponsoring this and for their charity/fundraising they do, amazing company.

[@JunkyardSam]

This is probably the best mixing tutorial video I've found on KZbin, yet! Thanks SonicScoop & Sound Toys!

[@felipesancho]

this guy's onomatopeia is spot on!

[@felixkcl]

Thank you for sharing this masterclass for free. Give salute to Mr. Bob Power that he generously gives really fantastic advices on concepts, workflow, techniques. the first 30 minutes is a gem to prepare myself to majors issues of mixing.

[@JakeBarraza1]

my biggest take away: magnify the vibe

[@retox2929]

This gentleman is a treasure. Good honest experienced common sense. Most of the time we don't hear the real deal about such a wide spectrum of the craft. I'm with him. I like his way of thinking & teaching. I just finished a project that came out great, but now i know, thanks to his wisdom my next will top it no doubt. Thanks Bob.

[@thehitter2708]

Usually I'd be thinking, get to the tutorial already but damn, I would have rather him give the lecture the whole time like in the beginning. So many jewels

[@gustavJosephStutterh]

Thank you Sound Toys, Thank you Mr Power

[@SuperTwangster]

Cool baby cool. Bob Power has radar ears, and a heart full of soul. Ha! Bob will expand your mind, kids :) sf

[@nsjx]

The track featured is up-to-date in groove and experimental spaced-out (dubby) style. Enjoyed the presentation. The intro stuff is stuff we’ve heard a mill times, but things that need repeating. The great takeaway here for me is how much he elevated GENRE over the important aspects when faced with a job. I’ve come to agree with this entirely. Another part/example of this is seen when MANY times throughout this talk he ‘surprised’ himself even when he pulled up EQ on certain tracks. He was boosting a lot more than what his intro led us to believe he would do. BUT this genre and groove benefited from most of these ‘surprising’ moves. I’ve been studying other folks mix overviews for a while now since the advent of KZbin, and really it has shown a spotlight on the importance of monitoring environment and using one’s intuition over the ‘rules’. This presentation just reinforces that. Good stuff and,... great mix (from what I can hear). Thank you to all involved in organizing 👍🏽

[@SonicScoop]

YES. Glad you got all this from this one. Great stuff to recognize!

[@pattillo21]

I'm just starting out in all of this and this, even though a lot of it is over my head, was very informative.

[@MrLordofcoffee]

This video is absolute gold. No nonsense, high quality, valuable info from not only an industry professional but also a really cool, wise dude! Awesome.

[@That1Guy]

Best compression explanation ever, for me anyways. Also that eq stuff was enlightening