Substance Painter Trick everyone NEEDS to KNOW (how to use anchor points)

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[@japaneseextremme3811]

The key is to Alt+click your curvature mask when you're adjusting the curvature values. It gives you a much better visual than just material mode. Hitting M will take you back to material mode to check your adjustments. Thank you for the great tutorial!

[@BenExell]

Ive known about anchor points for years but never used them because they confused me, this video actually helped me understand them so much better. Thank you! :)

[@blenderinnovations2537]

This is awesome! Ty for this, been using substance painter for a while and use it every day for work, this will definitely be added into my pipeline! Ty for this, goes to show this field is a never ending learning curve lol

[@katanalevygames]

Best explination and examples of anchor points that I've seen. Thanks very much!

[@Mio_Rin]

I use anchor points and histogram scan to drive several layers of fur colours with a single mask. It's also great for adding embossed edges to clothing.

[@ramyissa20]

This is AMAZING! And the way you explained it is very good with good examples

[@MetalHeadsGame]

Absolutely fantastic explanation of this! I'm not too advanced a user of Substance Painter yet, but having tried to do these effects manually by hand, not knowing how to automate things like paint lifting at the edges, or pinching of edges where something is embossed has been a bit frustrating, so this is invaluable! You rock!

[@3dtrip870]

Thanks for showing the simplified example...that is a sign of a good teacher!

[@staticbuilds7613]

I was just thinking about a video I watched a while ago and was trying to remember how they got the decals to be effected. This was a great help and easier to follow than the other video.

[@MarkusHag]

one cool way to use anchor points is to use fill --> bevel a bit --> fill with subtract to create a shadow or ao around whatever the original fill was

[@anna_petrov]

Thank you! Clear and concise! This helped me out so much!

[@RiaanMarais]

This is mind blowing! Thank you for sharing.

[@gotbaka3]

Thanks for making this video. Quite a confusing concept for a new user. Nice clear explanation and demonstration

[@yalestormofficial]

Thanks for the tutorial!

[@null643]

This is really good, will use this to make my textures look less flat, ty!

[@drinksoft5191]

This is very nice. Thank you!

[@garazi9531]

Really nice tip! I'll definitely use it witth engraving

[@Giang-lw6dm]

i have used substance painter for so long and didn't know that this was possible thank a lot!!! Subscribed

[@Cammo3D]

This was extremely helpful for me thanks you

[@ElektronikGirlEpic]

Legendary tutorial!

[@ikiyekatlananparsomen]

It is awesome, thanks for the video!

[@Cynos_3D]

Yoooo, i was studying some Udemy courses for substance painter and i think the teacher completely glossed over anchor points, this is freaking game changing.. Thanks for making this video!

[@1Chitus]

Thank you!

[@Singularity-vp9xo]

Fantastic! awesome man, thank you so much!

[@jonmcclintock8936]

That was so cool!

[@NN_86]

you have me subscribed! Thnx brother!

[@qiuvincent3267]

it level up my texturing skills already thanks 😊

[@abhinavmohan7190]

thanks for the tips

[@TheYoukarel]

super video thx

[@user-dd5sl4wr6i]

Thanks for that

[@chandrur9489]

thanks mate

[@user-kc6tm2fl1h]

This is my favorite new channel

[@xavi4829]

hot damn, this is awesome showcase of the function, thx :D

[@philosophyfrog2653]

This was super useful. Thank you for sharing! Is there a "pen tool" or something similar in the software? If so where can I find it?

[@TheAngelArrow]

yes, when people start doing this extra shit is when they're past the basics and are pushing towards that extra step most people won't take, need more videos showing good examples of things like this hehe. lovely video

[@no-sleep]

ooh the high pass is such a nice trick

[@TheSatzy6699]

Excellent content and explanation

[@hotsauce7124]

Can you do a texturing video with Quixel Mixer?

[@canaldojohnny8824]

I can't believe I didn't know that hahaha Thank you

[@baptistejacquet4868]

Hey do you have a tutorial talking about things like ingraving effect ? Thanks

[@MrEbawu]

hi,amazing video. I was wondering if baking height into normal in marmoset and therefore updating the curvature gives you more control over anchor? Or is it vice versa. Thenk

[@foxtrotsierraproductions8626]

Anchor points are great for creating weapon camo fade

[@00beast7]

Really.. this is the best video.Really god promise this is the best video I ever seen for substance or anything. Like god that skin scar is insaane

[@sassuskrassus3166]

3:00 oh man thats so usefull thanks

[@TeamBrokeOff]

Siskel and Ebert give this video Two Thumbs Up! 👍👍

[@mezarci54]

nice

[@Hipphelias]

Thanks for this trick, really usefull but is it possible to get multiple normal details at the same time ? So per exemple, you could duplicate the normal you used, place it somewhere else and still be affected by the curvature modifier. I've tired on my side and the micro details will only take one anchor point. I even tried to give theses multiples normal details the same name assuming they would be regrouped but no they are all unique anchors in the anchor point tab

[@MikeSmith3D]

Any normal details you put under the anchor point should be scooped up and referenced. So yeah you should be able to keep stamping details all over the model as long as they're below the anchor point.

[@Mio_Rin]

Make a passthrough layer with the anchor point above all the normal details you want to catch and point the generator to that anchor point.

[@keithyakouboff8755]

Bro, your Painter tutes are friggin' fantastic. Muchos grassy ass.

[@dark11demon11]

super cool! how I use it: bake id map, put smart materials, done lol

[@lucutes2936]

3:35 everything changes when you use the slider, how to make it affect only the normal texture?

[@none53]

Hey, what are the settings for the curvature? Please share. Does this work with the scratches?

[@MikeSmith3D]

Hey! The curvature is baked from the highres model or the normal map if you have one. Check out our previous Substance Painter video to see how the curvature map is created. It's in the first few minutes. kzbin.info/www/bejne/e6LPknV-aMZ_jbM And yes it will work on scratches. Whatever you paint below the anchor point will be referenced by it so you could use a nice scratchy texture.

[@foxtrotsierraproductions8626]

​@@MikeSmith3DHey there what if i dont have a high poly model, should i use bake Curvature from normal or can i use the default curvature bake mode ?

[@jayvincenttenedero5900]

where can we get that kind of model in your thumbnail

[@daan3898]

I have tried looking into anchor points before and gave it an attempt in substance painter, just could not figure it out, perhaps with my next project and this info I will look into it further

[@benz.1730]

Is there also a download for the finished material? Thanks

[@ProductionCrate]

the 3D model has various materials on RenderCrate.com

[@bottermannvisualse.u.1928]

Hey, I followed the complete tutorial. But it doesn´t work. Make the setup and on the paint layer it - well - paint the color of the layer. But there isn´t any bevel or similarlike in the tutorial....

[@hyperunboxing9304]

I can anchor for metal substance

[@BlindingSun_]

Can you import from blender to substance and back to blender?

[@ProductionCrate]

yes!

[@BlindingSun_]

@@ProductionCrate awesome thanks

[@BradfordSmith3D]

I've never liked the micro details anchor point requirement. This to me, this is a huge code smell, which I believe points to some bad first principles design. To me, curvature needs to channel expressed in the layer stack (any topological derivative map for that matter). It shouldn't only be defined in the mesh map domain. If that were the case, the generated curvature would be passed up the stack, and could be input generically into generator, filter, etc. HOWEVER, there's some first principles issues there too. Generators assume inputs are only from mesh maps, where one can easily imagine generators which input the mesh map domain, the layer stack domain, or even both. As painter evolves, and topology is defined in both the layer stack and mesh map domain, these first principles no longer scale. The result is micro implementation duplicated across generator compositing graphs, which won't scale well, and creates a lot hoops to jump through in Painter.

[@gravity00x]

beginner: beautiful and pristine, pro: ugly and dirty! one has to know! tru facs!

[@1MinuteGaming]

This is really nice. But I'm so tired of weathering being the main selling point of advanced textures. Makes me think making a model look brand new can't be "advanced".

[@foxtrotsierraproductions8626]

Wear really makes your model look better wear and dirt. Im a noob with substance but my retextures with wear and dirt look really nice.

[@tinyrainbow0505]

it's advanced because it gives your texture an organic look, which only exists in used objects in real life, rather than promotional advertising renders

[@teknomancer6024]

android skin damage. or alien glow through

[@user-pz2gn7iq2j]

2024/2 not working

[@3dguy839]

I always wipe my butt completely after a bm

[@windowshelpdesk9820]

making everything rusty doesn't really mean "Advance"..

[@TheAussieMerc]

Watched the video? Explanation is on point and extremely helpful.

[@saif0316]

Tell that to me professors 😒

[@rajyvardhansinghrathore7617]

In real life everthing is rusty,,, may be you are rich and living in Polish and fine house

[@MichaelReed609]

“Ooh look at my shiny box.”

[@rodlopt]

Its about adding details... and not just using a basic material