Testing Rigs for Cinelift Gigs Chasing Supercross

[@EastCoastThrills]

The reaching back and looking at the drone while he was in the air!!!!!SICK SICK SICK

[@DroneCrashes]

Everything was spot on but an extra round of applause for the choice of music !!!

[@slamonfpv]

my 2 loves in life motos and now im old and broken fpv makes me feel alive again never thought i would love something as much as motocross but fpv is an obsession i love it

[@TomSmithFPV]

Fantastic video. Thanks Nurk! =)

[@dreamerdron6264]

the two things I love, together!

[@jonathangilpin193]

Happy new year folks from northern Ireland!

[@NURKFPV]

Same to you!

[@dougcooper4917]

Excellent Video Paul and Winston! Amazing Results! Thank You.

[@kevingilbert8924]

Happy new year

[@NURKFPV]

Same to you

[@hansjohannsen6722]

HNY! Thanks for sharing

[@BuZZarDFPV]

This was such perfect timing and so inspiring. I don't have the serious cine lifters or cameras but our team is gearing up for a year of MX chasing. I have 2 videos out so far. This really made me feel like I was on the right track.

[@NerdBirdFPV]

This is so awesome and definetly great timing, its nice to see that my chasing isnt too 💩 , but certainly still have a lot to learn. Thanks for the vid.🙏👊💜

[@gravelyetigravelyeti4284]

awesome mate!

[@DaveCraige]

Great vid Nurk!

[@rawpicsfpv3516]

Its funny how good the Gopro looks for me as a amateur

[@NURKFPV]

Honestly I feel about the same way but I'm starting to find the things that I'm supposed to look for in the professional cameras and I'm starting to understand better and better why GoPro won't cut it for many applications. But yeah I feel you I feel the same way

[@rawpicsfpv3516]

@@NURKFPV would be so interesting if you would compare the footage against each other and maybe point out what the actuall differences are, that pros look for. Or weaknesses of the gopro that will bother netflix-consumers;)

[@kenlarock7490]

Happy New Year to you and family!!!

[@NURKFPV]

Happy new year!

[@johncarold]

Hi Paul and Winston, WOW ! This one brings back memories, I loved racing when I was younger. Incredible video with that Sony. I just wanted to fly the quad, I just couldn't replace that camera. Thanks again for the video

[@airframefpv]

Two Words ! B@$ A$$ ! Awesome Work! You guys are always doing the coolest stuff ! Happy New Year !

[@NURKFPV]

Much appreciated! Happy new year to you too!

[@ndcapper]

Great video!

[@ChrisParayno]

does the fx6 have gyro data? can it be used it catalyst? over all cool, but the bobbles makes it also not cool. it's amazing where micro heavy quads is now today.

[@FluidityFPV]

that lookback from the rider was sick haha

[@BoomerBarber]

That Hero 10 actually barks on almost every single camera used.

[@Ron-nq6ft]

Is that the zero d 12mm ?

[@bjestudioinfo]

Hey how did u setup to trigger the record button on the fx6..since you're shooting 480p the record button gotta be press while flying

[@RossHasAdrone]

Love the look behind the scenes! a lot of hard work goes into this content and it shows!

[@room156dronevids3]

Very Sick!🤘🏼

[@Tattman-cn5wv]

You make being a drone pilot look cool and do a great job at explaining what it takes to do this kind of gig

[@kabirahmed9845]

Greatttt Job 👍

[@ADRIANSFPV]

Great footage mate, i would be so scared with so expesnive gear on my drone, keep going!

[@oddeman3489]

Nurk gives me everything i love with FPV. happy new year.

[@jana171]

I simply just need to try this at home, cause omg it looks fun and you got some impressing shots in the box, i freakin loved it 🙂 Btw, i don't know if KZbin just butchers the SonyFX6 @24fps(4:52) but i think the GoPro @60fps(8:02) looks "Almost" just as good, and i LOVED that you typed in the different cameras/settings used. I do however see why you went with the SonyFx6 12mm for the golden hour shots... it really has an added quality "cinematic" thing going on!!

[@jackhutchby350]

Hey @Nurk, what frame do you run for your 5" cine quads? Super G?

[@princesfpvdrones]

So totally fascinating!!

[@edwardrobison3684]

Curious, Did you stabilize any of the fx6 footage with catalyst browse?

[@aquilinefpv2592]

All I see are wiggles from the cine rig! Hero 10 might not have as good a image but get the tighter smoother shot I like.

[@NURKFPV]

You misunderstand the purpose of flying the bigger camera. ;-)

[@aquilinefpv2592]

@@NURKFPV GIG rig setup and practice. I get it. Just voicing my opinion that the hero is great for what I like to see. you know youtube and shitty monitor have limitations :)

[@bubbapauli]

Such a great video and a great trip!

[@Johow]

Interesting to see how the Hero 10 looks so much better than the FX6. Colors more even, less contrast etc. the big advantage of the FX6 is, that you can go Slog3 and play with it in the post.

[@baggszilla]

My too ultimate things to do RIPP moto and quads! I just freaking love your channel Nurk! Happy New Year buddy!

[@SmlWaves]

Yo! Loved that - Is there any option to put filters on the 12mm? If not, how do you go about protecting it? or is it just full send with you guys ahah

[@PkwyDrive13]

I wish I knew you were in my backyard.. 😂

[@codyblackwelder8682]

You went through Sulphur Springs TX, I recognize that Courthouse ANYWHERE .....(Dont ask me why I know it)

[@thirty3fpv]

Great video!! Did you bring the 9” ‘Merica? I spent a day filming MX a while back, and it seems that would be a great setup.

[@TheDroneNerd]

Why didn’t you use 5k 60fps on the GoPro 10?

[@NURKFPV]

Uh we probably did and then just mislabeled it actually..

[@apachesmokemachining6487]

That’s a great video, looks like I need more practice to fly like that😉

[@WrongWayFPV]

Happy New Year!!! Stay Flying 🦅🦅🦅

[@NURKFPV]

Same to you!

[@RCinginSC]

Sick 👊😎

[@Shauny_D]

The 12mm was nice but I liked the 17mm look better for sure. Looked less gopro like.

[@hookedfpv3219]

I’m curious, when you fly those big freestyle quads with huge lenses on them do you guys fly them in acro mode or angle? Or do they fly like a DJI with gps?

[@elliotnaseby8096]

I can't say 100% but as a pilot myself I would fly everything in full acro way more control

[@NURKFPV]

always acro mode. no GPS on any of my birds.

[@hookedfpv3219]

Wow even expensive rigs acro too huh wouldn’t of thought hmmm ty

[@reedfpv]

I'll be honest chasing a relatively small, agile subject like this, and shooting an action sport gopro is much better imo, with it's stab. You have to be IN the action, which often means close to the subject. Wave also amazing that slowmo footage is unbeatable.

[@tanzhonghui]

I'm not sure about the FX6, but I know the a7siii and FX3 record gyro data, and Sony has their own equivalent of reel steady to stabilize the footage in post. Super curious to see how it'd handle the raw fpv footage haha

[@sundrive2575]

What about the quality of the gopro slow motion in terms of dropping the fps in post ?

[@MuscleAerialCinema]

Hi. Great footage man ! Out of curiosity, did you use catalyst stabilization on the FX6 footage, or is this just raw video that you uploaded?

[@southwalesdrones281]

Definitely looks like he hasn’t.

[@NURKFPV]

No post stabilization.

[@southwalesdrones281]

@@NURKFPV Have you had a look at the Sony catalyst software for post stabilisation? I have used the FX6 on my Thicc in the UK for some production work and have been quite pleased with the catalyst results.

[@ToddALarson]

Hey Paul. Really enjoy your content, your videos were the first ones I started watching when I got into fpv. I'm looking looking to expand into cinelifters eventually. My question is what camera set up would you recommend stepping up to if we wanna do more professional shoots, but don't have 6k to drop on a Komodo? I read somewhere cameras without IBIS work better, not sure if that's true from your experience. Is there a particular dslr or mirrorless camera body you would recommend. Thanks.

[@mikehunt2667]

Nice

[@SkyCandyVisuals]

although it was probably spontaneous so you might not have had time to prepare the 3 simultaneous wheelies in the field would of looked sick from the wave with that super slowmo from the high frame rate instead of the hero10. sick video man your working with some serious equipment there bro. def a wet dream. braap!

[@bradleystrazzarino4909]

Boom

[@NURKFPV]

Booya

[@Drunken_Hamster]

Just 3 things because I can't bring myself to NOT care entirely, but I'm not going to make it a wall of text like I usually do. 1. You need to shoot with an open shutter at higher frame rates (48+) if you intend to use it in real-time at all. 50 played back at 50 needs to be 1/50th (or 1/60th for 60hz powerline compatibility) otherwise there isn't enough motion blur. Motion blur does NOT scale with frame rate as the stupid 180 rule suggests. It's a static 1/40th to 1/60th for natural motion blur, or matching the frame rate when above 60fps. 2. When mixing real-speed timelines (IE the Sony 24fps footage in this 30fps video) you're gonna get judder due to dropped frames and messed up timings unless you either A. Use a pulldown algorithm or manually create/order duplicate frames into a pulldown yourself, or B. use only finalized footage that is a direct multiple of your final timeline. So if you're upload is gonna be 30p, use only 30, 60, or 120 if you're going to let it automatically drop frames for the final playback. 3. As alluded to in 1, and despite this not being a subject of note due to THIS video, you can use any frame rate in any country, as long as you compensate using the shutter speed so that it matches the power line frequency and you don't get artificial lights flickering. Basically, EITHER the frame rate or shutter has to match an even multiple of the PL-freq. For NTSC that's 30, 60, or 120 with any shutter speed, or 25, 50, and 100 with 1/30th, 1/40th, 1/60th, or 1/120th(not 1/125th) only. For PAL, that's 25, 50, and 100 with any shutter speed, or 24, 30, and 60 with 1/25, 1/50th, or 1/100th shutter speed. Which means that the best-looking universal options are 25p-1/40th, 30p-1/50th, and 50p-1/60th for real-time playback. And since low frame rates are trash, that pretty much means the 30 and 50 options are ideal, with 50 being the single most versatile since you can drop half the frames for cinematics, speed ramp or use it as slow mo, or just run it at the full rate for buttery smoothness of "real life" vlog style content.

[@franex932]

Guys does anyone know why these guys are using 4k instead of 5k on the go pro 10 is there any benefit. I dont think they used it to slow down footage is there any other benefit.

[@NURKFPV]

We were comparing the cameras in the same resolution, so we kept everything at 4k, including on the cinema cameras and slow mo cameras.

[@conquestfpv9216]

This is why i got my drone. To film my family bike days and racing.

[@Jronesfpv]

gopro footage looked the best to me.. dont see the point in the bigger cameras besides the slow mo one

[@ATF2099]

Its everything i want to be doing happening without me , at least it's happening. shows i was thinking right at least. I was becoming a huge fan of FX6 lately even though i can't afford it or a rig to fly it anymore. Too much hype on the bmpcc and komodo. they are really expensive for what they are. fugifilm xt3 for ligher setups like 4 inch ducted x8 and Sony FX6 instead of komodo for a flying brick, cheaper and then you have more money to spend on the lens. btw i learn all that stuff in a few weeks for no reason, you can hire me if you want and point me in another direction. sometimes i can be more objective cuz i don't own any nice equipment lol. thanks for the gopro settings, i finally got my hands on a 9 with no rear screen for the low. i did all the research and gopro 9 with broken screen converted to naked gopro for 150 is probably the best bang for buck camera in the world. if i had commercial opportunity there would be more bang cuz more bucks, lol

[@NURKFPV]

it's so sick!

[@ATF2099]

you should def buy one, especially if it uses the same lenses as your wave. I would watch your channel even more somehow.

[@ImperialArmour]

The GP hero 10 looked the best if you wanna know the truth.

[@maximusbailey7427]

I’m the first one here

[@jonathangilpin193]

Dang thought I was untill it updated lol

[@NURKFPV]

looks like bradley beat you!

[@maximusbailey7427]

@@NURKFPV aww for real damn it’s ok

[@BonemysterFPV]

The freefly wave looked pretty bad compared to the fx6. Glad i never bought the wave when I was drooling for it.

[@jessefpv9217]

Cameras are good. But the way and style that yall chase the bikes are all wrong. You have to ride to be able to know how to chase correctly. You gotta know where there gonna be before they even get there. My opinion I've rode & raced my whole life. Ive been into fpv for the last 4 years.

[@RossHasAdrone]

Would love to see some examples of what you would consider the proper way of chasing Moto. I thought he did a great job of keeping them framed throughout the routes, especially with the FX6

[@LeoLeo-pb2yq]

​@@RossHasAdrone that is the problem. Giving an excuse for a less dynamic/enjoyable framing or chase/trajectory, simply because the camera is bigger. Why not make a proper lightweight setup and select lighter cameras/lenses, or at least try to reduce the AUW as much as possible to get closer to lighter gopro rigs in regards of flight feel? There are plenty naked setups out there! Why give excuse to those cameras for the lack of reelsteady-like stabilisation? This trend with heavy x8 setups is a complete misdirection in my opinion, a good way to sell more motors and escs for sure, but lightweight 9" x4 will outperform 8" x8 while being a lot lighter. And lighter means less inertia - meaning you don't have to tilt your rig so hard to try and keep the subject in the frame

[@RossHasAdrone]

@@LeoLeo-pb2yq none of the directors I work with have ever asked for a black magic, I’ve asked them what they think of using one and they mostly laugh (i assume you’re talking about the naked black magic cameras?) also, where did I make an excuse? Regarding stabilization, that’s such a tired feel.. also all the directors I work with want to have the raw footage over a stabilized export. To each their own I suppose 🤷🏻‍♂️

[@creativelinesproductions3887]

Should face a camera backwards. Chase footage is getting very samey but would be different to be chased

[@kendall6030]

A lot to learn here. I am curious as to why there are rare shots from the front of the bikes as well as from the inside of the curves/corners? I understand it would be difficult to fly in reverse. Maybe it's just not possible. Maybe those shots don't translate into something worthwhile. That's why I though I'd ask. Thank you.

[@SkyCandyVisuals]

you can put the camera on the rear of the drone and fly ahead of the bikes to get that kind of shot. but its hard to know if your leaving them or going to slow so thats prob the reason for them being short or limited. you can also put two cameras on a drone and literally fly it backwards but its easier said than done. and when using those more expensive cameras I'm sure it's not worth the risk. with the hero 10 though definitely doable.

[@NerdBirdFPV]

I fly backwards all the time and have tried to incorporate it with the chasing, it's definitely achievable with practice. I'm new to the chasing, but not new to reverse flying so hoping to make it work.

[@林奕璇-n2s]

are you distributor,we are rc lipo battery over ten years

[@SilverFox80521]

GoPro still wins. It’s $400 and looks 95% as good as the next better. However...that wave camera is some sticky sweet eye candy.

[@-0IIIIII0-]

FS5 with raw upgrade is cheaper, lighter and easier to find used and still has ND, since you are using E mount you may want to check out the Sirui anamorphics for a better filed of view and pro artifacts.

[@denmay2005]

nice video great piloting skills awesome riders but I'm bit disappointed with gp 10 ruin the nice vid cos a lot of rolling shutter frm gp 10 footages GoPro should fix that's it so annoying to see it

[@importon]

you gotta turn your gopro sharpening to low and don't overexpose it and it will look as good or better(stabilized) than your big cameras on youtube