Would You Run Your Overdrives & Boosts Like This? [Three Gain Stages & The Truth]

Dan likes to run his drives and boosts waaaay loud. What about you?
Welcome to the show! Dear Daniel is in the chair today, sharing a revelation that he found lodged in his grey matter. What about using three ‘gain stages’ (a new fancy-ass term we seem to be using for overdrives, distortions, boosts and fuzzes) to stack for endless variations of dirt and volume? For sure we have covered the topic of gain stacking many times before (many many many times) but there’s always a new way to present it that may spark new ideas and revelations of your own.
Let’s stack ’em up and make some noise. Enjoy the show!
Pedals and stuff used in this video…
• TheGigRig Three2one
www.thegigrig.com/three2one
• TC Electronic Polytune 3 Noir Mini
UK & Europe: bit.ly/3zaTX5Z
Australia: bit.ly/348bMOY
USA: sweetwater.sjv.io/m5kOAy
• Analogman Bi-Chorus
www.buyanalogman.com/Analog_M...
• Mythos Argo
UK & Europe: bit.ly/3zaTX5Z
Australia: bit.ly/3qt3Y4s
USA: bit.ly/3rNY81N
• J Rockett Hot Rubber Monkey
UK & Europe: bit.ly/3zaTX5Z
Australia: bit.ly/3g6OTCr
USA: sweetwater.sjv.io/GmYKzn
• Thorpy FX Heavy Water
UK & Europe: bit.ly/3zaTX5Z
Australia: bit.ly/3qq9h7W
USA: bit.ly/3u68BGF
• Hamstead Odyssey
www.hamsteadsoundworks.com/od...
• Barber Electronics Tone Pump EQ (custom order)
www.barberelectronics.com/
• Blackstar Dept 10 Boost
UK & Europe: bit.ly/3zaTX5Z
USA: bit.ly/3srX9mD
• Boss SDE-3000D
UK & Europe: bit.ly/3zaTX5Z
Australia: bit.ly/3Fkda5b
USA: sweetwater.sjv.io/DKMyE5
• TheGigRig G3
www.thegigrig.com/g3
Interesting bits & go-to sections
0:00 Intro playing
2:13 Premise of today’s show
5:00 3 pedals each… and amps
6:22 Noel’s Knobs
6:45 Hamstead Odyssey
8:40 Barber Tone Pump EQ
9:15 Blackstar Dept 10 Boost
11:30 Stacking
12:50 The Magic Knob
15:00 Mix’n’Match
20:00 The most important thing
21:20 Mythos Argo
22:20 The Argo’s Easter Egg
24:30 Thorpy Heavy Water
27:30 J Rockett HRM
28:30 Boost on either sides of gain
30:00 Stacking all three
32:30 Understanding volume
34:30 Humbuckers?
38:20 DGT Coil Split
39:45 SG into rock!
43:00 With Great Headroom Comes Great Responsibility
44:44 Don’t sweat the pedal choices
46:10 Closing thoughts
Guitars in today’s episode
• 1961 Fender Stratocaster - Mick’s video here: • Three New Strats For M...
• Fender Custom Shop ’63 Telecaster - Dan’s video here: • That Pedal Show - Our ...
• PRS DGT - Mick’s video here: • That Pedal Show - Our ...
• New-ish Gibson USA SG Standard ’61 with Maestro Vibrola
Amps in today’s show
• Fender ’65 Deluxe Reverb with stock speaker
UK & Europe: bit.ly/3zaTX5Z
USA: sweetwater.sjv.io/ZQe62z
• Supro Black Magick 1x12 combo
UK & Europe: bit.ly/3zaTX5Z
USA: sweetwater.sjv.io/m5kOLO
We hope you enjoy this episode. Please subscribe to our channel.
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Please visit our preferred retailers!
UK & Europe: Andertons Music bit.ly/3zaTX5Z
Australia: Pedal Empire bit.ly/2mWmJQf

[@Tony15068]

A clean, high headroom amp is the canvas, the pedalboard is the palette, the pedals are the pigments, and the guitar is the brush.

[@ThatPedalShow]

This is nice!

[@shanerhodes6798]

There's another way to use an overdrive/boost pedal I never hear anyone talking about. I bought a Mooer "Pure boost" mini pedal a few years ago, but I didn't really like it, so just ended up shelving it cause I rarely sell anything. Later I was watching a "Rig Rundown" episode with AC/DC. The player who took Malcom's place, I forget his name, only used one pedal. It was this same Mooer pedal I had shelved. He just used it as a mid boost. The pedal has both a treble & bass knob, so you can turn them both down so it's pushing the mids forward. This had never occurred to me. I pulled mine back out, tried it, & it works beautifully for this purpose. I've since noticed Eric Johnson does the same thing with his "Tube Driver". Thought this may be useful information to other dummies like me out there that had never considered using an overdrive/boost pedal this way. Keep it up guys. Always look forward to the next show.

[@vorpalblades]

I always check pedals through the entire range of control. Never know what you'll find.

[@RexGuitars]

This is how I learned to run pedals, and haven’t really gotten away from it. My first amps were a Peavey Valveking 100 watt head and 2x12 cab, and a USA made Hotrod DeVille 4x10. Neither of which could I ever unwind or get to edge of breakup in any situation I played. Running them clean, and using always on pedals and stacking them was the only option for my first decade or so of playing.

[@johnpierson3584]

The '61 SG Les Paul sounds fantastic. And I have to say Mick's playing is reaching a new level. TPS is one of my favorite things in the world.

[@musicmann1967]

"I wonder what the settings are" Gets me every time!!! 😂

[@analogoutdoors]

Great show, as always! Request; I would love to see an in depth look at how to use a switcher. Not so much technical stuff, but why you would use it, the different ways you might want to, etc. The G2 of course, but also more simple units as well. Thanks for the joy, guys!

[@Sleipnirrob]

He’s got that stuff in his DanielTheGigRig channel

[@rasmusolesen5307]

You use a switcher to change more than one pedal at once. You use a switcher to work around pedals without true-bypass and in general remove unneeded pedals from the signal chain. Just think of each preset as a separate pedalboard without any other pedals than the selected ones.

[@audiophilssociety]

Never enough overdrive videos 🎉 I’ve already learned so much from you guys! Thank you so much 🙏🏻👏🏽

[@theravines5661]

I love it when Dan gives Barber a shout out. I’ve been using David’s pedals for years and swear by them. I use a ‘65 Princeton Reverb reissue with a Weber speaker, volume on about 3.5-4 and use my Barber Gain changer SR into my DD v4, both boosting the amp slightly and the tone is absolutely monstrous. Leaving a bit of clean headroom to work with works wonders for me!

[@chrisquinn9104]

Dan loves his Bah Bah Tone Pump for sure

[@basicsforbaroqueimprovisation]

Great tips and tones Dan & Mick !! Thank you for putting so much time and effort into these clips that you so generously share ! Have a lovely time down under Dan ! With Gratitude - John

[@ToneChaseBasement]

Just love these overdrive videos.... Amazing sounds.... Dan just killed it in the intro solo...🙌

[@chrismikan2631]

This is definitely the way to do it. Have a “core tone” overdrive pedal and then a boost on each side. I’ve been watching this channel since the very beginning and this is probably the best idea I’ve gotten from you guys.

[@BrotherLarry]

This is great! I just played a gig in a smaller venue using this technique into a 65 Deluxe reissue, and it worked great! Thanks for the awesome content again and again!

[@scottolgard]

So much yes on the argo Easter egg! I've used it like this a lot, and also with the blend just slightly up, so you just begin to hear a little bit of that octave fuzz in the background. Glorious!

[@DirtyDavesDirt]

Thanks for a great episode! Literally been experimenting with these concepts and enjoyed your examples of how to better use our overdrives.

[@jep3305]

A great return to a wonderful, classic subject. Thanks Gents, as ever!

[@GayCrimeDuck]

Mick’s humbucker and coil split tones here are really the stuff of fantasy, I couldn’t believe it.

[@awittypseudonym2520]

I do this with a certain orange pedal and a ddr, it is glorious. When I need simple small board it's perfect, and integrates really well into the bigger rig. On a side note, I've recently picked up saxophone (sacrilege I know) on top of guitar, and was suprised to learn that there are a number of horn players who use pedals when playing, though their boards aren't necessarily as decadent as a guitar player's. Which also made me think of all the key players I've seen with pedals. And though maybe the most impractical and niche video imaginable, it would make an interesting episode of TPS to let other instruments have a rummage through the TPS inventory and build a rig. A "guitar pedals for non guitarists" video if you will.

[@ancientxtitan9313]

Three gain stages is what many church guitar players do. I myself do it as well but it's always fun to have a fuzz and a distortion on the board as well.

[@corpse-in-orbit]

David Barber is so outrageously good with every kind of gain stage (including things like compressors and EQs that most people don't consider "gain"). He might be the only pedal designer whose entire catalogue just sounds brilliant to me.

[@johnday8092]

Tom bukavac also for me atleast

[@michael_caz_nyc]

Agree 100% = "Facts"

[@cameronlesley2428]

I’ve watched this video 5 times over the weekend, trying get every nugget of information out of it. Cheers legends

[@ediththeband]

I've also discovered this this year and I use the exact same method with three gain stages (sometimes a fuzz at the end of the chain used separately). I am super glad y'all made a video about this, I personally feel like setting the amps to almost sound anemic and getting the character from the pedals produces a richer tone. I think it has to do with pushing the amps while they still have a lot of headroom left, but either way y'all are definitely on to something. I personally use a Fender Deluxe Reverb and Vox Ac-15 and get damn near the same results as shown in the episode. :)

[@Oscarguitar86]

Great video again. I could see how much you were enjoying it! That DGT is killer. I knew it was a mistake watching this on Black Friday! Dept 10 coming my way to replace my worn out Spark.

[@emdblues]

I know you did a bunch of episodes about stacking and whatnot, but I needed this exact video to figure it out. Thanks dudes!

[@mattgilbert7347]

I've been doing something similar for years, but not quite cranking the volume on the pedals as much. Great stuff! I love these practical applications you guys demonstrate.

[@urbanwikstrom9246]

Epic tones and very informative….! Thanks!

[@stanmuso1]

Thanks as always lads. You’ve no idea the light your bringing to many lives, musically, technically and emotionally. This exactly how I do it. TS10

[@drayve8590]

THERES HONKING AGAIN?!?!? HALLELUJAH!!! This literally makes me happy!!!

[@Strat642001]

This is great compromise for the required lower volumes many bar bands are having to play at now! Thank you guys, very timely for me and my band.

[@gjk282]

Thanks, this helped me a lot to find an avenue to sort out my overdrive problem!

[@scottcurry4116]

Nice show gents. It gives me more to experiment with. I currently run the Tumnus, Gunshot and Prince of tone as my OD pedal order with the Bad Bob Boost on most of the time as a buffer. I run wet dry into two amps set at lower level. I play a lot with the order and levels of the pedals mostly from what I learn from you. It keeps things fresh. Many thanks.

[@Mr.D34]

I do that too. Running three overdrive pedals at the same time, mostly gain around 12 o'clock. I love that it gives me a lot of sustain and compression, a sound right between overdrive and fuzz. It's a great way getting that "cranked up amp" at low volumes.

[@DrKevGuitar]

I really hope this video leads people to reconsider an old myth - you CAN play with a clean amp and have killer tones from your pedals, even with a tubescreamer! It doesn't require an already overdriving amp! Andy Timmons is the great example of that. Paul Gilbert too, a plexi set clean and stacked overdrives, all the distortion comes from the pedals. Has most recent rig rundown (on the Sweetwater channel) , he's using Fender Twins!

[@JiminTennessee]

I learn so much from you gents. Cheers and keep shining!!

[@ronrumsey3205]

Just discovered that I've been doing a variation of this with a compressor -> OD -> EQ. I played around with increasing the pedals' volume, reducing the guitar's volume, and getting the most headroom out of my Fender Tone Master Deluxe Reverb. I am well pleased. Thank you, gentlemen!

[@allenturin8847]

Love the Christmas time videos. I bought a Roland JC Chorus based on your video 4 years ago during the holiday seasn. Would you ever consider bringing it back on the show using it in a full blown wet dry or stereo scenario? The worst pedal platform video barely scratched the surface of this fantastic amp.

[@SteveMallam]

I only just thought the other day that you'd hadn't honked in ages... glad to see it back!

[@sl185]

Great episode! I use my drive pedals (Lehle Sunday Driver, Vahlbruch Kaluna, Keeley AT) exactly that way! I think the rather complicated mission that many people are on is to find out which drive pedals actually combine well (also with the amp) and which don‘t - and that seems and everlasting journey... It‘s fun though 😅

[@bpmore]

3 boosts! That’s my reply to anyone asking which dirt pedal to buy. Dan’s explaining how I stack my boost/low drive pedals. Some of my fave fuzz tones hide out in there.

[@BenEdwards984]

I'm finally getting into pedals, so I'm looking forward to trying this out - thanks for your insight. On a side note, Mick's delivery of "chef's kiss" at 4:29 is a keeper!

[@JohnPakalenka]

Thank you for this video! Helped me dial in some things with my amp and a pedal I was about to sell and then come to find out it work wonderfully by just backing down the gains, both on the pedal and the amp!

[@RichCochrane]

Name drop horn hitting 104dB at 3:00 is peak TPS... Seriously though as a lifetime "all unity gain" guy this was very thought-provoking.

[@mrkrismMcmaster]

Hats off to micks playing in this, love it when he lets the hair down. More of that please 😎

[@JonLewis1985]

Excellent episode! Had fun playing with the gain staging on my board and just got lost in playing again which is fantastic, all the best!

[@ThatPedalShow]

Yes!

[@Angus.Maclean]

Boost/OD 101. I've been wresting with the fizzies lately from a DR. So, I've turned the DR down a bit (3.25) and increased the Boost->OD volume. Sounding much better. Additionally, rather than attenuating, I'm using G3 post to turn down a bit, reducing the DR fizzies but when post is off it is like a boost into the amp. You've answered my VCQ that I can't ask due to schedule conflicts. Thank you gentleman.

[@stevenhorton7457]

Love this show great info😊

[@dljohnsonmusic]

Hey guys, love the show and this video totally hit home as this is what I currently do with my pedal board, except I use a combination of four pedals. Main use is with a Timmy (MXR) pedal in the front as more of a clean boost, followed by a East River Drive (Tube Screamerish) and then with the Sugar Drive (MXR) or sometimes I just kick in a normal boost with the Spark pedal. I feel, as both you demonstrated, that with a lower amp volume on my Blackstar JJN-20R, set to a clean channel, provides lots of headroom and the pedal's providing the volume boost, my playing dynamics are much better. This of course was all by accident looking for my own sound. All this with a Schecter Nick Johnston Signature PT guitar. Happy Holiday's!!!!

[@TheFeelButton]

I run a Shanks ODS-1, Tumnus and a Keeley Monterey as my 3! Good stuff Dan and Mick!!

[@southpaw335]

Just the subject matter i needed this rainy weekend to rebuild my board, have swapped a few drives in/out and things need a reshuffle to optimise my stacking options.

[@randysteffes97]

I’ve been playing around with this and getting awesome results. Thanks.

[@alexandrfedorov5722]

This is really great concept. Getting mupltiple core sounds is really usefull

[@dowaliby1]

I always have that wonderful, comfortable feeling of seeing good old friends when I tune in to TPS, and i really feel at home. And that tone and playing by Dan in the beginning OMG!!! Mick's playing is superb, as well. Great informative show! The gains on one of my boards are: Blues Driver, Tumus, and Big Muff Pi Fuzz. Today I was blown away once again by the Blues Driver, when I was working on an original song I'm jazzed about. With an LP (both pickups on) into my beloved Keeley Compressor (1st in chain), the BD provided that perfect color of crunch, while the notes and chords retained that clear ringing tone (level, tone and gain of the BD all halfway up). And the combo of the Tumnus and the Fuzz through the clean channel of my Fender Supersonic 22 head, into a Boogie Cab with a 1 x 12 G12 Celestion, and a bit of delay, yields a beautiful silky smooth endlessly sustaining lead tone (e.g. Santana) that's all you could hope for. But the possibilities are endless...

[@ThatPedalShow]

Thanks for the kind words Alfred! You are indeed among friends!

[@stanesposito2664]

I've been using my gain pedals like this for a long time. Works great! 👍

[@tobymearing8407]

"keep on honking" has to be the next shirt (with a picture of a goose on it 🤣) great show - lot's of knowledge as always - i'm experimenting with gain stacking myself so this was most interesting

[@vanaegon9242]

I was doing it intuitively already but without knowing it. thanks to you guys i can now replicate what i was doing and that is really cool 😁

[@overdriveguitarchannel3403]

Yes!!!!!Thank you for honking again...

[@jeremyversusjazz]

Great epi gents. 🙏

[@nedward5871]

YEP! This is why I run a Kingsley Page into an original big box silver sharpie Barber Direct Drive, and then an Xotic EP Boost on the end for level/solo... Gain staging can work and sound amazing. Same thing with the color driver into the Barber.

[@stanislavmigra]

Dont sweat pedal choices they say. Yeah, but then the Barber Tone Pump is something else ❤❤❤

[@periloustemple8290]

I am properly schooled & inspired! ❤

[@akasgsvirgil9503]

20w amps? I toured with a country band back in the day (circa 2000ish) and played over 300 shows in 52 weeks with a Peavey Classic 20 combo amp. I called it the "Little Sonofab*tch" because this little amp growled with the best of em. As for gain pedals, they all do essentially the same thing. Right now, I think Wompler has the best pedals on the market for the money. The man is a freaklin genius. Signal chain: guitar -> Original TS808 --> Wompler Tumnus --> TC Electronics Chorus --> Amp Why a chorus pedal? I used this pedal as a mid boost. I would turn off the settings for the chorus because there's no need for Chorus in Country. But, the pedal had a small gain nob much like the bias setting on an amp that actually functioned more like a presence control rather than a gain control. But, it did both quite brilliantly. So, I'd push the signal through everything else and let the TC Electronics chorus pedal layer a big, thick helping of mid boost and if you're hunting down that god-like country tone, this is it. I discovered this amp purely by accident. My original practice amp had finally given out and I needed a new one asap. I was in between shows and somewhere between Syracuse and Rochester, NY and not far from the legendary House of Guitars in Rochester. We swung in, I found this amp way in the back of a mountain of amps. It was exactly the right size, wattage and when I first plugged into it, I played one chord, looked at the singer, who also played guitar, and just smiled. I unplugged and bought the amp. It was $99. I still have it. This little amp can happily push a 2x12 or 4x12 and does not wash out. You can't find these amps anymore. But, if you can, buy it. They are truly great little amps.

[@GitShiddy]

I'm glad Mick mentioned "can't play at volume at home" because what this show is demonstrating is how to play with low volume but have feel. Amps on far too quiet, any gain pedal on bumping the output. Suddenly your down in the 60-80db range (which is still loud I'll admit) and feeling it like its 90+db. Yes it's squashier than if loud but low volume forgiveness is kinda nice. As is having it feel good & not sterile.

[@real_anxst]

As a primarily bedroom player, this is how I run my board. The EAE Halberd is always on into my Rocker Terror 15 on the Natural channel and just siunds so lovely.The Caroline Alpha Gain and WEC Boosdriver (a heavily nodified BD-2 circuit) are there and waiting to be called in as needed.

[@goswo]

Always inspiring guys. Amazing you can keep setting the bar so high. Btw I can tell that Dan has stopped training Judo. Thats a shame :-)

[@steveg219]

The new Boss Waza preamp booster is the king of giving you a boost stage that can bring the weight and let you shape the tone shift in buffer, volume and gain

[@stevekirkby6570]

My brain is fried after this one :) Ze possibilies are endless!

[@jaguarsunburst1570]

Great Video.!! ❤❤

[@ScottfromBaltimore]

Thanks for the stacking encouragement! Currently: valve jr < spark < behringer screamer < barber dirty bomb < pulp n peel < guitar Adding a Notaklön soon. No idea where to put it.

[@michael_caz_nyc]

Always insightful and relevant. My 3 = Barber Gain Changer SR (to die for) > Fulltone OCD > Thorpy Fallout Cloud (all set to Low-ish gain). I can get Santana-like Sustain, @ low volume with a 65 Princeton and Lollar Blonde's.

[@TheToneLounge]

I've been stacking three ODs lately, but the amp being set a bit lower is something I'll have to try. Thanks for the great information, lads.

[@tommyskyridge]

Great show. I've been doing a similar version of this for quite a while, though slightly different than your approach. My version/formula is: GTR > Klone > [OD1= Blues Breaker -or- OD2 = Xotic BB - or - OD3 = Ramble FX Marvel - or - OD4 = JHS Angry Charlie] > TC Spark Mini > Amp. That's four core tones from clean to mean (I only use core OD pedals one at a time) and a Klone to step each one up. That's eight different sounds. Then I can take each of those eight sounds and boost them at the end with the TC Spark for a "louder" version of each. That's sixteen different levels of gain and volume. I run the amp much like you are here. It's not much to hear on it's own, but I always have at least one pedal on and I like what each pedal brings to the mix. They hype up the amp into another level. And of course in each of those sounds you have your volume control on your guitar. Add chorus and Delay as you've done here and there you have it! This approach winds each pedal up to where there other pedal leaves off and there really isn't any level of volume or gain that I can't achieve. Cheers!

[@darrellminx5459]

Good show.carry on.

[@jakoblerheim9889]

On behalf of the people of Norway, we love you Mick, one for the A-ha reference, and two, for that reference not being take on me. you rock!

[@ThatPedalShow]

Hahahha! Thank you. Morten is always with me. :0)

[@charliew830]

Many touring pros do this. Since they don't know what kind of amp they will be using from show to show, venue to venue, they make the amp neutral and the pedals make all the tones. Paul Gilbert had a recent rig rundown on Sweetwater where he stated this straight out. Take the amp out of the equation. I'm not a touring professional but I like this idea. Pedals are way cheaper than amps, and easier to resell.

[@joakimflinck8208]

Yea funky playing Mike, love it, an Dan is RAW yea

[@lets_rock_it]

Hello guys loved you showing amp knobs and setup i think its a good reference as a starting point. I actually use 3 ods in my pedalboard. The 1st is a transparent od that i use only as a boost. Then i have a plimsoul that i use as my 1st gain stage kinda like ts ish. And then i have the archer that i use as my main gain stage when i need more crunch and bite. All my pedals are set in a way they are all at same volume level just the 3rd od is just a tinny bit louder but you hardly can notice it. So ussually they are stacked sometimes 2 at same time, others the 3. For me pedals you have to try everything and then let your ears decide whats best. I never tought my setup would end like it is. Thanks again for the knowlodge i have learn a lot on this channel.

[@telecasterbear]

Brilliant.

[@oldguitarjames9303]

When I was using a Victory V40, which sounds pretty anaemic but works brilliantly as a pedal platform, I found pushing the volume on the drive pedals yielded by far the best results. 'Colour' pedals (or 'Amp In A Box' to the uncouth 🤣) just sounded superb stacked between a drive/boost and a decent boost.

[@Strat642001]

Yeah!!! A DGT sighting. Sounded great Mick. I can hear the Henderson influence there. You do some great Grissom stuff (even Paul called it out). The change up was a nice surprise.

[@ThatPedalShow]

It’s such a great guitar. And yeah, been listening to a little bit of Scott and Mr Tubbs, and Landau of course. Mercurial players, all of em.

[@martinhjerrild7159]

Interesting. 🤩 I'm kind of achieving the same thing, running a Boss FZ-1w into a Pantheon overdrive (blues breaker) that's always on and using the volume control on my guitar to control the amount of gain 😉

[@domenicevans9546]

I have been gain staging overdrives into just into clipping amps since forever, I can only totally agree. I believe Dan would enjoy the Mile End Effects Echolette NG-51 preamp pedal, for it is magical and beautiful

[@be8965]

This is very informative! I just had a super important gig and my sound just drowned in the venue the whole night. it sounded ok on stage but the damn sound guy didn't care to fix it in the front of the house, so frustrating, lesson learned I will be pushing from the stage and let the sound guy figure himself. Also perhaps include P90's for a show in a similar veine? thanks guys!

[@Channelscruf]

I didn’t miss the honks. At all. It takes precious time away from far more interesting and useful discussion.

[@jonprudhomme7694]

This is how I have my pedals setup. Can't say it was intentional at the time, just how my rig evolved over time.

[@odyssey6684]

I have an Exotic EP Booster, MXR Timmy, and a Wampler Tumnus Deluxe. In front of my clean channel, I can get a slew of tones. Still have to work out solo volume thing, but the info here is priceless.

[@CristianMoreno-hx7fn]

Fantastic show! The community always learns so much from you guys. I’m thankful for the knowledge you both provide! Cheers and Happy Thanksgiving Day from New York!

[@danmessore667]

Dept 10 is a magic pedal! I’ve been running a jam session board. Fairfield modele B > Flint > Dept 10. Super compact tone board that’ll work with any amp to get juices flowing. Thanks guys and hello from Costa Rica.

[@jasfiona]

Do what you can, with what you have, where you are. Thanks again guys. Amazingly useful video 43:19. Loving playing today Maybe code for enjoy more, mess less? 44:40 Yeah, don't worry about what pedals, again maybe code for just play more. Sure, loads to explore when playing at high volume. It's definitely an art form, but perhaps stick to what you typically do at home or live. Sure, enjoy yourself, whatever that may be. Hire a hall, or go to church and get one for free, and play, play, play. I would rather that than worry that I haven't got the right kit so need to spend hours researching and ultimately investing more time and money. You don't have to be amazing to get good tone, think the Ramones solo on "I wanna be sedated" but the more you spend playing, the better you'll get. Sure you need encouragement from good tools and experimenting, but not at the expense of getting better. That might be lessons, practicing or playing live, but one can easily spend far too long with choice overload. Don't forget that there's loads of interaction with an electric guitar played acoustically. Beware of the man, (or woman), with only one gun. He, (she), knows how to use it! Do what you can, with what you have, where you are

[@coupe-lee]

This is 💯 what I do. I didn't realize this was at all interesting.😂

[@stanesposito2664]

That Strat sounds great!

[@jsr79-81]

Yup - this is pretty much how I have done it forever (usually into my 5E3 clone set pretty low). Interestingly I picked up an EHX Hot Wax recently (Crayon and Hot Tubes) and if you run the Crayon into the Hot Tubes there is a noticeable volume lift as well as gain push.

[@RobRhodesMusic]

Definitely how I've always done it. I have 3 drives (EP Booster, Moljnir & Friedman Smallbox) and I use them separately at times, as well as stack them at other times.

[@glennmichaelthompson4112]

Great reminder! Thanks guys.🍻🎛🎚🎛Cheers from Montreal.

[@JDODify]

Really like the sound of the HRM. I might buy myself a Christmas present.

[@reboot110]

I feel like I haven’t seen Red in a long time…damn that thing has time for days

[@MattUFO33]

I love that Mick knows Hunting High and Low!

[@robertprice5039]

Decided to try this method out and gigged with it last Saturday. I like it! The amp I am using is a Z Wreck Jr. and for overdriven sounds I am using a Hotcake, and for clean sounds I am using my Walrus Optical Compressor set for subtle compression and a slight signal boost. For solo boosts I use either a Keeley Katana Mini, a Thorpy Peacekeeper, or a Wampler Ratsbane, and use them according to how much gain/drive is needed for the solo. It worked out very good for the gig.

[@tommytehcat]

Just wanted to share a quick hypothesis about running this setup: When your volume controls are turned up (pedal volume or guitar volume... or even amp volume!), there's more resistance to ground and less resistance in series with your guitar's signal. The result *should* be more top end. I think in a lot of circumstances the difference would be negligible, but I also think in this circumstance it's a part of why this episode's set up has a very different harmonic content and why it feels much more dynamic for the both of you.

[@chrisquinn9104]

What a topic! Must have hit on something, because it made me uncomfortable. I lack the discipline to 1. Not use the amps distortion 2. Keep the drive volumes down enough to keep the guitar sounding like a firehose pushed through a pinhole. Yet the temptation to try again at my own peril is still there. I have a slightly darker burst DGT and every time I see Mick’s I get jealous. The shade of red in your burst is right on the money. Mine does have the rosewood headstock overlay though

[@andrewharper1887]

I 100% agree gain boosted into an amp sounds better than unity gain . The gain stacking adds lower order (more musical) harmonics than getting all your gain from one stage. This is the EVH philosophy. Personally I like a 2 channel amp so I can get loud cleans if needed and slam the second channel with pedals running a bit quieter. Or run a second clean amp. Great show as always! 🤘

[@chadb8093]

Stoked to see the Supro in action again