THE CLEANEST WAY To Grade Teal & Orange | Ozark Look | DaVinci Resolve Tutorial

[@DannyGan]

Fun fact, you don’t have to use parallel nodes to achieve this. You can also just adjust the teal in the Primaries - Color Wheels, then bump up the orange in the Curves - Hue vs Sat - all on the same node 😗

[@DavidK-wg8wz]

I like your technique better in the video, somehow feels like it blends better

[@HinnerkHesse]

I feel like I found a hidden gem

[@afqzain7276]

i’m very proud theres someone like you in our locals sharing knowledge about color grading!! everytime i see your video i go straight to my laptop and start grade!! you inspire me to do more🥹

[@DannyGan]

Appreciate it man! 🙌🏻

[@matrixate]

Work smarter, not harder. Fantastic Mr. Gan.

[@TrapPhoneLoveMelodiesss]

Excellent and simple grade! Thanks for sharing

[@RidhwanSurya]

thanks for sharing, easy to understand and straight to the point

[@chbaloch0gaming435]

I came here from TikTok I like your way or teaching ❤❤ just upload these type of videos so we can learn from you thanks❤❤❤

[@J-FX]

I will try it next time I open Resolve. Thanks man 🙏

[@tteravai]

Hi Danny! Just wanted to say that your approach is great, and I really like you color grading channel 👍Good stuff.

[@DannyGan]

Awesome! Thank you!

[@andersistbesser]

The result looks very good

[@JimRobinson-colors]

Good one Danny - the only thing I would add is if you want to clean the blacks that when going into the LOG wheels that to make sure you only target the darkest shadows to negate the strength of the blue that you can use the range numbers that default at .333 to a lower which expands the Midtone but also decreases the range on the Shadow - so you can dial the point where your blue starts and stops. You can also do this to make whites whiter as well with the same principle of pushing up the range of the Midtone you can decide where the change happens in the Highlights.

[@DannyGan]

Nice one, I'll look into that 🙌🏻

[@clueless5456]

Is there a video on this?

[@boopathiselvaraj1549]

@@clueless5456 kzbin.info/www/bejne/iYC6fn9meLF0isUsi=o2dgKCu_SpDJAQ8d

What a beautiful tip! Thank you.

[@PhilipBlank]

Watching a master explain his thoughts! Thanks for the content.

[@justlordska]

I asked how they do color grading. Now I'm impressed 🔥🐐

[@foxprime4648]

it s mind blowing how easy it was, thankyou man

[@MovieMakerPro-Colorist]

Hi Danny Ur my namesake 😊 Am so happy i found you 😊 My grading is improved 😊 Thank

[@jassyadap]

Mr Gan with the magic touch

[@musayusuf1336]

This is what I have been searching for.. Thank you for sharing

[@lucaspacs]

You're a genius! Thank you for sharing!!

[@ericdavidwallace]

Damn! That looks amazing !! Great work. Do you work on Music videos?

[@DannyGan]

Got you email! Let's move the conversation there

[@umerqureshi8679]

Great one Danny really loved the fact that it is not at all messy and precise to the point with nodes it was really helpful.

[@RobWatt]

Great stuff. Tim Stipan colored Ozark, and he is a friend, really great dude.

[@WilliamHenryAlbert]

The footage looks amazing, I can't wait to try this. Thank you so much for a very good tutorial.

[@marietafarfarova]

So simple and effective, nicely done!

[@Dr.k1llermo]

dude i love your content, thanks for sharing!!

[@eduardofafo]

THANK YOU FOR THIS!! I finally achieved the look I ve been trying for a lot of time

[@fjouper]

Great explanation of parallel nodes.

[@hueexplorer]

damm this looks good, Danny the beasttt

[@hybridjunky584]

subbed and liked ,great video

[@jeroenbeuk6585]

Great technique, basics are king.

[@AndiIrawanchannel]

wow..even i still don't get it but this is cool technique..i will learn it slowly later..thank you Danny

[@rdkfpv6019]

Thanks for giving all your knowledge! I’m a camera operator who wants to grade his own shots sometimes to see what is possible and this is perfect!

[@biswajit07]

MAN!! Using that Hue Vs Sat curve to get the skin back is pure gold. Thanks a ton for sharing!!

[@Steinthedude]

Amazing technique, very smart way of using the parallel nodes. Thanks for sharing!

[@empiremediaworxinc.1089]

great little technique!

[@joychandra21]

Awesome your color grading technic!

[@eliasmunchow]

Thank you for the tip with the Highlights. Sadly that was the first time of me hearing about it.

[@stealthsensei_2337]

Found you from IG really cons use tutorial, thanks Danny!

[@VozMadridista]

Nice technique! thanks for the tip

[@thewebstylist]

Beautiful!

[@arthurwoo]

That's great, thanks for sharing! I've never been a huge skin qualifier person myself as it gets way too complicated across an entire video, so I'm always looking for ways to avoid using it if possible

[@dots560]

Very straight to the point and clear. Thanks for sharing. Subscribed immediately!

[@florubenberger]

Great one Danny!

[@yoshiYoishIRL]

wow! very simple! Especially the parallel node, never knew that's how it works! Thanks for sharing your knowledge! Compared to Waqas recent TUT, it's like he's gatekeeping. It's like, first do this basic, then don't do this basic. confused... But don't get me wrong, I still find some of his stuff very very useful that I still use to this day!

[@DannyGan]

Tbh I'm a little confused with his recent tutorials too

[@runhaar1]

Interesting technique. The end result looks good! One thing you might want to adjust is where your project settings say "DWG". It seems you are grading in RED, and if your timeline colorspace isn't set to that.Your color space aware tools aren't going to work properly

[@DannyGan]

Hey Runhaar! Thanks for watching my tut, love your videos as well. I did a few tests on the CST IN/OUT method, and boy do I have to switch up my workflow again haha. I'm gonna have to explain myself in a future video, thanks for pointing that out!

[@PolyglotMonkey]

@@DannyGan And please also give a detailed explainer an all that stuff, because that's still very confusing to me and probably many other people :D

[@jaykellett7693]

Just realized I too have been working in RED colour space but DWG timeline colour space (exactly the same set up as yours actually!) Image and tools haven't behaved any differently to my knowledge. would be great to see a follow up on this @@DannyGan

[@jaykellett7693]

Adding an IN/OUT (RED-DWG) CST to the beginning of the node tree just expands contrast on the image slightly @@DannyGan . Which makes sense as its pulling a smaller colour space and expanding it into a larger one. I think I prefer how the image looks and behaves without the CST to be honest (queue barrage of hate comments for improper workflow...)😶‍🌫

[@chudopalov1977]

Excellent 👌

[@karliemorris7318]

thanks for this danny

[@DannyGan]

My pleasure!

[@thebolivianguy64]

I come from tiktok, great video man! you earned a sub.

[@jonpaultucker]

Great tip! Will definitely try it out

[@Praxiszooms]

genious - I always hated qualify the skintines...never worked for me - great technique!

[@GrrahamH]

Brother this is amazing, thank you for dropping this

[@jeanPierre-cp1fd]

muchas gracias por los archivos de practica

[@hjlee918]

Concise, simple, and working solution. Thanks

[@dannydirect]

gorgeous work man thanks for the vid

[@deepmusic2456]

Awesome 👍👍👍👍

[@nickalot]

bro wth. thank you. damn good info!!!

[@Vardhan_Musics]

hey danny loved ittt

[@ltohmygoat7036]

Thanks brother luv from Burma

[@Angry_hamster]

thanks for the new knowledge!

[@switzmoto]

How did you move the curves window panel to the middle? Whenever I click on the curves icon it opens on the left panel window.

[@DannyGan]

Try adjusting your screen resolution

[@switzmoto]

@@DannyGan I’m using an m3 MacBook Pro, how can I do that? In Resolve or the Mac settings?

[@DannyGan]

Resize your screen resolution to 3840 or 2560

[@adrianonsky]

I love it!! Is there a video with all the steps explained?

[@thepermen]

very useful tip 🤩

[@edaracedream1403]

thank youuuuuuuu :)

[@posebukse]

Why Rec709-A and not gamma 2.2 or 2.4 (depending on your output)?

[@DannyGan]

Rec709-A because I'm using MacOS which doesn't tag Gamma 2.4 by default. There's a longer explaination but I'm not capable to explain it clearly because it involves some history and coding theory. I don't usually do Gamma 2.2 although delivering for web because it's "safer" to always deliver Gamma 2.4 as it is still the most widely used/viewed output gamma. Hope this helps!

[@eliaslimapro]

Very very very very good... Greetings from Brazil

[@DannyGan]

Thank you very much!

[@eliaslimapro]

@@DannyGan Friend, I downloaded the images from the link, could I kindly ask you for this file so I can train your technique?

[@AmillionCo]

Dope asf 🔥

[@peterkertesz2861]

do youhave a video on how to use the parallel nodes?

[@kristoff_xxiii]

nice one danny🙌🏻

[@trunghieu9xtb]

thanks for sharing

[@te.rencej]

thank you for sharing this 🥹

[@tiagohardman]

Gosh! I LOVED thed highlight preservation the way you did it!!! maaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaan! Thank you for sharing = )~

[@DannyGan]

Thank you so much!!

[@FilmOneShot]

Real good tip ;) Thank you !

[@DannyGan]

Happy to help!

[@IvoryShard]

This is gold

[@RobOliveri]

Really helpful Danny, Thanks!

[@anilaasmr]

thank you a lot!!!! this is amazing!

[@reyesproductionDK]

It was really cool! I will try that later. Thank you!:)

[@Ffvisionary]

Loved it!! So well explained!

[@DannyGan]

Glad it was helpful!

[@jordanbeckfilms]

You got yourself a subscriber 💪 good stuff

[@DannyGan]

Appreciate it!

[@norgerichard]

This is very usefull

[@mfjae]

beautiful video

[@shrimanpatil5295]

Your technics are simple and easy to follow.....❤

[@tugabull]

great!

[@davidschwan]

Amazing bro thank you so much!

[@T1Media.ireland]

Brilliant tut. Subbed!

[@DannyGan]

Awesome, thank you!

[@kodjoguen9445]

Thanks bro

[@DreySantesson]

Fantastic explanation, subscribed !

[@NorbertCayetano]

Thank you 😉

[@Owlbot]

Nice and simple. Love it!

[@dasnarebo]

Thx man👌

[@riotheodoruslitaniwan9546]

thank you... you save my life....

[@YuiSenpai]

power!

[@kingfury1017]

It's perfect

[@saturn_fpv]

The parallel node will not help in NOT affecting everything in the image that is close to skin tone. I don't see it as a way around masking / qualifying. Am I missing something?

[@DannyGan]

The general idea coming into this video is to have an efficient way of doing the orange and teal look, efficient as in it can be applied to all the clips in the timeline without tweaking it individually. This is crucial for designing looks. As to your point, you are right. This is not meant to only select out the skintone of every clip. Although it is “more contained” to the skintone, but that would be tedious and time-consuming. Hence why a general macro application of a creative look is better if you have a timeline of 2000+ clips.

[@uncleanAlibertine1]

good man

[@geodude9537]

very good i will have to keep for reference, i see so many colorist bring in a dark skinned person and try to justify skin tones and i am like wth, how many skin tones can you get with black, anyway thanks for a great tut.

[@darkizzz07]

yo man , just want to know about your glasses do you got minus or plus? Looks so thic lens

[@DannyGan]

-1.0 dude

[@SL__Films]

I'd love to see the full tutorial of colorgrading for this look with each node

[@amirgharekhani9166]

tnx alot

[@movie-trailer19]

NICE LOOK 👍👈👏

[@DannyGan]

Thanks 🤗

[@cris.godoyf]

where i can find the plugin editable of the contrast that you used? on curves node?

[@DannyGan]

Look for Cinematic Contrast tutorial on my channel

[@VahidNajafii]

Excuse me if my question seems a little none professional or silly, but is it possible to do all these with Adobe Premiere?

[@DannyGan]

yes you can, just use the same priciples in this video

[@VicerFx]

Premiere is not good for color grading in general