A7SIII-PART 2: With ProRes RAW POWER...comes RAW RESPONSIBILITIES!

[@geraldundone]

Great series! Excellent work. Well presented and highly polished. 👌👍💜

[@THEDPJOURNEY]

Thanks Gerald! Really appreciate it, means a lot coming from you! Hope we can collaborate one day 😉👍

[@JohnLuna]

@@THEDPJOURNEY 🙌🏽🙌🏽🙌🏽

[@bromoboy]

Hi Gerald, i'm a big fan of your channel.

[@petrub27]

yeah, better than yours

[@allvisualmedia7575]

Gerald, could you promote this channels just a bit? Guy has 23k subscribers! So unfair! Guy does such a great job!

[@PraiseYeezus]

Finding your channel for the first time. Your production values are absolutely the best I've seen on KZbin, and your knowledge & thoroughness is up there with Gerald Undone. Easiest subscription I've ever mad.

[@THEDPJOURNEY]

Really happy you found the channel. And most of all thank you for such amazing compliments and kind words. Welcome aboard, strap in as there’s a lot more to share

[@NoirEtBlancVie]

Criminally underrated channel!

[@THEDPJOURNEY]

Thanks buddy! Really means a lot

[@happyfoxproductions]

The animations, graphcis, content, everything. So clean! Expected to stop by but stayed for the whole thing! Great job and subbed!

[@THEDPJOURNEY]

Thank you very much! Welcome aboard!!

[@AdamLoboTV]

Hey brother, I am back and was patiently waiting for this Part 2 and THANK YOU for the amazing explanation and comparison, I love how you specifically did the ProRes RAW comparison between the Panasonic and Sony, and side by side comparison between the internal XAVC recording with ProRes RAW as well. I thought something was wrong with my style of colour grading that I saw more noise on ProRes RAW compared to XAVC, I thought it was "my fault" that it was noisy, hahaha and your video has given me the peace of mind knowing the fact that its because there is no internal correction of denoising since it bypasses that, All in all, thank you so much for your amazing explanation and looking forward to more amazing content from you my friend, thanks for the corrective LUTS too, gonna test it out PS: I humbly believe that the people here who are following your channel are nerds as well so I don think you should put any disclaimers in your videos as we ARE NOT going to skip to another part of the video and will watch through all your amazing explanation ;). Take care and stay safe mate

[@THEDPJOURNEY]

Hey bro... yeah this one took some time as I got busy with work. Thanks for your patience. Yeah I wanna work on a dedicated A7SIII Vs S1h episode to explore more differences. I already found many interesting findings. So will try and work on that soon. And as I told you before, RAW is usually noisy, that's the norm in RAW. And yeah... I give those nerd warnings just in case, I've had comments before of people saying they had no idea about what I'm talking about.. So it's a safety measure LOL Thanks again Adam for watching.

[@SinglenessofPurpose]

@@THEDPJOURNEY Can't wait for episode 3

[@mobiwei9315]

Hahaha me too. I am even worried about weather my Ninja was broken. But now I chooes Neat video to denoise.hahaha

[@JamesClark1991]

S1H vs A7Siii will be a very interesting watch indeed!

[@centurymusicgroupnashville]

Not only are your videos amazing and informative, but you also take time to answer all of the comments with even more detailed information. Thank you for this channel!

[@THEDPJOURNEY]

It’s my absolute pleasure. Thanks for these kind support

[@carlosdominicis8691]

Dude, thank you so much for figuring out the hue shift. I had a huge problem selecting for reds in resolve in the first project I did with the A7S III and I couldn't figure it out for the life of me. Hues being universally off with inconsistent saturation values explains literally all of the wild issues I was having making hue vs hue adjustments. Thanks for putting in the time and great work!

[@THEDPJOURNEY]

Really happy it helped Carlos, yeah that color shift was throwing me off as well.

[@adamwozniakiewicz1187]

WOW. The value this video provides is absolutely huge! Thanks a lot for your work! 🙌

[@CAP2009films]

I watched both clips back to back. Outstanding level of insight and clarity. Thank you very much.

[@THEDPJOURNEY]

Much appreciated, thanks for the kind words and your support.

[@darkknightwithanidea1845]

This is the most professional, best channel out on YT. Thanks for doing all this work. Imperative & needed. 👍🏻🎥👍🏻

[@THEDPJOURNEY]

Appreciate that. Happy you liked it :)

[@Soker92]

Wow, the amount of work put into this is outstanding.

[@THEDPJOURNEY]

Yeah it took some time to put together. Thanks for your support

[@shotsfiredbyjameswills358]

So glad i didnt skip the nerd alerts - your explanations were so straight forward and easy to understand, even for someone not very well technically inclined like myself - great video, thanks!

[@THEDPJOURNEY]

Glad you didn't skip them... Your words make them worth the effort put in them. Thanks for your support

[@markspencer4557]

Just all-around excellence here. Great job with both content and presentation.

[@THEDPJOURNEY]

Mark!!! Really Happy to see you here. It's a true pleasure and honor to hear that coming from such an awesome educator like yourself. Regards to Steve and the Ripple training team.

[@francoisgodofe]

So professional, I had a lot of pleasure watching this content

[@TheHouseofKushTV]

Amazing, thanks for taking the considerable time and effort to present this info this way. 👍🏻

[@THEDPJOURNEY]

My pleasure, really happy you liked it.

[@bartoszopolski2467]

you are doing great job! thank you for all the knowledge you provide! good luck!

[@THEDPJOURNEY]

My pleasure!

[@OnIcePerspectives]

Very very well done!!! Love the comparisons and animations too.

[@THEDPJOURNEY]

Thank you very much!

[@TarkshyaPictures]

Really informative review, infographics are really nice too

[@THEDPJOURNEY]

Cheers! Thanks for watching. Really happy you liked it

[@musharioh]

You the man. I really want the full details of this subject and you delivered excellently! My hat for you

[@THEDPJOURNEY]

Thanks for watching 👍

[@iComplainer]

Referred here by Gerald. Stayed for the Nerd Alert. Excellent, informative and not complicated. Awesome.

[@THEDPJOURNEY]

Thank you so much for the awesome support! Cheers to Gerald 😉

[@fitoridao]

Thank god someone talks about the denoise process of proresraw with the a7s iii!! Thank you so much!

[@better2boutside295]

After part 1 ,I immediately went to part 2. Very well done , nice graphics and sounds. Very well presented and the best info on Pro Res raw on KZbin. Thank you very much!

[@THEDPJOURNEY]

Glad you liked it! My absolute pleasure to have you onboard

[@andrewjeremysilke]

I really appreciated these 2 videos. Thank you for educating me in ways film school never did.

[@THEDPJOURNEY]

Thanks Andrew for the support

[@briandwayne3869]

Again a very informative and helpful video. Quickly becoming one of my favorite channels.

[@THEDPJOURNEY]

Thanks Brian... really happy you like the content. Hope to see you in the next one

[@RaviTomar__]

Professionalism at its super best!! Kickass coverage mate!!

[@THEDPJOURNEY]

Thank you so much for your awesome support and kind comment

[@iditriza9708]

perfect balance between technical and practical information. you just gained a loyal follower my friend! keep it up... your channel will grow exponentially soon.

[@THEDPJOURNEY]

Awesome, thank you! And welcome aboard!

[@puddytat62]

Always...ALWAYS ... hands down the best insightful videos... best production... highest degree of knowledge and truthfulness ... Sadly this last thing is pretty lacking in alot of YT videos about cameras. Finally someone who is a pro points out what most of us knew for some time. Sony has always had a high level of noise reduction in their cameras and circumventing that noise reduction path does show the camera for what it is... Plus... if someone one day decides they will now be using RAW and think it's a cake walk and will be the best thing since sliced bread this video shows those people that it isn't so easy and you need to routinely use noise reduction to deal with the noise that is inherent. Some people don't even understand what LOG really is!! It simply is a means by which the image data is remapped to keep information within the range of the sensor ... designed really to help preserve highlights/shadows and increase dynamic range. Very different from RAW... raw is just data whereas LOG is part of a video format.. any number of them. The lack of ProRes Raw really is due to the fact that BM has their own RAW format and, if I am not mistaken, that came out a long time before Apple released PR Raw. Very unlikely we will see BM put Apples competing raw format on their machines BUT you will likely see some company come out with a plug in that DOES allow Resolve to work with that data. Another key point DP makes is that some LUTS are just there to bring the image to a balance position of accuracy. That is really color correction. Color Grading is designed to add looks and styles and grades are usual put on as a second third or higher level after the initial pass to correct. This video looks like it was a ton of work and clearly done by someone who knows their sh#$%. Great and accurate content not fluff and BS. Excellent work ... but clearly a little too dense info for most of the viewers on YT. This is par for the course I am afraid.

[@THEDPJOURNEY]

THANK YOU so much Michael for your awesome words and supportive comment. EVen though as you said "a little too dense info for most of the viewers on YT" it still really makes me happy to find people like you who appreciate the effort put in it and who understand what I' talking about. Thanks again for the support. Hope to hear from you in my upcoming episodes.

[@puddytat62]

@@THEDPJOURNEY Yeah it is obviously a ton of testing and THEN you have a ton of work for the video. Interestingly you seem to be as creative as you are technical... so that's pretty rare. Impressive. Wonder if you will be doing a video on the C70. I would be very curious on your unbiased opinion on that ... very different from the A7SIII in many ways. Have a great holiday!

[@fasiasad]

Mannnn I just love how easily you elaborated this, HOW YOU MADE THIS TYPE OF PRESENTATION ? I'm in love with this 💓💓

[@THEDPJOURNEY]

Thank you so much!! Happy you liked it

[@fasiasad]

@@THEDPJOURNEY is there any way in Premiere Pro to make such kind of Animations ? or any plugin for Premiere Pro ? that would be a great help

[@THEDPJOURNEY]

No idea honestly... I don’t use premiere.

[@fasiasad]

@@THEDPJOURNEY no problem, thanks mate

[@sundersquare]

@@THEDPJOURNEY what software do you use for the animations? i know you could use many but just curious. thanks!

[@stfncreatormodeon]

as i mentioned in the first episode, really good talking style and information overview. thanks for that! will check out your correction luts 👌👍

[@ekkawinify]

The presentation is so professional visually and it is so full of info.

[@THEDPJOURNEY]

Great to hear... thanks for the kind words 😊

[@callevi1791]

Huge Thank you. The charts helped me fully comprehend the pace of your video. Your intro perfectly sets the tone for viewer. FYI: I had virtually no previous exposure to this topic. Explaining flow and manipulation of the data with the graphic animation (for me) allows my memory to recall the discussion with ease. Some of us see the memory first and this triggers the concept being presented. I taught jet flight management systems in a previous life, where I discovered the different ways people recall the exact same event. Who cares, right? Please keep doing you young man. You are very good at it!

[@jblaze1299]

Wow, amazing tutorial! Your videos are by far the highest quality on KZbin. Just subscribed, thank you.

[@THEDPJOURNEY]

Thanks for the sub!

[@avarmadillo]

glad I bought the BMPCC 6k...as always, the BEST analysis, technically and aesthetically, I've seen or heard. You've done out done Undone---awesome.

[@THEDPJOURNEY]

Much appreciated! I LOVE BM6K... it's the best image look IMHO out there... it has a lot of drawbacks though that made me opt out unfortunately. Ho[e to see their next pocket camera soon

[@luka_hrvatic]

This is a world class video and review! Thank you for taking the time to test this and share the knowledge with us! You rock

[@THEDPJOURNEY]

My pleasure! Thank you so much Luka!

[@CreatorDrews]

Awesome graphics and information!! Didn't think I would enjoy that much information LOL I just watched both videos in one sitting.

[@THEDPJOURNEY]

Oh wow, didn’t think this will ever happen with anyone. Glad you like them and thank you so much for watching

[@jeancammas2134]

amazing work man. I watched both and I gotta say your content is very high quality and I truly appreciate it

[@THEDPJOURNEY]

Glad you enjoy it! Thanks for watching

[@BarkandJack]

Amazing information, and well presented. Thanks a lot. 👍🏻

[@THEDPJOURNEY]

Cheers thanks for the support

[@mediamojee1516]

You do an amazing job in helping us all understand the details "Thank You"!

[@THEDPJOURNEY]

I appreciate that! Thanks for watching and for the kind support

[@keith-knittel]

Totally forgot about the lack of lens corrections while shooting raw - interesting to see the noise differences as well. Great video

[@THEDPJOURNEY]

Thanks Keith! appreciate your support. yeah this lens correction threw off a VFX project i was working on

[@centurymusicgroupnashville]

@@THEDPJOURNEY Would love to see a video about how you go about doing lens correction and CA correction. Thanks for the excellent content!

[@Haverr1]

S-tier video. Highly valuable informations, i keep coming back to this vid! keep it up!

[@THEDPJOURNEY]

Glad you enjoyed it! Thanks for coming back

[@digwillhachi]

Amazing video as always. I don't understand why you don't have 500k subs.

[@THEDPJOURNEY]

Thank you so much for the support! Slowly but surely... with awesome support from amazing people like yourself, I’m sure it’ll be 1M 😉 thanks again

[@EpicOD11]

FANTASTIC VIDEO! Bravo 👏 Well executed and extremely informative. Thank you. This was much needed.

[@THEDPJOURNEY]

Glad you enjoyed it! Appreciate your awesome support and kind words

[@MetallNYX]

Thank you! Great Episode.

[@THEDPJOURNEY]

My pleasure! Thanks for watching

[@karthimohan8334]

Mind blown, such detailed topic that is being shown with clear before/after with such technicality. The icing on cake is the simple solution to tackle all these. Sony should include these with there products for users by default. Great content man 👍🏽

[@THEDPJOURNEY]

Wow, thank you! Hope they hear your recommendation then. Thanks again for watching

[@ToastedSynapseGaming]

That Simultaneous recording is really a big Pro. Not only because it helped you create this awesome video for us (Thank You!). But can also help with that lens distortion (flipping back and forth and correcting the same clip shot in both ways). And also becase, as you said, you need to be selective when choosing which project you want to do in RAW, because of the time it needs, but that doesn't stop you from shooting both RAW and XAVC. Then you decide when you do the Post. Maybe you even use both: XAVC for the bulk of the work, but RAW for those tricky shots that need more correcting, VFX/GreenScreen or other adjustments that benefit from RAW better. It's also a business opportunity, asking a client for more money if they want a redo on some shots, but with RAW (because now you have both files).

[@THEDPJOURNEY]

Totally agree

[@JadeDenton]

This video helped me understand ProRes RAW soooo much better! Definitely just got a new subbie!

[@THEDPJOURNEY]

Thanks for subbing! Welcome aboard

[@bentheremedia3011]

Man thank you so much for this! And thanks for the corrective LUTs as well!

[@THEDPJOURNEY]

My pleasure.. thanks for watching

[@kevinallen3750]

understood everything, love your delivery of technical content

[@THEDPJOURNEY]

my absolute pleasure

[@jolyoncox]

Outstanding information and presentation from start to finish. Your corrective LUTs seem to be very helpful on my XAVC S-I footage - now off to test on lots of clips. Thank you Sherif!!

[@THEDPJOURNEY]

Really happy they helped! And thanks for the support and kind words

[@silvercuplifestyle4101]

Thanks a lot. With from gerald undone and few others it was definitely the most valuable content put together on youtube regarding the A7s3 and the ninja V. You made me save so much time by testing and demonstrating specific topics that I was still questioning myself with.

[@THEDPJOURNEY]

Thank you so much for the compliments. Really happy it helped you find answers

[@krisco]

Been waiting for this follow up! I've been linking your first video for every prores raw question I saw.

[@THEDPJOURNEY]

Awesome! Thank you! Really appreciate your support.

[@aboodabulaban2867]

this is just insanely well done. the video quality is high, so much details in the edits it makes it satisfying, almost like an ASMR video lol.. 12:43 i loved how the image transition smoothly from moving to a still image. and a lot of other things. thanks for this video. keep it up

[@THEDPJOURNEY]

Really happy to find awesome people like you with acute sense of observation to notice those small nuances. Thanks Abu Laban for watching

[@BrownSugarPodcast]

Huge respect unbelievable effort man💓🙏🏾

[@THEDPJOURNEY]

Much appreciated Ahmed

[@JIMMY_NEMESIS]

this is one hidden gem on youtube, amazing part 1 and 2 , got me hook great stuff maybe we can have more stuff related to the famous A7S3

[@THEDPJOURNEY]

Thank you so much for your support! Really appreciate it. And yes I have more planned for the A7S3... stay tuned

[@ribsy]

One of the best videos I’ve seen on youtube

[@DoNotAskWay]

Keep the nerd stuff coming. Love your style of presenting and appreciate the effort you put in explaining techinical concepts.

[@THEDPJOURNEY]

Really appreciate it. Thanks for your support

[@anthonymiles2302]

Your footage is beautiful. THan you for this great video and the corrective LUTs

[@chriscostiuc3690]

This was incredibly detailed and answered many of my questions! Greatly appreciate the time you've spent on it! 👍🏼👍🏼

[@THEDPJOURNEY]

Really happy you found it informative. Thanks for the compliments

[@CaptainPure]

the best explain about prores raw I have ever watch so far

[@THEDPJOURNEY]

Really happy to hear that

[@BillZebubproductions]

I am shooting my first ProresRaw movie. I haven't edited any footage yet, but I really should play around with a clip to see what kind of workflow I will have. I work in Premiere and AfterEffects, with no third party plugins. I wonder what the best de-noise options will be. I played around with Topaz Labs when I upconverted HD to 4k, and the de-noise was incredible.

[@PHUKU]

I’ve been waiting for this !!!

[@THEDPJOURNEY]

Thanks for your patience Sia

[@LeoMakes]

This series was amazingly helpful and very well put together. Thanks for making it!

[@THEDPJOURNEY]

Its my pleasure

[@kamilzag5948]

Extra video!. Mega quality animation and his effects Bravo!

[@THEDPJOURNEY]

Thank you so much for the comment

[@kamilzag5948]

@@THEDPJOURNEY pls told me - this is animation Your own or „buying”? Is 3 years after and do You have Yours LUT’s - can I download for somewhere ?

[@THEDPJOURNEY]

You’ll find in the description a link to the video that explains how I do these animations, thanks again for watching

[@zsoltcselenyi622]

You are the MAN! I gave up on ProRes Raw on Windows... it’s just unusable, there is no NLE which can be used for the whole workflow. I’ve just purchased the M1 Mini during the weekend and started to explore FCPX. The Mac handles the S1H 5.9k footage like butter and I can edit from my Atomos SSDs. Thanks for the grading tips, you detailed like nobody else and in a few minutes! Can’t wait for your next video 😁

[@THEDPJOURNEY]

Really happy I can help! and thanks for the kind words. Best of luck with FCPX, it's super quick editing PRAW

[@skymakai]

I really appreciate those videos as we approach our first project to be shot in ProRes Raw. One question I need answered is whether there’s a difference between boosting gain/iso in camera and doing it in post. Also, whether there’s a difference between changing WB in camera vs in post. Alister Chapman seems to be saying there’s a huge difference and you still need to get both right in camera. Maybe this could be a topic for the 3rd video installment of this series! It’s so good! Thanks so much!

[@THEDPJOURNEY]

Thanks for watching. About the ISO and WB... well I didn't really test that on the SONY since there's no WB control in post except for Scratch, which is already inaccurate, so not sure how Allister tested it honestly. In theory, if there's any difference, then the one coming out of RAW on the computer should be the more accurate one IMO. Same applies to ISO... there shouldn't be any difference. I personally didn't test it though since internally you have a denoiser that's applied which will screw up all your results anyway, so there's no way to properly test it either. Again... not sure how Alister tested things when it's not really apples to apples

[@Clintamis]

16:40 you can actually record ProRes RAW with a Ninja V on the FX6. It requires you get the SDI adapter and SDI Raw license from Atomos' website, which is only a $300 total cost. Combine that cost with the Ninja V its $900, still cheaper than the $1200 Shogun.

[@shonmyles5033]

Excellent work as usual. Very technical while still being easy to understand. I definitely learned a lot. Thanks for all your hard work on these videos!

[@THEDPJOURNEY]

Many thanks! Glad you liked it Shon. See you in the next one

[@Bobbylopezcreative]

This is exactly what I have been looking for. Gracias, hombre.

[@THEDPJOURNEY]

My pleasure! Thanks for watching

[@polsufilm]

This is really informative. Most especially the XAVC and ProRes Raw part. 💯

[@THEDPJOURNEY]

Thanks Paul... really appreciate it

[@trentcorrea]

Excellent you absolute legend!

[@juliustubbsDP]

I always look forward to your content. Thanks for sharing.

[@THEDPJOURNEY]

I appreciate that! Thanks for watching

[@joaoramos32]

You sir, are my favorite nerd now! great explanation, thanks for the content 👍

[@THEDPJOURNEY]

It' my greatest honor Joao! :) Happy you enjoyed my Nerdism... more to come this Monday

[@macruise]

Just... thanks for your work and contribution(s) - Excellent !

[@THEDPJOURNEY]

Really happy you liked it. Cheers

[@mengy007]

This is the only channel I need now.

[@SpryEnd]

this type of quality content is a STEAL! HOW is this free stuff and how are you not over 1 mil subs ! Cheers mate and keep it going ! u helped me alot

[@THEDPJOURNEY]

Thank you so much for your awesome support and kind words. With amazing supporters like yourself, hopefully we’ll make it to 1 million 😉

[@SpryEnd]

@@THEDPJOURNEY i bet u will! u rock and thx for everything *_* , and btw it´s making me so sad that premiere pro dont got such a deep color cr like davinci.....i would love to just use davince but than again , no pro res raw... this is a pain in the a**

[@THEDPJOURNEY]

Yeah I know! And it’s not looking like DAVINCI will ever get it as long as they have BRAW

[@8dioproductions]

Fantastic video! How do you do those angled animations with motion blur? Nice sound effects too!

[@THEDPJOURNEY]

Thanks for watching... the angled thing is a plugin from motion VFX called mCamerarig

[@rhishishurv5511]

Very informative video thanks to you, can you explore canon Eos c70 just like that. It will be very helpful.

[@THEDPJOURNEY]

Yup... that’s on my list

[@DaniGareta]

How could I live without knowing anything about this channel?

[@THEDPJOURNEY]

Thanks Dani, really appreciate your support. And welcome aboard

[@seanbrayboy2605]

Thanks for the amazing technical reviews - love it!!!!

[@brightboxawesome2702]

Finally, part 2 ! Haha. That was a great watch, it helped me make a lot of sense out of the things I’ve been noticing while playing with the raw footage.

[@THEDPJOURNEY]

Thanks for watching. Really happy it clarified things for you

[@abroadscape2204]

Huge work !!! thank you so much for sharing this study. I'll just stick to 10bit 4:2:2 with xavc.

[@THEDPJOURNEY]

Thanks for watching. 10bit 422 is pretty awesome. Raw is not a solution for everything that’s for sure

[@God_gave_His_Son_for_you]

Thank you for making RAW easy to understand!

[@THEDPJOURNEY]

Really happy to hear that... it’s not an easy subject to cover

[@eryklewandowski4726]

Great video ! I was wondering if buying the Ninja V is a good decision. Now I know everything, the comparisons with HAVC were very helpful.

[@THEDPJOURNEY]

Glad I could help!

[@giulianogirelli]

some of the greatest value content ever 🙏 well well done

[@THEDPJOURNEY]

Really appreciate it. Thanks for watching

[@audiovisualelements]

Thanx man for this very detailed insights and superb technical graphic explanations! Next week me and a friend are releasing a A7SIII ProResRAW lowlight shooting tutorial, and we had the same findings about noise, even at base ISO640. Premiere Workflow isn`t there already, maybe Final Cut gets it all better done. And yeah, it´s a nightmare to denoise in post. The missing GYRO infos in RAW was new to me and something we didn`t test out. Maybe it might be possible to export the gyro data from a parallel recorded H.264 clip in catalyst browse and apply it to the ProResFile somehow in the near future? We did a greenscreen test and couldn`t find advantages in ProResRAW over 10bit internally, it was even the opposite, because when only using a basic Keyer like Ultra-Key in Premiere, the noise from the RAW Files tended to be slightly visible after chroma keying. Of cource, you could denoise before, but you know... processor nightmare... :p So, the only real advantage of ProResRAW for me is the little bit more amount of detail due to the higher resolution, but honsetly thats not enough for me to deal with the big file sizes and all the other cons you pointed out. Hopefully someone will built an external RAW Recorder with another, really efficient RAW Codec (maybe Blackmagic? ;) and is smart enough to implement some really dope ass AI denoise algorithm that cleans up the image before burning into the RAW Codec. ;) Another thing to mention: We like to point out to your Episode for all the technical stuff we didn`t cover in our tutorial, hope that´s ok for you. ;)) Cheers!

[@THEDPJOURNEY]

Thanks for watching. Yeah I tried to export the Gyro data from Catalyst Browse, but found no options there. The funny thing is that XAVC has MUCH MORE metadata than RAW when opened on CB. The green screen, I ddi test it through a VFX friend of mine who compared both and found a HUGE difference. And yes, please feel free to tag my video, would appreciate if you credit the channel. Thanks again for watching and for your valuable support

[@mirageleung]

unreal man, high quality. I'm a subscriber

[@alansarpy]

This was so unbelievably informative! Thank You !

[@THEDPJOURNEY]

Really happy to hear that. thanks for watching

[@alansarpy]

How does canon have a camera that shoots Raw internally ? I thought Red was the only one with that ability

[@CircuitBoardcokr]

16:13 You should check what exactly sony a7s3's integrated screen resolution is. japanese camera makers tend to write their display/evf resolution with dot, not pixel. In modern display technology, usually, a pixel is made by 3 different dots, red/green/blue dots. So in many cases, 1.44M dots screen in camera actually means 0.48M pixel resolution. Thus, Ninja V's screen resolution should be marked as 6.22M, when using dots. I love your videos and learn various things from you, but little more detail would polish their perfection.

[@THEDPJOURNEY]

Thanks for the info 👍 I’ll check it out.

[@dariorotafoto9918]

thanks to your videos I changed my mind about the possibility of using raw at the moment. You can say that you are a great influencer !!

[@THEDPJOURNEY]

Happy to help! Thanks for watching Dario

[@RiceCubeTech]

A7SIII raw with VLOG conversion is magical looking. Sony tech with Panasonic color is a match made in heaven

[@THEDPJOURNEY]

YES RIGHT!!! I Agree as well! So funny how that worked out!

[@greggoodenough5607]

I use capture one and set my defaults for my a7r IV to Nikon D850 portrait mode for the same type of effect!

[@akcine]

I think this needs to be updated :) part 3 ?

[@junesdreamseller]

Can you please make a video showing how to correct the lens distortion when shooting and how to work with the prores raw clips overall

[@Slettador]

You'd have to shoot grids and evenly lit surfaces to fix lens distortion and vignetting properly, but you can probably get away with using a plugin for correcting lens distortion and eyeballing the paraments. For vignetting, that depends on the f-stop so that makes it much more complicated to correct for across a project

[@THEDPJOURNEY]

What Slettador said is correct... But that won't really matter unless the distortion is so bad that your eye catches it. Or if you're working in VFX and your VFX artist is asking for that distortion map

[@chacana-rando]

Very informative, espacially the part on the color accuracy. Would be nice to have this same analysis of color comparing with the S1H. Thanks for the video!

[@THEDPJOURNEY]

Great suggestion! Planning on working on that

[@justinsiebert6952]

Wow! The graphic presentation and teaching is insane. THANK YOU 10000X over. SUB

[@THEDPJOURNEY]

Welcome aboard! And thanks a MILLION X over! ;)

[@VIDJACK]

An extraordinarily well researched and well presented post. Thank you for your hard work, great organization, and clear, easy-going presentation style.

[@THEDPJOURNEY]

Thank you so much for the kind words and compliments. Happy you liked it

[@ShoubertdavidProductions]

Well done Sharif! Glad I found your channel!

[@THEDPJOURNEY]

Thanks and welcome

[@ihabhassan2476]

Thank you so very much. You are one of the best here on KZbin.

[@THEDPJOURNEY]

You are very welcome. And thanks for the kind words Ihab

[@evan.whobrey]

THANK YOU!!! WE NEEDED THIS!!

[@THEDPJOURNEY]

Glad i can help :)

[@kaclis]

Excellent review. Congrats and many thanks!

[@THEDPJOURNEY]

My pleasure, thanks for watching

[@colorsigma101]

Gold nugget spotted at 7:00 ! Sherif again you hit hard, thank you for this S-Log 4 :D

[@THEDPJOURNEY]

Glad you like that experiment ;) and you're welcome for the "Slog4"

[@sahilg5396]

Amazing work, very informative & I loved your style

[@THEDPJOURNEY]

Thanks a lot Sahil. Glad you liked it