There Comes a Knocking - (a Short Horror Film)

(WATCH IN 4K FOR GOOD QUALITY)
There Comes a Knocking is a proof of concept for a feature film by the same name. To learn more about that, watch the BTS found here ► bit.ly/makingtcak
Addition BTS and set photos ► bit.ly/tcakbts
Want higher quality? Watch on Vimeo - bit.ly/36fdvDa
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#ShortFilm #Horror

[@jordel2010]

The actress gave quite an outstanding performance, as brief as this piece was.

[@noahdxm]

Same

[@orsolyaritter7292]

That door was a real masterpiece.

[@themysteriousdude757]

One of the crew members actually built that themselves.

[@noahdxm]

Same

[@alan-baird]

Film was alright, but the credits sequence was fantastic. 😂

[@redshirts4757]

Cough cough game of thrones cough cough

[@jonahsahn]

@@redshirts4757 I was thinking more along the lines of The Crown.

[@hawjtsim]

@@jonahsahn This ending credit might rival Westworld's opening

[@nabilshaleh6824]

Damn, sure it is..

[@mandoo_ro]

and almost longer than the movie

[@skylimitproductions6108]

The coloring grading in this is so powerful! The change in tone between the scenes can be seriously felt when you guys go from warm orange to a dark, cold blue. It gave me chills without me even realizing it.

[@klaaskolpert8431]

3:05 This moment is hands down one of the most organic and efficient background info explanations I have ever seen in a story. It's fast, yet emotional and nuanced. This is very good.

[@citalopram20mg]

I thought it was genius and have never noticed anything like it. When you realise what's happened, you drop off a cliff face. 🤘🤘🤘

[@kennapersonal]

It was brilliant!

[@watchedbyadrien]

what are you talking about? we can’t even hear what he’s saying. the music is way too loud and it gets even louder as the voicemail continues, making it completely inaudible. that is the most efficient background info you have ever seen in a story? emotional and nuanced? ...

[@themadraseye]

@@watchedbyadrien the point isn't to hear what he's saying. The message conveyed here is that she misses that dude. The music gets intense as she gets overwhelmed by her sadness. It's a great technique.

[@watchedbyadrien]

@@themadraseye it’s way too quick to convey that. there’s no context here. because he barely has time to say anything, she literally could be crying about anything else. in no clear way does it show that she missed the dude. when in the Godfather, the dialogue of Solozzo and McCluskey fades out as the camera moves into Michael’s CU and the street sound design becomes more and more intense, we are now in Michael’s head, the sound design represents the clamorous decision he has to make and at this point, the dialogue of the other two is insignificant. here, its the contrary. the voicemail is fundamental for us to care. at least, it needs to establish who is talking and what is he talking about and once it’s clear, you can lower the sound and up the music and have her cry because at that point, we can emotionally connect.

[@ejderavc8568]

After all these years and finally we're here... Congrats Ryan and i hope this short gonna be a feature film.

[@filmriot]

Thanks so much! I hope so too. This is a big step toward that, so all fingers crossed.

Sinema filmide gelecek ha.

[@FILMREGIONTv]

@@filmriot Ryan 🙂 are you even working on it ?

[@Kiakona]

Beautifully shot!

[@edaturk7529]

4 years later… Did it ever happen? We are all still waiting

[@D4Darious]

Dude...all of the feels over here. Super clean all around. I wanted more.

[@JillRobertsIsmyGF]

What's going on everybody Darious Britt here!

[@PCcardboard1354]

hello darious!!!

[@dxthakid4727]

Watching with headphones is way scarier

[@nicklong7442]

I watched 3 minutes without, then was like, this would be terrifying if i put headphones on -- Yes.

[@TheDavan619]

can confirm that amped up surround speakers do the same :D really well done sound design

[@pbilk]

Oh no, I am turning my sound down, I don't want to wake up my roommate if I poop my pants.

[@TobyBurt]

Should have incorporated this in the sound design, first time I heard this randomly I freaked the fuck out. kzbin.info/www/bejne/kKKxoYuArMyCbtE

[@Terrifierartheclown]

The scariest thing is that she's sleeping in pants and socks 👀🙄

[@filmriot]

😂

[@TheRealKahlel]

you cute😂

[@tees7349]

Her man ain't home that's why

[@OpalSilkMoth]

You mean you don't do that when it's cold?

[@shiva72945]

Must have been cold. Which is not scary at all, exept when there's a polar bear around.

[@paraisoenllamas]

I liked: the cinematography, the lighting, the sound, the edition, the actress, the titles, the final credits I didn't like it: the script. The talent for a quality production has it, It shows that everyone who worked on the short film is very good at what they do, but please, work mooore on the script (google traductor)

[@deleyton]

"WHAT?!" that's exactly what I said when it faded to black. So she hears a knocking in the middle of the night and she immediately gets scared and assumes it's coming from behind that door? and what was that creature and what did it had to do with her dead husband?. Everything about this film is awesome (editing, cinematography, directing, acting, lighting, production design, you name it), but you know that Story is KING above anything else, and this needs a much better script. How many short films have I done? Zero, but at the end of the day, this is done for a general audience who likes good horror films (that hopefully make sense).

[@paraisoenllamas]

@@deleyton I did not make a short film either, but many times and tried to think of an idea for a short film and in general the first ideas have to be discarded because they are influenced by everything one has already seen. As you said, she gets scared without any context, and the ending is too typical.

[@andrukthegreat]

Tottaly agree, the cinematography is TOP notch . superb grading. the actress is beautiful. but even she had hard time to believe her because the story is that she is scared panicked when nothing had happened(unrealistic) . the knocking comes to make for the title. OK. that door got jammed . and then she sees her dead husband, and hilariocity alert she actually has no problem and asks him "please stay" :)) . I couldn't believed when it ended they left us with 2 mins outro. WTF. Congrats to the Editing visual effects guys that Ryan payed to do that zombie.

[@pooyanmanoochehry2629]

Besides the cliche screenplay, I think the sound effects were also overpowering at times. A good horror film shouldn't rely on scary sound effects telling me "hey! this part is supposed to be scary! Boo!"

[@evanantonola4935]

She changed the door. The antique door is cursed. The connection to her husband's death is not clear. And they come knocking when knocking is not necessary because they can get in. :)

[@TFCInstitute]

Great work (as always)! We are a film school located in the north west of México and we encourage our students to follow you because we think that you are the example as a filmmaker of the importance of a narrative more than a camera, For us would be a blast if you can accept an invitation to talk about your vision of the new platforms to deliver films. Have a great and congratulations to all the Film Riot team.

[@filmriot]

Thanks! Shoot us an email at [e-mail] and we'll see if we can work something out.

Omg yess, come to Mexico 🙌🏾😀

[@chilloflamingo1395]

Please film and post it when he actually does it!!!

[@PumaLyn]

Do a movie of drug lords killing innocent people.🤔

[@redfires5548]

"North West of Mexico" para no decir Monterrey jaja

[@bryguy9159]

WOAAAHHHHHHHHHHH the sound design with my headphones blew me away

[@filmriot]

Steve Horne is an incredible talent. Such a joy to work with him on this.

[@ScottSullivanTV]

I loved this!!! ❤️ - Stephanie Bulter was really good! - 6:54 was the, "Oh, shit!" moment.😱 I wish it didn't end, though. I appreciate ambiguity, but I wanted MORE! - Sound design and music was on point! 👌 (Though, the sound effect at 7:20 was a bit cliché.) - Production design was really interesting - The moment where she looked through the door crack was suspenseful. - Wow... You read this? I'm so proud of you. Love you bye." Always, Ryan. Always. 😂

[@filmriot]

[@MichaelFrazierTube]

I totally second all the affore. the sound and soundtrack was the best yet

[@gravetidings6971]

"I appreciate ambiguity"? Well this whole story is full of it in more ways than one...

[@OfentseMwaseFilms]

So good. My heart was pumping

[@filmriot]

Thank you!

[@bowdymisener]

I loved this. The suspense was perfect. The sound design was flawless. The cinematography was top notch. The acting and emotion were felt. I cannot wait to see the feature film that comes from this. Bravo to the whole crew. Be proud of yourselves.

[@esemha1535]

Its like a free movie but it's better than 90% of the movies you pay for! You're a real inspiration!

[@filmriot]

I love you forever.

[@adhithyansunil]

@@filmriot you are my inspiration ❤ thank you film riot❤

[@praveentkphotography569]

Top quality product, waiting more from you_ all the best

[@andrewsvj4606]

Dude u pay for the internet

[@GiacoWhatever]

DAMN, it gave me chills! I really loved it... Congrats Ryan and everyone involved. It will be an awesome feature I can tell you that!!!

[@GiacoWhatever]

I literally set an alarm for this!!!

[@filmriot]

Thank man!

[@moritifilms7126]

@@filmriot THATS A GREAT FILM

[@Cgi-pakistanMl]

October is here. Ryan: so am I Take it easy on the jumpscares man, just sh*t my pants lmao

[@joshisawesome9700]

CGI Pakistan hahaahhah

[@alex0589]

Im sure domain dot com can help with that

[@pbilk]

Oh no, I am going to look away.

[@slighce]

The credit sequence was the best part of the film. Can’t believe that took 8 hours

[@hawjtsim]

As a follower of Film Riot for many years, I can honestly say that Ryan has come a long way. Congratulations!

[@smepable]

Wow, the cinematography, especially light and colours, were on a whole new level! Everything else like acting, sound etc was also splendid of course, but the images really were the thing I couldnt get enough of

[@filmriot]

Chase Smith is a light God.

[@joenewton2085]

This is way too good to be seen on KZbin, -

[@filmriot]

us = best friends

[@alex0589]

Then rip it, put it on vimeo and play it there(?)

[@joenewton2085]

🤷🏻‍♂️

[@TrenchfootSalvador]

@@filmriot I wonder what camera and lens was made to make this

[@ADCFproductions]

LOL! XD

[@abettencourtmusic]

I am a huge fan of Film Riot. I’ve been learning a lot from you guys over the years and even the course I bought from Creative Live is so helpful a lot of times in my projects. I loved the cinematography and she is a great actress. Your work as a whole, aesthetically speaking, is beautiful. I’ve even watched the making of from another KZbinr and the amount of people you had working on set is amazing. So there’s nothing but respect and love on this side. However, and if I can be honest, from an avid movie goer’s perspective (albeit not a horror fan, I admit), the story just felt lacking. I was waiting for something else on top of that moment and then it ends. It felt more like the setup towards the continuation of this narrative. So I may not be the most positive critic, but I felt that as a viewer, I had to be honest. Having said that, I will absolutely continue watching and enjoying all the content you guys put out. Looking forward to your next project!

[@PieMan4848]

This is a setup for a continuation of this narrative. He wants to make this into a feature.

[@RandallMartinPL]

I love Ryan and filmriot since like first episodes, loved his scifi concepts. And i was waiting for this as well, hearing about this great concept that could become a feature film. I know what Ryan wants to do, like David F Sandberg his light out short was made into a feature, but that idea had somthing to it it was simple and innovative and original. And Ryans film is perfect technicaly on every level, great cinematography, acting etc. BUT there is no IDEA, What is the concept ? What made him come alive, a door?, a creature from behind the door?, or maybe the house? has some powers, or maybe a wood from witch the door was made ? This could go basicaly anywhere in terms of plot. And rasing loved ones from the dead plot is far from original... The film was great however not a good concept for a feature film. Maybe theres more to it and maybe the full concet is awesome, but its not here in this short. I wish i could hear Ryans Elevator Pitch for this ? - Couple buys a old strange house, boy dies. Girl puts up a strange old Door, that accidentaly closes, then boy comes alive, ghost comes out of a door... Sory for poor english, not my native tongue.

[@abettencourtmusic]

PieMan4848 I didn’t attack absolutely anybody. Could be that I’m out of context. It could be that that intention wasn’t stated properly (do I absolutely have to watch every video Ryan makes to be an “insider”?). I even start out by complimenting everyone on their work. So I would think that you need to be open to the idea that everybody has different opinions on stuff, and that’s ok, so long as nobody’s disrespected, which I certainly didn’t do.

[@TeamKillerBounce]

@@PieMan4848 It's not a good setup. What we know is that he can create something that has be already made. Nothing in this shotrt is new or original. If he wants to make he has to take risks.

[@RandallMartinPL]

@@abettencourtmusic i didn't find your opinion attacking anyone, thats why i replied, becouse i agree about the story. It's like my completly bias opinion as a viewer and as a filmmaker myself. I think PROXIMITY concept was Way better and had some secrecy to it and it could go bigger into a feature.

[@gayedgelord470]

You know something's gonna happen when they show the feet getting out of bed

[@DimaEdits]

or the shower head :P ~Hitchcock

[@adamsmaruj5908]

oh

[@tazistarfire]

Spoilers!!!

[@krisvq]

Lol

[@JoshuaStancea]

This is a must watch with headphones. The soundscape is incredible

[@TheRealGuywithoutaMustache]

7:19 Welp, there goes a new pair of pants

[@nicklong7442]

Just finished the short. It is amazing. But I clicked on the time and that was a mistake. lolll THIS IS SCARY!

[@StAugMarketing]

The cinematography and quality is amazing! Great job!

[@filmriot]

Chase Smith is a total boss!

[@StAugMarketing]

Watched it a few times now, the subtle camera moves and use of lighting, wow. Really impressed guys.

[@szymonsekula]

Everything is f*cking amazing

[@DarioKesegiG0CA]

Omg.. this was too much for my morning :D I mean.. what can i say... its great... you killed it

[@patarmanurung4743]

This short movie is outstanding. It really scared me. The sound is excellent.

[@gabepicsproductions]

-Camera work was stellar and stood out in the best of ways. Drove the narrative very well. -The emotional stand out was the voicemail scene. The lead’s performance was nice and understated, the loud booming score was terrifically powerful and extremely effective. The scene, I feel, epitomises the short: a simple story, well told (where the execution understands the potential for emotional resonance of a scene). -There was some genuinely effective horror. I personally didn’t catch what she saw under the door, but the jumpscare then had the interesting effect of disorientating me and causing me to struggle to catch up with where the protagonist was at (induced anxiety in the viewer). The pin rolling out from the door was a very effective set piece and follow up. Again, the camerawork comes to mind in how it directs attention, builds and relieves tension, and sets up expectations. -Production value was immense. Very clean and clear visually, the sound design was beautiful and really satisfying. -My main concern with the piece comes with the protagonist behaviour. There are too many ways in which I feel she behaves like she’s in a horror movie. For example, the knocks at the installed door. While a knock at the door at the dead of night can be concerning and quite alarming, it isn’t TRULY horrifying. I feel the protagonist (and complimenting music) should not have erupted in fear until the entering the hall, and realising that the knocks are coming from the ‘door’ door (side note: I didn’t understand the spacial relation between her room and the hall. I thought she was upstairs, and I think this contributed to me feeling unconvinced by her immediate terror from the knocking sound). Another example would be earlier on, when the protagonist turns to the door and the score rumbles and groans and gets louder and louder. What reason does the lead have to believe that there is anything ominous about this door? And if the intent was that she looks at it and is reminded of her late husband, the music suggests otherwise. I saw this short almost achieve something that is very often poorly handled in horror: it is the camera’s job to show the audience what the character does not see. If the camera focuses too long on the door, we know there is something about that door. The character doesn’t have to act similarly, their ignorance might even make the audience more concerned for them. Have the protagonist behave solely as if they are in a drama, and use the camera to tell the audience when their is a concern. Only when the character actually takes note of the horror, should they react to it(which sounds obvious when I put it in a sentence like that so my apologies). -I have one last criticism that is possibly a little unfair. I am sure, as the setting and characters felt very very real, you practice the idea of ‘what would x be if it was taking place in real life?’ (e.g. the stuttering when on the phone and dialogue in general) in order to ground the story. But I feel the dialogue needed just one more pass with this mentality. Just one. Again, sorry if this one is a little unfair because it is essentially ‘make this aspect more this.’ But anyway, nitpicks: I didn’t believe that someone would call a widow and offer condolences and explicitly mention their recent loss over voicemail. The obvious exposition was unnecessary as a whole. Seriously, the piece had already (with appreciated nuance I should say) exposited that she had lost her husband. I think the voicemail should have simply said something along the lines of: “I heard about John and… I’m sorry.” I believe this is explicit enough to effectively set up the following emotional climax. My other nitpick would be the protagonist’s behaviour upon seeing her husband again. The scene seemed like a case of lack of adaption between what’s on paper versus what’s on screen. A lot of the dialogue tells us what we can read from the character’s face (her asking of “John. John, is it you? Is it really you?” felt excessive). Maybe it would have been better to focus on her expression, and have her visually journey from realising its him, questioning her reality, and concluding that she doesn’t care and just wants him back. Then you can follow up with “Can you stay?” (Which was terrific by the way. And again, the camera motion was unreal in this scene). Before concluding, I’d like to say that I understand this comment is heavy with criticism, and that is for one reason only. I fully believe you guys have the ability to create your desired feature, and I have been looking forward to being able to watch your first feature since I first started watching yous when I was maybe 12 years old. I want it to be as good as it can be, for yous. This story showed a clear understanding of character and gravity. It was extraordinarily well produced in every aspect and I am overjoyed at the accomplishment. I am ecstatic to watch the behind the scenes and I know that your film will exceed my expectations similar to how this short did. I believe in you guys and I believe in your work. Good luck.

[@audunystgaard]

If this doesn't have studios begging you to take their money, I don't know what will.

[@filmriot]

Thank you! And thank you so much for watching it.

[@francisjirons]

Not to be mean, but I feel like unless you have a pretty solid idea it's going to be insanely difficult to get noticed. Ryan here is trying to flex his skills - which he certainly has - but the time for "Lights Out" has passed. This short unfortunately feels like something I have already seen - Hill House, The Conjuring, Sinister, Insidious... You know what horror movies made a bang recently? The VVitch, 17th century period horror set in rural New England. Peele's films, political satire under the dress of horror. The movies are moving forward, but Ryan seems stuck in 2013, unfortunately. I wish him all the luck in the world, he surely will be able to come up with something truly original.

[@audunystgaard]

@@francisjirons I get what you're saying, but I disagree. LIghts out wasn't an insanely original either, but it had it's own fun idea which made many interested. Ryan has been working with studios and managers for a long time and they all responded to this particular idea. The age of short films turning into features (if that's what you meant) are just not over and there is no reason to think so.

[@francisjirons]

@@audunystgaard I'm not saying the age of short films turning into features is over - it will never be. I'm saying THIS type of horror is dying out. Sandberg made his film in 2013: since then we've had Mama, the Conjuring, Sinister, Insidious and a million more. Heck, we've even had Hill House, which has already deconstructed the genre towards a more drama-oriented narration. What I'm saying is... This feels a bit old. The "flawed person faces an allegory/symbol of his flaw in the form of a spooky presence", structured - as Blake Snyder would said - as a literal Monster in the House... I've just seen too many movies like that. If it were 2013 this would be a blast, but unfortunately it's 2019... Yeah, Studios may be eager to still invest on this type of product... But the time when The Conjuring and Sinister were truly original has passed (they are already wonderful classics). What feels "original" now is The VVitch, Get Out, Us, It Follows... You see what I'm saying?

[@audunystgaard]

@@francisjirons I guess what you're saying is true to some extent, but I don't think a handful of films with similar sorts of themes will make that theme die out because there is a lot of stuff to explore around it. If Ryan's story has some original twists to it, which I'm confident it will have, I'm pretty sure it will still drag people to the cinema.

[@riz5104]

I really enjoyed this, for the most part. The cinematography, the lighting, the sound, the music was all working for me.. It was stunning.. But the creature thing totally took me out of it.. Didn't look like it belonged in the scene (the final shot, specifically), and just felt too cheesy for the tone of the rest of the short.

[@fourspacefilm1996]

I would agree, i feel like there was no build up for that creature. But anyway, congrats to film riot everything else was super amazing!😃

[@EetMyShortz]

I feel like the answering machine was a bit cliche too but maybe that's just me....

[@sergthemane]

I guess i kept in mind that this is supposed to be a proof of concept and I personally would hate to see the entire feature film condensed into a 7 minute short that tells all. I like the ambiguity for the fact that I’m looking forward to hopefully seeing the full feature one day💯

[@323123ification]

Disagree

[@zzogo1954]

Exactly

[@MovieTimeWithDee]

Already watched it twice. Dude, the shot with whatever that thing is walking toward her in complete silence is so damn scary. Goosebumps on the 2nd viewing. I’m proud of you Ryan.

[@tayyibmahmood567]

I work in the film industry and with the help of Ryan's videos and tutorials I got there. My first big break ended up being Bond 25/No Time To Die. Literally been watching film riot for about 7 years. All of it has paid off. Thank you Ryan!

[@MediaSensei]

sick ending and those credits gave me game of thrones vibes

[@Josh_Connolly]

This has nothing to do with nepotism... But this is literally the greatest piece of cinema ever captured. #NotNepotism

[@ProfessorBStudios]

#maybealittlebit ?

[@timconnolly7637]

I couldn’t agree more. History will remember this as the ‘Citizen Kane’ of our time. 5 Stars and two great big thumbs up. #TotallyNotNepotism

[@mr.krepshus1467]

This is art.

[@filmriot]

Thank you!

[@SlapMyGorillaGorilla]

Just watched this while sitting on the toilet....Getting scared shitless has never been so simple lol

[@ADCFproductions]

how did you put a tv in there? If you're watching on the phone then you're doing it wrong.

[@aprilmorgan9807]

😂😂😂

[@valentinamiceli9153]

Rhyne Guilaran lol 😂

[@ADCFproductions]

@@valentinamiceli9153 what was scary about it?

[@valentinamiceli9153]

ADCF Productions I think that‘s lonleyness.. how can someone live in such a big house ALONE?? Your fear depents on your kind to handle your Fantasy If you repeat all the time: I AM NOT AFRAID maybe you will survive

[@DavidCliq]

Oh my God.. Uncle Ryan .. I have been watching you since 2013 and you have been a major inspiration to starting my filmmaking career.. I have seen all your shorts.. Aside ballistic, I am thinking this is the best!... Big congrats to the Triune Films and Film riot Crew... Much love from Nigeria!!!

[@sign543]

I’ve read people who criticize for the cliched concept, but I feel that is short-sighted. There are only a finite number of “concepts”, and the true art of it is in unique execution. We will never see the end of telling ghost stories, and we shouldn’t, since the “world” of ghosts is an intricate and varied as the world of the living. I’ll wait for more before making such a judgment. Now on to what I love: 1. There was great care put into the making of this short piece...the camera movements were very deliberate and well thought out...reminding me of the work of Ari Aster, Fincher, Anderson. I love cinematic work in a film...I love when you can tell that every shot was planned and rehearsed and everything was carefully thought through before final filming. 2. The richness of the environment. I totally felt immersed in her world...the interiors fully gave me the feeling of being inside this very large house with no idea what was beyond the spaces where she moved. The angles made the house feel much bigger than it probably is. 3. Wonderful color palette...the colors gave me a sense of quality, richness, solidness, depth. 4. I especially loved how the camera pans around her to show “John” and then pans around again. Those movements are deliberate and purposeful and give it the feeling of great care. It’s like what I’ve read about with some of the film greats...how no camera shot or movement is without purpose. I love that. Now I’m headed off to see the BTS!!! Well done, guys!!!

[@mikeames8339]

Color grade rocks!!! Music, too. And the smooth camera moves...

[@Spectre-xj7lx]

I’ve waited for this the whole day!

[@Spectre-xj7lx]

OK Thanks Productions it is where I’m from

[@BloodyAwesomeTV]

Spoilers! I don’t want to be negative but seriously the story here is so derivative, and as a short does not in anyway stand on its own. Plot: woman finds spooky door, spooky ghost husband, low rent conjuring monster appears. We have seen this a million times. All gloss and no substance, and the classic way to loud horror sound design. The same with ballistic, the plot is so bare that it makes it in no way intriguing or entertaining. We know you want to make features and you want to save your full ideas for that, but don’t give us a half baked short and act as though it stands on its own.

[@christopherling8429]

hehe ye favourite comment

[@ADCFproductions]

I hope Ryan has more original ideas for a feature. i don't mind classic horror movies, haunted houses, etc etc but come on, i could see EXACTLY what would happen here even before she got locked out. the only thing i wasn't expecting was the dead husband, other than that i knew the door is haunted, monster will appear behind her and roll credits. and i was right!

[@BloodyAwesomeTV]

ADCF Productions he talks a big talk about how story matters over gear, but his shorts consistently say the opposite. I think if he directed someone else’s script he could make something great, he’s just not that great of a writer.

[@ADCFproductions]

@@BloodyAwesomeTV Yes i agree. Either he needs to watch more movies, or he needs to lay off the cliches. this thing with the monster behind the protagonist has been done sooo much! Also, why is the short so short?? the story has no room to breathe, everything happens too fast. And it would have been so cool if when she looked under the door she saw feet or a shadow walking slowly behind the door, how didn't he think of it? :C

[@BloodyAwesomeTV]

ADCF Productions he also goes on about keeping things vague in his shorts to create mystery, but doesn’t seem to realize that keeping things to vague can also be interpreted as half baked and unfinished. Like keeping one aspect vague is okay, but once you start taking information out you’re no longer showing your audience anything remotely entertaining

[@HankProductions]

Great work Ryan and the team! So much work went into this and I hope you get signed for a feature! I love the BTS videos of the making as well. Thanks mate. From Australia 🇦🇺

[@joefalcione8059]

The most professional production you've made to date and I do not say that lightly. Camera movement, sound design, coloring, lighting, editing, and Stephanie did great! I loved everything about it. Well done to all!

[@ericellerbrock9350]

The Setup was nicely done but unfortunately the ending had so much more potential. Damn.

[@ericellerbrock9350]

Joshua William I would have done something with the door. The thing rolls under the door back to her side and she picks it up, walks back to the door and listens something hammers against the door and she calls the cops. The cops manage to open the door to find... nothing in the closet. The cops leave and she steps inside to inspect the closet. She finds nothing and the door closes behind her, locking her in the closet. Her phone is on the other side so she bangs against the door shouting for help. Nobody can hear her, no sound escapes her vocal cords. After a few hours of sitting she sees a small dial on her side of the door and turns it. The light unter the door changes. Thinking someone is there she decides to knock on the door. She hears the floor creaking on the other side and she starts screaming to let her out but again nothing audible. In frustration she bangs against the door and hears faintly on the other side her own voice quietly saying “i must be losing my mind.” Now watch it again with my plot in the back of your head.

[@kylebraby2357]

Yeah... whole build up on the door and what’s on the other side then just turns into normal same old same old “ghosts” in house...??

[@OrangeAceGaming]

This is only a proof of concept for a possible feature film, so it’s not technically the end I don’t think. I think that’s just where they cut the script to keep the project manageable and leave people wanting more. Rather than getting a full on ending then a feature length film to follow up. That would be kinda weird

[@OrangeAceGaming]

Kyle Braby You can say the same thing about inadvertently going back in time. We’ve seen it multiple times with films like “Interstellar.” At least the ghosts can let the writers play around with the key thing we’ve learned about the main character; her grief over losing John.

[@brothedude8759]

Eric Ellerbrock Yeahhhh.... needs to stand out more of you have hopes to make this a feature..

[@joshuabaldassarre]

9 minutes felt like 2, that's what's scaring me I WANT MORE

[@PLUSFRAME]

yeah it was 7:32min only. I waited for something to happen but it cuts out,awesome! cinematography @FilmRiot

[@lvbboi9]

The whole time I was like "nonononononono Oh god pls no nono, NOOOOO"

[@TylerJWenzel]

Literally me. I want to know what the climax is on the full feature so bad right now.

[@ethanperkins9795]

Camera movement acting lighting all on point. This is one of the best shorts I've seen. Impressive

[@keithkolod5214]

Ah, I see the Night King still needed some work after his role on GOT

[@ACLinks.]

This is my favorite genre as you can tell. I love the storyline, score, lighting and color grade. Great job as always guys and thank you for all the years of inspiration and knowledge you have shared with the community and myself. It is greatly appreciated.

[@chriskaufmann655]

I have mixed feelings. The film looks and sounds superb. But I feel like the score is way overdone, and it would’ve been more effective if it had been quieter and subtler (this isn’t an epic story, and it just didn’t work for me). I wish you would’ve locked the camera down for a few shots (the one on the phone and the zooming shots that preceded it in particular), and I feel as though the story was incredibly bland. There was no arc. Just a girl living in a house, and then her dead husband comes back for the last 30 seconds. It makes it very hard to be invested, and it came off as generic.

[@Ben-fq1lj]

The music level at the phone conversation was loud, but other than that I dont know what you're talking about. Music was fine.

[@EmanWazz]

If you actually took the time to read the description it says it's a proof of concept for the feature film of the same name in other words it's a demonstration and testing things out.

[@Jonaseneskar]

Did not expect to be so spooked out from a 9 minute short, but you definitely got the atmosphere on point immediately! Nice work!

[@UnassumingStoner]

If this doesn’t get you that covered feature film then I don’t know what will. This was phenomenal! Congratulations Ryan and the team at Film Riot!

[@landonseebeck789]

I've seen many horror movies, I never got scared. But this one got my heart pumping. Great job Film Riot!

Yes! I do read the credits! And I am proud of you, too, guys!

[@filmriot]

@@filmriot Well of course! We treasure every single frame that comes out of your hands, Ryan :) I really hope to see this on the silver screen sometime soon!

[@trinktmalnent7744]

@@filmriot You love this joke with the credits right? I think I can remember something similar in an older video...

[@junior10xlr8]

Okay, this was really great, along with the cinematography, sound design was just as awesome!

[@balangaofilms]

I think I'm gonna watch this tomorrow at day time. I'm from Philippines and it's 1:00 in the morning.

[@JakeVFX1]

Good idea 😄

[@bodick_]

i'm from the Philippines, too! ...Just did. watch it, it's nice ;)

[@balangaofilms]

Ok, I finally watched it.. Ryan Connolly's films are more better than other known filmmakers but this one - the story is so predictable. Cinematography - 10/10 Audio - 10/10 Story - 5/10

[@bodick_]

@@balangaofilms proof of concept

[@balangaofilms]

@@bodick_ that's cool.. I didn't know that. So theyre making feature now, interesting.

[@JoshGreensVLOG]

I have so much to learn from you guys. You do a great job of SHOWING through moments, not telling us through dialogue.

[@ThisIsTechToday]

Yes, I read that. Wow. Also, great job!!! I hope you get a chance to make this a full length!

[@SideLight]

Not even kidding. I bought popcorn for this😂

[@mavlentertainment8931]

Insane.. cinematography, sound design, editing.. the whole thing is soooo well executed.. by far the best short i’ve seen so far on this platform.. no doubt

[@josemanuelpaezfernandez6954]

@javier pessina which are the best horror short films you have watched on KZbin?

[@omeralkan7908]

@@josemanuelpaezfernandez6954 Lights out was pretty good though it is only a few minutes

[@EetMyShortz]

watch the Papers Please short film

[@IntrovertFilmmaker]

The wait is finally over this is soo good... and now we wait for the feature .

[@francisjirons]

Looks like someone's been watching that Hill House show on Netflix

[@anushkarajwade7817]

Agreeeeeeed!!!! Haunting of Hill House is amazing❤️

[@sallyoquinn]

Visually satisfying on all levels. The story succinctly presented, and the classic creepiness done just right. Bravo!

[@movieyeeter9172]

Great work guys! This short definitely feels feature quality, and I can tell you guys went all out! Really dug the concept and effects although I will say nothing really stuck out and grabbed me as wild original or unique enough to warrant a full feature. Like everything was intriguing but it never went far enough in my opinion.

[@juliomartinez-mo1ok]

completely agree. awesome acting and directing, but it feels like ryan may have been holding back a little too much though

[@jfglv1505]

It's Finally HERE! Can't wait for the sequel: When a TeePee a Rockin, Don't Come a Knockin

[@henrymaxpaterson]

Wow there's a credit for the people that made the credits, this is getting meta

[@LoukmanAli]

that end credit sequence was off the hook !!!!!

[@CadenKoehl]

This is just truly horrifying, creepy, and amazing. This must be a feature!!

[@ScottBalkum]

Wow man. That was seriously the best work you have done so far. Everything about this was dead on. The look, the feel, the characters, the story. This sucked me in so fast. Just me back in the back doing a slow clap as I let it all sink in. Really, really well done.

[@filmriot]

Thank you Scott! Really proud of this one, so it means a lot to read that. Thanks!

[@aidanodowd4543]

This was fantastic! Easily the most beautiful film you've made yet.

[@POLARINDIEFILMS]

This thing is a piece of an ART. hope the final ART, the feature will come soon..

[@filmriot]

Thank you!

[@Brohansifat]

I liked the creature when you could see him walking toward her in the distance while she was distracted. I don't get the Willie's when watching movies. But that did it! Everything else was amazing! Can't wait to see the feature!

[@masonrunnels2934]

DUDE YES! I don't know what it is about your horror stuff but it scares the shit out of me! And that's coming from someone who doesn't get scared by these movies. And I really do believe that this is because your story telling is so unique. Like your whole technique, if you will, needs a whole breakdown that'll take a bit to think about but what it really boils down to is that you don't follow stereotypical horror flick tropes. Your direction and writing and overall camerawork really nails in deep that this isn't a typical horror short and that it's different and that's exactly what horror movies and movies in general lack. Man make a full length feature film that will blow everyone out of the water. I know you can and I know you will! Great work guys! Keep it up!!!

[@RogerinFinland]

"Wow... you read this? I'm so proud of you. Love you bye." :D :D big big fan of the orbit around Stefanie! I hope you get to make the feature as you want it!!

[@adamsmaruj5908]

best part :')

[@diogocarrijoa]

That's awesome guys! I loved the "witching hour" moment! Congrats!

[@cameronearley8539]

The production on this was incredible but man did the story and pacing fall flat for me. I know you’re after honest feedback and super appreciate everything you do for the filmmaking community!

[@actorkarna]

Excellent Cinematography ♥️♥️

[@matthewlyons9095]

In my opinion this is the best looking Short you guys have made. This is going to make a great feature

[@badaperturefilms6001]

Chase Smith : hats off man! This is brilliant. I saw the other videos where Ryan talks about how most of the look is baked in and it's absolutely mind blowing. You are the future. Lucas : I'm sure you must have heard this often but this made me a fan of your edit. Great work man.. Daniel and Steve : The music and sound design is brilliant. Loved the mix too. It really made me feel drawn into this world. Finally Ryan, we take a bow. You have outdone yourself. This has topped ballistic to become my favourite of your film. All the very best and I'm really really looking forward to seeing the feature. Great job everyone. The production, as i can see must have been so extensive. Round of applause for the production team. You guys deserve all the good things in your career. Brilliant work.

[@filmriot]

Thanks so much! REALLY thrilled that you dig the film! Thanks for watching.

[@prambudiherdian400]

The film has some best shots that I have ever seen in short films, but oh man the story...

[@AkashC]

Oh my god! I waited for this for so long😭❤️ I am so inspired by you guys

[@firstname520]

Pros: Amazing cinematography from Chase Smith, Great sound design, Great credit sequence, Great performance from Stephanie Butler. Cons: Story, Screenplay

[@Anderson-tg1sc]

I didn't understand/enjoy the story but I cannot deny that the cinematography and sound were the highlights of this short film. Until the end credits, then that became the highlight.

[@shiladitya_biswas]

I couldn't see the whole film clearly as my eyes were watered throughout! This is masterful storytelling..the way you have crafted the emotional heft in this horror film is pretty hard to come by even in a feature... and the ending here is the hero. Can't wait for the feature..

[@filmriot]

Thanks so much man! Really happy to read you liked it!

[@levisnafu]

I'm gonna be honest here because I love film riot and I want you guys to do well and Ryan you're a wonderful director. Effortlessly entertaining in some of your previous work in Proximity, Ballistic and many more. This film just wasn't it for me, as a filmmaker and journalist, I gave it a few days but I feel the pain, with a proof of concept, I thought it would be even more layered and developed than previous shorts. It just isn't, it's well-directed as always but you guys have done better, on less time and money. I thought the end credits were the opening credits and I was excited to the rest of 9 mins. But if that's it for a feature-length film, there's not enough. I hope you can take these comments as honest feedback, we support you Ryan and the rest of your team. Never stop stopping eh

[@ned316]

Lighting was the best thing about this. I feel like you were heavily inspired by Game of Thrones. Music, end sequence and that nightwalker looking dude

[@iinRez]

Acting was pretty good.

[@bremzen4777]

Nah. I thought it as great. Felt more like Vertigo from Hitchcock, with the silhouette and green curtains. Also the pacing, framing and camera movement are very well done. Music is cliché I think, but nonetheless good.

[@stoatsnhoney]

That trick with the voicemails at the beginning was genius, at first you don't notice anything's wrong but then.... so well executed!!

[@dhirshg]

Cinematography and score are out of this world - well done!

[@finnvongehr3892]

Her listening to johns recording had a intensity, like i'd never seen befor. Realy impressive!

[@Rubz69]

Gonna watch this later tonight. My daughter's birthday so when she's asleep, it's me time!

[@langdonthomasalger]

Happy birthday to your daughter!

[@Rubz69]

@@langdonthomasalger thank you!

[@Rubz69]

And now I've seen it! Glad I did, great short. The atmosphere, acting, cinematography, grade... all amazing. My only slight concern was the sound. The spot effects seemed a little fake. But nonetheless, I'll be sharing this and all the best to you guys at Film Riot!

[@davidjh7]

This was beautifully shot, and brilliantly executed, being minimalist in the very best of ways. Would my vision for such a piece be different? Sure---but that isn't criticism, it is personal preference. You executed YOUR vision flawlessly, and THAT is what makes a brilliant film maker, and a true artist! Congratulations on reaching this level in your career---you worked damned hard for it, and it is paying off. I just hope those who produce feature films take notice of your brilliance and recognize how much the industry will benefit from your abilities! Best of luck getting it recognized 1

[@Tobirama_isHimju]

I'm a huge fan of Film Riot. People can critique this film all day and find something wrong with it, but for me, I love the art itself. I love to see others create something from their own imagination. This was brilliant. The art of it is great. Hats off to you guys. Twas great.

[@lucastefanvasileberde6656]

This is such a big change from everything that you've done so far. It feels not like a short, but like a snippet from a movie, like those which they release online. Congratulations! I wish you best of luck getting the feature made!

[@blearbenin]

loved the following: cinematography✅ acting✅ lightning✅ filming✅

[@benjaminguerrero5588]

Hello Ryan! Completely honest review here: MAN, does it have some Hereditary vibes. Like jeez, the creepy dude in the rocking chair, completely still or moving in a very calculated way, all while the monster aproached out of focus. That gave me the heebie jeebies. Fantastically done. The music is also very beautiful and hit the points it had to hit perfectly. And you know what? Take this as a compliment because when it ended it left me wanting to see so much more about that universe. I see you played well with the information you let onto the spectator to make them want more. A point, kinda nitpicky, was that the shot of her feet getting out of the bed felt out of place. I dont know, I felt it didnt add much to the story, but thats me. Otherwise, the cinematography is really really beautiful. The camera movements and frames, and how those movements are played again further down the line added so much visual cohesiveness. Plus, anamorphics. Whats there not to love about them? Now, the things that i dont know if they are good or bad, but maybe worthwile knowing to you, as a first time spectator. I kinda predicted the lockpick payoff since the shot of the rimlight on the door. What I wasnt expecting though was that loud ass bang. Color me scared. Although the payoff was what I expected (the lockpick rolling out of the door), the fact that I expected it and waited for it made the jumpscare (which I wasnt expecting) hit way harder. Maybe it was intentional? Either way, it worked out well. You've outdone yourself Ryan. Really great work, the pacing, the acting, everything. And I say it not to kiss your butt, but I really mean it. Hope to see more soon. Take care Ry Guy. Edit: watched it three more times. The knocking still got me.

[@fourcgames7568]

Mr. film critic here.. Don't take this the wrong way, but instead of writing this long ass review you could have made a better use of your time doing literally anything else. xD Like, nobody is gonna actually read it. The only one who would have read this is Ryan and the chances of him seeing this are close to zero.

[@benjaminguerrero5588]

@@fourcgames7568 Well, I think spectators experience is part of filmmaking, and as they say, the first impression is always the most important. Just wanted to give the team my first viewing experience, in hopes they get to know an average spectator's perspective, so they can see what worked well, etc. And dont worry, I didn't take your comment personally. Seeing films and articulating my experience is something I enjoy, so I did it not only for Ryan but for myself aswell. Cheers!

[@Willieswheels]

FourCGames I’ve read lots of the reviews in the comments page, including this one - found it really helpful actually.

[@ButtonEyedBee]

Holy hell this was great, had me repeating "nope" the whole end scene

[@danielirambona]

One the greatest horror Short Films in terms of the delivery of dialogue, composition, Camera movement, editing, sound design and cinematography. You did great on leading the project Ryan and to the Cast and Crew stunning work I hope I get to work with a crew like this in my future in Cinema. This deserves a lot more recognition.

[@danielirambona]

To add, the ending Credits look so cool. The camera work really does make this film more interesting.

[@jonparsons3121]

I really enjoyed this short. Ms. Butler's performance was moving, especially the teary-eyed question: "Can you stay?". The lighting, pacing, sound were excellent. The "quiet" while she searches for the knocking sound really set the mood - no need for background music - nicely done. I really thought there would be something under the bed when the shot focused on her stocking feet, even rewound to check. I have but one complaint = it was too short (I realize its a short-film and is potentially a primer for a longer film, but I wanted more....which I guess is the point) :-) Well done! I can't wait to see a feature-length version, and see what the "creature" is up to. In the words of Oliver Twist: "Please sir, can I have some more?"