Required scales for IMPROVisation - the Lydian Dominant scale

[@Officialkingofallkings]

Gotta love Tony Winston...I’d love to be able to play like you did in that first minute

[@eydiguttason1961]

Thank you Tony I like this better and better

[@robertzullo8707]

Another amazing lesson. What a fine educator you are. I am not a piano player but the theory is laid out so clearly I'm starting to think I could get an understanding of this on my axe. Thank for sharing this hard earned knowledge!

[@ammiammi1974]

Thanks a lot Tony. Greatly appreciated. Cheers.

[@bobvalicenti233]

This is officially one of my favorite tutorials, Tony! I can now make some soloing sense out of this tune, finally! Thank you so much for all that you do!

[@worldstagerecords535]

Love it, Tony. Will learn something, finally...Thanks, Rod Henley

[@kwixotic]

I like that use of the Lydian dominant for this song. I also insert a B7 #5 in the second measure(which follows the beginning Dmin6 chord) followed by an E7#9 and later in that one chromatic scale(starting with the Dmin) I frequently use a D pedal tone with rising triads in a modal tonality like Dmin, then a D Dorian and then D Phrygian, etc.

[@TheDocgt40]

Rambling works for me 👍🏻

[@marktrop196]

My god What a vid Some folks think its the beatlles Sint Aint Its this video

[@brendaboykin3281]

Thanx, Maestro.

[@richardfriedlander8281]

THAT was Jazz Piano College.