Orchestration Tricks for Prime Flow, by Guy Bacos

[@OliKember]

Great piece, love the new interface too!

[@markelvinstudio]

I don't think people generally understand how powerful Synchron Prime is. Now, with Flow control, in my opinion this library has once again proved what a valuable scoring tool it is. Ps: flute against the strings, reminds me of Debussy

[@jimkashner]

Excellent video, @Guy, especially regarding your illustrations of how inherently intuitive the VSL Synchron Prime "Flow" UI is and how easy it is to use. As always, your orchestration is absolutely wonderful. ☮❤

[@gregorymoore6794]

Great tutorial on expressive performance playing with samples! Guy hits another one out of the park. (there are no homeruns in tennis I guess?)

[@CorradoLoffredi]

Astonishing work. This music makes me cry. And very very but veeeery useful tutorial of Prime Edition. As always, you are THE master, dear Guy. 😊😊😊

[@ed-musicproductions]

Very nice, The Premium Edition is Magical

[@soundtreks]

Let me point out that Bacos' music skills and harmonic vocabulary is especially amazing. He's a great ambassador for VSL.

[@maomusik]

Thanks for the video maestro. Is there any focused on the Harp and how to make realistic harp runs, virtual pedal and when to?

[@guybacos]

Thanks! I'll keep that in mind for a future video. "Realistic Harp Runs".

[@maomusik]

@@guybacos Thanks a lot Maestro

[@patrickbourke1812]

@@guybacos OUCH!

[@ev.g.p.]

So Nice !! I'm really thinking to give myself this birthday gift ! 🙂 but would like to share a couple of question before: I'm right if a say that there is no Vibrato articulation on strings ? and ... In term of sound quality is this library a competitor to the various spitfire , opus etc.. or what ? It's just for "scratch " or you can deliver professional works with this ? This Flow engine is a very powerful tools , probably a game changer on this sector, but I was asking my self if in in terms of sounds , this library is up to "Vienna Sounds" standards that we all know or Spitfire sounds. Hope I explained my self , let me know yours thoughs ... thank you !!! Great Job here ! 🙂

[@ViennaSymphonicLibrary]

Hi! Probably easier to answer all your questions in a support ticket! Please feel free to get in touch with [e-mail] Best, Andreas

[@ToXball]

Great sound! What is the midi controller in the video?

[@guybacos]

Thanks! I use the Icon I-Controls-Potable 9-Fader Midi Controller.

[@stevemartinalmonds]

Hi Guy, thank you for the tutorial. It appears, in the humanize section, that you are replaying the passage that is already recorded, and recording the humanize controller over this, without affecting the controller data like modulation/expression that is already recorded. Am I correct here? Is this the same with the vibrato added also? Thanks if you can give me some info on this.

[@guybacos]

Hi Steve, Yes, you are correct in your first statement. It is the same for the vibrato, pre-set to the maximum for this example.

[@stevemartinalmonds]

@@guybacos Thanks Guy, now that is really good. It's a difficult task to do dynamics, vibrato, timber etc all at once in your first play through and recording, but then to be able to re-record and add the other ones later, well, that is really great. That's a big step forward for a sample player. It's just making things a lot easier to get the realism that we are wanting from the samples we use. By the way, if you don't mind me saying, I really think you're music is beautiful and soulful and so musically expressive. Your visual illustration on how to use the controllers is a great model for us wanting to learn. You really are a great teacher! Thank you again for answering my questions. 👍

[@guybacos]

@@stevemartinalmonds Thanks a lot, Steve! I hope you will enjoy the follow-up video as much.