【Virtual Lecture II】Development of Mixed Ensemble Music (Bilingual Subtitles 雙語字幕)

【網上講座二】中西混合室內樂的演進
Recorded on 20 SEP 2021 | MON | 8:30PM
(In English 英語主講)
0:00:00 Introduction
0:19:30 Format of Mixed Ensemble Music
0:31:59 Strategy of Composing Mixed Ensemble Music
0:57:50 Forces
1:05:01 Ink and Sound - A Question from my Mentor
1:07:27 Q&A
This event is part of ‘Ink Art and New Music’ Creative Exchange Project
這場講座為《水墨藝術與新音樂》中西混合室內樂創作交流項目之一
The Western chamber music is essentially different from the music for the traditional Chinese instrumental groups. Of course, they differ in terms of language and content, but also in terms of musical ideology. After the introduction of Western music into China, both musical practices have gradually naturally grown towards one another, evolving into an important new compositional genre taking essential elements and ideas from both. New works in this genre have introduced interesting breakthroughs in form and arrangement as well as exhibited new discoveries of innovative sonic and musical expressions. This lecture will review the development of this new hybrid genre and explore how composers have expressed the unique aesthetic spirit, philosophy and imagery of their cultural traditions.
西方室內樂的經典形式和中國傳統的小組器樂合奏在思維、語言和內容的表達上都有本質上的分別。在西方音樂進入中國後，中西混合室內樂逐漸演變為重要的創作體裁，也為作曲家在創作上帶來了形式和編制上的借鑒和突破，形成各種聲響和技術上的觀照和再創造。本講座將回顧半世紀以來，作曲家們在如何為這體裁作出新的定義，以表達其文化傳統中獨有美學精神，哲思和意像。
Speaker:
Dr. Yeung-ping Chen, School of Music, South China Normal University
Moderator:
Dr. Jindong Cai, Director of the US-China Music Institute, Bard Conservatory of Music
Student Composers:
Austin Leung, HKU
Samuel Mutter, Bard
OGA, Bard
Jing Wang, HKU
Co-presented by
Bard College Conservatory of Music
US-China Music Institute
Cultural Management Office, HKU
Department of Music, HKU
M+, Hong Kong
Supported by
Asian Cultural Council
Endowment Funds for Music and Fine Arts
Lee Hysan Foundation