What are ALTERED CHORDS and SCALE?

[@Kamikazejets]

this is the most straight to the point and complete explanation for altered stuff

[@MorningCarnival]

this is the definitive lesson for guitarists starting out with the altered scale and chords. bravo.

[@RandyBakkelund]

That was really helpful! I'm surprised I didn't know this stuff before. You made it really easy to understand.

[@JameyArent]

Glad it was helpful!

[@kvirji]

What a superb lesson. Explained so easily and beautifully. I have struggles to get the altered concepts in my head. Have taken so many lessons buy no one has explained like you. Thanks again.

[@JameyArent]

Thank you! Glad it was helpful!

[@Jazzavi12]

Superb lesson. I learnt more from those seven minutes than I have from much much longer content. Greatly appreciated.

[@AndreaVaccar0]

Dear Jamey, I've been a self taught guitar player for about 40 years, Only recently approaching jazz theory and vocabulary. I really appreciate the way you explain complex concepts making them essy to understand. Great work! Keep om, and thank you! 💪💪🎸🙏

[@JameyArent]

Thank you so much, and you’re welcome! So glad these lessons have been helpful.

[@dmitriikilishek]

Thanks for the concise and to the point explanation! This is really helpful.

[@JameyArent]

You’re welcome! Glad it was helpful.

[@mindcontrol67]

Jamey another great lesson, always looking forward to every one you create. Love the G7b9 because you can move it up like a diminished chord same shape.

[@JameyArent]

Thank you! Yeah, the G7b9 symmetrical shape is a great one to slide up and get to a higher part of the fretboard.

[@gedbogjid2218]

Great lesson. Very clear and concise.

[@JameyArent]

Thanks!

[@garychen483]

I’ve watched other videos but this one has got me completely hooked on the understanding of altered chords. Thanks. Feels good when confusions got kicked out of my mind.

[@JameyArent]

Awesome! Glad it was helpful.

[@ssrsglh05]

Great lesson! Thank you so much. I’ve been trying to hear that scale for 30 years and this is the first time it made sense! Awesome

[@JameyArent]

Thanks and you're welcome!

[@terryquinn2042]

Thank you for this great explanation

[@JameyArent]

You are welcome!

[@Waldvogel45]

Thanks for the clear and complete explanation. And chord symbols become meaningful and reason based !!!😊

[@JameyArent]

You’re welcome!

[@danielsuarez1431]

Thanks a lot Jamey, great lesson. Here Daniel from Lima, Perú.

[@JameyArent]

Thanks, Daniel!

[@felipewolfemusic]

Great stuff, Jamey! Got some Jens Larsen vibes in that line!

[@PeterOlschnerMusic]

This was super helpful ..thanks boss!

[@JameyArent]

You’re welcome! Glad it was helpful.

[@chrisnesbitt101]

Incredibly helpful, thanks so much for this video Jamie!

[@JameyArent]

You’re welcome! Glad it was helpful.

[@vitodonatone846]

awesome...great lesson

[@JameyArent]

Thanks!

[@fredmonstagram]

New loyal follower here. Thanks for the great content!

[@JameyArent]

Thank you and you’re welcome!

[@justintuccimusic]

Thank you 🙏🏼

[@danielsuarez1431]

Great lesson. Thanks a lot Jamey!!! 🎸

[@JameyArent]

You’re welcome!

[@BlueMelodyB]

Very good lesson

[@blackberryway]

Good explanation, thank you. Can I use Alt-Chords only on Dominant7 chord positions or are there also other possibilities to use them? In what other progressions beside 2 5 1?

[@bnpapp]

the Juice !

[@michaeldematteis3409]

What about a flat 13 ?oh wait that’s the same as a sharp 5 I guess.right?im confusing myself lol

[@JameyArent]

b13 is the same thing as the #5. To get nitpicky, when it’s called a b13 it implies there could still be a natural 5th in the chord whereas a #5 indicates the only fifth in the chord is sharped.

[@michaeldematteis3409]

@JameyArent oh,okay.i got you.thanks.never thought about it that way.makes sense