What's The Best Wireless Mic? DJI vs Rode vs Sennheiser vs Saramonic

[@AWAShowme]

Thanks for this. I still use the first DJI with great results. All clients have been happy so far. Use what you got!

[@tombuck]

It's such a handy mic to use! I've actually enjoyed their lav mic too, which has a super nifty adjustable clip.

[@twolinesslotcars]

You always have perfect timing! I just picked up the DJI Osmo Pocket 3 Creators Kit… and the wireless is fantastic. This will be my event camera.. and adding the second mic will be critical. So easy… Happy Thanksgiving Tom and Heather!

[@tombuck]

Happy Thanksgiving to you too! We got the Pocket 3 last month and it's pretty astonishing how great it is!

[@BrianTheCameraGuy]

Love the video Tom. I just got the DJI mics and loving them. You are right about the ease of us and they are fun to use. The Sony hot shoe adapter is a game changer.

[@tombuck]

Yes! And the fact you can even select your specific camera model and it dials in the perfect gain is so awesome. Really gives a lot of peace of mind.

[@MusicFed]

The DJI adapter for Sony cameras is a game changer. No cables!!

[@tombuck]

It's so nice! And you can select your specific camera model in the receiver for it to dial in the exact right gain level.

[@MusicFed]

@@tombuck wow! didnt know

[@AliKazi]

I love my DJI mic 2. It's so multi purpose. ❤ by the way which iPhone case do you have that looks so cool 👍 put a link to it too

[@hiddeninsweden]

I'm going with Sennheiser because outstanding audio quality is my top priority! 🎬🎧

[@techmed-rainer]

Danke! Tom, thank you very much for this informative and entertaining comparison 🎤

[@InternetDoggo]

I remember you from the BSP! Cool to see ya here too!

[@iDealMedley]

damn that sennheiser sounds pretty damn good

[@efimborisov8545]

like any of sennheisers sounds 😎

[@SLSMusic]

Just had a sudden thought though, I really hope the second USB port on the Rodecaster Pro II can support these receivers of wireless mics to plug in. That would be really awesome.

[@tombuck]

That would definitely be cool! As far as I know the RCP’s usb only works with Rode devices.

[@Sigisti]

Rodecaster Pro 2 info says: "Built-in wireless receiver for connecting up to two RØDE Series IV transmitters (including Wireless PRO, Wireless GO II and Wireless ME)"

[@THETIMINATORTHETOOLMAN]

I saw that you won your category of the creator of the year. Supper happy for you dude Again congratulations I might get there some day 😊

[@tombuck]

Thank you! I honestly can't believe it. Still in a bit of shock 🤯

[@skogsdrake]

Once you set up Rode with autogain you don’t really need to change anything more. Also it connects wireless to the Rodecaster Pro 2. It’s also a pro that Rode charging case acts a hub for both the receiver and the two transmitters. One cable to update the firmware on everything, and transfer audio from both the transmitters. And finally the audio on the Rode is better in my opinion, so Rode is the best system for me.

[@tombuck]

All great points! The Rode definitely has the best sound.

[@MatthewSixNine]

Agreed with you, the DJI Mic 2 is totally up there as one of the best wireless mics this year. Love the design, it's super easy to use, and the sound is just top-shelf!

[@Satcamp]

Hi, awesome video! One question, since you can record it as USB mic with transmitters in the case. Does this means that even if the battery on them them dies eventually, they won't go completely useless. Is there a way to check or confirm that?

[@tombuck]

Yep, that's an issue with systems like this. Each company has its own policy on how they handle it. In general, you should be able to get 3-5 years out of them. Rode is the only company that has specifically said they'll replace dead batteries when the time comes.

[@Satcamp]

@@tombuck Thanks, yeah also loved the video where you talk about this issue in detail but can you check if sennheiser wireless designs solves the problem at least partially. I checked dji transmitter, that did not record while being charged. But it seems that since sennheiser wireless can record while in the charging case when connected via USB, but is it also being charged simultaneously? So in short even if transmitter batteries dies in 3-5 years, it is still usable as USB mic when plugged in. Would love to know if that's true.

[@JoshRazauskas]

It’s fascinating how far these portable systems have come! If things were different for me physically I would definitely use one! Awesome, Kraken hoodie, dude!

[@jbrooks12]

Great review, I’m still a fan of the newer CM28 and the CM32

[@hellounclesim]

If you use lavalier mics all the time, get the Rode. If you use your mics like a handheld mic, get the Sennheiser. If you are out in the rain a lot, get the Saramonic. If you have a DJI Action 4 or 5 or an Osmo Pocket 3, get the DJI Mic 2 (if you need internal recording) or the new DJI Mic Mini (if you don't).

[@huilinghuang4074]

For $299, the Saramonic includes 2 Lav mics. And if you don't wanna Lav mic, it's $269.

[@baileystone8395]

I just had my Deity system die too - the internal battery won't charge anymore. Looking at getting the Sennheiser EW-D system for corporate work and trade show coverage!

[@tombuck]

Yeah, the Deity seems to be really unreliable when it comes to batteries. I love that the Sennheiser has the option for both a rechargeable battery AND regular alkaline batteries. Super flexible, and really good for things like trade shows and events.

[@TradeshowThomas]

Used the reliable sennheiser G4 units for years then switched to dji mic for convenience (controlling levels from the receiver) Looking forward to try the senn profile 2 now that the’ve got their own 2 channel receiver setup

[@tombuck]

Those G4s last forever!

[@VetAwareProject]

Preciate the review and breakdown, was looking at these mics and just trying to get a better feel for which to get! Great review!

[@tombuck]

The good news is that it's very tough to go wrong. In the end they're all quite fantastic and can make getting good audio way easier. 😎

[@hurricaneimagesmedia]

Thanks Tom, for this excellent review. I was looking for an in-depth comparison of these four, and this delivered. You did overlook a couple of features of the Saramonic. It has timecode, which is a little niche, but can be very useful (especially if you want to use the internal recorder separate from the receiver). Also, on paper (if we can trust the accuracies of these things), the Saramonic has both a higher SPL of 130 (vs 120-ish), and a lower noise floor. 32-bit float is only as good as the mic that captures the signal so it's not insignificant. Saramonic does have a history of copying other physical designs (I had their original wireless system that was a physical copy of Sony... right down to the color choices), but they threw the kitchen sink of "best features" into the Ultras in a way that the others didn't. (With your voice-- on my speakers-- I did prefer the DJI sound, though.)

[@tombuck]

Glad you liked the video overall! To be honest I’m pretty unimpressed with the Saramonic. It’s a big reason I tend to stay away from leaning too much in tech specs in comparisons. There were a lot of early reviews praising it, which kind of confused me. But I wanted to include it here without too much of my own opinions so people could make up other own minds since, feature-wise, it does offer a lot for the price.

[@Geethepancake]

Congrats on the win! I jumped when they announced your name😂😂

[@tombuck]

THANK YOU! I definitely shrieked in a very manly way that wasn't embarrassing at all.

[@RandumbTech]

Huge miss by Sennheiser not offering 32 bit. It looks like a neat system, but that’s a deal breaker for solo content creators. Congrats 🎉 on the RODE award!! I voted for you 😊

[@tombuck]

Thank you, really appreciate that support!

[@InternetDoggo]

Any estimates on when the podcast might come back? I've been missing it 😢

[@tombuck]

I really appreciate that! I'm trying to nail down a video workflow that's not too intense, but more importantly I'm trying to figure out a structure/theme/topics that lends itself to a lot of episodes!

[@InternetDoggo]

​@@tombuck Just saw this and the new episode- I honestly don't care too much about the topic, I just like hanging out every Monday with my favorite podcast 🙂 I'm currently going through the whole backlog of episodes and enjoying every minute. Interviews would be fun too! Creator economy, gear, general life, or anything else would all be good for me! Looking forward to the triumphant return!

[@WobbleMatic]

Great video Tom, thanks for all that info.

[@kurokid2441]

I was initially interested in Sennheiser products, but when I learned that it was only 24-bit, I gave up decisively. DJI's products are good, but its cold shoe design is really hard to describe. I sold it after using it. I also used hollyland's product (in China, it's called MOMA). On a very important event, it disconnected and lost its pairing status. It was very frustrating and I sold it. I also have used uwmic9s, a Saramonic product, but the signal was unstable and the size was large, so I sold it anyway. In the end, the only product left in my hands was RODE's product wireless pro, which was very reliable and easy to use.

[@DistraitsTW]

Don't know how but the videos are always spot on. Keep up the good work and good luck on rode awards.

[@tombuck]

Thanks so much! Hope this one was helpful! I have the Hollyland Lark on order now, so I'll do another video with it (not as advanced as these systems but insanely popular).

[@HomesickMac]

Great walkthrough Tom. The practicality wins with the DJI Mic2. I have the one single mic that came with my Pocket 3 Combo pack and it works great.

[@MovingtoOhio]

Can you link the wire you use for the DJI Wireless Microphone 2 ?

[@tombuck]

It's not a cable, but an adapter that works with Sony cameras: geni.us/e5ZGA (the regular 3.5 cable is included with the mic)

[@GrayGhostDog1]

I own both Rode Wireless Pro and DJI Mic 2... prefer to use the Wireless Pro with my Mirrorless camera and the Mic 2 with my DJI devices.

[@InternetDoggo]

Congrats on the Røde Creator of the Year award!!!! It's well deserved! 🎉🎉🎉🎉

[@tombuck]

THANK YOU! Absolutely mind blowing!!

[@MovingtoOhio]

Would you recommend wireless microphones for KZbin talking head videos ? Also do you need to set your audio levels on your camera when you use one of these ?

[@tombuck]

They definitely work well for talking head videos! Especially if you don't have a super well sound treated space. If you're using a 3.5mm cable, then yes you do need to set your camera's gain too. It's usually a good idea to keep the camera's gain super low, like just a few notches from the bottom, and then adjust levels with the mic.

[@MovingtoOhio]

@ Thank you Tom

[@AndreSjoberg]

Woohoo!! People’s Choice winner Tom Buck - all hail the birthday boy and winner of Røde Creator Awardy Thingy TechReview Category :)

[@tombuck]

THANK YOU! Definitely adding that to the ol resume 🤯

[@YoungBlaze]

another thing you didnt mention about the Saramonic is it has the highest SPL on the mic where it wont distort its like 130SPL!

[@tombuck]

That’s definitely a good thing, but I’ve had no issues with the other systems distorting either.

[@bhsaproduction]

Hi Tom. Many thanks for this (wireless) multi-mic comparison - it's always handy to know what's new, how they compare and the pros/cons. About 2 years ago I purchased the Rode Wireless GoII (without a charger case) + a couple of Videomic GoII's & Lavalier Go's (as stand-alone, on camera or for connecting to Atem mini / RodeCaster ProII). I'm simply an amateur AV guy who also does some PA+ @ church. But now I see Rode have launched their (multi-coloured) "Gen 3" system with all the bells & whistles and of course they have the Pro series and ME series. Does this change your thoughts & recommendations for the 2.4ghz range now?

[@RogerCulbersonMedia]

😂Down the road😂 or should I say down the Rode. That was the best pun of the channel

[@SoundsofNorway]

Great comparison, thank you!

[@mdaymdaymday6]

I've had my eye on the DJI Mic 2 since getting the Osmo Pocket 3, especially with the Sony adapter. Any opinions on the DJI Mic Mini that was just announced?

[@tombuck]

I think the Mic Mini looks really awesome! Especially if you don't need built in recording and never play to use a lav mic.

[@generationgeek]

Everyone seems to be mimicking those hollyland ones now; godox, rode, anker, etc. all have smaller systems now. Would be interesting to see if any of those have decent enough sound/features over these ‘bulkier’ ones and the pros/cons of them.

[@tombuck]

I ordered the Hollyland for Black Friday and am really interested to check it out! The new Rode and DJI systems seem cool too (although I think the Rode only works with phones and computers, not cameras?).

[@generationgeek]

@ yep, it’s for smartphones. I got the new godox cube to test out as a phone solution (before the rode came out) - but they also make a wec-s model that works on the hot shoes for Sony. It’s definitely time to upgrade my gen1 rode for my camera though - but so many things were coming out I wanted to wait (and hit up sales of course) and now there’s almost too many!

[@ncyancy]

Hey Tom, thanks for all the great information you share. Are you doing any Black Friday or cyber Monday sales on your courses?

[@tombuck]

I have a promo code "BF24" for 15% off (I sent it out to my mailing list, but maybe I should make a community post here too?)

[@OUTDOORS55]

Im tired of these cheap systems already (i own the dji). Sure these have a lot of features, but these systems are a pain to use everyday. They have small buttons, are a pain to power on and off, have cheap built quality, don't have replaceable batteries, the built in mics don't sound good, they have a lot of self noise, like a LOT of self noise, and you can't use pro microphones on some of them, and you can't connect them via xlr to get 24bit audio through and xlr input on sony and other cameras. I guess these are good if you're using them once a month or something for fun, but there's no comparison to a pro system in terms of actually using them on a daily basis. If you're using them to make a living in any capacity buy once cry once. You'll save time and money in the long run with a pro system. Not trying to be negative, just some input from actuality trying to use these consumer grade products eyeryday. Good video though, I always appreciate your content 👍

[@tombuck]

Definitely if you're looking for pro quality, the limit gets reached pretty quickly. But I do think that these systems have a lot of value for newer or casual users just looking to up their audio or use an external mic for the first time (or experienced users who know and are ok with the limitations).

[@TimeTravelReads]

I just got the Rode wireless Go II. Is it okay? I haven't recorded a video with it yet. I went to a store and that's what they recommended. They didn't have a lot of selection.

[@tombuck]

Absolutely! The sound quality is the same as the Wireless Pro, just with a few different features. I'm sure you'll be super happy with the setup!

[@Fredo.heavyy]

Saramonic is releasing a Sony hot shoe adapter in late dec 2024, it’s on their website. “* The SONY hot shoe adapter for Saramonic Ultra is coming soon, launching late December 2024.“ This lowkey makes the Saramonic Ultra the most well rounded wireless lav system that future proof. You also forgot to mention the Ultra has an amazing app control with easy firmware upgrades and time code controls etc Great review over all thanks for the info on the Senhesier, you put a $300 hole in my pocket 😅

[@manutecsounds]

Expecting Sennheiser to add XLR input to that case🙂

[@JankiShukla-o1e]

Hi Tom, all these wireless mic (dji, rode, hollyland etc) vs RODE video mic NTG in 2024 for a home youtube studio?

[@tombuck]

The NTG is a good option if you want something boomed out of frame, and these systems are good if you need something closer to the subject (and the subject doesn’t mind having a mic attached to them).

[@JankiShukla-o1e]

@@tombuck Thanks Tom...I meant the final sound quality. I have used dji and hollyland before but the output is just average, maybe these options are perfect for outdoor shooting/vlog etc but for indoor you tube studio, is the NTG still a better option when it comes to pure sound quality?

[@swiftdetecting]

Would any theses work wireless with no cables with Canon 7dmk2 also Canon R5?

[@tombuck]

Unfortunately no (at least as far as I know).

[@andyk6344]

Great video - as always - Tom!! Question: I definitely get you point about the size of the Røde Wireless Pro mics, but since you get lavalier mics included, then you have the option to just the small lav mics instead of the the big square "eye-sores". My question in that regard: How does the sound quality from the lav-mics sound to you compared to just using the mic itself without the lav-mics? Is the sound from the lav-mics still better than from the DJI Mic II?

[@tombuck]

It depends on which lab you use. Most of the ones from Rode/DJI/Sennheiser/etc will all sound great. Even some of the super budget Amazon ones can work very well (but some can also sound hideous so it's a bit of a crap shoot). It's not the cheapest, but the Sennheiser Essential Omni is my favorite lav. I've mixed it with regular dynamic mics and it sounds awesome.

[@EmeraldAudiovisual]

Good to see the review on the Sennheiser. Interesting ideas, there. Personally, I've got the Røde, DJI and PicoMic 3. On the pro side, the Sennheiser AVX system.

[@OUTDOORS55]

I have the dji and the AVX. Wish i had just bought the avx first and not wasted money on the dji. It's night and day actually using them everyday.

[@rogeraberger]

I really enjoy your videos! Thank you for them. Do the DJI mics have presets in the Rodecaster like many other microphones?

[@tombuck]

The don’t have mic EQ presets but they DO have camera presets when using the Sony adapter, which will automatically adjust the gain perfectly for specific models.

[@johnheiser2604]

Great appraisal Tom.

[@ItsRyukin]

I’m currently using Comica Boom X-D2, They are still good after about 7 months of use and I even made some DIY accessories to it too! What do you think? 😁

[@tombuck]

I haven’t used it myself, but I’ve heard good things about the Comica! Seems like it’s working well for you 😎

[@ItsRyukin]

@@tombuck Ha, i think they do. I even made some DIY accessories for them too! (So creative, Me) 😄

[@tombuck]

That is so cool!

[@ItsRyukin]

@@tombuck Yes, they are because I made them myself. 😉

[@mattwruff]

Yes, the Sony / DJI Mic 2 is hard to beat, with the Hotshue adapter which I'll used in a hurry or just a Social Media video. But for real work, I'll stick to my Shure Axient Digital with either a DPA or Shure Lav (just more than these entire systems). Not a fair comparison, kinda like comparing your goal-keeping skill against, say, Igor Shesterkin, of the New York Rangers ... LOL

[@TechMediaLifr]

Would have bought the Sennheisers if they were available, but needed a System this tuesday and went with the rode. Included Lavs were a big plus for me, plus I like the sound of the built in Mics.

[@tombuck]

The Rode is the best sounding of the bunch, so I'm sure it'll serve you well! You can also pair it directly to a Rodecaster if you have one, and if you record internally you can use the charging case to transfer files from both transmitters at the same time. Lots of cool features!

[@TechMediaLifr]

@ yeah I‘m really happy so far. And my brother is 3D printing a Stick Mic holder for the transmitters (like the Rode interview go) for me. Very versatile little thingies :)

Congratulations for getting the RODE Gear & Tech Reviews Peoples's Choice Award. Keep the good work.

[@tombuck]

Thank you! I still can’t quite believe it 🤯

[@gaereksworkshop]

Sennheiser's sounded really good. If it weren't for the fact I picked up a Rode Caster, that would be my first choice 100% -- now I'm just divided >

[@Zherebtsow]

with Sennheiser you need to attach coldShoe adapter EVERY TIME you need to grip it on camera, because it cant fit CASE with it on Receiver.... vs DJI - when you just attach it once, and use it forever and fit in Case with adapter or not.... and no 32 bit for Sennheiser, and its NEW system vs all others... why they dont add 32bit?... so strange.

[@tombuck]

Yeah the 32 but float thing is interesting. In reality, I don’t think most people using 32 but float actually end up NEEDING the flexibility, so the regular 24 bit is fine. But the peace of mind with 32 bit float is such a nice thing to have.

[@sebastianjautschus]

Have you tested the Hollyland Lark M2 Mics yet? In my opinion also pretty high up there 🦦

[@tombuck]

Yes! Have a video coming out soon- they’re fantastic, especially for the price.

[@CJbanning]

Are they all on the most recent update because I know the DJI sounds way better after you did the update

[@tombuck]

Yes they’re all up to date 👍

[@CJbanning]

Thank you the Sennheiser looks pretty cool. I have DJI 1 & 2 and Rode 2 sets

[@richardweddle3408]

Tom Buck, the most important thing is quality of sound. Which brand offers the best voice quality?

[@tombuck]

Rode is the best sounding, DJI is the most user friendly.

[@ege-tech]

Yess!! Our Tom Buck got the RODE's Creator of the Year "People's Choice Award!!" Congrats Tom. Very well deserved.

[@tombuck]

Thank you so much! Heather and I screamed so loud when they announced it that the dogs went crazy 😁🤯

[@Q8Webmaster]

I like the Røde Wireless Pro sound the most, then the DJI mic 2. For someone who owns Pocket 3 combo, I just hate that DJI are not selling the receiver as a standalone device.

[@tombuck]

Yeah, that's a good point! If you enter their "ecosystem" through the Pocket 3, it's be nice to add a receiver later on.

[@mappenzellar]

Hollyland Lark Max?

[@MyOutdoorWildlife]

Great review, I purchased the Rode, and about a month later, I bought the DJI; thus far, I've used the Rode the most. You would think it would be DJI since I have a lot of their products; Action 5 Pro, Osmo Pocket, DJI Neo, Air 3 S, and a few other products by them. However, I plan to test out the DJI while I have more downtime, thanks to being off for the next four days. You're right about the Saramonic; it resembles the DJI! I'm currently working on an offline channel where I will use audio/video content, and channels like yours are beneficial. I've been enjoying the process. Your channel popped up on my timeline, and since I am obviously interested in it, I clicked. I'm happy that I did.

[@tombuck]

Glad you found it interesting! Hopefully you have fun experimenting with the DJI over the next few days. It’ll be interesting to see which you prefer. 😎

[@InternetDoggo]

Fantastic video, good to hear all of them in the same room!

[@clabart]

If I explain what you mean by legal issue that you don't understand for UHF microphones. In Europe we have had a transformation of the radio frequency transmission system with the introduction of DVB-T digital television broadcasts and the new telephony transmission bands from the old GSM to the new G-class (2G, 3G, 4G and the current 5G) which led to a reinterpretation of the frequency spectrum previously occupied by different users such as old television broadcasters, music radio broadcasters, military, police forces, firefighters, naval, airplanes and also an assigned spectrum for ENG radio microphones, musical concerts, theatrical and entertainment shows such as discos or piano bars, broacasters TV (like BBC, CNN, etc). These radio microphones had a 470-874 MHz band that was occupied for DVB-T therefore these "short range" devices such as radio microphones have been declared outlawed. So radio microphone manufacturers had to build new devices with other frequencies on 863-865 MHz bands. The same thing happened to you in America. The old UHF radiomicrophones still work but for that operating frequency band it interferes with that of other users (who can be police or for air traffic or who else). That's why they were outlawed.

[@Mahan_films]

Hey bro, thank you for your honest opinion so I want to choose for my job you’re making with tiny budget so I need to Lavalier microphone if you want to recommend me which one do you recommend me?

[@tombuck]

If you don’t need built in recording, the Hollyland Lark M2 is fantastic and very affordable. If you want built in recording and need it to be reliable for work, the DJI is probably the best bet.

[@jordan_bondurant]

Love this deep-dive. Been a big push recently for 32-bit float recording in these new dual-transmitter wireless systems, but like with all videography/audio equipment, it all comes down to what works best for you. I use the Sennheiser XSW-D as my main wireless system, and I love it. Obviously it's been out way longer, and it doesn't have all the bells and whistles like these systems do, but it gets the job done.

[@tombuck]

Those Sennheiser systems last forever! 32 bit float is definitely a nice thing to have, but not necessarily required, especially with things like auto gain and safety tracks.

[@MuslimBestLife]

Enjoyed the vid, but surprised you didnt cover the DJI mini mic which just came out and the price point is significantly less

[@tombuck]

I made this before it was announced, but I also really wanted focus on systems that have built in recording and the option to add lav mics 👍

[@talentohumano1859]

Cómo Puedes Hablar Del Mejor Sistema y No Presentar El Hollyland Que Realmente Es El Mejor, Porque Los He Probado Todos y Ninguno Supera La Calidad De Audio De Hollyland.

[@swnup]

No Hollyland Lark M2’s?? Thanks for the video Tom and Happy Thanksgiving 🦃🍁🍽

[@tombuck]

Happy Thanksgiving! I actually ended up ordering the Hollyland because I’m so curious about it, but since it doesn’t have built in recording or some of the more robust features these systems do it didn’t seem like it fit in here.

[@ww1www]

I love my Wireless Pro kit. The rest do not provide timecode, no reporter mic handle, no locking connector, etc. The Wireless Pro does (almost) all I need. Ah, and latency is probably the lowest of the bunch.

[@tombuck]

It's a great sounding system! worth mentioning that the others fit in the Rode mic handle too. 👍

[@Noname85-i4k]

The Sennheiser has a metal locking connector, its own built in handle and supports reporter handles as well! So that’s a big plus for me!

[@GoTellJesusSaves]

Always great reviews! Thanks! Would love to see how the Hollyland Lark Max Wireless Lavalier Microphone System stacks up to these at $199-249. This system also has built in recording.

[@tombuck]

I have the Lark M2 on the way, but not the Max. Everything I've heard from the Hollyland systems so far seems to be really good. I'm definitely excited to check one out for myself.

[@GoTellJesusSaves]

@tombuck Praying they send you a Max system as well for testing! Would love to hear the whole lineup of the newer ones. Happy day of giving thanks!

[@thethirdrailchannel]

How many have user-replaceable batteries? Or a policy to send them in to have them replaced? See Curtis Judd's position about that.

[@tombuck]

I've made videos about this too. I believe Rode has the strongest warranty support, but it would be much nicer if the batteries were easily replaceable.

[@ArtOca]

@@thethirdrailchannel They won’t do it. They want you to buy the next version. My DJI Mic 1 now has very short battery life after 2 years of use. I decided to get the Deity Theos UHF (which uses AA batteries) for long interviews but still keep the DJI Mic 1 for quick interviews.

[@thethirdrailchannel]

@@ArtOca If more refuse to review these (like Judd), it's possible (maybe) that they will make a change.

[@crumpetsbuttered]

Hi Tom, would love to see your take on the Rode Wireless Micro, DJI Mic Mini, Hollyland Lark M2, with awesome puns.

[@tombuck]

Haha, I would love to try those out! I actually got a sneak peak of the Rode back when they were releasing the Rodecaster Video and the form factor is so awesome. I haven't gotten to use it myself though (and I think it's limited to phones/computers?). The DJI seems like a bit of an upgrade since it's not much more expensive and can also work with cameras. But the Hollyland can do all of that for $25-$50 cheaper, so it seems tough to beat! I found it on a Black Friday sale so it should be here in a few days.

[@Narutouzumaki3226]

Hey Tom, i hope you doing well. I have a question, i have focusrite solo 4th gen and i need a decent quality mic, what should i choose between shure sm7b and shure sm7db, or maybe you have another recommendation. Thanks for your informative video and good quality as always

[@michaelvosbein7524]

Good show. The Rode does pair easily with the Rodecaster series of products, increasing their functionality.

[@tombuck]

Yes! Definitely a benefit if you're already in the Rode Ecosystem.

[@efimborisov8545]

rode still the best, because for sound system sound is the most important thing🤔

[@tombuck]

It's tricky because the Rode definitely sound the best (by a pretty wide margin I think), but usability is REALLY important, and it's not the most streamlined system unfortunately.

[@efimborisov8545]

@ I use wireless go II now, so I don’t feel usability problems 🙂

Nice one.

[@donbullock-techihound]

Another well done comparison video. All four systems seen to be great for what I do. I’ve been using the Rode Wireless Go for several years using a lavalier mic. While I like it I realize that someday the batteries are going to stop holding a charge. I’m holding off considering a replacement until hopefully someone will make a good system with replaceable batteries. To me that’s a critical flaw in all the current choices.

[@tombuck]

My original Rode Wireless from 2019 still lasts almost as long as when it was new, so even though non-replaceable batteries are a bummer, they do have quite a lifespan! I did have a Deity system die really quickly, but I think Rode/DJI/Sennheiser use much higher quality batteries that last longer.

[@donbullock-techihound]

@ good to know.

[@ChuckThree]

Why no Rode wireless micro?

[@MarioCastillion]

Not true that RODE was the first one with these simple wireless audio systems. Saramonic and other chinese brands were the first and then the big brands like RODE followed afterwards.

[@tombuck]

I know those brands were first with dual transmitter/charging case options, but I thought ride was the first with a simple single transmitter system where the transmitter is also a mic? I could totally be wrong though.

[@MarioCastillion]

@tombuck ahaaaa....now I understand. Indeed, RODE was the first with recording capabilities on the transmitter. Great comparison video by the way.

[@TheNorang]

Rode Wireless pro has been my work horse for me for the last 10 month. I like the fact that I can connect to my computer via usb and extract all audio files all at once.

[@tombuck]

That is a nifty benefit if you use the built in recording a lot 😎

[@corymayo]

Great Review Tom! It’s a simple decision for me, I’ll take anything that will wirelessly connect to my Sony cameras. 😮 but if they all start releasing adapters oh man…..then I’m probably going with the sennheiser because those sound super crisp. 32 bit float is great but in real world use I can’t think of any situation I’d be in that the sennheiser dual record won’t do the trick! Would love to see a super high end competitor enter this market like $800 pro setup but in this form factor.!🙏🥹

[@tombuck]

I'm honestly surprised there haven't been any UHF systems that take some cues from these form factors. I'm sure it'll happen at some point!

[@corymayo]

@@tombuckBoth entry level mini mics, and this middle prosumer market has been heavily saturated! and brands in the comments listening please 🙏 drop that top tier mic package. UHF☑️ultra portable☑️ user replaceable rechargeable batteries☑️ Sony adapter ☑️ Pro Lav included. I would easily pay $800+ for this crazy package

[@GilbertTV]

OMG..we are so spoilt for choice these days , I was gonna pick up the Neewer cm28 its 90 bucks right now on Amazon ...

[@tombuck]

Yes! It's a REALLY good thing that there are so many options! It wasn't that long ago that there were super slim pickins 😎

[@lmccart1705]

I’m also considering the DJI system due to its ease of use over the rode pro despite loving the wireless go II system. I think you really hit the nail on the head when you said you can tell the difference when you listen back to back but otherwise the DJI sounds pretty good

[@tombuck]

It’s still a great sounding mic system! I’ve never had anyone complain when it’s the only one I use (plus there are like a million other people who use it too 😁), and the usability is just such an upgrade. I also didn’t EQ any of these for the comparison, but that’s always an option to dial in sound a little more.

[@omererdim]

im waiting Hollyland 32 bit system

[@carlossantini]

You left out one important data in your video. LATENCY! DJI & Blink are unsable for live streams. Sennheiser EW-DP - 1.9ms Rode Wireless PRO - 4ms DJI MIC 2 - 23ms latency Blink500B2 - 29ms latency

[@tombuck]

I've used them for live streams many times with no issues and most streaming software lets you adjust latency to keep video and audio in sync since it's often an issue when combining lots of different sources.

[@carlossantini]

@ not that easy but again it's one fundamental aspect to consider and it was excluded in your video. People should know the consecuences on getting on system with high latency and their workflow. Transparency is king!

[@ThomasMurdach]

I’m going to side with audio meister Curtis Judd and avoid anything that doesn’t offer replaceable batteries. I’ve already got a set of Rode WG2s that are useless due to swelling.

[@tombuck]

Curtis makes great points in his video (I have a similar video from earlier this year). Personally, I'm not avoiding talking about products like these but I will continue to bring up the battery issue in every review/comparison. IF you batteries are swelling though, that's definitely a defect and I would reach out to Rode for warranty support.

[@Pfagnan]

I have the Rode system and I love the sound quality and ease of use, also very reliable. As for clipping the ‘big clunky’ transmitter to your chest, you can do that in a pinch but you’re really supposed to use the included lav mics which are excellent. Hide the cable under your sweater and Bob’s your uncle! The transmitters have a clip to attach to your belt or waist just like they do on a real TV broadcast ! 😜 (where I worked as a producer for 43 years) Love your videos though for sure!!

[@tombuck]

The sound quality of the Rode is always a nice surprise. It really does stand out. And who doesn't want to play broadcaster with a lav mic! 😁

[@thomassorheimdanielsen]

Its a choice indeed. I like Røde for the lavaliers. That's a big one for me, because I actually find the mics clipped on/visible to be disturbing/annoying (personal preference). But I do like the DJI and all its interconnectedness etc. But then Sennheiser is very cool and innovative, and I find that attractive. But now I just saw there is a new DJI Mic Mini which also grabs my attention... I am looking forward to your review of those! Keep on crushing, Tom!

[@tombuck]

So many choices! At the end of the day, it's really tough to go wrong so even the criticisms are splitting hairs. The Mic Mini looks like a good choice if you don't need internal recording or the ability to attach a lav mic. Hollyland and Comica have had affordable options for a while, but I'm glad to see Rode and DJI make some more budget-friendly systems too.

[@bauertothepeople]

I was about to get the DJI microphone but noticed a slight delay during live monitoring while recording my podcasts. This tiny lag became quite irritating during longer monitoring sessions. The Rode microphone, however, works perfectly in this regard. I’d love to hear about your experiences. Thanks!!

[@alrives]

I think you are linking the wrong Sennheiser system

[@tombuck]

I just double checked the link and it's correct 👍

[@alrives]

Sorry the link says $899 but you mention $299 for the Sennheiser. Thanks for replying

[@Emerald_City_]

You might verbally be the best reviewer out there, and as presenter in this competitive world you are joy to watch… but in this case I missed a direct sound comparison between the systems. Which is strange, as all that you do is so close to perfection and you are a known audio enthusiast. You could do another video focusing just the sound quality plus direct comparison and that way fill the gap. Greetings from sunny Lowlands…

[@tombuck]

Thanks for the kind words! There is a quick side-by-side comparison at 3:49 and then I tried to do two full rounds of audio on each system to give plenty of samples. I've found that switching too much between mics can get really confusing to the ears to the point where almost nothing sounds right 😵‍💫😁

[@mrdonsmith]

Now if only the branding and reflectivity is left off the side of the transmitters! Please! Have you seen the Rode videos where the mic on the lady is flashing studio lights into the camera? The mic is photo-bombing the shot! And WHY WHY WHY would you want a mic with advertising on its side that draws the eye to itself? My perfect wireless system mic would be flat-black, internal recording and Float-32. Wireless mics that are truly professional are all flat-black!

[@tombuck]

It's definitely baffling. I know the Hollyland Lark M2 comes with stickers specifically to cover up the branding if you want it to be discreet, and I appreciate that.

[@ElConnector]

You have the best videos. I have the wireless go pro II for my a6700 and the DJI mic 2 with my Osmo pocket 3, I like both and I don’t see why upgrade or change. The Rode sounds “better” and the mic 2 connects to my Mac or my iPhone. So, I’ll keep using them until they are not usable anymore :)

[@tombuck]

Yep! I do wish they had replaceable batteries, but the upside is that they do seem to last a long time. My original Rode Wirelsss Go from 2019 still seems to get pretty much the same battery life as when it was new.

[@ElConnector]

@tombuck I just wanted to highlight this and see if you agree: Rode makes fantastic quality devices, and their customer service is truly unmatched. I own the Rodecaster Pro 2, the Duo, the Streamer X, the Wireless Go II (with charging case), and the VideoMic 2. The only time I had an issue-specifically with the Rodecaster Pro 2-their team was incredibly helpful and got it replaced right away. Best company out there! I just need to press record and publish! P.S. I’m from Seattle and love seeing your Kraken gear!

[@mcchezta4656]

Dji mic 2 and Saramonic ultra have pretty much the same sound quality... the only difference is the price...

[@JoshRazauskas]

Hey Tom, sorry for a second comment on here but our email thread got lost again. I don’t know what is happening with the Gmail app. I think I might have to try and migrate over into mail instead but when you get a chance if you just wanna say what’s up so that I can try to get that back one more time Lol. Hope you’re doing good my friend!

[@sugarbait]

How do you recommend a mic system that doesn't have the best audio. That doesn't make sense. It's a mic system the main function is to capture sound. That's should weigh the most in your decision.

[@AndreSjoberg]

Not always: if audio quality is «best» but it’s a hassle to use, lacks certain features one wants or needs etc choosing the second best if the audio quality is «good enough» on the second best or third best option is a valid choice - and price also plays into this. Sometimes good enough is good enough all things considered.

[@tombuck]

It’s not the best sound but it’s still good. Usability is just as important.

[@sugarbait]

@@tombuck I do not agree, but that's your opinion. Still love your videos!

[@tombuck]

They’re all nice systems in the end, so you gotta go with what works for you! Glad we can disagree on points and still have fun 😎

[@ayoubthegreat]

What do you use wireless mics for? I switched to the rode go2 just because of how easy it is to use.

[@flussburrito3755]

The DJI Mic 2 is really bad! 1. the bad firmware, where they „tuned“ the sound numerous times! wtf it changed handling, post etc. everytime and still it sounds artificial and not like the original. I record live concerts and it is destroying most of the louder take completely. I switched to Rode wireless pro and never looked back.

[@ryan_runs_]

+1 for the DJI Mic, I also found the audio quality increased noticeably when I used the DJI lavalier, especially after turning on 32 bit and turning off the noise cancelling and low cut filter (which were on by default for some reason?). Also I used to work for a company that would essentially license entire pieces of hardware to other brands, and what you got looked a lot like the Saramonic vs. the DJI, like they just changed a couple things and put a different sticker on it 🤷

[@tombuck]

HEY! Always fun to run into you. 😁 Yes, the DJI lav has been a fun surprise. I really like how adjustable the clip is since it make positioning super easy compared to normal lavs.

[@VFed0seev]

What about timecode and testing (file transfer time, working time, working distance, interference signal, clipping mic, apps, etc)?😂

[@tombuck]

I usually just focus on the way I use gear and the features that I personally looks for, which doens't always cover everything but is helpful people in similar situations.

[@VFed0seev]

@tombuck I understand, but your review turned out to be more about feelings than about the capabilities of the tools for work. That's why I asked about comparisons of different tools in real work.

[@tombuck]

@@VFed0seevI use these tools for “real” work everyday but I never position myself as an expert or pro, so what matters most to me are the feelings of how these things work and how usable they are. There are plenty of channels that dive into tech specs and all that stuff, which is probably more along the lines of what you’re looking for.