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Many composers over the years have claimed to experience synaesthesia, a condition where one sense is activated by experiencing another, and for music, this normally means that when someone hears sounds, they see colours. Scriabin, Liszt and Ligeti are some well-known examples of synesthetes, but among these composers, there is only one who truly dedicated his life to exploring the colours of music - the 20th century French composer, Oliver Messiaen. In this essay, I explore Messiaen’s music and sound-world through the lens of colour and shape, using an ambitious and wide-reaching project by Håkon Austbø as the basis for my discussion.
VISUALIZING VISIONS: THE SIGNIFICANCE OF MESSIAEN’S COLOURS, Håkon Austbø, Ricardo del Pozo: www.musicandpr...
Watch my Kandinsky video here: • What's the Sound of Co...
Thank you to Juan Brizuela for providing the Spanish subtitles.
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FURTHER WATCHING
Messiaen on Debussy and Colour: • Messiaen on Debussy an...
Messiaen - a life in colour: • Messiaen - a life in c...
FURTHER RESEARCH
Color Harmonies and Color Spaces Used by Olivier Messiaen in Couleurs de la cité céleste [Paul E Dworak]: www.dropbox.co...
Messiaen's Synesthesia: The Correspondence between Colour and Sound Structure in His Music [Bernard]: www.dropbox.co...
Messiaen's Chord Tables: Ordering the Disordered [Cheong Wai-Ling]: www.dropbox.co...
Messiaen's Technique and Visions [Ng Mei Chu]: www.dropbox.co...
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