Wish Beaten by the Amazing Digital Circus

Writer's Review - Wish is a Bad Movie, BUT THAT'S NOT THE MOST IMPORTANT THING...
Really, we need to talk about the continuous, astounding success enjoyed by The Amazing Digital Circus and Glitch Productions! This single pilot episode is paving the way forward for something really big. There's not only a cultural shift in animation and entertainment coming, but even a shift in how stories can be communicated.
This video serves as an introduction to a much larger, more critical conversation that all creators across the spectrum should be having.
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Clips used for this Video:
The Amazing Digital Circus, created by Gooseworx, produced by Glitch Productions, 2023.
Wish, directed by Fawn Veerasunthorn and Chris Buck, produced by Disney, 2023.
Murder Drones, created by Liam Vickers, produced by Glitch Productions, 2021 - Present.
All rights belong to the creators of the clips and artwork used in this video, but they are implemented under Section 107 of the Copyright Act of 1976. As an aside, despite the Harem’s personal views on certain stories, we highly recommend you check these stories and shows out. It will help improve our future conversations with you, and they will help inspire your writing. It has for us.

[@raytheanimator7725]

I have a theory on why Inide animation is doing a lot better than animation right now it's because it's made by the fans for the fans people are considering things that they like and what other people would like

[@mariamsoliman8689]

Exactly! And to add on that Disney itself has been falling down than other animation studios, their movies are not good anymore, they are so afraid of coming out of their comfort zone and always following their old trends and are being uncreative at all, also their recent support of a certain colonizers with a flag of blue and white is a red line for me, Disney hasn’t always been this shit, it has been falling down for some time now

[@camillesharem]

That reminds me of a constant debate that is had on the podcast Midnight's Edge, whether or not the stuff fans make is any good. I vehemently disagree with Script Doctor and side with you on this. The fans know what they want and they create stuff around what they like and what they know others enjoy, too. And sometimes, those stories and creations take on a life of their own and become amazing original works! Examples include the Inheritance Cycle, Fablehaven, Dungeons and Dragons, and many more!

[@camillesharem]

@@mariamsoliman8689 For me, the moment they said they would move away from 2D animation after the Princess and the Frog, I knew there was a problem. Why get away from something that made your company's legacy? And it showed how they abused their cartoons and the people making them, i.e. Gravity Falls, Amphibia, The Owl House, The Ghost and Molly McGee, that they only entertained certain ideas and creative endeavors to score "brownie points." Last I checked, brownie points never converted into actual brownies or cash! The whole company has been losing its way for a while, and they refuse to take responsibility and admit it. They can course correct! The House of Mouse hasn't burned through all its good will yet! But they just can't allow themselves to admit their own splotched record... And so they march to their own demise and make way for all the new creators and other companies to fill the space they once inhabited for innovation, animation, and storytelling!

[@raytheanimator7725]

​@@camillesharemthank you Disney for some reason has been on this thing where the fans just need to shut up and enjoy what they give them and trying to lecture people but a live actors say this they should make stuff for the fans

[@mariamsoliman8689]

@@camillesharem Yes, and that reminds me of another important point, animation has mostly been treated as a way of entertainment for kids only, which is a major problem bec a lot of adults/teens enjoy cartoons as well (I’m excluding adult cartoons cause most people don’t like them including me, and adult cartoons mostly revolve around “sexual jokes” or “inappropriate stuff” which is uncreative at all) we want the stuff to be taken more seriously and to be more deep and maybe have some gore, now this is something that I see a few recent movies has been doing which is great, but shows still kinda lack them. Bec a thing all indie animations all share are those stuff that are considered “too scary” for kids or that they think they are stupid and won’t understand (which is not true, kids might be naive but not stupid) And also indie animations are also known for their creativity, whether the story, the way it plays out or the scenes or even the animation and music Which is something that the animation companies don’t do at all despite having tons of money, bec indie creators put their hearts and souls into their work, unlike most companies who just do it for money so it’s obviously cheap and they have a lot of limits 😕

[@ryanphillips4123]

The recent rise of Indie animation has been very inspiring to me personally, but what I try to point out to other people is just how exciting it is that western storytellers can actually tell their stories now without being crushed by Big Business. I firmly believe that across all fields, not just art, people need to believe in themselves more and in big name companies less. Indie animators have shown us what happens when you have passion and you put the work in yourself. I think this all bodes very well, and I’m super excited for the future! I guess that means the message Wish was trying to tell was better told by Indie artists actually working towards their goals lol

[@camillesharem]

BINGO! That is the message I want to share in my follow up video to this one. The comparison between Wish and The Amazing Digital Circus ultimately shows us that you don't need to go into big business to make your dream happen, and that it can be financially viable. You might not be filthy rich, but there is a space for all creators to make a stand, make some money, but most importantly, enrich the world by sharing their amazing talents!

[@giga_chad9]

Shoutout to digital circus for being original, goofy, and mysterious, I genuinely love shit like that and I want more of it

[@camillesharem]

Same here, and we're definitely getting more! Glitch at least will see to that, but plenty of indie creators are ready to serve up the good stuff right now.

[@giga_chad9]

@@camillesharem I hope we get it soon cause man I still will rewatch digital circus, there’s so much that’s in their that you’ll miss it’s really cool

[@Iso20227]

On the bright side, Disney is becoming an inspiration to me. An inspiration to not make the same mistakes that they made. My story’s coming along nicely though. I finally gave my main character a goal and a role to play. The only major things left are to plan a few more major plot points and to write some good ol’ character development.

[@camillesharem]

Hahaha! Yes, Disney is truly a shining example of what NOT to do! And congratulations on the progress you're making! Please keep us updated. :)

[@Iso20227]

@@camillesharem absolutely. What I’ve learned, don’t take too long to get to the point, but don’t do it too soon. Make sure to include meaningful characters, character deaths, development, action, conflict, etc. don’t have any useless scenes just for the sake of filling space. Jokes are acceptable, but not too frequently. I’ll keep working on it.

[@camillesharem]

@@Iso20227 You've got good guard rails. Keep plugging away! And that part about the jokes, I wish some writers understood that for a couple of their characters... Even my hero Brandon Sanderson really tripped up in my opinion with Lopin. An absolute gem in the first two Stormlight Archive books, and then overstayed standup comedian for the rest of the series.

[@Iso20227]

@@camillesharem I feel that. I also struggle with the jokes. I know what to do, but I just don’t quite understand how to properly apply them so that they’re actually funny. I think I just need to let it come naturally and not try to plan them out too much.

[@giga_chad9]

Finally someone who’s making something original, I know that you’ll become successful because of the fact that you’re original, I hope it turns out in your favor man

[@bella_daze3092]

8:39 I KNEW IT! I FUCKING KNEW IT! No wonder why it flopped. They sniffed out ALL of the creativity. It’s bad when the CONCEPT art is better than the film

[@camillesharem]

Looking at you, Rings of Power! A great storyboard does not a great movie or show make!

[@cosmicspacething3474]

It’s also funny that the short comprised almost entirely of references (Once upon a studio) had more soul in it

[@bella_daze3092]

@@cosmicspacething3474 RIGHT???

[@gothnerd887]

Of course Hollywood isn't going to listen to this and probably blame Disney's fall on The Nimona Curse.

[@camillesharem]

Hahaha! I think they forgot Nimona the second they booted it. Disney is so dead set on rewriting their history, they don't have a clue who they are anymore or what they're getting wrong.

[@miguelescobedo8836]

It's surprising that Puss In Boots The Last Wish and The Amazing Digital Circus respects people, fans and animation while Disney is making flop after flop it's like they want to lose money at this point.

[@camillesharem]

That's exactly how it feels like! It's flabbergasting to me, but here we are. It really shows where respect, skill, passion, and good storytelling can take you! An indie animation is crushing Disney's "triumphant" Wish and Puss in Boots has claimed the mantle of fairytale storytelling.

[@lorilosey6920]

That's bc DreamWorks loves their fans as does Blumhouse since their films rack in money, then you have your indie animations like Helluva Boss, Hazbin Hotel, and Amazing Digital Circus that draw in fans as well. Disney really screwed up when they went woke with their movies

[@animezilla4486]

I disagree have you even seen the movie elemento it was pretty darn good

[@animezilla4486]

​@@camillesharemwhat about Elemental have you seen that movie

[@animezilla4486]

​@@lorilosey6920not everything is about woke

[@flowerbloom5782]

Thats the thing that people don't understand about artists or writers working under a company. The higher ups can just destroy your vision and tamper it and its job at the end of the day. When i do a comission, i can only advise the commisoner but if they want to continue with the ugly color. I have to. Thats why i love indie animation cause you don't have to ask permission for your ideas. The amazing digital circus is very unique with its a webcore and i know that no other company would fund such a project because its too "weird". I'm really happy that creatives are finally charting their own course.

[@camillesharem]

Glitch from all accounts has done a great job on empowering their creators and collaborators, but also in homing in on their audience. They took risks on people who they thought could tell great stories that would resonate with specific people. From there, Liam and Gooseworx made shows that were even accessible to more people than Glitch had intended. A great project, from one illustration to an entire, comes into being when everyone aligns their visions and works together, learning from and supporting each other, to make it happen!

[@bella_daze3092]

I remember going to the theaters to see a different film and saw when walking to the room it was screening in that Wish was playing. Then went: “Oh… why didn’t anyone tell me?” And then heard how much it FLOPPED. How executive Disney most likely set this up for failure. Then compare that to the indie shows. I KNEW about those, I was excited about those! We call the days the Murder Drones episodes drop “Murder Drones Friday”. Plus this video made me realize that the whole reason people loved Amazing Digital Circus was BECAUSE it was bold, took ideas most companies haven’t been doing and making them into works of art. If I were to make a show, I would make it indie too since I know it wouldn’t be safe with a company. I have a concept I wanna make into an animated show so- it would be going indie.

[@camillesharem]

Indie is absolutely the way people are going these days. It's an open secret now that big companies like Disney ruin people's visions for their stories. Glitch productions enables and guides the creatives in their work. I bet that they do exercise oversight and enforce deadlines, which is just good business, but they still let the creatives do their thing. Especially according to Liam and Gooseworx. Disney has been absolutely dropping the ball, and it's revealing the horrible conditions within the company and Hollywood generally that is sucking the life out of modern storytelling.

[@hamzahchambers2776]

I’m glad you called Magnifico a “hollow villain.” Villains like heroes make up important chunks of the stories. And like I said one time they need proper development. Compared to villains like Jafar, Scar, Gaston, Ursula, Hades and Frollo (especially Frollo) we understand their motivation and what makes them awesome villains. After seeing the concept art for wish. I think it’s safe to we were robbed. But going back a little. If you remember the very very first trailer for wish. Didn’t Magnifico sound and feel more intimidating and villainous

[@camillesharem]

Magnifico was billed as a terrifying villain and I remember Disney making a big deal about how awful he was, something we hadn't seen since Maleficent. So, I had high hopes (though loads of reservations on the story). urns out he was wasted potential. If the movie had another ten minutes to tell us more about what happened to him and his family, how he turned to magic, and then built the kingdom that he fears losing, his fall would have been tragic and spooky. But nope! Disney can't let any man be relatable or intimidating anymore...

[@robloxisdown5585]

Ahh ranting, the best form of entertainment. I also have 2 more things to say. 1 As someone who falls into the category of a younger audience that can get relief from these shows, I am here to say that these shows on KZbin are the only thing that keeps me going strong And 2, by the time this is over Walt Disney's head will be thawed out.

[@camillesharem]

Rants are good for the soul!

[@Princess_-gp3ep]

Nimona technically also beat Disney’s wish with the reviews.

[@cosmicspacething3474]

The craziest thing to me is that the two studios have similar beginnings. They started off with one guy just wanting to make good entertainment. Yet Disney is mostly a shell of its former self, and Glitch is closer to classic Disney than Disney itself. I hope they don’t fall into the same pitfalls.

[@camillesharem]

There is no telling where Glitch will go. But if they can also make it a hundred years before falling apart, then that is a good run. Disney has had an incredible run, and it can still be good, but they are resolutely marching to the beat of their own self-destruction...

[@hafizmazuki2443]

Money doesn't mean jack shit without talent backing it up.

[@camillesharem]

Absolutely! And I am hearing even more horror stories out of Wish now that says that there was no concentration of talent or vision to make good use of that bloated budget.

[@NotaGhost0]

The amazing digital circus ost is way better than wish’s💀

[@camillesharem]

True, the OST for The Amazing Digital Circus is so memorable! Especially the opening and ending numbers.

[@lorilosey6920]

Hell, Five Nights at Freddy's has made way more just since its opening than it cost to make it. Goes to show indie games and animations are more popular than mainstream studios lile Disney.

[@camillesharem]

Disney is scrambling to come up with lame excuses for WHY Five Nights at Freddy's is beating them so soundly at the box office. If they put their two brain cells together, they'll just think that buying up indie properties is the way to reconnect with audiences, but they'd be fools for thinking that. It's about the passion, the fun, the story, connecting with people and encouraging them to enjoy your product/story/game/movie. But I can't recall the last time Disney really did that!

[@Lady_ETHNE]

"Since arguably Frozen 1," Encanto, which somehow connected with enough people (including myself) to spawn it's own fanbase separate from Disney back in early 2022: Am I a joke to you? Okay but seriously you make a good point. TADC is so much more entertaining, heartfelt, and fun than Wish. Heck, my little sister (she's like 6) has realized this. She has seen both Wish and Digital Circus and she hasn't brought up Wish since we left the Theatre but she has asked me if we can watch Digital Circus multiple times.

[@camillesharem]

From everything I've heard, Encanto succeeded despite Disney. Haha! The House of Mouse never intended for it to be big, but a tax write off. And even after all its success, they still have no idea what to do with it, but make expensive, random merchandise from it. Oh Disney... But yes, thanks for correcting me. Haha! I showed The Amazing Digital Circus to my sister and her husband right after we got out of Wish. It didn't click with them, but my sister said that the music was way more memorable and good with TADC. I still count that as a win!

[@stilldeaky]

encanto and turning red were the last good Disney films before they fell all the way off to the abyss

[@Lady_ETHNE]

@@stilldeaky agreed

[@italex827]

Hazbin hotel looks like Renaissance Era Disney, but for adults.

[@missplayer30]

I remember that Indie animations and games felt more experimental and lesser known than the mainstream stuffs, which made me a little hesitant in giving those a chance. But with all these inferior mainstream products, I don't think I had much of a choice now.

[@bdariamihaela]

15:33 now it is the most watched pilot

[@TeaWithHobbits]

GLITCH is such a precious gem of creativity and connection towards a younger (especially teen) audience indeed. Even the side characters (Not sure about Zooble though) seem to represent certain traumas or discomforts. Personally I relate to Kinger, I'm flinching and getting jump-scared, daily or often, just like our beloved cartoon chess king. Love the dark humor and sweet moments between characters that GLITCH provides; it seems so surreal to feel understood by the raw imagination of other people in the form of art. I do worry that normal conversations in person won't help the world to connect anymore, (Atleast not in places with modern technology) not when so many of us have anxiety/social anxiety in this age. Art is a language, and most of it is *digital* these days. I feel that we're kind of stuck on screens from here on.

[@camillesharem]

That is one thing that Glitch has shown real strength in: making amazing characters! No matter the story, it lives or dies by its cast of characters. A lot of people are connected through their screens, but there's still a wide expanse of people who aren't. Art can bridge that divide and help people meet and communicate. :)

[@brandonknight7773]

One day, unless the animation industry gets its act together, indie animation will rule the entirety of the United States of America

[@camillesharem]

It's coming! I don't think the indie scene can completely replace Hollywood, but they will give those studios a strong run for their money and dominate a significant portion of the industry as a whole.

[@CubeShot-7]

I think tadc is the most watched Indie project (I can't find anything bigger?)

[@camillesharem]

According to a list compiled by Cartoon Brew back in 2021, there are about a dozen other indie creator shorts/episodes made on KZbin that are more viewed than The Amazing Digital Circus currently is. But there are caveats to that list: the most watched one was featured at the Oscar's and the others are older productions made by passionate fans that do not rise to the same production value as The Amazing Digital Circus. www.cartoonbrew.com/most-viewed-indie-animated-shorts-on-youtube

[@CubeShot-7]

@@camillesharem oh wow ty nice list time to go watch some more animations!

[@camillesharem]

@@CubeShot-7 Enjoy! There's some fun and long-forgotten stuff there on that list!

[@redjirachi1]

Indie Animation be like "the future is now old man" to Disney these last few years

[@jacksonfunke8230]

From what I am learning in my economics class right nowish, It seems like Disney used to have high barriers to entry that no other companies could join the market and the few that were left had to compete or die, but then Disney bought them all, there's no competition. At all. And now they don't need to work hard to make a good quality thing, but oh no, technology progressed and the internet people can now make animations of good quality and so it's like a chihuahua fighting an old sickly dog.

[@camillesharem]

Disney absolutely skewed the game in their favor. But technology and ingenuity have come together to enable small time creators, companies, and storytellers to begin competing. The industry won't care until these guys are making millions and millions of dollars, but that already means that they're falling behind. It's not just about the money or grip on the industry, it's being able to connect with audiences and ride the social waves. Disney is years behind Whereas Glitch Productions has tapped into the mentality of millions around the globe, and it shows with their success.

[@Personian]

I enjoyed TADC way more than I have enjoyed most disney movies Hopefully we don't have to wait two years for episode 2 like what happened with Murder Drones lol

[@camillesharem]

Hopefully not! They did say at GlitchX that they won't have all the legal work and contracts finished until April. If we're lucky, we might get more TADC by the end of 2024.

[@YinYangAngel55]

Disney banked on having a monopoly on animation as there were only a handful of animation studios at the time. But now that animation can be streamlined they are realizing what a free market looks like. Now they have to actually compete for their audience. You can tell how much people love the music by the covers and animatics they make about the songs for the movies. You're Welcome, Let it Go, We don't talk about Bruno, Into the Unknown, Ready as I'll Ever Be, etc all songs people loved so much they put their own spin on the songs. Aside from a few covers there hasn't been many animatics or recommendations for music from the movie itself. Even Shiny has lots of animatics about it and Tamatoa was not even the big bad of the movie.

[@BrainRot290]

In my honest opinion, I feel like with one episode of digital circus, there’s many possibilities within. But looking at the entirety of the wish movie is just depressing. In wish, there’s barely any change of vibe and adventure. It’s just like you’re watching the trailer all the way through. But digital circus on the other hand, one episode looks like it can lead to a bunch of new concepts. Just one episode. With wish, the entire movie lacks new concepts and gives off a limited vibe. Digital circus feels like there are many interesting things to be revealed in the next episodes, probably many new adventures and places and characters rather than sticking to one particular limit. The contrasting vibe of every scene we get from episode one gives me a feeling that each episode will explore a different view of the digital circus and conflict would build towards the end. Wish, personally I never watched wish before but I’m pretty much sure the whole movie was flat and boring with the same vibe in every places the characters explore. Just watching other people’s reviews make me think the movie is no different from the trailer and the side characters are all boring, stereotypical and flat and just thrown there and barely have any bonding or lines. I memorized everybody in digital circus and the places were iconic and had different vibes. The vibes I got from it was good and actually cool to watch. To be honest, I only watched the first episode of digital circus and who knows how good the next ones will be, but given to the sample we have currently, I think there’s gonna be a new adventure and new bits of lore every episode. Sadly, I’m not sure if we’re ever gonna get interesting well written Disney content. They used to make the best movies. I remember when Disney used to release new movies that people love. People got excited for every new movies they put out and it’s always on the rave. Wish was barely mentioned by any of my friends sadly. Some people even forgot it existed. Nobody I know were looking forward to watching the new wish movie when it premiered and there was this guy online that said that the movie poster looked AI generated. Another thing about wish is that it came out the same time as digital circus get more people know about the circus series although there’s only one episode. Wish and digital circus side to side by the way: wish is made by a company we all know and love. It’s much more famous and known. Circus on the other hand is made by a few KZbin artist that some people know. Disney has a whole theme park and a whole franchise. It’s been around for a hundred years already by the time I’m writing this. It was known for its imagination and creativity. It was peak animation that both adults and kids.. but in the state it’s at now, viewers literally FORGOT about one of their new releases. This is really sad and Disney’s wish is honestly one of the most depressing films. On the other hand, Digital Circus, a literal indie animation beat DISNEY, the biggest animation studio in popularity. TL;DR Digital circus feels like it had many possibilities in one episode, wish feels depressing and limited.

[@camillesharem]

Having seen Wish, it really is flat in feel and boldness. The movie feels like "And then... And then... And then... And then..." with the biggest blip of emotion and action being the king turning evil. But even that moment is nonsensical when you stop to think about it. Meanwhile the Amazing Digital Circus was so full of emotion, possibility, action, and just FUN in general. It was a project that everyone was passionate about. It was well written, well executed, and knew exactly which audience it was trying to reach. Wish had none of that!

[@BrainRot290]

@@camillesharem That’s what it is. Most Disney movies feel as if they have life and a story, but if wish feels bland then I’m not watching. Digital circus was amazing ngl from what I just saw. Tbh you’re pretty brave for spending money on the movie wish to make a review. It seems like it’s as bland as I mentioned. Thanks for replying to my comment

[@johanstenfelt1206]

Hm, I see, it’s interesting how things can go, this was very well done, i will look forward to see the follow up Video. By the way, about something else, do you know of UnderVerse?

[@camillesharem]

Thanks! Glad you enjoyed it! No, I don't believe I've heard of the UnderVerse...

[@happysmilesworldandgames8755]

Also, in murder drones, you can remember characters as important as rebecca

[@camillesharem]

Rebecca is a very memorable character. Hahaha! From Lizzy calling her out to her super gruesome, hilarious death.

[@ShnobbsReal]

A petrified jester girl vs an 100 year old evil corporation Free entertainment vs overpriced movie budget

[@camillesharem]

It's easy to tell who wins. Actually, I have even more about that coming up in a new video.

[@CassieIsGae]

There is nothing I would change about tadc. There's so much I would change about wish.

[@ilikeanime5086]

tadc for life fr,also your video is so underrated dudeeeeeeeeeee

[@camillesharem]

Thanks! And to the Amazing Digital Circus, that pilot is still getting about 3 million views per day! It's absolutely mind boggling and incredible to see this kind of success and popularity. It really means only good things for the future!

[@hafizmazuki2443]

Yo, i just watched the amazing digital circus & its amazing!!! I love the finding the exit scene & existential dread feeling you feel at the end 😮

[@camillesharem]

That scene was so freaky! I've actually worked in places and been to offices just like that scene and it's beyond creepy! It's a great way to represent that existential dread that so many people feel of being stuck in life.

[@RenAsterion]

...I liked Wish... but then I think I just go into original Disney movies with my brain turned to low power and just enjoy it for what it is. I loved the duet between Asha and the king. I loved the "to battle" song, and the "I Wish" song. They were catchy and I guess I'm just easily entertained. I also found all the references to the past 100 years charming, so that helped raise my opinion, too. Yes, things like ADC are 100% better, but those are made by people that are from my generation and younger, who have complete creative control. ADC is also not supposed to be child friendly while Wish is VERY much a movie for younger children. I think everyone is judging too harshly.

[@michelleschrock9141]

My friends little brother (4) watched Wish and the amazing digital circus and he begging his older brother to watch the amazing digital circus at least once a day with him because the amazing digital circus is way better than Wish. The little one fell asleep by watching Wish because in his words "It was so boring and forgettable. The amazing digital circus is way better." I agree because the opening theme song lives rent free in my head. If someone would ask me if the amazing digital circus is better than Wish i would say yes because it's true. 🎪🎩

[@samanthataylor8606]

i love the amazing digital circus my favs pomni wish is bad

[@joghnythegurue2710]

Might I also mention that the two are of equal quality animation wise DESPITE the fact TADG is meant to look like uncanny 90's CG and wish is meant to be Pixar level quality mixed with the Disney renaissance.

[@camillesharem]

I just heard a report today that the entirety of Wish was animated in 3 months. That kind of a rushed job would totally explain why a multi-million dollar production appears to be on the same level as an indie animation.

[@verylostdoommarauder]

They're equally as bad, just in different ways.

[@Barakon]

2:10 At least the art style is neat.

[@camillesharem]

There are certainly a few places in the movie where the artwork really shines through. The style could have really popped if the animators had gone for the same amount of environment and variety of characters in the background like in Tangled.

[@bdariamihaela]

I was preatty late for the world of indie animation, Helluva Boss got me into it and I started watching in the hyatus between season 1 and 2. But I'm very glad I did. I was tired of the same old disney formula, it was like nothing new was beeing brought to the table, projects like Final space and Inside job get canceled while they make season 100 of big mouth, indie animation is a revolution of the industry. I think we are gonna se the process change with how studios handle animation, that the way Hazbin did, going on the internet and making a bunch of noise will be the new way and even if I'm wrong the numbers don't lie, disney animation is dying, Pixar's golden age is gone, DreamWorks is a mixed bag and Illumination was never that good.

[@dane4073]

because disny has hired to many LGBT people who waht to push there idioligy more then a story and beign a good movie. they need to fire all of them for that resaon and take the lawsuit that comes from it

[@puggyboy694]

Gooseworx, the creator of TADC, is trans, and other staff is LGBTQ+ as well. On top of that, Zooble is non-binary. The issue isn't LGBTQ people, it's corporate meddling. I don't expect to convince you of that, though. You don't come off as the understanding type. PSA to anybody who sees this comment: you can report comments as hate speech using the three dots next to them.

[@spamtongaming4172]

I don't really think representation is really killing Disney In fact, a lot of indie animation has LGBT characters and plot points For example Zooble in TADC is technically non-binary and all characters (except the Moon maybe) are aroace. And you said something about them hiring people who are part of the community. Gooseworx is literally a trans woman (pretty sure)

[@arbitrarytoast]

As if Disney didn't build their entire legacy of the fairytale work of a gay man 💀 The LGBTQ community has always been a pillar of the arts.

[@samalass466]

Sounds like an excuse to be phobic. Most of the ideas we want to tell would get absolutely crushed by Disney to the point of only being hinted at or one quick glance.

[@Liether]

nice grammar lol, be sure to turn on spell check or word suggestions next time

[@BrainRot290]

I never thought I’d seen 🌟Disney wish 💫and 🤡the amazing digital circus 🎪mentioned in one video

[@camillesharem]

The world is truly turning upside down! And there's more to say about that in an upcoming video, because unbeknownst the entertainment complex at large, The Amazing Digital Circus is a game changer for Glitch productions, who are now poised to make a splash across the internet and world that Hollywood can no longer stop or rival. And as Disney, once a paragon of culture, falls into ruin, there is a new generation of storytellers ready to take up the crown.