22:55 if you came here for the custom buffer

Well done, Mr. Ventura well done. it's just missing some environmental illumination around the surrounding area when things explode, works on UE5.4

For some reason UE5.4 I had to force isArmed to be true to get it to fire after 41:40

@Enrique - AMAZING Tutorial!! Super educational, clear and concise. I also REALLY appreciate that you list the UE version as things can change vastly between iterations rendering finding menu items daunting. Please keep up the good work.

Thanks for sharing! I want to know the math problem of eliminating the shadows generated by depth interpenetration in the last step. In fact, the box thickness we use should be the distance between the nearest intersection point of the ray entering the box and the intersection point of the ray with the depth after entering the box. When we use this value to calculate MaxSteps, I noticed that we used a floor operation, which means that we are actually closer to the real (intersection point with the depth) distance when the ray steps. In my understanding, it should be a further extension of the frac(boxthickness*maxsteps) part. My code is: CurPos += -localcamvec * FinalStep;. But strangely, the artifact still appears. On the contrary, if CurPos += localcamvec * (1-FinalStep); is adopted (that is, the method in the video), the artifact disappears. Can someone explain the mathematical principle behind this? For example, if my boxthickness is 0.49, and my maximum number of steps is floor(0.49*64) = 31 steps, then after we execute 31 steps in the main loop, the ray has stepped 31/64 = 0.484375, and there is still 0.005625 away from 0.49, which is exactly equal to frac(0.49*64)/64=0.005625. From the video, it seems that we have "taken one more step", and then we go back to the intersection point and add the remaining distance.

can you make a DBZ teleport effect ? nice video !<)

i feel at the end there is a sort of acceleration lol... I understand but feel like i will have to work on it more cause many new nodes there.

when you select which texture to add add and blender for me i do not know where it actually goes.. i have hard time to guess the reason of why such a noise blender or wrap

Thanks for the tutorial!! Is there any way to make this work in 4.27?

That's absolutely epic!

how to make the shader to work with the colors in your scene without monochrome color

Buenas!! Me encanta tu contenido tío! Habría alguna forma de mantener el tamaño del glitch al cambiar la distancia de la cámara? Me ocurre que cuando alejo la cámara se deforma mucho y cuando la acerco no se aprecia tanto. Muchas gracias de antemano!!!❤🙌

Thank you so much for sharing Enrique!

Hi, I have a quesiton that the material is not working in the scene but its working in the editor. It's just completely black in the scene. Is there any solutions?

Need an updated video for 5.4+ 🥲

Merci pour le partage 😊😉

Hey man, that's really great, thanks for the tutorial One thing i'm wondering is, if you need to make it appear with some effects after you made it disappear, what would be your take on that? Desactivating the physics just makes him spawn which isn't so great visually

This is awesome! Though there is so much content. Any chance for a download link of the Niagara System .uasset?

The most useful thing I learned from this video you didn't even mention: that you can edit a niagara system while PIE is running and see the changes in real time. Somehow I never considered that.

Is it only a effect on UE or you can export this voxel version model to other applications, such as zbrush? If so, I think it will be a good way to create voxel style figure.

Thank you for the amazing tutorials! Is there a way to make the fireworks face camera when you're sampling the texture?

Is there any way to have the beams start and end on the static mesh it's applied to, rather than on the environment? Sort of how you'd imagine it'd be on a character model or more detailed object.

We want tutorials in unreal engine but still great vid btw

full value learning how you isolate things in the scene

Hey, great tutorial, however Im having an issue at 16:52 in which the radius is not appearing on the mesh? I'm currently in UE 5.3

Is there a way of combining the PPV effect with a prexisting material on an object to desaturate it by distance rather than just to be used as a solid colour determination method?

This effect looks great, but something seems to affect the calculation of the end tangent the farthest away from the scene origin you get. My arcs bend up like crazy when I go a few thousand units away from the origin. Any ideas?

This is amazing! Is there a way to apply this to a sub-level and do the inverse effect on another sub-level to transition between the two?

Someone can helpme how I can add the expression that Enriques shows in the final part of this tutorial?

After creating the secondary trace and testing everything is shooting to some position in the sky after the first trace

is there a tutorial?

Adding r.Nanite.AllowTessellation=1 And r.Nanite.Tessellation=1 To DefaultEngine.ini did nothing for me. Anyone knows why?

Firstly, congratulations... your videos are incredible! But I need help, I followed all the steps, but for some reason my rays are thin and don't have the same flicker intensity as the light. Furthermore, you can't see the NS Light Secondary, it's as if it doesn't exist. Could you help me, please? I'm using version 5.3.2 and it's really difficult to do the same. I've already seen the first video twice, I even watched it at speed 0.5 and it's still not the same.

в игре это выглядит ужасно..не юзайте...но пару моментов можно подчеркнуть ...но вообще тема отстойная и не стоит внимания

looking for the alternative version in ue5.4, because the "before tonemapping" setting is removed...

For those who are looking for a solution to the problem with missing “sampledColor” parameter at 6:40 You need to go back to the Sample Texture. In the Details window you can find the icon of two intersecting arrows (they are next to the delete icon), click on the arrow icon and select version 1.0. Then 2 buttons FIX and Dismiss will appear at the bottom. You need to click the Dismiss button and now you can select the SampledColor parameter you want in Scale Color

May I ask a question? Regarding how to sample the volume, I have gone over the video many times to try it, but the vertical rendering is broken. If you have any ideas about this problem, please let me know. Thank you in advance.

Is there a way to make them react to a static mesh with complex collision enabled? Some of the sprites seem to react to a shape being placed in their way, but other do not.

This is awesome. Is there anywhere we can actually download this full example project that we could just open and try? The first project I mean.

Thanks ,Enrique Ventura

I watched and implemented this for my project, I'm soooo glad someone finally posted a clear full tutorial on achieving this FX. Thank you so much, would you ever post your squid asset final example on google drive, I would love to compare my gravity and curl values with yours to see how you achieved the wiggly movement.

New version of unreal has code editor for custom nodes now

What's the thing with ethe 2 that you have connected to the fmod at 2:08

Could you perhaps make this available for download?

I loved your superhero like videos! Can you please make a symbiote that wanders around the level, and when the player comes close to it, it does a cool transformation onto the player / its new host like the movie venom? Can there be tendrils that comes out of its back, and you can create weapons with the symbiotes arm? Can you make a button that activates and deactivates the venom suit with a cooldown?

Thanks for the great tutorial. :)

He descubierto este canal buscando información sobre Houdini para ir practicando mientras empieza o no mi curso. También veo que le das a Unreal, cosa que también me interesa, así que ha sido todo un descubrimiento! Gracias por el esfuerzo y seguiré tus explicaciones :)

Hi! How can I completely isolate mesh from this effect? I currently have FPS arms with custom depth. When they overlaps mesh they gets outlined, but when i look at the sky they don't get outlined?

awesome

Can use pointlight instead of a Directional Light?