Brahms: Intermezzo in A, op 118 no 2
5:36
Mozart: Sonata in C, K 330 (cpte)
14:37
Bach: Partita no.1 in B flat
14:01
5 жыл бұрын
Пікірлер
@awakeamericanow
@awakeamericanow 19 күн бұрын
I get the impression that this will be difficult. Thankyou.
@giulianocarmelozappala9110
@giulianocarmelozappala9110 19 күн бұрын
😢
@EggPotionFilms
@EggPotionFilms 19 күн бұрын
Why is there pedal from 0:29 to 0:32? I personally think it's odd considering the other repetead bits don't have pedal but I'm just curious as to why you use it?
@makoch95
@makoch95 Ай бұрын
thank you so much for your video. I am self taught since 1 3/4 year and currently learning this piece and this helps me soo much. It makes so much sense and for me it is too hard to realise how to create those lyrical and emotional sounds, but with your help I do understand it much better and only after some minutes it already sounds so much better. Thank you!
@rasheedbey8328
@rasheedbey8328 Ай бұрын
Thank you for your instructions sir.
@bhavnaagrawal.
@bhavnaagrawal. Ай бұрын
Thanks so much, the tutorial is really helpful, I am leaning this piece and it helped me to improve on phrasing.
@chilleddriving1455
@chilleddriving1455 Ай бұрын
That was brilliant.
@stephenkorab6456
@stephenkorab6456 2 ай бұрын
I love how he translates his approach and offers a very understandable analysis. This gentleman is a true teacher. ❤
@pearlfisher8988
@pearlfisher8988 2 ай бұрын
Beautifully played, my mother used to play this, now I shall try.....
@EmilyGraham-g2g
@EmilyGraham-g2g 2 ай бұрын
Omg I was stuck on this for literal weeks thank you so much this helped a lot!!!🫶🫶🫶
@ghostemane3209
@ghostemane3209 2 ай бұрын
19:52 thanks!!
@GeorgeBletchly
@GeorgeBletchly 2 ай бұрын
"Triplet accompaniement all the way through ..." Why are the notes writtem in groups of six? Some pianists play a combination of triplets and sextuplets. Any thoughts on this?
@swansbourne
@swansbourne 2 ай бұрын
The quarter notes are divided into threes, but as had become the custom, composers forwent the inclusion of brackets with ‘3’ written over them. A half note worth of triplets become automatically a sextuplet, two triplets. It would have been very old fashioned and pedantic of Schubert to have chosen a compound time signature and put dots in front of all the melody notes.
@GeorgeBletchly
@GeorgeBletchly 2 ай бұрын
@@swansbourne Thank you very much for taking the trouble to enlighten me. As I understand it then the CC time signature means that there are 8 half beats (crochets) in a bar and each half beat is a triplet. I was unaware of what was customary in Schubert's time and I wondered why he hadn't written 24/8 (rather like Bach's 24/16 in his WTC1 G major prelude) if that was the effect he wanted.
@jameskim3301
@jameskim3301 2 ай бұрын
When he met Beethoven in the streets of Vienna, feeling inferior, he would look down not dare to look at the rock superstar of the era. It turned out Schubert is every bit as great as Ludwig, if not greater having so much obstacles and having half of Ludwig’s life time of composing. Hail Schubert ~~
@davidsc4680
@davidsc4680 2 ай бұрын
Beethoven called Schubert "divine" at the end of his life, when he knew Franz' music deeper
@symfoniatragic
@symfoniatragic 3 ай бұрын
I learned a lot, thanks a million.❤
@bachtube11
@bachtube11 3 ай бұрын
Wow, thank you for the fingering tips from 17:40 on!👍👍👍👍👍
@richardcleveland8549
@richardcleveland8549 4 ай бұрын
My favorite Scarlatti . . . .
@artenopiano
@artenopiano 4 ай бұрын
Excelente! Obrigada!❤
@joshorth
@joshorth 4 ай бұрын
9:36
@prototropo
@prototropo 4 ай бұрын
No matter their musical structure, The works of Johannes Brahms are Autumnal! Lots of low, congested harmonies, alluvial melodies, and rolling, unhurried, even rhythms. And what could evoke the last light of one's day, or endeavors, or possibilities than to wobble, pause, even stumble over barlines, as though one's baance, or confidence, or memories (according to a frien, anyway) is hesitant, lost on an expextation like the kovluest, saddest appoggiatura since Rameau looked last out the same, late afternoon window?
@longvisal9873
@longvisal9873 5 ай бұрын
I can’t do the octave note because I’m still 9 years old 😢
@raymondmiller5098
@raymondmiller5098 5 ай бұрын
This is a wonderful performance of a very lovely piece by Brahms. Thank you, Clive.
@griegklavier
@griegklavier 5 ай бұрын
Спасибо МАЭСТРО!
@JohnMattador
@JohnMattador 5 ай бұрын
On the subject of mastery at young age, how do think Mendelssohn compares?
@swansbourne
@swansbourne 5 ай бұрын
Right up there with Schubert and Mozart. The string symphonies and piano quartets and especially the octet.
@ika32
@ika32 5 ай бұрын
If you want to learn Debussy, I think "La Fille Aux Cheveux de Lin" is a better piece to start with.
@jwilliams8210
@jwilliams8210 6 ай бұрын
Excellent analysis/tutorial and is also my favorite SVR prelude!!! I am sometimes lukewarm about some of SVRs recordings and interpretations of his own music (EDIT: Though, I am thrilled to have recordings of SVR in the first place and I should not be so spoiled!). However, his recording of Op32 #12 is the best interpretation and phrasing I've ever heard!!! I wanted to ask for clarification RE: the Opus 19 Cello melody ( @ 03:30 in your video): You weren't speaking about the slower 3rd movement, were you? The second movement does have some really long and beautiful Cello lines interspersed within the more energetic passages. But the 3rd movement Cello part also has a very long beautiful melody it carries. I love BOTH!! I very much enjoyed this video, Thank you!
@Maibrapiano
@Maibrapiano 6 ай бұрын
I got it just speeding it up now ❤
@johnnovello1315
@johnnovello1315 6 ай бұрын
What about the left hand fingering in measures 9-13 esp is you have a small hand
@tchorn2026
@tchorn2026 7 ай бұрын
Thanks for your wonderful job. Just signed for your channel. Odessa, Ukraine
@daveatano
@daveatano 7 ай бұрын
Fantastic tips. Been playing this piece as an amateur on and off for nearly 50 years and never had insights this good. Thanks 😊
@davidaronson9475
@davidaronson9475 7 ай бұрын
Nice video. Unless I'm missing something, T R L R L R is not a palindrome. You'd have to stick a T on the end, but that is the start of the next sequence.
@vynderma
@vynderma 7 ай бұрын
Very nice. This will motivate me to 16:38 go back playing this. I’ve always loved Brahms. There’s a story behind this. I started taking lessons at the age of 55, after being a hack on the keyboard for years. I tutor calculus. A man, about my age, came for lessons. He was quite eccentric and wanted to study engineering for an unfathomable reason. His name was Billy Brahms. He claimed that his 90 year old mother was the daughter (or granddaughter ) of Brahms’ sister. He never explained why his mother kept the last name. After his mother died, Billy just disappeared. This was circa 2005 on Long Island. Struck by the coincidence, since I was singing his Requiem with my chorus at the time I met him, I decided to try to memorize this piece. I did - but have hardly touched the piano for the last 2 years. Listening to this will make me go back to the piano. Thank you.
@verandahpoly4773
@verandahpoly4773 7 ай бұрын
You can hear exactly what Debussy thought. Listen to his piano roll that he claimed was a perfect reproduction. It’s available. People now play it very differently.
@nta1902
@nta1902 7 ай бұрын
Thank you so much for sharing this. I’m currently learning this piece and stumbled across this. Cheers from Dallas Texas.
@brendahunt4125
@brendahunt4125 8 ай бұрын
Thanks so much, finally understand what I’m doing wrong now that I see you play it
@7768-o5l
@7768-o5l 8 ай бұрын
Thank you!!! Very helpful 🙂😃
@paules3437
@paules3437 8 ай бұрын
Perhaps the best thing he ever wrote, but I have never heard a recording of it that I really like! Boris Giltberg is close. Any recommendations?
@B_Ruphe
@B_Ruphe Ай бұрын
Two of my favourites are Sviatoslav Richter (perhaps to fast in places for some tastes) and Alexandra Dovgan. The latter has two performances available, one at the age of 12 as encore to her Mendelssohn Piano Concerto in the Palacio de la Ópera de A Coruña in 2020 and the other earlier this year at age 16 at the Nohant Festival in La Châtre. (I particularly favour the Galicia performance.)
@paules3437
@paules3437 Ай бұрын
@@B_Ruphe I found it! I'll give it a listen. Thanks for the rec.
@annabella3349
@annabella3349 8 ай бұрын
GREAT teacher, my compliments. Anna from Rome, Italy.
@isoeel430
@isoeel430 9 ай бұрын
This video is awesome, the interpretation really helps alot, very thorough! Thanks alot!❤
@paulvannessspianoworld1724
@paulvannessspianoworld1724 9 ай бұрын
F shatp MINOR? An idiot, methinks. Thos guy knows nothing!
@paulvannessspianoworld1724
@paulvannessspianoworld1724 9 ай бұрын
I am too harsh, as usual, but please tune and vouce your damn piano. Ugly. Then wr can discuss details. Right?
@adelefigaro5262
@adelefigaro5262 9 ай бұрын
I love your interpretation. I’m actually playing this piece for my first diploma, and I find your advice extremely helpful. I can play the melody well but the ornament were very muffled. I understand to keep my fingers very close to the keys for the ornaments. I will go through all your advice, it’s like à piano master class on line. Thanks so much. I don’t think it’s hard to memorise though.
@foljamb
@foljamb 9 ай бұрын
maestro, i love your dark scenario with the husband grumbling about the wife always moping and then he wanders off to his own more important business, and the wife wonders about her lover, and is consoled--all the more need for the plot of marriage of figaro--seriously, clive, great stuff for pianists who work on this piece
@foljamb
@foljamb 9 ай бұрын
very very glad to have found this swansbourne channel--this video on the schubert gb impromptu a wonderful lecture-demo, so smoothly, conversationally presented--and he didn't disturb the swan disguised as a duck napping in his studio
@swansbourne
@swansbourne 9 ай бұрын
Thank you. Actually he’s a pelican from Bali. With an impossibly erect swimming posture for his bill weight but a fine bird nonetheless!
@foljamb
@foljamb 9 ай бұрын
@@swansbourne ah, i see my mistake--i took the sculpture less literally than i should have: that IS an enormous beak and a fantastically capacious neck, both of which are beautifully engineered to get large meals down and packed away in a hurry, nothing a swan could do, or even want to do
@sanchopansa1950
@sanchopansa1950 9 ай бұрын
your piano needs a brush-up.
@MennellMusic
@MennellMusic 9 ай бұрын
This is such a great tutorial, I keep coming back to it as I progress through the piece. There is some ambiguity in the score at times, particularly in terms of dynamics, which you clarify / interpret very well.
@solea59
@solea59 9 ай бұрын
Thank you so much for this. I don't play myself. I seem to remember hearing this when I was very young ,maybe it was a teacher practising in my junior school. Then a huge gap of years before I heard it several years ago. It's so beautiful. For me Horowitz playing it in Vienna was amazing, he hardly moved his fingers.
@falstaff63
@falstaff63 9 ай бұрын
Excellent analysis!! Thank you so much!!
@davidmurphy9351
@davidmurphy9351 9 ай бұрын
I've worked on this truly gorgeous piece for about 12 months now. But listening to your video gives me so many other interesting ideas to think about. And all presented in such a clear and calm manner. Thanks so much 👍
@johnbell913
@johnbell913 9 ай бұрын
You mentioned C major? would that be C sharp?
@eduardomoran7757
@eduardomoran7757 10 ай бұрын
Now make a new video and play the whole piece without interruptions please please please !!! Thank you very much, sir. By the way thanks for the good pedal tutorial.
@stephenpettecrew4781
@stephenpettecrew4781 10 ай бұрын
This was great. Currently learning the piece. Some good insights. 👍
@miguelcamacho2304
@miguelcamacho2304 7 ай бұрын
Good luck bro
@miguelcamacho2304
@miguelcamacho2304 7 ай бұрын
Im at sec 40 with 3 days of practices, what about you?