question how are you powering so many pedals? are you chain 2 power supplies together? if so how are you doing it, i’ve just run out of slots on my supply and i have more pedals and don’t know what to do

I would love to have this on my stereo bass setup.😎👍🏻

Now THIS is versatile!😳👍🏻👌🏻

Very subtle.

I have my boost before Delay and EQ: Boost Delay EQ All go into the effects loop of my Marshall JCM 900 I then use: Flanger Ibanez Tube Screamer Noise gate These go into the input of my amp. I get a considerable BOOST from the booster pedal this way and can set the level I need for the boost for leads.

What I perceive as a difference is minimal. It seems when the delay is at the end, there is a slight softness and a little more ambience. With the reverb last, the sound has a minute increase in cut. As I said, this is my perception because the difference is very small if not illusory.

Thanks for the vid! I have a fuzz which isn't quite like fuzz face type, but it definitely has tonal difference whether buffer is in front or behind. I find if you place buffer in front makes the fuzz sound like more overdrive, boosting up some treble. Some people would like that sound, I think all depend on preference!

"The correct cable plugs into the QC"?? CRUX set to 12V Ok, I'll bite-I'm looking at a dozen connectors in my Temple board kit-red, yellow, green and black. Some of the connectors have a thin "white" strip running length of cable in addition to having Red, Black, Green & Yellow connectors. Which one is the "correct" cable to go from the CRUX to the QC? Which cable is used from the 24V DC input on the CRUX to the DC7?

Woahh niki das dope oh ah niki

Just in case someone's curious In morningstar's midi controller, both pressing action and releasing actions are recognized separately from a single action. For instance, if you long press, then pressing, long pressing, and long releasing all of them will be recognized, and you can program the device to do separate things each step. (If you're not programming the preset to do something at long press tho, it seems it's recognizing long press release as a normal release) If you program it to toggle when you press it, and then to toggle when you release, then it will mimic what long press will do. Or, you can make it engage when you press it, then to disengage when you release. Or maybe the other way around, depending on the pedal you're using. Or while programming both press and release to toggle, you can add another toggle with a double tap, so whenever there's a pedal requiring opposite open/close behaviour, you can adapt without even opening up the editor. So, you don't need to assign two different switches to do muting and summing separately. You just need one switch to do that, just like a normal analog switch.

Even the EQ boost?

Personally, I would just choose which side I want the effect on. For a mono reverb, I would usually put that on my left if putting it before the stereo effect wasn't desirable.

Look at 2 amps with Gig rig 3 switcher, allows all 3 modes as presets. A whole new world. Stereo clean with big lush reverbs and delay, then wet dry for lead at the press of a button.

Can you set it to switch to the clean channel on the amp and an effect at the same time???

I know it’s like two years later, but I just discovered this channel after having gotten most of the UAFX amp pedals and loved the blind test. I actually guessed the dream and the ruby correctly…just because I own them. 😂 … but it was still cool to be able to guess correctly. The lead creator of these UAFX pedals put a ton of work and heart into it. I’ve watched several videos where he talks about the level of detail and the legwork they did for each individual amp, and it’s very impressive. A labor of love, I think. Will check out more of your videos. Really enjoyed this one!

This was nothing more than a plug for one of the components used.

How would this translate to HX effects? When using it with two Bluguitar AMP1’s?

I‘m using a CIOKS SOL for a small QC pedalboard without the CRUX: kzbin.info/www/bejne/qXvGnZiVnd5ssLMsi=FMLmpmGBb_FPWFyJ. If you don‘t need more than one additional 9V slot, that‘s a cheap and reliable solution

Nicely done, thanks!

Would this work using an ABY pedal into stereo pedals and switch between amps for different tones and then have both amps active for stereo?

Can we achieve this one by using only a passive splitter pedal and a line mixer(2 channel console) only?

Funny, I used TWO IKEA GRIMAR tablet holders. Joined them with a metal brace underneath;stuck some adhesive contact paper with a wood-like texture and in black. Stuck some velcro and voila! instant slanted pedalboard like you see on those cool KZbin channels!

Is it just me or is there just absolutely nothing special about this at all?...

Super helpful, thanks!

Probably the only reason why I don’t bought a QC. The poor power supply setup.

I love my ML10X - can swap pedal order on the fly (or run pedals in any combination of parallel). This has done so much for my sound and options.

That's really cool. Is it just me or have other guitarists learned to read from right to left? I find it so confusing to use a looper where my pedal order goes left to right on it, while the actual pedals go right to left. Yes, I know you talked about this in one of the Chairmen podcasts. But I just can't. Haha. I need my switcher to go right to left.

What a killer board.I need a simple patchbay to go under a pedaltrain. In/Out a loop for placing occasional effects (volume pedal etc) between drives & delays and verbs and power thru for powering something at the side of the board. Suggestions?

Was hoping to hear it

hey if i have a preamp pedal not a simulator would i put that at the end of the chain

At 3:34 you say "we go from out LAST dry effect.." besides coming in clean straight from the guitar, what other 'dry' effects are there?

I prefer dual mono, after watching this I am considering stereo but have many questions

Acs win

You mention at the beginning control "Midi-enabled devices" but then later mentioned other non-midi pedals - will this work with my old Boss classic non-midi pedals?

what about the voodoo power supplies?

I just did this using my LR baggs pickup with the first effect being the cab simulator to modulated reverb, and my TC Helicon boost as last. This was after a million combinations. It soun!ds really good like this.

Can I use the Crux with a truetone CS6 To power up a quad ?

So I really love the thought of this, but will this interfere with the way the input buffers wind up operating if I go to the passive in and then through a bunch of effects before the buffer?

Nice clear demonstration. I prefer the sound of the buffer before the fuzz.

Really appreciate the flow of the video with the examples & graphics. ✌︎('ω')

i got a new boss rc5 looper and im struggling to get a good sound quality when i loop wit the drum machine, should i get stereo cables????

That’s what I should’ve got you to build me Grant!

This is my favourite custom junction so far, wow!!

Nice!🤟🏻

I purposely limit myself to a fender pro mefium board to keep me focused on playing.

I'm not sure if it's been asked, but can you bypass the unit completely by, say, pressing the active preset switch a second time? I have a hotone patch kommander that only selects any given preset of four, but in case you want to bypass all efects you need to have a set preset without any active loop, which is one less preset to rely on.

Boost after modulation prevents the increased volume from overloading your modulation pedals, a fact that seems to escape the minds of most.

i've got both of these pedals on my pedalboard, and i'm a bassist, lol. The Benson boost is the first thing on my pedalboard. Sometimes it just stays on all the time at unity gain to thicken and juice up my tone going into all the pedals. Sometimes I use it as a preset cut when engaged for parts of the song that need to be a little quieter. Sometimes it stays on all the time in a slightly boosted setting just to overdrive od pedals later in the chain and/or the preamp tubes in my amp. The vertex is at the end of the chain mainly being used as a 100 ohm buffer for the long cable run back to the amp. I do use it occasionally with it on and boosting the signal back to the amp just for more boost when the Benson's boost is being absorbed in the overdrive and other pedals. I also do have a volume pedal going into the Vertex volume effect in which makes for a great volume pedal which doesn't affect your core tone. Your guitar doesn't actually run through the volume pedal this way. Both boosts are great in what they both do

How can I contact your Vancouver shop? Where is the location of it?