You put a lot of work into this, THANK YOU!

Thank you for the in depth review, I would definitely struggle with that miniscule display! Just wondering what you use to sequence at 36.35? Thanks again.

thanks, it's a wonderful demo🍍

Is the "Gristle" patch a reference to TG? It does resemble some sounds on 'Heathen Earth''.

Handy spot on the right to put a cup of coffee lol ... I am seriously buying one of these. Need a second synth to pair with PolyBrute and have spent two days consdering everything I can afford on Thomann. And what options they are! But this is the only one that it really feels good to think about owning it whereas the others, all of them having something brilliant about them like the Wavestate or Cobalts8, but yet not really peaking my interest. But with this it just feels right, especially as the sound pallette is very different than the PolyBrute.

From Argentina. An execellent video !!!

I was entertained. Thank you ❤

What do you have against David Bowie?! (Badgeless White Stylophone 😉)

OK, gotta call you out on the demo section concerning the reverb. Would have be better to give us a sharp single pluck, so we could hear the nuances of predelay, size, decay, etc. Just my 2 cents. The pulsating chord wash doesn't really lets us hear what we want to analyze that type of effect. Sorry. Still huge props on the totality of review.,

I also had THREE different Xpanders and sold them all. But this was before I had discovered the wonder of modular. If only I had known how to experiment with the Xpander based on my knowledge I acquired from the modular experience!

This synth is truly miraculous in terms of tone shaping capability. The Sonic State review shines also.

There's a YT channel where the guy claims there is a 'bug' w/ the MIDI clock and the Time knob - I guess not realizing that most (if not all) delays use the Time knob as a mult/div of the incoming MIDI clock. As you are showing - you need to keep it at the 12 o'clock position if you don't want that functionality. He didn't seem to get that.

Neat show, feel inspired!

Did you really just hold liquid over a $25,000 dollar synthesizer? 😅

A fabulous showcase and tutorial for the Prophet, I’ve learned so much about synthesis in the past hour also. Thank you 🙏

I sold my Jupiter-8 two decades ago (fool, i know) but i built all the BlackCorp synths by now and honestly, that is all you need if you care for the sound and not the collectors appeal. I know how to service them if something goes kaputt and I am super happy Roman and Bob gave us this amazing possibility to obtain affordable instruments that ring all the bells and whistles of the classics.

I'd like to see the original vs the mini vs Behringer. I wouldn't be surprised if the Behringer was closer to the original than the korg Mini. Possibly the full size MS 20 you assemble yourself may not be close. Everything should be taken into account if a comparison is made.

Nice ! But …$5k for a module? It’ sounds great ! !BUT? With $5k id get an MKS -80 WITH programmer. Or a JX3P, Super JX both with programmers and still have money to spare to probably get a Juno 60. Anyhow ..Nice video. Makes me wish I didn’t get rid of some of my synths.

Gave the TC Chorus a chance, but it was a Behringer, dead defective and doing nothing. Bought a Strymon Ola and never looked back.

Damn.. @bobeats is much older since i saw his last episode

As an owner of a Jupiter 8, you really impressed me with your deep dive of the pair. Thank you!!

breakout some of yr oId AD riffs

Vielen Dank für Deine tolle Analyse und das Video! Ich habe einiges gelernt und finde gerade Deine lange Videos super. Frohes Fest, bleibt gesund und mach weiter so!

At 16:29 You have produced a sound that I would like to reproduce. I also built my Ise Nin but I'm not very good at synthesis. The Ise Nin is really formidable!

I noticed quite a bit of buzzing/noise at times. Is USB power the only option for the STVC? Have you had issues/concerns re noise? Thank you! 🙂🙏🏼

I went all in on these. I have two Kinematic pedals, the Treminator, the Lethargy, and the Komorebi. Three of them are in the limited edition colors. They sound amazing and they add so much patching possibilities. I really hope they make a delay and reverb pedal with patch points as well.

Thanks again (after watching part2). To my ears this ISE-NIN is a bit less snappy than this JP8 and also the OSCs are a bit less buzzy. BUT! You get all this new features, like on the Oberheim OB-X8, the very compact form factor and good looking design are making me want one some day. The ISE-NIN is a true killer 🙂 Thanks for the video and great track! - subbed!

Thanks, great breakdown. UDO <> BC -> nice idea! Looking forward to watching part 2!

The envelopes makes the difference I believe, in the JP 8 are like exponential and faster with punch, in the other sounds more linear.

Wo hast du die Audio Kabel gekauft? Z. B. das blaue Y.

I'll wait for the Behringer version with 16 voices.

Your comparison is very well done - Bravo! I noticed at the beginning of the video the Jupiter-8's filter was at -12dB and the ISE-NIN was -24dB. Even with the filter wide open, the -12dB and -24dB filters makes an audible difference in the top end on my ISE-NIN, I'm not sure if it's the same for the Jupiter-8. The ISE-NIN sounds very "Roland-ish"... I should do a comparison with my JP-8080.

Hello, very nice! I will take some time to listen carefully to your comparison. I spot a mod on the JP-8 (the digit on the right of the keyboard. Is it for extra internal soundbanks? (JP-8 owner here ;)

Sounds Jupiter esque to my ears!

The ISE-NIN sounds fantastic, and you can definitely use it to make great sounding music. Yet, I don't think it fully recreates the magic of the J8.

in my time with ISI-NIN sitting side by side a Jupiter 8 I found the ISI-NIN a bit more punchy than the Jupiter 8, the Jupiter 8 FM scaling was a bit different. the Jupiter was a touch darker sounding (likely due to older caps/ calibration). so its interesting to hear your thoughts were kinda of the opposite. I'd chalk that up to the difference in different jupiter 8's. I've always been surprised at just how stable the jupiter 8 oscillators actually are so using modern SSI oscillators on the ISI-NIN makes sense to me. the main thing for me is the Filter has that kinda liquid sound that is instantly recognizable. side note ISI-NIN polyaftertouch was created with Hydrasynth as a test controller. so they work really nice together.

i wish i could afford that 😂

Probably a nice synth but if I had so much to spend on a synth I think I'd rather go for the Omega 8 from SE. The layout of this looks very much like the MKS-80..

Super, dass du mehrere (!) vollständige Tracks baust mit viel Liebe und Mühe - ich schriebe dir das auf Deutsch, weil - ist auch mehr Liebe. Du hättest echt viel mehr Likes, Abos und so verdient - also schenkt Dirk bitte mal noch ein paar Likes und Kommentare und mal ein Abo, sagt man sonst selbst, aber ich mach das hier mal!

Sounds wonderful , thanks for the demonstration

Great! I built the ISE-NIN DIY version and very curious how it compares to the Jupiter-8.

Great idea about UDO and Black Corporation collaborating. And thanks for a great video.

Super Präsentation 👍👍

The Ise Nin is cool but I've got the Boutique and Behringer's JT-16 clone will probably cheaper than Black Corporations clone.

Very nice overview of the ISE-NIN. Looking forward to part 2 of your review.

Behringer have finally released the LM Drum! Hope you get one and do a review

sounds amazing

Good work! 👽

Excellent breakdown of all the possible options with this amazing piece of gear! I really appreciate all the editing and time you put into it! Luckily I don't have giant moose knuckles so don't feel this and the Deckard's Dream are 'fiddly'. What they are are masterful analog recreations of the original gear.

The ISE-NIN is 5190€ at Thomann today. For that price you get an Roland MKS-80 incl. programmer and are much closer in terms of sound, not so fiddly/small and value proof.