Less dynamic range, more vignetting, bigger file sizes.

I betcha if this was filmed on a Pixus it would look and feel virtually the same. I love Arri but it's hard to justify the cost in most situations.

The topstage is too tall. If you want a light sled you should start there.

We see you playing Duke Nukem on your Hi-5, Sean! On another note; having .PNG images of camera/project settings, data rates, lens lists, actor colours etc. accessible on your handset seems really clever and sustainable.

Is this cropped or is it utilizing the full sensor? It's hard to tell.

Receiving a nudge in the EVF on camera could be helpful in situations where a DP needs to cue the operator remotely and silently. Might also be nice for the nudge (when on screen) to identify what device the nudge came from. Great update, and super helpful video!

That's like... every function that I wanted for past couple of years. THANKS ARRI

Lots of great improvements that AC's will like. Now that the 265 is here, I'm hoping next is the Alexa 45 or whatever they call the upgrade for the Mini LF

Curt !

It's impressive to see the texture of the film on digital equipment

FIrst Comment! <3

The thumbnail😂

editing dope！

If ignore parts with noise worse then 1950 tv iconoscope (a.k.a "you dont understand it is deep artistic secret souce") looks very nice.

I have the deepest respect for this company. The way they create and develop cameras that have been capturing the most intimate, authentic and astonishing images I have ever experienced is simply a blessing.

Does the Arri lmb 4by5 have larger than a 143mm opening ? Can it accept a 4.5 circular polarizer?

Which one is about the fencing?

What lenses were used for the hero lenses ? Rehouse ?

Nice to see ARRI considered a Drone shot. Looking forward to seeing the camera in hand.

OMG this new iPhone footage looks great. Shame about the shadow of the operator.

Despite the fact that hollywood awards are arbitrary, I am rooting HARD for this cinematographer to win the 2025 Oscar. This film blew my mind visually in a way I’ve never seen before (and frankly hope to see again). PROPS

You're killing me back here with your breath taking images.!

If I add one of those vintage element rear filters, will it affect flange focal distance or is it calculated into the optical formula of the whole set?

Wow this is the best test compare with the other 2 videos 👏🏻👏🏻 amazing job to show the capabilities of this new toy.

So did they have.a focus puller for this film?

kind of blue :D

That is the Joker "smile"

😊😊😊😊

movie of the year if you ask me.

Sheesh... Leave some for us... 😄

Peter is a very fine DOP and an even nicer man!

Color grading person and editor should make a tutorial on how they did this!

Looks great!

omg so nice i love it !

Taking a guess here, i believe the grade coupled with the use of vintage lenses is what’s causing some people to dislike the footage. I can tell the colorist desaturated the sky in some shots. At frame 1:16. The foliage and the model’s hair at the edges retained the graded blue from the sky. It’s an artsy piece for sure. Some may just be accustomed to a cleaner look from Arri promotions. I am not here to judge the colorist as you can see by the comments art is subjective. Some people like it, some people don’t. The fun fact is most people commenting on here will not have a need to rent this camera. Although i will say the dynamic range gap is rapidly closing between camera manufacturers. These new age filmmakers coming up will determine the industry standards in the years to come after the old guard is gone. They are using tools now that are basically splitting hairs with the industry giants. Hence some of the “ not impressed comments” . They are already doing more with less. So it will be hard to justify a rental or purchase at a “certain” price point if what they are using seem to have little discernible differences from the industry standard. On the other hand when you need proven reliability, ease of use, and your post production pipeline benefits from the best camera dynamic range and color science on the market at the moment, the choice is still clear.

kzbin.info/www/bejne/hJvMZZ9rZqejd9Usi=ewDyliMUwhW0nu69 see this video, this Indian movie is shot on ARRI ALEXA 65 movie name KALKI 2898 AD (Project - K) please add it in next video one of the best visuals movie 👍

Where is KALKI 2898 AD 🥺🥺🥺🥺

miss the Film Days, this here lokks like Blackmagic, RED, Sony, etc. Sadly nothing unique can be seen here. If this 'dancing light' setup would be shot in Vision 3 in 35mm (or even 65mm), it would crush this Video in Look, Feel and beautyness anytime. Digital is always a wild interpretation of nothing but alwas 'oriented on Film', but has no charakter, no physics, no print. Time to think differnt again. ARRI builts the best Film Cameras on the Planet, the people who have the Butget (Alexa65 Clients have), use em and see it for yourself. Make Art again.

Honestly, this demonstration did NOT look technically impressive to me. You could have shot it on a Sony FX6 or Canon C70 or Lumix S5-II and I would not have challenged you at all.

Beautifully shot, stunning black and white images coming from the Alexa 35!

Where can i buy this? Can't find it online...

75K ? This shit better make my footage reality

Maravilha!!!

This video called me poor in 30 different languages :/

Looks like it was shot on the original BMPCC 😂

The cinematography is a masterpiece 🔥🔥🔥

Two things to note: The dynamic range on the ARRI 265 is 15 stops, compared to the ARRI Alexa 35’s 17 stops. If you’re pixel-peeping for DR, you’re missing the point-it’s not far beyond what a Sony FX3 can achieve. Instead, focus on the brief close-up face shots, where the 65mm sensor's depth of field and blur shine. Unfortunately, the stylized grade diminishes the footage's potential and the shots that mattered were too brief to absorb. A better test to showcase the sensor’s capabilities would be night scenes, close and medium shots of talent with clinical glass, extreme lighting (think John Wick), and a normalized grade to see how much the skin tones can be saved despite such lighting. Then the low-light performance, color fidelity, and massive real estate of the 65mm would be on full showcase. What the 65mm can do with even sharp glass is funky enough, as the large format sensor can really envelop the subject unlike smaller sensors......This skateboard shoot could’ve easily been done on a Canon C70 or FX3 and a helios 44 (minus the brief close ups).

iMac

This is a great showreel, wish it said the names of the movies too but great job regardless 👍

what would I need to run the arri LF with this plate/lens combo? Bud 3? is the height of the camera correct?