Where did you get your vinyl storage units?

Background music is too loud and annoying.

Goblin Mix, never seen that before. And yes, would love if Teddy starting doing videos again. I caught up on them after the fact but they were amazing. So is Creation Rebel Starship Africa!

Thanks for the video James. I need to check out those dub albums I am seriously lacking in that genre and love it. Cheers!

The Mobile record truck is bad ass. Cheers.

I also have that Factory book, very cool. Funny, I bought a NZ original of Goblin Mix yesterday here in Sweden. I'm still looking for The Exploding Budgies, do you have it? Cheers!

Ah, the days of Teddy and the old VC. Brings a wistful tear to the eye...

Hi James; some great albums. Love the soundtrack Coffy by Roy Ayers. It's likely in my top 3 blaxsploitation soundtracks(and it's a good film too). Section 25 is a brilliant electronic dance record. The 12' of Looking from a Hilltop" was a huge club hit in the Detroit area. Many, many stories come to mind of dancing on the packed floor at 3:00am. Cheers! Shawn. PS - I've watched many of Teddy's videos and they are very special. He was knowledgable but also had a way of relating the music to our daily lives.

Don’t worry, James. I’m still knocking out the shit videos 😉

You can’t go wrong with On-U. All of the Creation Rebel albums are excellent. The album they put out last year is just as good as their classic period.

Love the Coffy soundtrack. Every home should have one 👌

Lovely stuff, from Lard Free to Creation Rebel. Have you heard Section 25’s second LP “The Key of Dreams”? Brilliant dubby late-night sound from them.

The Factory book is very cool.

truly love "I've Known Rivers," hope you're enjoying it as well.

Hi James! Revelators Sound System - Revelators. I added to my cart! I miss you adding your colorful commentary to the video. You showed many great album. Some I have , most I want . Always a pleasure to watch when you post! Thank you as always.

29:42 Also, as you know, "storing" LP's one needs to store them UPRIGHT. However after a certain time, these need to be INVERTED (upside down) to ensure they don't SAG vertically, resulting in a wobbly record when it's played later. I tend to keep mine one way (or the other) for far too long, so I too, need to go and flip the covers over, to have them sagging the other way, after all, they do sag over time - even on their (upright) edges. Sometimes I wil also gently spin them say 90 degrees inside the covers, to achieve a rotational anti-sag.

29:21 What I think? I think you did an amazing revew of all those vinyls and thus YOU MUST revoke that disputed content. Make an anti-copyright caim against the MUTING oof that one clipp, which destroys the integrity of your entire documentary review of several vinyl albums. Gat emmotional too, and claim FAIR USE had been applied BY YOU

I had to DOWN THUMB that a wee bit, as the "playing" of the records is a little lopsided. You have a lower output on the RHS channel, which means that the balance is set incorrectly, or the tracking has been set too hard one way or the other, pulling the tone-arm onto the side of the groove, rather than sitting deep. It could also mean that you desperately need to change the needle, as it may be wearing out.? Cheers. p.s: Your MONO documentary is "centered" in the frontal MONO channel, meaning it's the same "loudness" in each of the Left & Right channels, unlike your turntable's output.. Maybe you had the camera too far away from the RH speaker or maybe it's just a low "loudness" setting somewhere... All the best as I also PLAY video's and music, in a different format. Front & Rear centers only. It's the "perfect=way" to highlight the incorrect balance settings, that your turntable to camera audio has, which throws the frontal/rear balance off so far, as to be "sent" from one side to the other, when I invert the front & rear signal inputs. Then, going back to the "normal" Left&Right" (frontal only) stereo - the balance goes WAY to the left I'm thinking, from the "VIEW" of the turntable that we are seeing, means the camera is VERY close to the left speaker, and as such is a LONG way from the RHS speaker. THAT is a nasty place to place the mics as there is a possibility of putting the camera's mics in a DEAD zone, where the loudness of the Left Speaker's sound waves, interfere so much with the quieter RHS speaker's output, creates a dead zone that eliminates MOST of the quality o the RHS. You desperately need to find a way of putting a camera tripod in the exact center "between the two speakers" - about ten feet out into the room, to avoid an out-of-balance recording. That way, you will possibly gain the 60degrees either side of halfway, that allows the two frontal speakers to reproduce exactly, their 120degree split. Or try hard wiring a feed from the stereo amp, directly into the camera, for the perfectly balanced sound that we need to hear PLUS" At 25:41 your video's audio cuts out, with a potential COPYRIGHT CLAIM, against whatever the music was.. which means ZERO sound, until after you restart talking at 26:03 I hate that as its NOT actuall true is it. YOU can claim FAIR USE as you are merely making a documentary on "minute clips" for review of the album's owners, and are thus NOT using the audio for any commercial purpose. It's worth a shot, as you MAY FIND, that your FAIR USE is being abused and that's why KZbin muted the audio (it was NOT that the camera cut out, but KZbin cutting both the visual as well as the audio, until they allowed the visual without the audio conteny. TRY making a rebuttel argument with regards to the FAIR USE concept - of the copyright act they claimed.

I remember Campo007! Great Goblin soundtrack.

Awesome, I will check back in with Campo's offerings. I did buy 2 records from him a while ago including the Cleve Pozar. Awesome box of stuff!

Wow nice package. That salamao and Hermeto are killer.

What are your personal parameters for being the "highest rated" seller on Discogs? I have over 2,000 positive feedbacks as a seller on Discogs with no negatives or even neutrals (and there are lots of others who have this too), so I'm trying to understand the title of your video. I'm guessing this an attempt to clickbait people to support a friend?

Weird that Camplone is gutting his record collection. His gear was astounding (to me). Hopefully he's keeping the equipment and listening to music another way. Hope he's okay. Cheers, Tom

i never understand why some people purge their entire collection. As someone who has now collected Vinyl and CDs for over 30 years, i've never had even the remotest desire to purge it all. Yes i've sold off batches of stuff before, to thin out the things that didn't matter to me-------but music is at the center of my life with my family! I guess someone may for financial reasons? But even then a complete purge sounds more to me as if someone wants to change themself completely and is looking for a catalyst by that kind of disruption.

I so miss Anthony's videos ... Those were the good ol' days. I learned ALOT from him. (He had the funniest analogies.) I wish him best of luck !

Hey can you please advise on innner sleeves that I should get thanks

Turgid dross! Starting with the ambient twaddle,, continuing with the anodyne individual who wasn't even born when the dross was released, and then the presentation of the sacred relics that had been curated for wank value alone. Hey, mate! Do you know how to party? Do real women have sex with you? Do you have parties? Do you handle everything with white cotton gloves? Your taste in music is your business, but you sound like a real downer. I have several thousand records, buy many pristine copies at cents on the pound, and play 'em all hard and fast on a quality t/table. They are for fun. They are not "rare". No record is rare, unless it is crap music, which is why it only sold minuscule amounts. Get out of your rabbit hole and go and get laid.

Perth is miserable at the moment, should move to Darwin.

Never missed a Campo video. I inquired about a Three Blind Mice LP when Campo started the purge to end all purges but he was holding onto it at that point. Might need to see if things have changed.

Some great picks you made. I checked out Campo on Discogs and frankly I was blown away by his high prices(am I missing something?). Example: asking $107.43 for Joni Michell’s Blue 180 GM reissue. Amazon has it for $23.99. Again, I may be missing something but wow his pricing seems brutal!

I remember those days. I would try to write down all the albums he showed! I have been following since those days and of late you have inspired me to go out and get them. Thank you for the subtitles. They are very helpful. Rick

i'm so here for this. New sub to your channel... thank you al·go·rithm!

i learned a lot from campo. the fab 3: campo was the funny one, fred was the moody intellectual and you were the heart throb.

Also...instant stamp collection! Or ask around who collect stamps and brighten up someone's day :)

Enjoyed watching this tour. Love to see a well curated collection. I also go for less is more when collecting, keeping my collection around 1000 records. Cheers!

Nice video. I just snagged the lone regularly priced comp you're playing.

Longtime James i appreciate you sharing brother . Love the opening music so damn good killer Augustus Pablo buy. Campo selling everything wow his collection and yours definitely is top notch . I know he is in a band now very cool. James awesome support you grabbed some gems 💎.

Great additions to the collection there

There’s a 99% chance that if it’s a Buttery Digs find, I’ll love it 😊 Have discovered so many new artists from this channel like no other! Happy to see a new video, thank you! ✌️

Great selection of stuff, all very interesting. I will have to hear the Gabraith project. I would like to know where he's headed. Temple IV is here as well and I am loving it. So magical and a interesting and sad backstory to it. I recently was looking at acquiring the Max Block too! And you know how I feel about Windy and Carl. I think I purged that Ronald Snjiders too soon. I didn't give it enough of a listen. Trying to avoid doing that in the future!

Hi James, that version of Kunta Kinte on the Pressure Sounds comp is about as good as it gets. Total killer version. Not sure if you've seen the Small Axe - Lover's Rock drama on BBC, produced by Steve McQueen. It uses Kunta Kinte to mesmerising effect. Well worth watching. Johnny Osbourne's Truth and Rights is terrific as well. A well played record in my collection. Just wish the Studio One stuff would get the reissues they deserve. In total disarray for decades now.The cover almost looks like a Blue Note cover. All the best to you, Steve.

James, I thought that Paul Dresher sounded familiar. I have a CD by Vicki Ray - From The Left Edge, which is solo piano and it has a Dresher composition "Blue Diamonds". Lagash seems interesting. I only have Alastair Galbraith's two CDs Long Wires In Dark Museums. Thanks, Chris

Too bad dresher did not make more lp's in that era both that one and his lovely label lp are favorites..definitely was me on the snjiders..lol..love that one glad you got yourself an og. Much love chris

Nice group of records. You always venture into areas of the music world that I may have missed. I’m usually mixing a number of reissues with those originals whenever I can that works. Thanks for sharing. Cheers.

Magaletti is such a talented drummer---i love her work with RAIME the most.

Valentina Magaletti - A Queer Anthology Of Drums I want to hunt down! Also Laurie Spiegel ‎- The Expanding Universe.both are in a shop about 1.5 hours away.if you haven’t heard claire rousay - A Heavenly Touch I recommend t. Thank you

I have Dom’s old copy of that Minutemen. Leans more masterpiece than rubbish for me lol Truths and Rights is a favorite in my reggae section. Will be seeking out that Italian drummer record. Looks like multiple color covers.

Johnny Osbourne, local repress? By who?

Subbed, liked and commented. Gorgeous track, thank you.

Sounds great. I’ve been re-exploring the Heldon catalog myself. Those are all such beautiful records. Nice to see the Minuteman in your mix of albums. Always been a favorite. Don’t ask me why , but I have always related Double Nickel to Hüsker Dü ‘s Warehouse: Songs and Stories. Cheers! Shawn 😮