8 FEATURES DaVinci Resolve Studio Has That Premiere Pro Doesn't

[@AlliandWill]

🔴GEAR WE USE FOR FILMING & EDITING amazon.com/shop/alliandwill 🎵MUSIC & SOUND FX WE USE IN OUR VIDEOS bit.ly/2NPCjd7 👉GET 50% OFF OUR EDITING PRODUCTS alliandwill.com/featuredproducts

[@philingram9281]

Features: 1 - Color Page 2 - Magic Mask 3 - Depth Mask 4 - Face Refinement 5 - One Time Price 6 - Relight 7 - Sky replacement 8 - Locked On Stabilization

[@grixiscontrol]

you can delete 5

[@thelandofdustin]

Hopefully this gives Adobe the push it needs to advance Premiere! Resolve is just getting so many things right

[@AlliandWill]

Well said!

[@oliviapreston8111]

Thanks for this video. I’m excited to try magic mask

[@AlliandWill]

You're welcome!!

[@MattCart]

This blew me away. Time to download DaVinci lol

[@AlliandWill]

Haha no doubt!!

[@TheMrlittletooth]

Welcome to the club.

[@musacman57]

So glad i found your tutorials and reviews

[@AlliandWill]

Thanks for watching!

[@Imkenster08]

cool video I stumbled upon it very informative

[@JunkBondTrader]

DR is better optimized too, it will get more out of your PC hardware (in the studio version at least). It used to be close, but the last few years DR is the clear choice!

[@Vacciano]

I use both

[@captainmorganfilms577]

Premiere might be lacking some tools when it comes to color grading... For fast editing and easy workflow i give it to Adobe Premiere no cap

[@johnwaldmann5222]

One feature Resolve has is the broken proxy/camera source workflow. Set clip resizing/framing/rotation (eg. Inspector transforms) on proxies, and they do not reliably transfer to HQ camera source originals. So oddball frustrations are a Resolve feature. It’s not a timecode issue, it’s something else. And no one can explain why it doesn’t work for me. I have now spent 4 weeks trying to successfully manually stabilise and key frame inspector transforms (far to unstable for Resolve to stabilise on its own. Worse yet much of the action is in the action unsafe zone.). My ultimate solution. Export manually stabilised proxy timeline at source resolution. Then reimport /supersize,processing resolve AI minimal stabilise to smooth out the editor reframe instability. Grade And export out at quarter resolution. It’s not supposed to be that hard. If the original key framed reframe had stuck to the timeline when I switched to camera originals I would have been done by now. But at least I am getting really really fast at rotating to vertical by hand 3 to 80 frames at a time. Only another 5000 key frames to go. …Again. But this time it is slow, because I am working direct on the 4K camera originals in ProResHQ. It’s only at 30fps, so not as bad as it could be. But at least this community understands my woe. Now back to it.

[@RyRyMohr]

I’ve used Resolve for a a couple years for all my personal projects. Sadly I’m stuck to Premiere because of the company I do some work for 😢

[@tahirchowdhary2145]

Love DR . But there are not enough plug-ins for his software 🙄

[@JunkBondTrader]

there are countless 3rd party plugins.

[@HistoricMetals]

I see clips of folks like you, editing away on a laptop, and no mouse. HOW? I have used laptops for a dozen years, gave up buying desktop machines so long ago. But there's no way in heck I could do precision sound or video editing with a trackpad. Yikes! How!?

[@AlliandWill]

Hahaha 🤣 Will has tried to get me to use a mouse for about 10 years! I finally gave in and bought a mouse for my desk setup a little while back. Problem is I have a bad habit of not editing at the desk 😂

[@HistoricMetals]

@@AlliandWill This is strange magic.

[@musacman57]

Can you do a tutorial to had fire flickering or police lights on a face using the light adding feature?