Marshall JTM Studio Range - A 20w/5w Version Of The Amp That Started it All!

[@joecrowaz]

I have a 25 year old JTM 45. IMHO, it's the best pedal platform ever made. I use a Pete Thorne designed Plexi Tone pedal. My neighbors love it! Oh, and it's Purple, and signed on the back by Jim Marshall himself 💜

[@wallofsheep5645]

Sick

[@ETILHK54]

Song 2 and Seven nation army together?! Why not.

[@jerryhorton5708]

Great mashup

[@tomwilson9010]

Fighting in the same sonic space it was a cacophony

[@jerryhorton5708]

@@tomwilson9010 to be fair, Seven Nation Army is cacophonous all by itself

[@tomwilson9010]

@@jerryhorton5708 right.... So why add to it? It didn't play well together. Good example of what happens to things fighting for space

[@jerryhorton5708]

@@tomwilson9010 more importantly, why not? This is intended as a fun demo, not a serious musical exploration. That being said, I get your point.

[@Guitaural.]

Marshall is _killing_ it with this. Made in England, as a Marshall _should always_ be, probably only $200-$300 more than if it was made in a Chinese sweatshop. I'll happily pay it to support the real Marshall workers in the motherland : ) Sounds great. Nice job guys.

[@pharmerdavid1432]

Laney is made in England again too, and I can't decide between them - very different amps??

[@billwaller4993]

Pete smiling at the Captain's vibrato near the end - sweet sound!

[@tomrampley5665]

They keep getting better with every edition, I love my SV20c, really interested to play one of these. Also love that they put a 12" speaker in the combo.

[@robcobi]

Got the 2525X because the 2555 was discontinued, no regrets!

[@ipinhalves1540]

This range of Marshall studios is amazing

[@-rubbersoul-]

but the controversial proposal to put into them sd parts go after our days but in my opinion the general sound suffer little bit around mids

[@sjorda12]

Biggest upgrade is the 1x12 combo instead of a 1x10 like in the other two studios

[@maxpeck4154]

Bingo

[@anthonymichael3029]

Not only 1x12, but Creamback speakers which are excellent and my personal favorite. Quite an upgrade.

[@maxpeck4154]

@@anthonymichael3029 Which Creamback? I have an H75 in my Morgan but I've never tried the M65

[@jeffj5039]

@@maxpeck4154 @28:15 ish

[@maxpeck4154]

@@jeffj5039 Aaahhh, right you are! Dunno how I missed that. Thanks!

[@markhoskins]

Awesome addition to the studio line. I love the other stuff, but it's great to see the JTM45 get some love! 🤩

[@intheblues]

Sounding great guys, this is such a great amp! Rock on.

[@Smitty_Werbenjagermanjenson]

Love to see Shane give little ol' Anderton's some support lol

[@andertons]

Cheers guys!

[@hadeseye2297]

I still hate blues, you know?

[@rob9340]

Going to your review next Shane! C'mon Aussie, c'mon, c'mon.

[@gtrzrus]

@andertons what pickups are in that Les Paul?! Nice job guys btw.

[@TybudX]

I love how Lee used to be scared to play in front of the camera and now he's like, hey, lets jam out! Epic!

[@therileyobrien]

Love the aesthetics of these. They would also be a great platform to throw a bunch of reverb and delay at for atmospheric stuff.

[@maxpeck4154]

Agreed. I'll take the combo please

[@SabreLilly.]

You know it's good when all Pete wants to do is play the whole video

[@MrCherryJuice]

The rectangular Marshall badge is nicknamed the 'coffin' badge, with those 'pillar' (per Pete) at either end being the handles. I love the amp through the 2x12 (Mick Taylor used a vertical 2x12 w/50 watt and a Fender combo atop that in the Bluesbreakers). I also love that this demo was about dynamics and sound, not volume and effect. One gets tired of demos where it's all about driving the amp and ripping out hi-gain riffs. Clarifying that this amp isn't designed for that (without a pedal) and then proceeding to demonstrate its versatility to an audience assuming the worst kept this demo engaging. My only critique would be the absence of any Bluesbreakers riffs. It was after all Eric Clapton's playing on the 'John Mayall with Eric Clapton - Blues Breakers' (aka 'Beano') album that defined the sound of the JTM45 and led to Hendrix and everyone else plugging in to Marshall, including those who followed in his wake, Peter Green and 18-year-old Mick Taylor. Indeed, were it not for Clapton's introduction of a Les Paul and Marshall, the Studio 20 and this demo would likely not exist.

[@sundaynightdrunk]

I like how Pete looks over like "go Lee!" at the end. Love these guys.

[@rhythmguru1]

Just going to say, blindfold shootout of Marshall inspired heads would be fun, like with the Klon pedal shootout. Winner stays on. Have the Friedman, various Marshalls, Victory Sheriff, Bassman reissue, PRS HDRX 20, and probably a few others I can't think of. Most are 20W or close to it.

[@RokDAWG1]

Those cleans are amazing! I am such a sucker for cleans that allow for every note to be heard! It’s like a classic Bassman kind of clean!

[@adamzalewski6135]

That amp sounds absolutely incredible. Next 20w head for sure ❤

[@ledhendrix5054]

I bumped into Jim Marshall in the late 80s , he was an absolute gentleman , He was very Dynamic and his Tone was Beautiful . Sometimes he could be extremely Loud , he also had great Presence .

[@CorbCorbin]

But, what tubes did he have in him?

[@7171jay]

Hope you at least said you were sorry. ;)

[@maxpeck4154]

@@CorbCorbinNOS!

[@glenh2752]

Did he have a 12 inch?

[@7171jay]

@glenh2752 Nope, just a big ten inch... record of a band that plays the blues.

[@anthonycraig1458]

This is the amp I have literally been asking for! I got the studio vintage but wished Marshall would do a JTM, I even added comments on Marshall's facebook posts for this! Very happy to see this come out.

[@anthonycraig1458]

Just noticed there's no mention of any tube rectifier which is a little disappointing unless they've somehow managed to replicate the effect.

[@slimturnpike]

17.8 kilograms/39.24 pounds

[@gshanehines]

I love when you guys are genuinely excited about a demo. It really shows on this video and makes it so fun to watch. Always love your input and entertainment. Thanks again guys for this!

[@Amrovia]

The Captain doing what he does best- inviting great dudes to come on the show and then not letting them speak.

[@Nils_Martin]

I've been playing through Marshall amps since 1978 both on guitar and bass, and i still love them! 💥🔥🤘🏼☠️🤘🏼🔥

[@FaberGT86]

I've been waiting a long time for Marshall to make a studio version of the jtm45. Finally!

[@scottanderson2879]

They kinda did with the 1973X 18watts 2 12inch speakers the mini blues breaker.

[@FaberGT86]

@@scottanderson2879 it's not the same thing. It was a handwired reproduction of the original '66-'68 combo. I suppose the schematic is quite different from the JTM45.

[@scottanderson2879]

@@FaberGT86 it was an 18 watt version not the full blown blues breaker which was a combo version of the jtm 45. . So kinda is a studio version

[@FaberGT86]

@@scottanderson2879 what you are talking about is the 1974x not the 1973x

[@scottanderson2879]

@@FaberGT86 no the 1974x is single speaker the 73 was two 12inch speakers I’ve got one trust me

[@snakeplissken6649]

Love Pete's shout out to That Pedal Show by honking the imaginary horn at 9:59 when he mentions touring with Il Divo.

[@watkinscopicat]

can’t wait to see psionic get his hands on one of these

[@richardclark.]

unfortunately he wont for many years when the warranties expire. but i would really value his opinion before buying one. Too bad.

[@dave_d_i_a_l]

I just pulled up the Marshall origin episode and surprisingly they sound very similar. I guess if you want the less expensive PCB version, just get the origin and mod it with a celestion creamback then done ✅…

[@purpleryder]

I’ve had the Jubilee for a couple of years and gigged it quite a bit. It’s the best, most inspiring amp I’ve had so far. Absolutely love Marshall studio. This one here is turning my head a bit though.

[@adamwatson6916]

The Creamback M65 Sounds great paired with V 30s and Greeback M25s . One of each in 2 by 12 sounds killer. Many people also use 2 Creambacks and 2 Greenbacks in a 4 12 and many also use 2 Creambacks Ma and 2 V30s in a 4 by 12 . Pairing the Creamback M with either the Greenback M or V30 tames the Nasally mids and the upper mid spike without taking them out completely or making the tone too scooped sounding. That Nasally midrange sound is staple of the classic rock guitar tone so if you want a classic rock guitar tone but find the nasally mids to be a bit over the top or too overbearing and want to tame them while still keeping enough of the Nasal quality to keep the vintage character of your Greenback Ms or V30s . Pairing them with Creamback Ms is the perfect solution. Pairing the M65 with the M25s will give up a much better and tighter low end response. The best V30 in my opinion is the Marshall spec V30 or what Marshall calls the G12 vintage. It's alot less Nasal and has a much tamer upper mid range. It has more of an emphasis on the low mids with the upper mids rolled back. They still have bump in the upper mids compared to most other speakers but it's not as obnoxious or overbearing as the the standard V30 . The Marshall version is more woody in the lows and is more present . It's brighter and more crunchy compared to the regular V30 yet its less harsh than a V30 I love the Standard V30 paired with other speakers but don't use it as a standalone speaker but I absolutely Love the Marshall version as Standalone speakers or in pairs . I have a 2 by 12 with those speakers and when I ordered it I thought I would have to replace one to the G12 vintage speakers with something else like a Creamback 65 as I don't like standalone V30s but top my sunrise I love the sound of 2 G12 vintage and will be keeping that cab stock. That cab with the G12 vintages along with DSl 5CR and 58 les Paul Reissue with Duncan Seth lowers get me in serious led Zepplelin 2 and Rush All the world's a stage territory which is right where l like top be .

[@macanoodough]

That open jam is very clever and you should mix 2 songs all the time to avoid any hassles. Very nicely done...

[@alangreenway6695]

I have a 2000’s JTM60 combo with a 15 inch speaker and it also has an effects loop. Admittedly you have to have a patch cable plugged in to the effects loop when you’re not using it otherwise it farts and cuts out when the amp gets too hot, which it will do unless you have a heat sink plate between the electrics and the tubes that will cook the electrics. Great sounding amp though!

[@TheDilligan]

Lee thank you for putting it through the Power Soak because that is what I would have to do. I live in an apartment and I even use it to attenuate my 5-watt fender champ.

[@richardclark.]

just please dont get a bugera. use anything with a reactive load. The Tone KIng Ironman mini is the best and is perfect for that Marshall.

[@nosjourneyman]

JTM is my all time favourite Marshall out of all their amps. They just got it right on their very first attempt. Although some may say that later Marshalls are more Marshall than the JTM

[@justfortier]

Yeah, that makes sense since the JTM 45 is basically a modified Fender Bassman design. So it's honestly like hot-rodded Fender tone with more mids. Best of both worlds - beautiful cleans, lots of punch!

[@Simto]

It's insane how big a difference the cab makes, even with the same speakers.

[@LodvarDude]

That's mostly the two different guitars and maybe the impedance.

[@Simto]

Two similar guitars and speaker impedance doesn't make that big of a difference. Listening around to other demos, the combo sounds more boxy than the 2x12 cab there too.

[@jogo2000]

They have different microphones set up for the cabs too.

[@Simto]

That makes a big difference too. Still, the combo does sound more boxy in other videos I've seen too.

[@jordanpratt3821]

I have the sl5 and through the combo it's a bit boxy even though it's not small at all. Anyway when I run it through orange 1x12 it really opens up. Celestian vin30s in both.

[@henninghesse9910]

That smile on Pete´s face when he dug in with the Lester was worth watching the video. Sounds just great!

[@matthewjdouglas6471]

Sweet sounding telecaster, and that les paul is oh so crunchy, rock'n'roll heaven

[@Snibborwocky]

Very impressive. This amp sound great just using the channel 1 but, then jumping it with 1 & 2 sound monsterous! Wow. Well done guys. I kinda want one now lol

[@bodhidharma2600]

The JTM 45 is a perfect amplifier. Exceptionally beautiful and rich clean tones (The captain is right on the money) but when you crank it the crunch is glorious and perfect. Just right. Not too much not too little 🌞

[@sgt.grinch3299]

Pete is just amazing. He has so many riffs. He plays just what is needed to get the proper tone out of the amps.

[@nicolasfox]

Haven't been here for a while. Amazing how good the Captain is getting on the guitar.

[@Paul-D]

Yep i want one. Have to remind myself the reason why i chose the jubilee over the SV20 is the master volume. WAY more usable at home

[@jesperjacobsen2463]

I come back to this video every now and then to try and find a justification to get one. I really want one! I have a Fender Bassman as my primary amp and I know about the similarities (and differences) between these Marshalls and that amp, but I so want a reason to splurge on the head and cab.

[@GazP23]

I really think that might be the best of the bunch! What an amp. THAT sound, and a great pedal platform. Who wouldn’t.

[@adamwatson6916]

The Creamback M65s are definitely providing extra low end . The M65 especially in a closed back 2 by 12 have more low end than a typical vintage speaker like a G12M 25 watt Greenback . The Creamback M65 is a great speaker for those who Love the sound of vintage Greenbacks but find they don't have enough low end when used in a 1 by 12 or a 2 by 12 .The Greenback M25s need to be used in a 4 by 12 to get the classic Greenback M low end . As well unlike Lowerpower M speakers the Creamback M does not fart out or get to loose in the low end when used in an open back Combo or Cab.

[@LucSulla]

I can't speak for the ST20, but I have a SV20 that I run pretty damn wide open when I gig. Smaller rooms, I have an attenuator, but I run the high around 7 or 8 and the low around 6 or 7, depending on the room. So there are some of us heathens out there.

[@jarredbaca8112]

28:00 The difference for us KZbin watchers is most likely from the 2 dif mic combinations. A royer + 57 will def sound different compared to a SM7b + 57

[@christianashby9597]

Thank you for all the work and making a community come together. Much love to everyone at Andertons 🎉

[@jamesnelson1443]

I’m going to throw a wrench 🔧 into this. I would argue that the Dr Z MAZ 18 or 38 was doing this years ago! Due to the structure of the input gain MAZ is huge clean & a fabulous pedal platform!

[@nickpatsios407]

I love my Maz 18. With the master on 8 and preamp volume on 1 or 2 very fat at low volume

[@jordanpratt3821]

Yeah, but then you're not playing a marshall.

[@reynard.fox101]

Best amp I’ve ever owned. Amazing clean and dirty… I’m usually a Fender amp fan, but this is so versatile, it does it all for me 😎 and I mainly use it at home. Not too loud

[@GeauxSaints121]

I wish they would reissue a Hand Wired version of the JTM with this same look. Basically a ‘63 re-issue

[@curtisprice9806]

Killer tones....Marshall is THE FOUNDATION....so variable!!!

[@schrom81]

So I just got the Friedman Little Sister( very much inspired from your video of it😊). So you should shoot the JTM and LS out! Pretty please with sugar on top 🙏

[@waynedoherty6572]

I was keen to save up for the Friedman Little Sister, but here in Aus the Marshall JTM is almost half the price of the Friedman. The Friedman is likely much better built, but I'd love to hear a shootout

[@Tanax13]

@@waynedoherty6572 Not necessarily so. Keep in mind that Dave Friedman himself says that PCB amps are superior in almost every way and that their Runt series (PCB based) is one of the least problematic amps they have (least amount of support/issues). The Little Sister undoubtedly gives you more flexibility though.

[@claybennett5875]

God that amp sounds absolutely amazing at 19:10

[@DaltPlaysGuitar]

That sound sold me on the amp right there

[@ryanturner9509]

wow man!! that tone on the outro when Lee kicked in with the Lester was sublime!!

[@Bairov]

This amp is ace! That Les Paul @ 20:25 sounds like Tom Petty and the Heartbreakers

[@rob9340]

Passed the Goosebump test. Hairs on the back of my neck stood up. I need to go and try one of these!

[@DavidKennaway1]

I've got a Marshall origin 20 combo and I love it expecially the clean. It's excellent for blues with slight breakup. These sound great as well without your guitar sounding metal.

[@Terry_Aki]

I bought the 50 watt for the cleans! Love it! Really warm and bluesy!

[@jw_au]

Clever intro… THB I often skip them these days but I stuck around for this one 👍

[@atilliar]

That intro was the best version of that song I've ever heard!

[@adamwatson6916]

They now have a 20 watt JTM a 20 watt super lead and 20 watt jubilee and 20 watt JCM 80 so they have covered all the most iconic Marshall's. So it's hard to see what else they could cover in the 20 watt range. The only other option i could see is a 20 watt JVM which I think is a great idea. The have a 20 watt DSL and origin so a 30 watt JVM is a logical choice. I would buy a 20 watt JVM in a heartbeat. The JVM cabs have great speakers as well. They have the G12 vintage/v30 and the Marshall heritage which is a Marshall spec G1265.

[@ruffles272]

I'd be very careful about setting up the Royer to be directly on axis right in front of your loudspeaker. When you're cranking it all the way up, the air coming off the cabinet can easily damage the ribbon.

[@dylandurant4051]

Good to see that even with all the tech they have available they still get super excited about good ol valves….

[@SuicidalLemonade]

Loving the white blur intro

[@claypack5943]

It's only a matter of time until I purchase this. I'm so excited to try one out!

[@sundaynightdrunk]

Leo Fender and Jim Marshall got it right by listening to players. Leo didn't play but he recognized the potential sales to musicians and designed around their requests. Jim Marshall followed right along, and we ended up with fantastic amps on both sides of the pond.

[@BreadandFaxes]

I own the combo and am not blown away by it at all. But it's Pete's pick for this year so maybe I'll give it another try.

[@stoneysdead689]

I have a solid-state amp I literally bought at 15 yrs old- sill works like its brand new- Peavey red line Studio Pro. Since then- I'm in my fifties now- I've bought like 3-4 tube amps- they all tore up- every last one. They costed like 4-5 times as much as the Peavey- sounded way better- and lasted a fraction as long. So- when the last one tore up- Blackstar Club 40- I bought a modeler- Headrush MX5. I'm trying to like it- it's not easy, but I'm trying. There are like 3 presets on it worth using- so every time I get disappointed in it- which I admit is pretty often- I dial one of them up. I thought they had gotten the distortion thing right finally- that's what everyone kept telling me- nope. All I know to tell you guys who think the distortion on these modelers sounds right is- you must not have ever had a good tube amp and the right pedal. Because trust me- it beats this modeler hands down without any doubt. Now that said- I haven't run the firmware update yet, I haven't added any 3rd party IRs so- maybe it will get better- I certainly hope. I haven't even gotten into creating my own patches yet- and they say that makes a big difference. I will say this though- once you buy your FRFR powered speaker- I got the 12" Headrush- now you can buy other modelers without it being such a cash layout. The FRFR speaker and amp costs as much or more than any modeler unit- and you already have that. So- if the HR doesn't eventually work out- I'll try something else. I can't afford to keep laying out 500+ a pop for amps that tear up in a couple years, at most.

[@TheRedSpecialPlayer]

These Marshalls (along with the Friedman Little Sister and Pink Taco) make it clear to me once again how far modelers are from an aesthetically pleasing amp sound. You don't need a hundred thousand different sounds, but just one that has recognition value without any compromise. These marshals have both. Great! With musical greetings Mic from Germany 🙂

[@6-10noir]

Lee and Pete are just the best!

[@glennmichaelthompson4112]

This is the first time I'm considering a Marshall amp since I (stupidly) sold my old (early-mid 60's) 50 watt head with a 4 x 10 half stack so many years ago. Have to start saving for a new Marshall JTM 20w/5w... a seriously great sounding amplifier! Cheers from Canada!

[@iceman10129]

Pete's proud smile at the end melting my heart. Nice outro Cap!

[@mwc6849]

Pete makes any amp sound great!

[@johncartelli]

i have 4 systems that I absolutely love...(1) Fractal AX8 through a 600 watt Seymour Duncan power amp, (2) 68 blackline Bandmaster, (3) A mid 90's Blues deluxe RI (4) mid 90's Mojotone JTM45 all through WGS Veteran 30's

[@marklucas2743]

Thank you for doing this video. The first thing that I heard was that the eq is much more musical and useable.

[@MusicTherapyLaz]

NOICE! I very recently got possession of a JTM 45 Limited Edition Offset #90 of 300 Reproduction w/ matching 4x12 built-in 2002… have yet to play through it... though that changes tonight! Can't wait!🤘🎸😎🐦

[@MrYatesj1]

You guys are Dangerous cause everything you play through I want to buy. Great Demo, the Marshalls are very fairly priced and sound freaking amazing

[@sgt.grinch3299]

5 watts sounds great. It is on my list for sure.

[@raoulduke344]

That Song 2, 7 Nation Army mashup at the start was class.

[@_-_Michael_-_]

Wow this head I will buy used in couple years. Looking forward to it.

[@bonneymaes2757]

So the next step in Marshall according to Pete is the JTM…love it

[@davedavem]

Loving the intro and reading a few comments... People are loving this! I expected the usual price-point complaints! An excellent product, reasonably priced, how refreshing!

[@Newnodrogbob]

I can complain about it if you want. They’re 999 pounds or so in the UK so I was hoping maybe 1500USD in the states. They’re essentially 2k. Wah. It’s so unfair. These companies are just gouging us. Everything I want should be free. Etc. etc.

[@jamesnelson1443]

Outstanding guys!!! Just received “THE DANE”, simply love it!!! Pete & Lee love your demos

[@sixslinger9951]

One thing I wish Marshall would have done is put a bias control on the back like PRS does.

[@bretspangler8717]

It is clear to see when a review embargo is lifted, everyone has a slightly different take in synchronicity.

[@Paul_Lenard_Ewing]

The Bugera literally cuts the level in half before you even turn down the knob . The main reason in the change of sound is not the unit. A speaker virtually moves outwardly and back . If you cut the power from going into it and moves very little. It is why the sound can appear lifeless. This attenuator still is the best answer . I have had the same one on my Plexi for years :-)

[@friedensgabel]

I've never been a Marshall guy, but these look and sound very appealing

[@SomeDudeDan]

The Studio Silver Jubilee is still the best thing happened to this planet, I have an original 1987 Silver Jubilee, and the smaller Studio one sounds just as good as my original.

[@Salad_Chicken]

You guys are killing me. I JUST bought an amp yesterday, now this?!

[@alans1313]

i recently got the origin 20 head,about 4 months ago,,,and loving it,,,but this one does sound devine mm might have to upgrade one day ,,cheers all

[@oliverchapman51177]

I've been subbed since 2014. Im in love with the Victory Line. I love this amazing fun channel. Good luck everyone!

[@RobynNeundam]

Got the JTM45 Studio with the 2x12 inch speaker today. I do not understand why "everyone" was disliking the SV20C when it came out. I am still used to the sound of the SV20C and now switching to the highly advertised and praised JTM45 Studio, I must say (in my opinion), the SV20C is at least not muffling when "jumping" the channels. The Normal channel is not done/defined well on the JTM45 Studio Head. The High Treble channel is really damn good. But when jumping, it's hard to get rid of the muffling dark tone, even if I am using the amp builtin eq or try to fix it with a pedal eq upfront. The only way to get a little bit rid of it is by getting the presence up to 10. Anyone else the same experience with the JTM45 Studio? Addendum - After playing a little and also using the SV20C through the 12 inch speaker. The SV20C through the 12 inch is killer in tone (but you really need something like the "little black amp" pedal from JHS as the last pedal in the FX chain to avoid getting blown away or an attenuator). The SV20C through the 12 inch speaker is definitly the better amp for driven tones (jumped channels) and the JTM 45 Studio has nice tones on the High Treble channel.

[@Paul_Lenard_Ewing]

I hate to burst your bubble the actual amp is made In Vietnam it is shipped as a part/parts then assembled into the Brit built cabinet in the UK cabinet and and faceplate. No the amp from Vietnam is not dumbed down. The workmanship is first class. The guy that made that pink amp sitting to the left in the video told me that. Yes and even the part about well built :-) Speaking of Dave Friedman he said wants to buy a JTM for himself. He loves it.

[@adamwatson6916]

Not going to buy the Amp but I am excited to buy the 2 by 12 JTM cab with the 2 creamback M65s. That said I hope they are only offering the 2 by 12 as an A cab/slant cab which is not much first choice. I prefer the look and sound of B cabs/straight cabs and it seems odd they are only offering a slant cab with the Studio JTM 45s .The Jubilee studio has both a matching A cab and B cab and so does the studio vintage and studio classic giving all 3 thd mini stack option .seems strange they would not have the mini stack option for the JTM studio . Glad they went with a top shelf speaker this time instead of just going with the Default V type . Although with the mini Jubilee if you bought either of the 2 by 12s you got the G12 vintage speakers which are a V30 variant made with different specs specially for Marshall but if you bought the 1 by 12 cab you got the V type and if you bought the Combo version of the mini Jubilee you got a G12M25 Greenaback . Why the 1 by 12 cab did not have the Greenback as well makes no sense . The studio vintage was V type across the board . The studio classic combo and 1 by 12 cabs both had the V,type but I'm not sure about the 2 by 12 as it may have had the G12 vintage/v30.. The JTM studio also uses the Cremback in the 1 by 12 cabs, The creamback is far more vintage sounding compared to a V type despite being a 65 watt speaker. For that matter the Marshall spec V30 or G12 vintage sounds more vintage than the v type.

[@RobCabreraCh]

I love this! The JTM is my absolute dream amp, and I desperately want a real one. This one looks awesome, but at the price, I’m not entirely sure if this is better than a Friedman Little Sister. At least in the US, they are the same price, and I feel that the Friedman might be a little more useful for all types of music. But I absolutely love the delicious clean sound that JTM amps do. But at the same time, the cleans might be better in a full sized JTM with more headroom. I own a Bassbraker 45, and I feel that 45W is the perfect amount for clean tones at high volumes.

[@victor493]

Come on Pete is always excited he loves guitar gear 😊

[@KelsterVonShredster]

does anybody really need me to say this is THE video to watch for this amp? No, I didn't think so. You guys killed it. Great job Anderton's! To think that my mom lived in Colchester for about 20 years and I don't even recall the amount of times I went to visit her there....this was in the late 80's......when did you guy spring up? I certainly do not recall a guitar store of this magnitude when I was visiting Colchester.....

[@austinbridge]

What a killer intro tune mashup!!

[@jameswoollard84]

Pete would go to Greece on holiday in August and still wear a jumper

[@melexdy]

Helps with the fires -he would say

[@lance134679]

I like that this line is made in the UK, and yet, still reasonably priced. I thought that SV20 was this, but I guess the SV20 is based on a later model.

[@lance134679]

@@RiffMaster92 Thanks. It's kind of surprising they waited this long to do a modern lower wattage version of the JTM 45.

[@patricetrahan7287]

Sv20h is the plexi… my understading is that the jtm45 was also called “the” plexi…. I’m confused here

[@benford1726]

@@patricetrahan7287 the sv20 is based on the Super Lead Plexi (SLP) which is a later model The word Plexi is a bit ambiguous

[@justa2]

Another great video - love the enthusiasm and wow that amp is gorgeous !

[@TheDilligan]

I want a Marshall Bluesbreaker Amp, but light-weight and valve-less, like the Fender Tonemaster series.