Andrew Scheps Stereo Vocal Crush | Parallel Compression for Aggressive Vocals

[@correametal]

Both You and Andrew are amazing! Thanks for sharing!!

[@binface9]

Nice tip. I can feel the "power of the Yardablev"!

[@lordhammerwind]

HA! ME TOO!

[@joaovictorsalles]

Brazil, here!❤

[@GreenLightSound]

Welcome!

[@charlespowell4413]

Mono vocal crush. Very good.

[@GreenLightSound]

Ha. So true. That's just what he calls it since it's on a stereo channel. But I only sent a mono vocal to it, hence the mono vocal crush.

[@nk1000]

Thank you so much for sharing such valuable mixing tricks

[@BeautyInAPlasticBag]

That sounds crushed to you? So interesting. I do 20 dB of gain reduction on the vocal channel (not in parallel) and follow it up with another compressor. I also record with a compressor. 😂

[@bf4lvr]

Do you think this is a lot of compression? I want my vocals to sound like this kzbin.info/www/bejne/hpeoi3eXp7qYgMksi=AXbK3iTFA8hDWVeT

[@skubr9050]

could you do slapback variations, vintage, etc? ty

[@antcall6779]

Great as always Joe 🤘

[@DaleBoyce2012]

Excellent! Thank you.

[@nebularmixs]

Hello my friend, is there any possibility to publish a complete vocal mixing and mastering video in the style of Andrew Scheps?

[@roynichol3751]

Great thanks !

[@kayhuang333]

nice tip!!! thanks

[@JulianFernandez]

thanks!

[@adissabovic]

Why use parallel bus instead of mix knob on the plugin?

[@PaulEubanks]

My thoughts as well. For plugins (or hardware!) that don't have a mix knob maybe this is useful, but almost every plugin these days has a mix knob.

[@adissabovic]

@@PaulEubanks On second thought, maybe the mix knob can't be automated and there's EQ and AUX sends on bus channels. So yeah, can be useful. :)

[@GreenLightSound]

That's exactly why.