Bach - Cantata Du wahrer Gott und Davids Sohn BWV 23 - Kuijken | Netherlands Bach Society

[@bach]

0:07 Du Wahrer Gott (Aria) 7:14 Ach! Gehe nicht vorüber (Recitativ) 8:37 Aller Augen warten, Herr (Chorus) 13:57 Christe, du Lamm Gottes (Chorale)

[@domenicodogani3350]

Musica sublime creata dal più grande genio dell,umanità

[@jonrebollardelbarrio2336]

​@@domenicodogani3350😅😅1fwr 3 456789 Tetona tetonas 6

[@sitrakaforler8696]

Meine Großmutter ist heute gestorben. Ich glaube, sie hätte dieses Lied gemocht. Ruhe in Frieden.

[@Kruspe2011]

Please include Miriam Feuersinger very often in the future - her voice has the most marvellous rich and pure quality, with superb control and musical commitment.

[@gervaisfrykman266]

Miriam Feuersinger pierced my heart and doubtless the Divine heart.

[@RealJoux]

Damien and Miriam's voices coalesce into magnificence in this piece. Fantastic!~

[@manuununu]

Damien is absolutely brillant.

[@大渡敏仁]

バッハの演奏には最適の環境だと思いました。こんな場所で聴ける聴衆は羨ましい。楽器も当時の復元楽器と思いますが、よく響いていますし、素晴らしいと思いました。何よりバッハの音楽が敬虔に演奏され、熱心に聴かれている風景は尊いと感じました。（from japan )

[@pauldoerflingerMarcoPolo1947]

Pour moi vous êtes toutes et tous les meilleurs musiciens, choristes et instrumentistes pour vivre en notre intériorité ces magnificences et messages de la ferveur de J.S.BACH et familles.

[@sitrakaforler8696]

God bless you guys ! It is incredible !

[@pjkhunold]

Kompliment an Lucia Swarts für den Mut und die Neugier, die dazu gehört, um ein völlig neues Instrument für d diese Aufnahme zu lernen.

[@andreajoybelle]

And another delight from All of Bach project... Thank you for giving us these tasty morsels so regularly NBS!!!

[@renatorubino1776]

Qui Bach ha raggiunto uno dei vertici mistici presenti nelle sue innumerevoli composizioni. È una musica che non è di questo mondo, ma appare come un riflesso dei Cori Celesti. Straordinari come sempre i musicisti. Questa loro interpretazione esalta il carattere mistico implicito nella Musica di Johann Sebastian. Non finirò mai di ringraziarli per il dono preziosissimo e inestimabile che fanno al mio cuore... 🙏🙌💘🕊️

[@山本香織-f5e]

I like this voice and music and respect piu Bach

[@teach-learn4078]

I've watched this about 10 times so far, makes me happy

[@BurkPrael]

just sublime, end to end. And that Miriam/Damian combo... NBS is the gift that keeps on giving. thank u!

[@michaelrg3836]

I'm very excited by this apparent rebirth of the da spalla cello. Many thanks - another wonderful performance!

[@cillyede]

Sehr gut, dankeschön!

[@joselopes2293]

Marvelous cantata with outstanding voices. The sensitivity and deeply delicacy are notables. Only a genius could composed so amazing masterpiece. It touched our soul profoundly. The voices are superb and the orchestra and choir are magnificents.Viva Bach and his fantastic music.

[@rorycoker6601]

Heavenly.

[@muyu69]

So beautiful. Particularly impressed by the voices of the two soloists in the opening. 1:03

[@gouarchlaurent3739]

Bach fur immer. Amitié de France...

[@goudvis4389]

18:28 one of the most impressive final chords bach written for chorales

[@thierryhiblot252]

merveilleuse Myriam Feuersinger merci!

[@SdkA-b-sdnmo]

Música exquisita para los oídos y el alma.. Música maravillosa

[@mrroneill99]

Bravo Bach! Bravo NBS! Thanks for sharing. ❤️🎼🎵🎶👏🇮🇪☘️

[@williamkulling5455]

This music touches the soul and brings peace and solace to a constantly troubled world.

[@phwbooth]

The accompanied recitative is glorious.

[@catallaxy2000]

It's always wonderful to have such great music available to us, but it's particularly meaningful and important when we're struggling and facing difficult times... Thanks be to God for his wonderful messenger, Bach, and these delightful musicians who bring his music to life...

[@elenacokolova6427]

MUCHAS gracias por maravilloso conocerte, que GRANDIOSO COMPOSITOR, QUE GRANDE !!!!!YO COMPRENDE ESTO AHORA !MUCHÍSIMO GRACIAS DE TODOS, QUIEN ME ENSEÑÓ !!!!

[@notaire2]

Wunderschöne Aufführung dieser perfekt komponierten Kantate mit herrlichen Stimmen aller genialen Solisten und himmlischen Stimmen des ausgezeichneten Chors sowie gut harmonisierten und perfekt vereinigten Tönen aller Instrumente. Der unvergleichliche Dirigent/Cellist leitet das ausgezeichnete Ensemble im gut phrasierten Tempo und mit sorgfältig kontrollierter Dynamik. Echt göttlich!

[@luciagarcia888]

Bellisima cantata !!! Un deleite para los sentidos

[@ritanicosia]

Voci angeliche che si levano dalla terra martoriata per raccontare un miracolo, una testimonianza di fede capace di sanare la sofferenza di un essere umano.

[@phwbooth]

Yet another fine performance. Thanks.

[@jdaveyw]

The most felt and beautiful interpretation. With incredible voices! The Christe, Du Lamm Gottes is particularly emotive and glorious in its sombreness. Thank you, NBS!

[@roybooth7904]

Once again, deep thanks to the Netherlands Bach Society. The interview with the two violincello players is in itself so enriching: humbling, a life-lesson. You give many gifts.

[@kagillogly]

So true, Roy! I was just astounded to see them both, and to realize how much more I recognize the beautiful, rich, deep timbre of the violincello!

[@soooti6993]

Seeing the cellist Lucia Swarts playing the Violoncello da Spalla is amazing!!! I guess it needed a bit of time to get used to play everything the other way round ;)

[@cristinabergamini6475]

GRAZIE X QUESTO MOMENTO DI VERA ARTE SUBLIME .TUTTI MAGNIFICI

[@GabrielSousa-nh3ib]

Belíssimo, maravilhoso e brilhante!

[@SdkA-b-sdnmo]

Este canal tan genial debería tener ya más del millón de suscriptores... Está música es una maravilla... Lástima que es un afición musical que pocas personas elijen

[@ronwalker4849]

MOST PEOPLE DO NOT HAVE THE CULTURAL EDUCATION TO APPRECIATE THIS GREAT MUSICAL EXPERIENCE, ESPECIALLY HERE IN SPAIN WHERE THE PEOPLE HAVE THE MOST TRASHY TASTE IMAGINABLE. SPAIN NEVER PRODUCED A BAROQUE MUSICAL GENIUS APART FROM SCARLATTI WHO WAS ITALIAN AND NOT MUSIC FOR THE GENERAL PUBLIC BUT FOR THE COURT ONLY.

[@ROBINdulce]

@@ronwalker4849 Soy mexicano y considero que dentro de nuestra herencia cultural también se encuentran compositores como Antonio de Cabezón, Juan de Araujo, Gaspar Fernández, Manuel de Sumaya, Juan Bautista Cabanilles...

[@juliolopezastor1931]

Ron Walker And you shout, like you were born mad. Please, reserve the capital letters for when they are supposed to be used. And learn a little more about Spain’s rich musical history, before lashing out about a whole country for no good reason. Peace.

[@jenicao1814]

Es verdad, muy poca gente escucha esta maravillosa música.

[@unelefante9332]

Yo estoy OBSESIONADO con la música de Bach y solo tengo 21 años, pero es verdad, he tenido formación musical previa. Lástima que varios no lo aprecien 💔.

[@poetryinwinter9581]

Beautiful

[@flemmingranch8777]

Skøn musik og flot skønsang hele vejen igennem.....

[@parmafoi4066]

Świetna obsada! Dzięki! Great cast, thank You NBS!

[@ericschaap]

Beautiful!

[@alexdesslin]

magique...

[@ІринаМарко-п1г]

Неймовірно ! Браво!!!

[@ademirsorato]

Bravooo 👋👋👋👋

[@briancornish2076]

I dare to think that the choice of Biblical passages is some sort of oblique comment by Bach on his examiners: the twelve who did not know what was going to happen, and the blind man being the only person to possess insight.

[@risasb]

One of your best, performed with an appropriate mix of precision and humility. __()__

[@TheGloryofMusic]

This is one of my favorite Bach cantatas, and I've always wondered why it isn't better known. I considered that perhaps the admixture of stile antico makes it less appealing, but Christ lag in Todesbanden BWV 4 is certainly popular.

[@jeromeThailande]

Mime is 169

[@musicapiano2022]

Miriam, you are fantastic

[@hansvankempen7807]

A great performence.

[@navrozelalkaka8457]

tingles through & through right to the bone

[@GabrielSousa-nh3ib]

Brilliant!

[@costantinobenini2991]

True God and son of David, Thou, who from the bottom of eternity have already contemplated the affliction of my heart and the suffering of my body, have mercy upon me! And with Thy miraculous hand, that chased away so much evil, grant me help and consolation. Ah, don't pass by ignoring me; Thou, Saviour of all men, came out to help the sick, not the healthy. For this I partecipate in Thy omnipotence; I see Thee on this path along which I have been abandoned, even if blind. I grab onto Thee and won't let Thee go without having Thy blessing. The eyes of everyone are turned to Thee, Lord, Almighty God, and mine in particular. Give them strength and light, never leave them in darkness again! Your signs in the future are the reference point of all their works until a day, with dead, Thou'll decide to close them again. Christ, Lamb of God, who takes away the sins of the world, have mercy upon us. Christ, Lamb of God, who takes away the sins of the world, have mercy upon us. Christ, Lamb of God, who takes away the sins of the world, give us peace.

[@abirdthatflew]

Superb!

[@HPPrintervx4p5q]

Hey that's that big violin again!

[@marckg6950]

Thats called an alto viola. Or country guitar.

[@enclosingthefield]

Mark 10 46-52 And they came to Jericho: and as he went out of Jericho with his disciples and a great number of people, blind Bartimaeus, the son of Timaeus, sat by the highway side begging. And when he heard that it was Jesus of Nazareth, he began to cry out, and say, Jesus, thou son of David, have mercy on me. And many charged him that he should hold his peace: but he cried the more a great deal, Thou son of David, have mercy on me. And Jesus stood still, and commanded him to be called. And they call the blind man, saying unto him, Be of good comfort, rise; he calleth thee. And he, casting away his garment, rose, and came to Jesus. And Jesus answered and said unto him, What wilt thou that I should do unto thee? The blind man said unto him, Lord, that I might receive my sight. And Jesus said unto him, Go thy way; thy faith hath made thee whole. And immediately he received his sight, and followed Jesus in the way.

[@emiliomini4024]

Amazig!

[@ollehedstrom3536]

Thanks for the upload of BWV 23! Question no1: I have compared video quality between your releases on the All of Bach home page and the same releases on KZbin. Resolution is significantly better on KZbin, why? Question no 2: There also seems to be fewer cantata uploads on KZbin compared to the All of Bach home page, why?

[@steveschmidt5156]

What is the name of those hand-held instruments that look like very large violas or small cellos?

[@TheGreatZambeze]

violoncello da spalla

[@steveschmidt5156]

@@TheGreatZambeze Thanks!

[@steveneardley7541]

Spalla meaning shoulder in Italian.

[@teach-learn4078]

❤️ Soprano Miriam Feuersinger ❤️

[@floriandevuyst]

Extatique ...

[@unknownnewyorker_1818]

What name of this Lady? I’m in love!!!!

[@jakobgrit4105]

Nog een toevoeging. Eveneens zou ik het erg waarderen wanneer namen van hoofduitvoeders te zien zijn! (solo) opranen, bassen, tenoren enz., de organist en evt. andere muzikanten.

[@jefferyrowley8873]

Apparently Johann Sebastian Bach was vying for the cantor position of the Thomaskirk in Leipzig and was up against a Herr Christoph Graupner no slouch at all! Stiff competition. They both had to perform their selections at the same service probably the Sunday before Ash Wednesday which was the last time they could perform without breaking the tempus clausium. In the Lutheran tradition they had certain restrictions - enforced by all due to the penitent nature of the period before Advent and Passion Week.

[@herrickinman9303]

Tempus clausum. The position was cantor of the Thomasschule and Director of Music of Leipzig, responsible for the music of all the town's churches, not just the Thomaskirche. I believe there were 4 or 5 churches. Half the council preferred a candidate who would be more of a teacher than a composer. Graupner and Telemann both had university degrees. Bach did not. That was the main reason some on the council preferred Telemann and Graupner over Bach. The position was offered to Graupner, but he replied that he couldn't get a release from his employer; his employer had actually bribed him to stay on by offering him more money. The position was offered to Telemann, but he declined. Telemann's employers also offered him more money to stay. Bach himself had successfully used similar tactics to get his ducal employers in Weimar to pay him more.

[@phwbooth]

The cantorate was at the school - Bach never held a position at St Thomas's church.

[@MrDvenclovas]

💥💛💚❤️💥

[@jakobgrit4105]

Weergaloos mooi die Bach kantates. En ik mis dirigent Jos van Veldhoven nu. Wel erg JAMMER DAT NOOIT de opnamelokatie van de uitvoering vermeld wordt! Vaak denk ik: "Welke kerk? / zaal? Is het misschien in die stad of dat dorp?" Bij deze een hint. Ik hoop dat de huidige dirigent of manager dit leest en ook alle reeds uitgezonden kantates e. a. muziekstukken met terugwerkende kracht ( ! ) voorziet van een tekstvermelding om precies welke kerk of zaal het gaat en in welke plaats. Bij voorbaat veel dank!!

[@bach]

Fijn dat u zo geniet van de cantates. De opnamelocaties en de namen van de solisten worden wel degelijk bij iedere opname genoemd: als u in de beschrijving onder de video op 'Meer weergeven' klikt, kunt u deze informatie vinden. Voor alle informatie (inclusief alle uitvoerenden en crew-leden) verwijs ik u graag naar onze website, onder het kopje 'Credits': www.bachvereniging.nl/nl/bwv/bwv-23/

[@ronwalker4849]

THIS CANTATA DEFINATELY HAS BEEN INFLUENCED BY SOME FRENCH WORK, PERHAPS EVEN AN OPERA BY RAMEAU. THERE ARE LAPSES INTO TYPICAL FRENCH STYLE, BEFORE HE RETURNS TO HIS GERMAN STYLE.

[@Musicienne-DAB1995]

Agreed. In fact, I would say that you cannot understand Bach's music outside of the French and Italian influence.

[@32251]

This and cantata bwv 22 were the audition pieces Bach took to Leipzig and auditioned for the st Thomas job. They are both very interesting pieces. He came into town and rehearsed both pieces and performed them. Was paid 20 talers...and the only reason he got the gig was because the two guys they wanted did not take the job. Bach was considered by the committee as a mediocre candidate. Shows how dense they were. These are pre Leipzig pieces and very interesting...different and fabulous.

[@jdaveyw]

What an interesting observation! Made me listen with fresh ears 😊

[@megenberg8]

i'd rather position that violoncello on a small cushioned stand at about thigh (seated) height to my left, being right-handed.

[@lucyfisher8347]

PS He got the job.

[@steveguest2003]

Muss der Große Musikmeister dem Musikrat in Leipzig etwas beweisen?

[@antonellabaluganti8109]

Tengo a precisare che quelle nazioni che mi kdjano e non ne ho mai capito il motivo mi hanno battezzato althem invece sono Sion liberi dj crederci oppure no io ho fatto per avvisare

[@guzepppi]

♥️ 🇲🇹♥️☘ XIXXA

[@sheldonbazinga3985]

Joliment interprété..."Mou du genou" (désolé), mais religieux à souhait...Tout se déroule comme prévu, et cela n'est déjà pas si mal...Petite question : c'est pour ne pas qu'on lui vole que le 2e hautboïste a attaché son instrument au col de sa chemise? ahahah! En tous cas le duo de hautbois est très plaisant, bien qu'un peu aigrelet...Merci pour la diffusion de cette cantate trop peu jouée.

[@nelsonwhaley6348]

Ecstasy..

[@kereldeman2989]

The tempos are too slow, which makes everyting drag. With all the dynamiics at hand, this in itself is an achievement. It seems, however, that in this performance (and so in BWV 22) Mr. Kuijken sees Bach primarly as work. If he wants to express the suffering of Jesus by that, he has succeeded very well.