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A Scifi Odyssey to the heart of democracy
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Bibliography:
“The Antidote to Civilisational Collapse,” Adam Curtis interview with The Economist www.economist....
Kojo Koram, “Britain’s Blindness,” in Dissent Magazine www.dissentmag...
Eoin O’Malley, “Brexit Offers A Prized Return to the Blitz Spirit,” in The Times www.thetimes.c...
Pankaj Mishra, “The Malign Incompetence of the British Ruling Class,” in The New York Times www.nytimes.co...
William Shakespeare, Coriolanus
Mill, Utilitarianism, A Few Words on Non-Interventionism, and Considerations on Representative Government socialsciences... (PDF)
Fricker, Epistemic Injustice tinyurl.com/y3...
Medina, The Epistemology of Resistance tinyurl.com/y4...
Mbembe, Necropolitics (pdf) warwick.ac.uk/...
Simplican, The Capacity Contract tinyurl.com/y4...
Mitchell, “An Unbroken Assertion of Sovereignty,” in Drumbeat ed. Boyce Richardson tinyurl.com/y5...
Arend Lijphart, “Unequal Participation; Democracy’s Unresolved Dilemma,” in The American Political Science Review
Annabelle Lever, “Compulsory Voting: A Critical Perspective” in The British Journal of Political Science
Moxie Marlinspike, Windy Hart, “An Anarchist Critique of Democracy” theanarchistli...
Harsha Walia, Undoing Border Imperialism tinyurl.com/y6...
Philosophy Tube, Immigration, Sovereignty, and the EU • Immigration, Sovereign...
Hbomberguy, “How Should I Vote in the EU Referendum?” • How Should I Vote In T...
ARRIVAL (2016, dir. Denis Villeneuve)
Lessons from the Screenplay Arrival: Examining An Adaptation - • Arrival - Examining an...
“The Apocalypse We Need: MeToo and Transformative Justice Part 1” How to Survive the End of the World Podcast
Jessica Elgot, “Vote Leave Fined and Reported to Police by Electoral Commission,” in The Guardian www.theguardia...
Nathaniel Perlisy, “Americans are Losing Faith in Democracy - and In Each Other,” in The Washington Post www.washington...
Music:
‘Destination Zero’ by Nina Richards www.ninarichard...
Additional Music by Zoë Blade www.zoeblade.com/
Additional Music and Sound Effects by EpidemicSound.com
Footage from Arrival (2016) represents fair use for education and commentary.
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