Building Looks, Part 1

Рет қаралды 17,035

Күн бұрын

Пікірлер: 27

@eric-seastrand 2 жыл бұрын

I’ve learned so much from your channel. I still don’t understand why you don’t have more subscribers. Keep up the great work!

@jhass00 4 жыл бұрын

Saw "The Volunteer" and I found myself anxiously waiting for the credits to roll and see who colored it, it looks INCREDIBLE. Not that I wanted it to end, but I was stuck on THE LOOK. Just wanted to pass that along!

@juduchovny 10 ай бұрын

Hi Cullen. Wondering why in this project you choose to color manage at the timeline level rather than projec level. Thanks!

@laniakeasupercluster4606 8 ай бұрын

But what were your colour Management settings in the project setting? Are you working in a colour managed environment? Also, have already set an IDT for you clips, if so , what were they? It's not clear what your starting point is. Cheers.

@ST7GOLDTRIDENT 3 жыл бұрын

Great tips. I think the Print Black (I didn't know that term) and bringing down the white point are good solutions for the issue I've been facing. In gameplay videos, flashbangs or explosions of any kind will clip the highlights very easily and if I compensate for that by decreasing gamma/lift, then my blacks can clip in darker parts of the video. I will test this next time and lift the blacks and bring down the highlights. It's a better solution when in a hurry than finetuning every single clip (which wouldn't solve the issue of explosions causing the highlights to clip). By the way, sometimes I see no matter how much I push the image, the waveform is pushed against an invisible line, preventing clipping. Is that Resolve's color managed at work? My project wasn't in Color Managed and still the waveform behaved that way. I wonder if enabling Broadcast Safe was causing this? Thanks.

@anttiheik 3 жыл бұрын

Thank you for the great tutorials Cullen! I consider myself an intermediate in Resolve but I find myself learning quite a bit from your videos. One question arose from this video though: is your "OUT" compound node only transforming the color space from working color space to display or the gamma as well?

@arindamdas8452 3 жыл бұрын

Hi Cullen, your tutorials are very good. Can we get a video on how to use colloid and Dctl ofx?

@williammchilima8057 3 жыл бұрын

u deserve a million subs... love it

@taunado 2 жыл бұрын

Hi Cullen. Thanks for sharing your insight and knowledge. What websites can you recommend to purchase interesting stock footage to grade for my portfolio? I'd like to grade shots where I can have artistic freedom to help tell the story through colour, rather than achieving realistic looks.

@o0getfighted0o 3 жыл бұрын

This is an awesome series. Really thorough and easy to follow. I’d be interested to see how your output transform node is built.

@CptCurk 2 жыл бұрын

@@CullenKelly Was asking the same question... Using Davinci Color management, I'd like to get a consistent luminance and saturation mapping out of the box ! :D I'll watch all your videos ! Thanks for that qualitativ content.

@storyfirstfilms149 3 жыл бұрын

fantastic is the colloid available as not a subscription?

@StandOnAMountain 3 жыл бұрын

1000th Sub, Let's go! Great series, thanks for doing them.

@Photogabi 3 жыл бұрын

Amazing series, just discovered it. Thanks for providing all this insight into pro-level grading. Quick question. At 2:09 you have the OUT (output node) that is supposed to take Arri Log C to rec709, yet the node loos empty. The transform happens somehow because the image looks, well... transformed. Am I missing something? What do you have set for Timeline color space at project level? Just curious. Thanks!!

@Photogabi 3 жыл бұрын

@@CullenKelly Thank you! Looking forward to it!

@davidhardenberg5382 2 жыл бұрын

Wow I’m loving your tutorial especially the introduction and explanation of why and how in your first few videos. I’ve just looked at part1 contrast. What I’m confused about, you talked about Color management. Do you do Color management before you start the contrast process?

@davidhardenberg5382 2 жыл бұрын

So before pt1 has the process already converted the log footage to rec709?

@davidhardenberg5382 2 жыл бұрын

Awesome that makes sense

@robertkwela8186 2 жыл бұрын

Hey Cullen fantastic tutorials finally I have start to learn grading thank you. Just one question about working on timeline level. When some of the clips from timeline need bigger adjustments do I copy the nodes from timeline to the clip and make correction there? or there is another way to adjust individual clips from timeline if they need some. Thank you very much grate work BTW Core Elements Creative lut pack is fantastic really enjoy to work with them

@robertkwela8186 2 жыл бұрын

@@CullenKelly HEY one more question about the lut pack I got from you sorry not too sure where to contact about it. Make sure you're grading in Resolve Color Management/DaVinci Wide Gamut Intermediate. Can I get there by CST node? or just only from CM project settings? lets say I got fuji xt4 from my research input color space is rec2020 input gama Fujifilm F-log then I choose for Output color space Davinci Wide Gamut and for output Gamma 2.4 is that correct? the output node to rec709 I done ICS Davinci Wide gamut then IG gamma 2.4 OCS rec.709 OG gamma 2.4 Then I set 2 nodes between for the lut(s) and make my grading in separate nodes to the left of the lut(s)