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From The 1979 release "David Werner"
I have seen David Werner remembered online for his contributions to 70s glam rock in the style of early David Bowie, but his third and final LP (the only one I have heard), 1979's self-titled release, sounds much more power pop than glam. That said, it's the harder-edged side of power pop with the guitars meaty, loud and up front.
There's plenty to rock out to here, but the album's most memorable moments actually come when it tries to branch out a bit. For example, Melanie Cries is a very appealing foray into 70s soft pop (it works much better than it sounds) and High Class Blues successfully attempts Stonesy blues rock.
It's not surprising that this album didn't reach the masses as nothing really stands out as a surefire single, but it's certainly a worthwhile listen for any fan of late 70s power pop.