Debussy - Danses pour Harpe: Sacrée & Profane (Ct.rc.: Suzanne Cotelle, Igor Markevitch, H.S.Q.)

[@classicalmusicreference]

Full Album available // Debussy: Danses pour Harpe, La Mer by Igor Markevitch 🎧 Qobuz (Hi-Res) cutt.ly/becGhTES Tidal (Hi-Res) cutt.ly/secGh7nu 🎧 Apple Music (Lossless) cutt.ly/yecGjxQF Deezer (Hi-Fi) cutt.ly/pecGjFrx 🎧 Amazon Music (Hi-Fi) cutt.ly/DecGjMTf Spotify (mp3) cutt.ly/yecGktJa 🎧 KZbin Music (mp4) cutt.ly/8ecGkfdY Idagio (Hi-Fi) (off) 🎧 Napster, Pandora, Anghami, Soundcloud, QQ音乐, LineMusic, AWA日本… Claude Debussy (1862-1918) Deux Danses pour harpe et orchestre, L. 103 00:00 I. Danse Sacrée (Remastered 2023, Paris 1958) 05:06 II. Danse Profane (Remastered 2023, Paris 1958) Harpe: Suzanne Cotelle Orchestre Lamoureux Conductor: Igor Markevitch Recorded in 1958, at Paris New mastering in 2023 by AB for CMRR Debussy: String Quartet Op. 10 by the Budapest String Quartet 🎧 Qobuz (Hi-Res) bit.ly/3Rn0HF4 Tidal (Hi-Res) bit.ly/44XDsnT 🎧 Deezer (Hi-Fi) bit.ly/48icB9k Amazon Music (Hi-Fi) amzn.to/3LpnbS2 🎧 Apple Music (Lossless) apple.co/3Nz4dtb Napster (Hi-Fi) bit.ly/4187x3T 🎧 Spotify (mp3) spoti.fi/3Pb0uBS KZbin Music (mp4) bit.ly/48qIU5Y 🎧 Pandora, Anghami, Soundcloud, QQ音乐, LineMusic, AWA日本… Claude Debussy (1862-1918) Deux Danses pour harpe et orchestre, L. 103 09:44 I. Danse Sacrée (2023 Remastered, Studio 1951) 15:03 II. Danse Profane (2023 Remastered, Studio 1951) Harpe: Ann Mason Stockton Hollywood String Quartet (Concert Arts Strings) Conductor: Felix Slatkin Recorded in 1951 New mastering in 2023 by AB for CMRR ❤ Join us on our WhatsApps fanpage (our latest album preview): bit.ly/3Mraw1r 🔊 Discover our new website: www.classicalmusicreference.com/ 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ): bit.ly/370zcMg 🔊 Follow us on Spotify: spoti.fi/3016eVr ❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page. Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr Emmanuel Bellanger: Danse sacrée, Danse profane dates from 1904. Debussy was then in the full flowering of his art: his opera Pelléas et Mélisande had been premiered in 1902. Debussy left us no religious or sacred works, and that's what interests us about him: as a pioneer, he drew on an aesthetic tradition that went far beyond what was known as tradition in his time. We can discern in his music the musical resonances between creation and a certain tradition coming from the world of liturgy. Without it being clearly expressed, this is indeed a dialogue between culture and worship. In these dances, we hear reminiscences of ancient and Gregorian modality. We are in the midst (1904) of the restoration of Gregorian chant by the monks of Solesmes, both in terms of rhythm and modal scales; all these questions agitated the composers and musicographers of the time. We also know of Claude Debussy's interest in the ancient sculptures he discovered in the Louvre Museum. The term "sacred" is not to be understood here in the usual sense, but rather as hieratic, solemn, noble: this dance is a sarabande, a slow dance that gives the impression of a mysterious cult. The Danse sacrée is written in Dorian mode, which gives this beautiful piece its distinctive character. The Danse profane, which follows directly on from it, is a languorous waltz, swirling in another ancient mode, the Lydian, which also lends an almost exotic color to this music. This color also comes from the unusual instrumentation: Danse sacrée, Danse profane was commissioned by Pleyel to promote a harp of their own manufacture. The work is written for harp and string orchestra. One might say to musicians what Debussy said to pianists performing his sonata for cello and piano: "the piano doesn't fight against the cello, it accompanies it." Here, the strings don't fight the harp, they accompany it. www.narthex.fr/blogs/ils-ont-des-oreilles-quils-entendent/claude-debussy-entre-lantique-et-la-modernite Claude Debussy PLAYLIST (references recordings): kzbin.info/www/bejne/eYfHdnarish7pJI

[@김은리-d3c]

추석 보름달이 반달될 때 언니와 난 태어났죠 드뷔시님~~달빛 감사

[@parkch1123]

Debussy..... Harp.......... Lamoureux......... Markevitch.............. New mastering in 2023 ............. Very Good ^^

[@classicalmusicreference]

We offer two versions for comparative listening, the first with harp and full orchestra, the second with harp and chamber orchestra. Nice listening

[@Otokage007]

God, Debussy is the true master of harp melodies.

[@notaire2]

Wunderschöne und lebhafte Interpretation dieser vier impressionistischen und fein komponierten Tänze mit schimmernden doch eleganten Klänge der genialen Soloharfe sowie gut vereinigten und perfekt entsprechenden Tönen der anderen Instrumente. Der intelligente und ebenso geniale Dirigent leitet das ausgezeichnete Orchester im gut analysierten Tempo und mit möglichst effektiver Dynamik. Faszinierend vom Anfang bis zum Ende!

[@dejanstevanic5408]

So nice - thank you for this refine pleasure.

[@classicalmusicreference]

Emmanuel Bellanger: Danse sacrée, Danse profane dates from 1904. Debussy was then in the full flowering of his art: his opera Pelléas et Mélisande had been premiered in 1902. Debussy left us no religious or sacred works, and that's what interests us about him: as a pioneer, he drew on an aesthetic tradition that went far beyond what was known as tradition in his time. We can discern in his music the musical resonances between creation and a certain tradition coming from the world of liturgy. Without it being clearly expressed, this is indeed a dialogue between culture and worship. In these dances, we hear reminiscences of ancient and Gregorian modality. We are in the midst (1904) of the restoration of Gregorian chant by the monks of Solesmes, both in terms of rhythm and modal scales; all these questions agitated the composers and musicographers of the time. We also know of Claude Debussy's interest in the ancient sculptures he discovered in the Louvre Museum. The term "sacred" is not to be understood here in the usual sense, but rather as hieratic, solemn, noble: this dance is a sarabande, a slow dance that gives the impression of a mysterious cult. The Danse sacrée is written in Dorian mode, which gives this beautiful piece its distinctive character. The Danse profane, which follows directly on from it, is a languorous waltz, swirling in another ancient mode, the Lydian, which also lends an almost exotic color to this music. This color also comes from the unusual instrumentation: Danse sacrée, Danse profane was commissioned by Pleyel to promote a harp of their own manufacture. The work is written for harp and string orchestra. One might say to musicians what Debussy said to pianists performing his sonata for cello and piano: "the piano doesn't fight against the cello, it accompanies it." Here, the strings don't fight the harp, they accompany it. www.narthex.fr/blogs/ils-ont-des-oreilles-quils-entendent/claude-debussy-entre-lantique-et-la-modernite ❤ Join us on our WhatsApps fanpage (our latest album preview): bit.ly/3Mraw1r 🔊 Discover our new website: www.classicalmusicreference.com/ 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ): bit.ly/370zcMg 🔊 Follow us on Spotify: spoti.fi/3016eVr ❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page. Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr

[@Aestheticaye]

I wish this existed (with exact cover art) in LP format!

[@김은리-d3c]

드뷔시는~하프 그랬구나 ^^

[@littlenomad]

Excellent! I hope some more French Impressionist content is on the way!

[@freiermensch6569]

❤

[@dmacrolens]