Easy Way To Memorize Scale & Arpeggio Shapes Faster🎸🔥

[@JonBjork]

Single String Picking Course: jonbjork.teachable.com/p/mastering-the-single-string-groups-of-four-sequence Systematic 3-notes-per-string Alternate Picking Course: jonbjork.teachable.com/p/the-practice-room-systematic-approach-to-alternate-picking-3-nps Tabs for the intro lick: www.patreon.com/posts/109192439

[@Nick.Degrutt88]

Best YT Guitar Channel ❤ thank you so much for these lessons!

[@JonBjork]

Thank you!

[@mikaellonnqvist3637]

Tack för svar Jon! Svårt att beskriva, men låter tex vid 3nps som att strängen träffar baksidan på plektrumet, eller träffar den tummen. Men är nog som du säger sync som är problemet. Tack igen

[@iduncanw]

Nice, I've done this in the past but can't remember if it was just something I did or heard it somewhere. Either way, it's nice to get reassurance and a reminder as I don't always do this with new patterns. I guess the next step is being able to move through scales up and down the fretboard in any key. Is this where your "Mastering the Single String Groups of Four Sequence" course will help? I started recently, but temporarily sidetracked with a new hobby. For example, I can fairly easily move around A minor pentatonic and getting better at the full A minor. I can partially move through other scales if I use the root note as a basis of "where am I" and I've learnt where some other notes are relative to each other (eg where is the fifth - up and down).

[@JonBjork]

That course will have you playing the Natural, Harmonic and Melodic minor scales in all keys one string at a time. (If you follow the practice routine suggested). So yes, definitely will get you there😊

[@iduncanw]

@@JonBjork excellent, thank you.

[@davidp6007]

Any practice on the guitar is useful but.....if you were to play all the positions of a minor pentatonic...you would be moving across the fretboard; of course doing it in different keys..... wouldn't that be less confusing to the brain and more useful in playing terms, better as a usable skiilset....than one shape across the fretboard?!? I use that sort of approach with scales and modes as they all have several positions. Not a criticism just an observation....you do great stuff and give very useful advice. Thanks 🙏 Ciao! 👽🤘

[@JonBjork]

Hey David! As I mention in the beginning of the video, you should absolutely work on things in a one key all over the fretboard as well. The point here is to learn the shapes in a much faster way that'll also make it easier to work in any key since you'll see the shapes clearer. The next step here would be to connect each of the shape with the next but still move it chromatically, as in shape #1 in Fm to shape #2 in Fm, do the same in F#m, Gm etc. Then do that with all shapes, 2 to 3, 3 to 4, 4 to 5 and 5 to 1. Once you've done that you'll have a much easier time working on specific keys since you already can go from any shape to the higher or lower neigbhouring shape. Hope that helps!

[@mikaellonnqvist3637]

Hej Jon, har undrat ett tag vad du menar med flams..?

[@JonBjork]

Hej! När händerna är ur synk. Det blir en extra ton om du är för tidig med endera hand vilket gör att din alternate picking låter sluddrig och otydlig.

[@NikosKatsikanis]

have a s sub