Forqueray - La Couperin / Il Giardino Armonico

[@edenahbez2656]

La musique baroque est peut-être le seul genre qui vous fait ressentir à la fois la recherche de la sagesse, la tristesse, le néant face à l'existence et le sentiment d'intemporalité. Salutations de la Turquie.

[@henrykornfeld9893]

Bien exprimé!

[@krzysztoffirlus581]

the other 249.978 people understood that La Couperin is a famous piece of Antoine Forqueray, here fantastically played.....

[@kegelchen32]

Verloren und wiedergefunden! Ich wußte nichtmehr, daß dieses Juwel LA COUPERIN heißt! Ein ästhetischer Hochgenuß in jeder Hinsicht... Thanks for sharing...

[@jasjjb]

I saw this video in 2010 and again today and again I am blown away by the quality of this playing ..thank you again !!

[@chegadesuade]

Absolutely breathtaking, the playing is fantastic and authentic instruments beautiful.

[@bifeldman]

Marvelous playing in a marvelous room.

[@concentusxl]

Nel mistero della grotta di Versailles, si rinnova l'omaggio del gambista virtuoso Antoine Forqueray a Couperin. Il nostro tempo riscopre e valorizza luoghi e musiche.

[@paganininicco]

vittorio ghielmi and pianca. the best sound in the world! thanks

[@esaulr.775]

El estilo de V. Ghielmi ha mejorado mucho desde entonces.

[@francello75]

che intensità!!! meraviglioso! bravissimi!

[@tritus67]

It's stunning....meraviglioso Vittorio Ghielmi!!!!

[@csabakornelfulop7158]

Das ist wunderschön. Und auch der Saal. Unheimlich schön-Kornél von Ungarn

[@patrickdirks1013]

This performance is CRIMINALLY underrated. Both vigor and imagination are married together as the two masterful musicians perform this piece of music; solidifying that mankind has ALWAYS been composin' #BanGerrZ_

[@e22222mmm]

EXCELENTE PRESENTACION. FELICITACIONES MAESTROS... Enrique Millan Gomez -Profesor de Historia de la Música-Concertista Colombia

[@TomGeeftGitaarles]

This is absolutely stunning, both music and performers.

[@kimmyhr]

great performance! really lively, thats what is so great about this duo. fantastic.

[@CoyoteBuddy]

Perhaps I've lead a sheltered live, but that is one of the most resonant lutes I have ever heard. Quite lovely.

[@ZoieRag]

The lute player is a very emotionally in tune with the music. And so is the viola da gamba player!

[@JackyBlue2024]

Música maravillosa de tiempos antiguos... alimento para el corazón y los sentidos😊

[@Alexandrosama]

C'est la plus impressionante version de cette oeuvre que j'ai entendu. J'en ai le souffle coupé tellement je suis impressionné. Et ça fait déjà bien desfois que je la récoute, je n'en suis pas lassé pour autant !!! Merci d'avoir mis cette video.

[@Only4Russian]

Wow! Gorgeous music, gorgeous setting, gorgeous instruments!

[@victorgallardo1583]

I love these guys!

[@LAWFULKUN]

Fantastico, sono veramente senza parole...

[@ZoieRag]

Absolutely wonderful... The French baroque had such rich music and it made a deep impression on a lot of French composers in the later musical periods

[@anonimoalfin]

I love this work, never get tired of hearing it... Thanks.

[@cinziavidali411]

Bellissima musica interpretata in maniera eccellente

[@anycarlos3816]

Essa música e performance tem um lugar especial no meu coração. Sempre volto aqui!

[@AGLMIL]

Pareciera que esta fantastica obra fuera para estos dos excelentes musicos!! BRAVO!!!!!!

[@jasjjb]

Fantastic music made by superb musicians. Many thanks !

[@mariedorio3904]

Magnifique interprétation !

[@slopemusic]

Beautifully filmed and beautifully played.

[@krzysztoffirlus581]

each time the same deep emotion....

[@lute323]

Wonderful　duette. Energetic and lively. Thank you for posting this video.

[@051963mf]

If, there is a heaven, it must sound like this.

[@WS-bb1oe]

without all the breathing noises maybe

[@RIANQUIPA]

¡Celestialmente hermoso!

[@roberto38766]

Que música maravilhosa, obrigado, grande performace!

[@gracielagarcia8594]

Gracias 🙏

[@Roberto_MR]

@TheSideflip Hi, the instrument is a Viola Da Gamba. It´s something like the Cello´s lost cousin. It was used during the renaissance and baroque periods. There is a beautiful repertoire for this instrument... look for it.

[@Roberto_MR]

wow... this music is very beautiful.

[@welltuned24]

The French Theorbo is very resonant, and much more along the lines for this chamber music, as apposed to its oversize Italianate form utilized in larger settings and ensembles. The single strung courses are shown to full advantage when coupled with the Gamba. Excellent period pairing of instruments.

[@szilvavirag]

Ah, Beauty, Beauty, Paradise on Earth!

[@emotionalboy89]

REALLY BEAUTIFUL....

[@Animalia00]

impresionante...realmente hermoso!!!

[@annaannaof716]

Beautiful ♫♪☺

[@arukapinaka5564]

Read E.G.Baron's "Untersuchung des Instruments del Lauten", (1727) and you will find the exact description of the single strings archlute in G, no doubt that it has existed, and please stop with this kind of unuseful comments. Inform yourself and listen to the music

[@miki890098]

this is pure awesomnes

[@rtomas19]

Pianca rocks!

[@finbarrdolan]

Lovely

[@etsukodarani8385]

bravo.

[@AGLMIL]

Monumental!!!!!!!!!!!!!!!!!!!!!!!!

[@subgerocallidus]

@0pteryx You realise that Neither a Cello or a guitar appear in the video right?

[@ChaconnesAreFun2Play]

@NeoBossman You are right. Most continuo was a solo harpsichord, lute/theorbo, or even a solo cello or bass!

[@maarargu]

beautifull

[@mercoid]

Exquisite

[@karyrock1]

HERMOSAAA

[@Collagenre]

Mmmm, want more!

[@s2p3c]

22 people came here expecting Francois Couperin....

[@Fraususemil]

I came here expecting Couperin but with an open mind :o) ok, I confess, I love a huge range of music - and I was in tune for this.

[@gianluchino59]

bellissimo

[@moshes691]

great

[@isikaltu]

all hail to Mr.Pianca..

[@vitellia]

How interesting! So this is Forqueray's answer to Rameau's "La Forqueray", so to speak?! Were they good friends? I have a feeling that Forqueray didn't know Rameau as well as vice versa. I find Rameau's caricature of Forgueray sounds more characteristic of Forqueray than Forqueray's of Rameau is of Rameau. LOL... But then, I'm not as familiar to Forqueray as I am to Rameau.

[@yamex5]

You must mean why was it built single coursed? Theoboros and other instruments were often single coursed, and frequently, players don't often pluck both strings anyways. IMHO, I thought it sounded cleaner without the intonation differences usually heard in a course. My only criticism was that the lute should have been mixed higer relative to the Viola da Gamba.

[@parthoroy9141]

What's up with the thumbs down votes? What the Forqueray people?

[@urbi11]

they are playing in the salzburg hellbrunn castle

[@intagen]

Jimmy Hendrix was also a 'South Paw'!! Cool stuff!

[@Olvandi99]

4:08 i heard a trill but i didn't see it, was it that fast?

[@bengordon2373]

+Olvandi99 I think it's "dubbed"

[@cembalaro]

Majesteusissimo & Resolutissimo...! Great playing & nice ambience concluding Forqueray's magnificent 1ére Suite. Laudable indeed, this fine posting!! On a second note, slightly Devil's advocate-ish: Why does one get the impression that viol-players seemingly have to breath so huffy-puffy through their noses during playing - as if their profound 'fierement' needs an audible applomb - with a certain 'taurus component'??!! I just ask... with a tongue-in-cheek, of course..;-)))...!

[@AngeloDeAngelis748]

...avec mes compliments...

[@Forcroi]

Sure would like to know,whether what we know as music of Anoine Forqueray was really written by him,or his son Jean Baptiste(who published the works)...anyway,Ghielmi is definitely one of the best violists around...and he plays original viol from 17th century!!!!:)

[@Fraususemil]

Someone said this is lame. Ok, you are right, this is not for the coarse ones ;o)

[@krzysztoffirlus581]

the best

[@BuchouKuruta]

Viola da Gamba!!!

[@gambaclassmozarteum1139]

nice

[@bobbyhealey]

rock on

[@traversoflute]

who knows where are they playing?

[@doragarcia8484]

Precioso vídeo. Dónde fué grabado ?

[@Fellow_Traveller1985]

That baroque lute has only single courses, how common is that historically?

[@NaitsabesWinklersson]

Opteryx Industries I know of the Angelika, which is essenitally a baroque lute with single course: en.wikipedia.org/wiki/Ang%C3%A9lique_%28instrument%29

[@Fellow_Traveller1985]

Why is that lute single coursed?

[@marie-thereseaubert3040]

Guerison quantiqantique

[@mason11198]

power move

[@DeMars3]

The gamba has to be incredibly difficult to play given all of those strings.

[@keeltisch]

Is that in largo?

(music ends).... "Uh?.... aw.. I'm in 2012 :( "

[@ttomace]

@ivanosito haha... i felt the same thing.!

[@migrando2]

According posting I received in attention the question I asked on another site, Enrico Onofri is sick. His thinness and disturbing and causes sadness to lovers of their technical qualities.

[@ROULETTEREGIME]

"THE ROULETTE REGIME WAS HERE"

[@gambaclassmozarteum1139]

265839 listening the nice music!

[@queenverdefenix]

@Alexandrosama no se te entiende nada pro se que tienes razon

[@traversoflute]

why have you deleted this comment? (urbi11)

[@bambalikman]

ברוק כבד

[@RosssRoyce]

Very nice! The viola guy should probably calm down a little bit--the lute isn't too loud of an instrument :D

[@chriseliothernandez]

obviously a modern guitarist posing as a lute player. quite well done.

[@CirageNoir]

@0pteryx WHAT THE FUCK O_o

[@warrkrymez]

He's a savant.

[@rococoness]

@0pteryx LMAO XDDDDD

[@pierpola1]

Il liutista dovrebbe sapere che quello strumento deve avere le corde doppie e essere suonato come un liuto , non come una chitarra. Quello non è "il suono" del liuto

[@Eva-nd8qm]

+pier luigi polato L'ignoranza del sig. Polato è merce piuttosto diffusa ! Vada a leggersi, tra le altre fonti a disposizione, "Untersuchung des Instruments der Lauten, E.G.Baron, Nürnberg 1727", e si chiarirà le idee su liuti, arciliuti, corde semplici, doppie e quant'altro. Prima di cio', sarebbe bene astenersi da commenti inappropriati.

[@pierpola1]

+Eva Innanzitutto la ringrazio per l’attenzione posta alla mia situazione, con convincenti parole; credo che seguirò il suo intelligente consiglio di informarmi maggiormente. Il problema per me è che il libretto di Baron l’ho letto qualche anno fa, ma non solo quello, perchè negli ultimi poco meno di 50 anni, nei quali mi sono dedicato allo studio del liuto, ho cercato di procurarmi materiale al riguardo (Lute society americana, inglese, ecc.). Ho cercato anche di avere anche un po’ di musica liutistica, così, tra microfilm, fotocopie, pubblicazioni, mi sono procurato, come potrà immaginare, una discreta quantità di materiale originale (circa un centinaio di libri o poco più). Mi ha sempre molto interessato l’iconografia, così, per tentare di capirci un po’ di più, ho collezionato qualche centinaia di riproduzioni di dipinti con il liuto (non so se per lei valgono come documenti, ma le assicuro che ci sono elementi molto interessanti) . Ho avuto anche la fortuna di vedere molte raccolte di strumenti originali, e per lavoro, entrare nei depositi del museo di Norimberga e di Roma. Ci sono altre cose al riguardo (ricerche, pubblicazioni, concerti, lezioni, ecc.), ma sono stanco di tediarla, dimenticavo, mi sono anche diplomato in liuto dal 1982 con il M° Cristoforetti (con la lode e vari riconoscimenti) , poi ho preso anche un altro diploma nell’ambito della musica antica. Si pensi che nonostante la mia ignoranza sono stato più volte richiesto come commissario esterno in diversi esami di liuto. In definitiva, qualche idea di come è fatto un liuto, credo di averla acquisita, comunque grazie ancora, soprattutto della sua educazione. Buona fortuna pier luigi polato

[@chriskister176]

I´m sorry the flow is spoiled

[@walendxweg]

Les YEUX banDéS

[@elfpix]

No thanks. Not enough air between the notes. It sounds labored.

[@ElVizconde]

Try Jordi Savall

[@walendxweg]

BARCELONE reference JPC AUJOUR D HUI MADAM nous éprouvons !! Parfaitement Salomé TU PEUX PAS CHANTER POUR PERSONNE J ENTENDS DES DROLES de bruits DERRIéRe LES FENTRES A GUILLOTINE